KODAK VISION 500T Color Negative Film 5279 / 7279

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TECHNICAL DATA / COLO NEATIVE CAMEA FILM March 1996 H-1-5279 KODAK VISION 500T Color Negative Film 5279 / 7279 A-00 Month 1996 SPEED. WITHOUT AAE. You know the trade-offs. When you need the speed of a very fast motion picture film, you also have to take the baggage. A bit of compromise in sharpness. More grain than you d like. No more. KODAK VISION 500T Color Negative Film gives you all the speed you expect. Plus, fine grain and high sharpness you ll find unbelievable. KODAK VISION 500T Film has all the color, contrast and latitude you re currently receiving from Kodak highspeed color negative products. ich black shadows. Clean white highlights. Lively colors. And excellent flesh-toneutral reproduction. It cuts seamlessly with other Kodak color negative motion picture films. ecause it s made in the most advanced Kodak sensitizing complex in the world, this 500-speed tungsten-balanced film sets new standards for consistency emulsion to emulsion, roll to roll, batch to batch. And new, more useful packaging, including scanable bar codes, peelable labels, and golden cans make this new film easy to identify. ASE Acetate safety base with rem-jet backing. DAKOOM ECOMMENDATIONS Do not use a safelight. Handle unprocessed film in total darkness. POCESSIN ECN-2 STOAE Store unexposed film at 13 C (55 F) or lower. For storage of unexposed film longer than 6 months, store at 18 C (0 F). Process film promptly. EXPOSUE INDEX Tungsten (3200 K) 500; Daylight 320 (with KODAK WATTEN elatin Filter No. 85) LAOATOY AIM DENSITY Time negative originals relative to Laboratory Aim Density (LAD) Control Film supplied by Eastman Kodak Company. COLO ALANCE This film is balanced for exposure with tungsten illumination (3200 K). You can also expose it with tungsten lamps that have slightly higher or lower color temperatures (±150 Κ) without correction filters, since final color balancing can be done in printing. For other light sources, use the correction filters in the table below: LIHT SOUCE KODAK FILTES ON CAMEA* EXPO- SUE INDEX Tungsten (3000 K) WATTEN elatin 320 No. 82 Tungsten (3200 K) None 500 Tungsten Photoflood None 500 (3400 K) Daylight (5500 K) WATTEN elatin No. 85 320 White-Flame Arcs WATTEN elatin 200 No. 85 Yellow-Flame Arcs Color Compensating 20Y 320 Optima 32 None 500 Vitalite WATTEN elatin No. 85 320 Fluorescent, Cool White Fluorescent, Deluxe Cool White WATTEN elatin No. 85 + 10M WATTEN elatin No. 85C+ 10 200 320 Metal Halide H.M.I. WATTEN elatin No. 85 320 * These are approximate corrections only, Make final corrections during printing. These are starting point recommendations for trial exposures. When you don t know the type of fluorescent lamp, use a KODAK Color Compensating Filter CC40 with an exposure index (EI) of 250. POST-PODUCTION INFOMATION When you transfer this film directly to video, set up the telecine using negative Telecine Analysis Film (TAF). ECIPOCITY No filter corrections or exposure adjustments for exposure times from 1/1000 of a second to 1 second. In the 10-second range, increase exposure 2/3 stop and use a KODAK Color Compensating Filter CC10Y. Eastman Kodak Company, 1996

IDENTIFICATION After processing, the Kodak internal product code symbol (U), product code numbers 5279 (35 mm and 65 mm) or 7279 (16 mm), emulsion and roll number identification, and EASTMAN KEYKODE Numbers are visible along the length of the film. AIN The perception of graininess of any film depends on scene content, complexity, color, and density. Other factors, such as film age, processing, exposure conditions, and telecine transfer may also have significant effects. In VISION 500T Film, the measured granularity is very low. SHAPNESS The perceived sharpness of any film depends on various components of the motion picture production system. The camera and projector lenses and film printers, and other factors, play a role. ut the specific sharpness of a film can be measured and charted in the Modulation-Transfer Curve. DIFFUSE MS ANULAITY CUVES To find the rms granularity value for a given density, find the density on the left vertical scale and follow horizontally to the sensitometric curve and then go vertically (up or down) to the granularity curve. At that point, follow horizontally to the ranularity Sigma D scale on the right. ead the number and multiply by 1000 for the rms value. Note: This curve represents granularity based on modified measuring techniques. MODULATION-TANSFE CUVES This graph shows a measure of the visual sharpness of this film. The x-axis, Spatial Frequency, refers to the number of sine waves per millimetre that can be resolved. The y-axis, esponse, corresponds to film sharpness. The longer and flatter the line, the more sine waves per millimetre that can be resolved with a high degree of sharpness and, the sharper the film. ESPONSE (%) 150 100 70 50 30 20 10 7 5 3 2 1 1 2 3 4 5 10 20 50 100 200 600 SPATIAL FEQUENCY (cycles/mm) F002_0267AC SENSITOMETIC CUVES The center point ( N ) on the x-axis corresponds to a normal exposure of an 18-percent gray card in the red, green, and blue layers of this film. A white card is 2 1 3 stops higher than normal exposure. Anything more is overexposure latitude. Threshold exposure is 4 stops below a gray card. 4.0 LO EXPOSUE (lux-seconds).500.300.200 DENSITY.100.050.030.020.010.005 ANULAITY SIMA D DENSITY F002_0269AC LO EXPOSUE (lux-seconds) 4.0.003.002.001-8 -6-4 -2 N 2 4 6 8 CAMEA STOPS F002_0268AC 2 KODAK VISION 500T Color Negative Film 5279 / 7279 H-1-5279

