ick the gu u i memoriam Malcom X Cotrabass Clariet i Bb Percussio - Drum Kit - Electric Guitar 17 Miutter Eric Skytterholm Ega 2017 Some times you have to ick the gu u, to ut the Gu dow. Malcom X
Perormace otes: The score is trasosed. There are o arts - the iece should be erormed rom the score. Cotrabass Clariet i Bb Dieret (similar) bass itches or the multihoics ca be chose i ecessary. Toms (), Sare, Pedal Bass Drum, Crash, Ride, Hi-Hat, Cowbell Double Bass Pedal. 2 Woodblocks or Marimba Bars tued to B ad C# aroud Middle C. Hard Sticks, Bow Woode Thimbles (2), Glass Thimbles (2), Rubber Thimbles (2). Percussio - Drum Kit - Electric Guitar The Drum Kit (cymbals ad drums but ot woodblocks/marimba bars) should be heavily reared with chais ad other accessories, to create comlex, distorted timbres. Whammy Bar, E-Bow Distortio Pedal, Volume Pedal, Eects Pedal.
Perormace Score (trasosed) ick the gu u - i memoriam Malcom X - o the virtue o the oble act o idustrial sabotage, ad agaist the quatiicatio o materials ito bite-sized chuks or immediate (cogitive) cosumtio. Eric Skytterholm Ega These otes should all be as similar as humaly ossible; i itch, duratio, dyamic, eveloe, ad timbre throughout. Cotrabass Clariet i Bb q = 60 Weightless ad motioless with outbursts o volatile eergy - rom the miute to the catastrohic. With some residual air * a o Rich, oe air soud. Colour with vowel chages. Percussio Bowed cowbell or marimba bar**. Electric Guitar Scordatura E-bow*** (ot layed, istructio oly) (volume edal) Eects Pedal *** Ambiet (sectral) hiss. Stay Motioless or Some Time - Beore Begiig. * Blue otes are with some residual air throughout. ** Blue otes are bowed throughout. *** Blue otes are with E-bow throughout. ***High-itched, arrow hiss. Broad wide-bad hiss. (ot layed, istructio oly) Where there are o rests, the music should be read i sace time, i relative correlatio with the other ars,
2 Rich, oe air soud. ** / a o Woode Thimble Imitate this soud i the E. Git. E. Git. Eects Pedal Ambiet (sectral). * Brow ote-heads always with woode thimbles. ** Key click with air ad a (very) ait hit o itch (same or these oteheads throughout).
// / Sadaer (Bow) > * Red ote-heads are always layed with sadaer.
4 * * Bite the reed or orce it too ar ito the mouth.very high-itched. Air Oly a (itch) o / Rich, oe air soud. a o Rich, oe air soud. * (Bow) > Sadaer (Bow) attacca Hit all strigs (o amliicatio) (m) Pos o distortio. * Remai comletely motioless or some time.
oco gliss. a o > Rich, oe air soud. (like E. Git.) / attacca ** Rubber Thimble* (Sadaer) * Gree ote-heads are always with rubber thimbles. ** Rub 1 cm. rom rim i a circular motio.
6 Sla sz Scream + Growl* ** > to Wide Multihoic*** > Woode Thimble Rubber Thimble > E. Gtr Distortio**** * Sream, Growl, ad geerally make a lot o aggressive oise. **Pitch as high as ossible. *** Gradually move rom a hiss to a wide-requecy multihoic o your choice, with this base itch. **** Gradually add distortio with eects edal. (I this case goig rom oe to very little.) Distortio Levels: Noe Some Heavy
Passages where the temoral scoe aears to be exaded (as i cl. ad erc. below) should be layed i the time-rame rom which they have bee removed (aster tha the sace-time dictates). 7 Scream + Growl sz + > Sla Rich, oe air soud. a o / /> Glass Thimble* Sadaer Sigle Woode Thimble Clicks > ** With Sticks*** sz sz> Pos o distortio. E. Git. / ** Amliied 'Clicks' * Yellow ote-heads are layed with glass thmbles throughout. ** These clicks i the ercussio ad guitar should soud as similar as ossible. *** All loud assages should be layed with sticks.
8 to Wide Multihoic / Distortio Amliied 'Clicks' Distortio (m) /
9 (scream) sz /m / + Sla + m to Narrow Multihoic m m m Distortio sz > 6 7 6 sz E.Git. / (m) m /
10 7 Loud Multihoic m Distortio / Wide Multihoic (m) > Narrow Multihoic With Heavy Distortio* m m Whammy Bar** 6 * Heavy Distortio throughout these loud sectios. ** To o lie = omral. Bottom lie = ully deressed.
11 Narrow Multihoic Squeek m Air Oly Amliied 'Clicks' Imitate* (Sadaer) > / Distortio > * Imitate i Gitar ad
12 m a o Rich, oe air soud. / > a o / (Bow) /> E.Git. 'Click' sz
1 Air Oly a o Rich, oe air soud. / a o (Bow) E. Git. 'Clicks'' (m) Distortio Distortio (m)
14 / (re-togue) (scream) m Distortio (bow) / Glass Slide Distortio Whammy Bar 6
1 Air Oly / Air Oly 7 / / / (re-togue) (scream) Loud Multihoic / / m m/ 6 Whammy Bar
16 Loud Multihoic 9 / / > Air Oly Air Oly (bow) (orm.) m m m m sz > Glass Slide Distortio m ( ) sz Whammy Bar /
17 Loud Multihoic / / Air Oly m m m Air Oly > /m (bow) m > m m m / m Distortio sz m Whammy Bar m m m de-tue B strig (ot layed, istructio oly)
18 Air Oly Air Oly > > Air Oly m m/ m /sz m m m m m / m m m Molto Vibrato (1/4 toe) to ( ) ( ) Glass Slide Distortio tue B strig (ot layed, istructio oly) re-tue B strig (ot layed, istructio oly)
19 / > m/ m > m m m sz sz > > Glass Slide sz sz sz sz
Reeat each cell ad lib. Playt rom begiig to ed, ollowig the lies. Esure that the age is eded with sudde simultaious silece. wait 4-6 secods /m m * wait 4-6 secods 9 m Whammy Bar * With Heavy Distortio or the duratio o the age. m sz sz sz m / m / /m m m / / m / sz / m sz sz sim. * Air Oly 20 * Wait util silet. Clariet eters whe almost silet.
21 Air Oly > (Bow) (Bow) Air Oly Rich, oe air soud. a o Distortio tue u B strig (m) (ot layed, istructio oly) (E-bow) ( ) ( )
22 SLUTT