City of San Bernardino Historical and Pioneer Society P.O. Box 875, San Bernardino, CA 92402

Similar documents
City of San Bernardino Historical and Pioneer Society P.O. Box 875, San Bernardino, CA 92402

Postcard artist and publisher Murray Wade see page 4.

Charles Clark. From Rags to Riches

JANE MCCOWAN PHOTOGRAPHS AND PAPERS Mss Inventory. Compiled by Meghann Wollitz

BIRTH ANNOUNCEMENTS. Published in Newspapers A Valuable Genealogy Resource. Thomas Jay Kemp

My Home s History. House Name Houses are traditionally named after the first owner of the house or historically significant owners.

Knowledge is the key to success in today s real estate environment, according to Nedra Jenkins, one of the top RE/MAX

Thomas H. Shoemaker Germantown and Philadelphia portraits and views collection

San Joaquin County First Families Certificate Program

Then West Main Street: Pace Thompson s Dry Goods Store (circa ); Thompson Auto Supply (circa )

American Antiquarian Society. Manuscript Collections

the largest single institution held by First Financial Corporation, a Vigo County based

US Postal History 1847 Issue on Cover. The Catharine McKie Correspondence From Troy to South Easton NY,

Identifying Old Photographs. 8 March 2018

Shelbyville s Big Red House On The Hill History and Mystery

Artists: Ansel Adams. By National Park Service, adapted by Newsela staff on Word Count 765 Level 930L

General Information & Notes i

Stinson Markley family papers

CALHOUN COUNTY YOUTH PHOTOGRAPHY PROJECT GUIDELINES

Charles Clark. From Rags to Riches

Guide to the William Henry Jackson. Photographs

Peggy Gilbert Collection

Communication 377 Finding Your Voice: Public B Speaking Made Easy. Creative and Leisure Arts Cake Decorating. Collecting , page 21

Thomas Edison: Inventor (Famous Inventors) By Carin T. Ford

Frank Edwin Elwell papers, FLP.RBD.ELWELL

Finding Aid to the Halsted N. Gray Carew & English Funeral Home Records, (bulk )

The Search of Klock Ryder

Guide to the Edgar Allan Poe Collection

PERFINS of Great Britain. Braham Proofs

A History of the Ambler Family The Search

Guide to the Lorenzo Romans Papers

CITATION: Gilbert Family Collection, Collection 5, Box number, Folder number, Irving Archives, Irving Public Library.

Presentation for BCG Webinar, April 2016

Albany Institute of History & Art Library MG 10 RUTH ROBERTS' AFRICAN AMERICANS IN ALBANY RESEARCH COLLECTION

Roger Dooley to retire as Collections Manager

Fried-Louis Studio Portfolio

Famous First Ladies. Visit for thousands of books and materials.

Early Banks. by Michael Hurley. Smith-Layton Archive. Sponsored by Linda L. Lester

Summer of Sleuthing Saving Our Stories

George T. Clark Collection

My Favorite Seaside Photographer: James Waterhouse by Dave Elston Pg. 3

Guide to the Ida Brewington Pittman Papers

Inventory of the Breibart Family Photographs, , 1999

Greg Rogers: a Banker and City Leader

JAMES DIXON. PEWTER WARES FROM SHEFFIELD by JACK L SCOTT - ISBN:

Introduction to Michael Woods (Sr. and Jr.) Age Books and One Correction. by Cecilia L. Fabos-Becker, 2 August, 2014

A Second Mona Lisa? Science Offers Few Clues

A Finding Aid to the Keith Warner Papers, , in the Archives of American Art

C. Ervin Doyle papers

Dickerson, Rosa Belle (Praigg), (MSS 327)

Location Verification: Siting Tyson s 1863 Photograph of Camp Letterman General Hospital

Robert Campbell. R. & W. Campbell

Guide to the Levy Family Papers

CREDIT LINE: Marcell Moser Collection, Y-MS 40, Arizona Historical Society- Rio Colorado Division

2006 World Series of Poker Rio All-Suites Hotel and Casino Las Vegas

Guide to the Elizabeth Harrington Collection of Essays

Walking Tour of Paragon Mill. Providence Preservation Society September 29, 2018

Transcription Interview Date: November 20, 2014

THE STATE HISTORICAL SOCIETY OF MISSOURI RESEARCH CENTER-KANSAS CITY

MS-409, Congressman Edward G. Breen Collection

Private Peter Younger

POP ART PORTRAITS: TEACHERS NOTES

Ansel Adams: A Biography By Mary Street Alinder READ ONLINE

Joy McLean Bosfield Finding Aid to the Joy McLean Papers, , Anacostia Community Museum Archives by Kim L. Dixon February 2010

Guide to the Neil Galatz Scrapbooks

Rose & Star Coverlets The Eligent Starr Patron Gay McGeary

NEWSPAPERS. Give Us the Rest of the Story. Coming to America: William Kemp THOMAS JAY KEMP

Federation of Genealogical Societies. Set I Strategies for Societies. A First Families Project. by Margery Graham.