SPECTAL-SENSITIVITY CUVES These curves depict the sensitivity of this film to the spectrum of light. They are useful for adjusting optical printers and film recorders and for determining, modifying, and optimizing exposure for blue- and green-screen specialeffects work. * LO SENSITIVITY Yellow- Cyan- Magenta- 250 300 350 400 450 500 550 600 650 700 750 WAVELENTH (nm) 2 *Sensitivity = reciprocal of exposure (ergs/cm ) required F002_0264AC to produce specified density SPECTAL DYE PEAKS The net negative densities for the cyan dye curve are a natural consequence of the level of the magenta masking coupler. The level was chosen to give flat correction averaged over a range of wavelengths there will be a slight overcorrection at some wavelengths and a slight undercorrection at others. ADDITIONAL INFOMATION For assistance, call the Kodak Information Center in the U.S. at 1-800-242-2424 between 8 a.m. and 8 p.m. (Eastern time), Monday Friday. To order the publications below, call 1-800-233-1650 between 8 a.m. and 7 p.m. (Eastern time). FILMS Cinematographer s Field uide KODAK Publication No. H-2 POCESSIN Manual for Processing EASTMAN Motion Picture Films, Process ECN-2 Specifications, Module 7 KODAK Publication No. H-24.07 IMAE STUCTUE EASTMAN Professional Motion Picture Films KODAK Publication No. H-1 STOAE EASTMAN Professional Motion Picture Films KODAK Publication No. H-1 The ook of Film Care KODAK Publication No. H-23 LAD LAD Laboratory Aim Density KODAK Publication No. H-61 DIFFUSE SPECTAL DENSITY * 0.8 0.6 0.4 0.2 Yellow Magenta Cyan TANSFE TAF User s uide KODAK Publication No. H-9 KODAK ON-LINE AT: http://www.kodak.com 0.2 300 350 400 450 500 550 600 650 700 750 800 WAVELENTH (nm) F002_0286AC KODAK VISION 500T Color Negative Film 5279 / 7279 H-1-5279 3

STANDAD PODUCTS AVAILALE KODAK VISION 500T Color Negative Film Identification # Length in Feet (Metres) Description Perforation 35 mm VXF417 100 (30) Camera Spool H-1866 35 mm VXF718 200 (61) On Core H-1866 35 mm VXF718 400 (122) On Core H-1866 35 mm VXF718 1000 (305) On Core H-1866 16 mm VXF449 100 (30) Camera Spool 2-2994 16 mm VXF450 200 (61) Camera Spool 2-2994 16 mm VXF451 400 (122) On Core 2-2994 16 mm VXF434 400 (122) Camera Spool 2-3000 16 mm VXF578 400 (122) Camera Spool 2-2994 16 mm VXF452 1200 (366) On Core 2-2994 16 mm VXF455 100 (30) Camera Spool, 1-2994 Winding 16 mm VXF457 400 (122) On Core, Winding 1-2994 65 mm VXF332 1000 (305) On Core KS-1866, 120KK 65 mm VXF334 500 (152) On Core, KS-1866, 120KK Special Order 65 mm VXF332 2500 (762) On Core, Special Order KS-1866, 120KK 4 KODAK VISION 500T Color Negative Film 5279 / 7279 H-1-5279

KODAK VISION 500T Color Negative Film 5279 / 7279 KODAK LOCATIONS FO DIECT ODEIN IN THE UNITED STATES: 1-800-621-FILM ATLANTA, EOIA 4 Concourse Parkway Suite 300 Atlanta, eorgia 30328-5379 Information: 800-800-8398 CHICAO, ILLINOIS 1901 West 22nd Street Oakbrook, Illinois 60521-1283 Information: 708-218-5169 DALLAS, TEXAS 2800 Forest Lane Dallas, Texas 75234-7696 Information: 214-919-3444 HOLLYWOOD, CALIFONIA 6700 Santa Monica oulevard P. O. ox 38939 Hollywood, California 90038-1203 Information: 213-464-6131 FO DIECT ODEIN IN CANADA: 1-800-465-6325 MONTEAL, CANADA 14 Place du Commerce lle des Soeurs Verdun, Quebec, Canada H3E 1T5 Information: 514-761-3481 TOONTO, CANADA 3500 Eglinton Avenue West Toronto, Ontario, Canada M6M 1V3 Information: 416-766-8233 VANCOUVE, CANADA 840 Howe Street, Suite 300 Vancouver, ritish Columbia, Canada V6Z 2L2 Information: 604-684-8535 EASTMAN SHOOTSAVE Express Film Delivery Service (U.S. Only) 1-800-404-2106 (Visa or MasterCard only service fee applies) NEW YOK, NEW YOK 360 West 31st Street New York, New York 10001 Information: 212-631-3450 Notice: While the data presented are typical of production coatings, they do not represent standards which must be met by Kodak. Varying storage, exposure, and processing conditions will affect results. The company reserves the right to change and improve product characteristics at any time. KODAK VISION 500T Color Negative Film 5279 / 7279 KODAK Publication No. H-1-5279 CAT 132 9317 Kodak, Vision, 5279, 7279, Eastman, Wratten, Keykode, and Shootsaver are trademarks. New 3/96-X Printed in U.S.A.