A Visual Index to Maps and Photographs of Redlands, California

7 th Annual MAPS Nature Photography Exhibit Prospectus The Morton Arboretum ~ Cudahy Room ~ Administration Building

PERFINS of Great Britain. Braham Dies

The University of Toledo Archives Manuscript Collection

Richard Hardaker Revisited

THE FAMILY OF RICHARD HARDAKER, BADGER OF OTLEY, WHO DIED IN 1596

Finding aid for the LaClaire portraits collection Collection 053

Tudor E. Grant: Using Documents

ELIZABETH E. PERKINS COLLECTION. Collection # The Brick Sore Museum

Photographer. Charlie. Norbury

Edgar Allan Poe (A&E Biography) By Thomas Streissguth

PROVENANCE: Donated by George Hochderffer Jr., 1965, 1988, COPYRIGHT: The Arizona Historical Society owns the copyright to this collection.

Finding aid for the Wright Morris Collection, AG 190

A Finding Aid to the Robert Scull Papers, 1955-circa 1984, bulk dates , in the Archives of American Art

PROJECT IDEAS Researching a War Memorial Author: John Branston

LAREW, ADA (CAMPBELL) ( ) FAMILY PAPERS ca

The Langridges and the Gibbons

Amasa Belknap, Gunsmith Muzzle Blasts for August, 1952

Restoration of 1958 Jethro Amburgey Mountain Dulcimer

THE EYE OF BRECHET. ~ M n S ^7)1 Xecl ToiT s. Virginia L. Martin. Summer

Maywood Glass Co. Bill Lockhart, Carol Serr, Beau Schriever, and Bill Lindsey. History

The Tragic Case of Mr Bingham s Daughter

Dunblane. The Smith Brothers were the first to show the design when they included it (Fig 1) in their 1850 publication i where they said of it:

Chance Favors the Prepared Mind

Inventory of the Paula Kornblum Popowski Papers, circa

Using Cluster Research to Understand Your Ancestors

Guy Pennisi Papers, ?

OSTLICHT. GALLERY FOR PHOTOGRAPHY Vienna. ALFONS WALDE The photographic work

La Vern Frank-Rush papers regarding the WPA Art Center in Sioux City, Iowa

Flora Whitney Miller

4-H Scrapbooking Purdue Extension Franklin County

The AIAA and its Use of Genre

Transcription:

City of San Bernardino Historical and Pioneer Society P.O. Box 875, San Bernardino, CA 92402 LIBRARY NEWS MARCH 2011 By Richard D. Thompson, Librarian WILLIAM ADAMS VALE AN 1800 S SAN BERNARDINO PHOTOGRAPHER The Historical and Pioneer Society recently purchased two pictures taken by William Adams Vale, a 19th Century San Bernardino photographer. The back of the photo cards are shown below, both of which prominently advertise the photographer W. A. Vale, followed secondarily by the firm of Clark & Vale, Dealers in Pianos, Organs, and Musical Instruments. Neither of the photographs on the reverse side is of a San Bernardino structure (despite what someone has penned in on the card on the left), but they were obtained because, first of all, we want any original pictures by pioneer San Bernardino photographers, and secondly, we may be able to trade them someday for San Bernardino photos. 31

Unfortunately, Vale did not earn an entry into the encyclopedic book, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, by Peter E. Palmquist and Thomas R. Kailbourn, Stanford University Press, 2000. This is the definitive work on the subject, but the authors drew the line at the year 1865, and Vale was only 18 at that time, although it is not known for sure when he began. He was born in 1847 (died 1932 in San Bernardino) and came to this area with his parents and brother in 1864, so theoretically he could have begun as a teenager, but that is highly unlikely. His parents stayed in San Bernardino for only two years before moving to Rincon, which is south of Chino, and did not return until 1872. In a brief biography appearing in Luther A. Ingersoll s Century Annals of San Bernardino County, photographer William Godfrey (who did make it into the book on pioneer photographers) is quoted as saying he sold his viewing equipment to Adam Vail in 1872. This has to be a mistaken entry for William Adams Vale. W. A. Vale is known to have been a partner with Godfrey, and we have a photograph of their studio (see page 34 below). Local historian Arda M Haenszel prepared some notes on several photographers, and one entry contains the following: I have an item from the S. B. Daily Times, Dec. 5, 1877, that says, Vale s Photograph Gallery is now open, and is prepared to do all classes of work at low figures. Listed in [the] 1883 Directory, Vale, W. A., photographer, pianos, organs, and insurance agent. In [the] 1887 Directory, Vale, W. A., photographer, (Clark & Vale), D bet. 3rd & 4th. In 1889 and thereafter, he is listed, not as a photographer, but in the music business, and by 1895 he had ditched Clark, and had moved to 370 D St. That last part which states he moved to 370 D Street may be incorrect. On the back of our photographs the address is written as D Street near Fourth, which could be 370 D Street, so it is possible he was already at that location. Also, W. A. Vale is listed in an 1875 city directory and his occupation is given as photographer. Arda did not have access to that directory as it was only discovered in a coastal county library two or three years ago by Sue Payne, who copied it for local use. So why is all of this important? It is because we can roughly date our two mystery photographs based on his address and/or partners, or lack of partners. In 1872 he was in partnership with Godfrey, and it was sometime in that year that Godfrey sold his equiptment and gallery and retired from the business. Vale was on his own for several years, and stamped on the back of his photos was Vale s Art Gallery. In 1883 he had no partner, and the first we hear of Mr. Clark, of the Clark & Vale shown on the back of the photo cards above, is 1887. By 1889 he no longer was partnered with Clark. Ten years later, in 1899, there is a partnership known as Vale and Pelligrin, or Pelligrin and Vale, but nothing is known of this business as yet. Using this information, we can date our photographs to be from about 1884-1888. The two photos are shown below. The quality of the pictures leaves something to be desired; they did not weather time very well. The building in the first photo has a sign on top that reads Pioneer Hotel. A hotel of this name is not known to have existed in San Bernardino. Arda Haenszel wrote a story on the subject for our Odyssey publication, and early city directories do not list one by that name. The second photograph shows a man standing in front of a shack, probably a shed, and behind what looks like an irrigation dictch. A high reolution scan shows what appears to be the ocean in the bacground, with a wave breaking. 32

Since Vale is known only for his Southern California photographs, there are enough clues in these two photos to do some sleuthing, should anyone care to undertake the job. Pioneer Hotel, unkown location, circa 1884-1888 Man standing behind ditch, possibly at beach, circa 1884-1888 33

I have been intending to donate some Vale-Godfrey photographs from my own collection, and this seems to be an appropriate time. This first one probably dates to 1872. No later than that, although possibly earlier. The sign reads Godfey & Vale Photographs. San Bernardino, circa 1872. Burnt remains of former Amasa Lyman house, 1865 Back of Lyman house photo This photo of the old Lyman House appears on page 215 of the first edition of George and Helen Beattie s Heritage Of The Valley, San Pascual Press, 1939. About 30 years ago Kate Beattie, George and Helen s daughter-in-law, sold me a box of photographs and papers and this photo was in it, so it is very likely the one used in the book. Mrs. Byron Waters, the daughter of John Brown, Sr., was given credit for supplying the photo for the book. I should also mention that three of the photographs being donated are all the same size, about the size and shape of most tintypes. I have scanned the photo side of the cards in greyscale so that details can be seen more clearly. This photo was probably shot by either Godfrey or Maurice Franklin, another pioneer San Bernardino photographer, who was a partner of Godfrey s in the mid-1860s, about the time this picture was taken. 34

Commercial building on southwest corner of 3rd and D Back of photo showing Vale s Art Gallery stamp The Society has other photoraphs of this building, but not originals. Ginger Urquhart, a descendant of Sheldon Stoddard, brought in some originals last year that we scanned. The Stoddards have some family photographs taken in the early 1870s and one is a decent shot of the same building. A high-reolution scan allowed for an enlargment to the point that Vale s photography sign could be seen on the upper floor. Earlier, the upstairs studio had been the gallery of Maurice Franklin. Franklin went out of business about the same time as Godfrey, and so it would be instructive to know when Vale took over. Perhaps early newspaper adertisements would help. The lines on the back of the card are from a photograph album I put it in decades ago. Fortunately, I spotted the problem before the entire collection was destroyed. At the time, I was quite disturbed that some photo album company put out a product that destroyed photographs. I have sunce seen other albums of the same make, and woe to any photos within. William Caley s Little Bear Valley Saw Mill in the vicinity of today s Blue Jay in the San Bernardino Mountains This photo of Caley s saw mill is dated 1872, and is the earliest example I have seen from Vale s Art Gallery. This particular picture is a stereo view that was torn in half, and was originally in the collection of George and Helen Beattie. 35

Apparently an independent music dealer could order a book with his firm s name on it This music book is already in the possession of the Historical Society. It has been exhibited on an old organ in the Heritage House music room. I have added it here simply as an item of interest. Saving The Past For The Future Since 1888 36