BCC Rough Glow Filter

Similar documents
BCC Glow Filter Glow Channels menu RGB Channels, Luminance, Lightness, Brightness, Red Green Blue Alpha RGB Channels

BCC Displacement Map Filter

Working with the BCC Gaussian Blur Filter

BCC Displacement Map Filter

BCC Light Matte Filter

Working with the BCC Composite Filter

Working with the BCC Make Alpha Key Filter

BCC Make Alpha Key Filter

Working with the BCC Displacement Map Filter

Working with the BCC Color Balance Filter

BCC Rain Generator. Rain Angle sets the angle between the drops direction of motion and the vertical axis. Rain Angle= 25 Rain Angle=0 Rain Angle=25

Working with the BCC DVE and DVE Basic Filters

Working with the BCC Colorize Filter

Parameter descriptions:

Working with the BCC Cube Filter

Working with the BCC Ripple Filter

Working with the BCC Page Turn Filter

Working with the BCC Jitter Filter

Free Emboss Filter for AVX

BCC 3 Way Color Grade

BCC Lens Flare Advanced

BCC Film Damage Filter

BCC 3 Way Color Grade. Parameter descriptions:

Boris Continuum Complete for Discreet Sparks Volume I Filter List

Boris FX 9 New Features Guide. Introduction Key Features Image Processing New User Interface New Filters Improved Filters New Library Browser Presets

SUGAR fx. LightPack 3 User Manual

Lesson 16 Text, Layer Effects, & Filters

How to blend, feather, and smooth

Compositing Recipe for Psunami Water

Texture Editor. Introduction

Tinderbox 1 for Adobe After Effects

Photoshop Blending Modes

HIGH KEY GLOW EFFECT IN PHOTOSHOP

Adding Light Beams to a Photo

Luxology Environments

Delirium v2 User Manual

Using the Advanced Sharpen Transformation

Module All You Ever Need to Know About The Displace Filter

Movie Merchandising. Movie Poster. Open the Poster Background.psd file. Open the Cloud.jpg file.

T E X T O N A. Whenever you are asked if you can do. a job, tell em, Certainly, I can! Then. get busy and find out how to do it. THEODORE ROOSEVELT

in association with Getting to Grips with Printing

Using Adobe Photoshop

Key Terms. Where is it Located Start > All Programs > Adobe Design Premium CS5> Adobe Photoshop CS5. Description

Project 25 Page 1 ` JAZZ POSTCARD

Reflection Project. Please start by resetting all tools in Photoshop.

Add Photoshop Masks and Adjustments to RAW Images

By Washan Najat Nawi

Transparency and blending modes

Everything you ever wanted to know about Layer Styles with Adobe Photoshop CS3 - CS5

Chapter 7- Lighting & Cameras

Reviewer s Guide. Morpheus Photo Mixer. Screenshots. Tutorial. Included in the Reviewer s Guide: Loading Pictures

Xara Tutorial Feathering

An Introduction to Layers, Masks and Channels in Photoshop

Flair for After Effects v1.1 manual

Add Rays Of Sunlight To A Photo With Photoshop

BCC Optical Stabilizer Filter

Adobe Photoshop CS5 ACE

Chapter 7- Lighting & Cameras

The original image. Let s get started! The final rainbow effect. The photo sits on the Background layer in the Layers panel.

Photoshop CS2. Step by Step Instructions Using Layers. Adobe. About Layers:

Neuron Bundle 12: Digital Film Tools

Adobe Photoshop CS5 Tutorial

IMAGE CORRECTION. You can find this and more information with video tutorials at

Lights and Shadows CHAPTER

ADOBE PHOTOSHOP CS TUTORIAL

The original image. Let s get started! The final light rays effect. Photoshop adds a new layer named Layer 1 above the Background layer.

Corel Painter 8 Tinting Visual Guide

AGENDA :: MULTIMEDIA TOOLS :: CLASS NOTES. :: Homework Critiques (5-7 minutes each) :: Photoshop Lesson 3. A-1 Gorgeous! [ COMPOSITE DEMO ] :: 7mins.

Advanced Photography. Topic 3 - Photoshop Filters. Learning Outcomes

How to combine images in Photoshop

Perspective Shadow Text Effect In Photoshop

ADD A REALISTIC WATER REFLECTION

2007 Advanced Imaging Conference

TEXT PERSPECTIVE SHADOW EFFECT

EXTREME CONTRAST PHOTO EFFECT

Photoshop Weather Effects Rain

ITEC185 INTRODUCTION TO DIGITAL MEDIA

Photoshop & Illustrator

Note: Adjustment layers are available only in Photo Explosion Deluxe.

40 Digital Photo Retouching Techniques COPYRIGHTED MATERIAL

Simple Surreal Landscape

Neuron Bundle 1: : Boris Continuum Complete

Introduction to Layers

Colorful Glowing Mask Photoshop Tutorial Photoshop TUTfactory The best Photoshop tutorials in one place

BRUSHES AND LAYERS We will learn how to use brushes and illustration tools to make a simple composition. Introduction to using layers.

Effects, part 1. 3D Channel effects (PB only) 3D Channel Extract

PHOTOSHOP & ILLUSTRATOR BOOTCAMP

Beauty Box Video. Smooth skintones in video footage. for After Effects, Final Cut Pro, Premiere Pro.

ADD TRANSPARENT TYPE TO AN IMAGE

Reveal the mystery of the mask

ACCURATE STUDY GUIDES, HIGH PASSING RATE! Question & Answer. Dump Step. provides update free of charge in one year!

Artitude. Sheffield Softworks. Copyright 2014 Sheffield Softworks

AGENDA. :: Homework Critiques (5 minutes each) :: Photoshop Lesson 3. A-1 Gorgeous! [ COMPOSITE DEMO ] :: 7mins. I. SELECTIONS [ Common Law ]:

Gradations. Blend and Burnish. Shade and Burnish a Vertical Gradation

Adobe Photoshop CS5 Layers and Masks

Diploma in Photoshop

REMOVING NOISE. H16 Mantra User Guide

Viewing Landsat TM images with Adobe Photoshop

Filter Pack. This filter smoothes/cleans areas of image noise whilst preserving sharpness. The resulting scene acquires an artistic touch.

Add Transparent Type To An Image With Photoshop

Transcription:

BCC Rough Glow Filter The Rough Glow filter uses a blur to create a glowing effect, highlighting the edges in the image. In earlier versions of BCC, this filter was named BCC Glow. If you are creating a new effect, you should use the BCC Glow filter. This filter is included to provide compatibility with older settings. Source image Filtered image If the source image is opaque, selecting the Opaque Source checkbox can speed rendering and preview times. If your source is partially transparent, deselect this option for best results. You should deselect this checkbox if you are applying the Glow to a title. Glow Scale adjusts the scale of the image. This value is expressed as a percentage of the image s original size. Glow Aspect stretches the image. Decreasing negative values stretch the image vertically. Increasing positive values stretch the image horizontally. Glow Aspect= 15 Glow Aspect=15 Blur Amount controls the amount of blur applied to the image to produce the glow effect. At a value of 0, no blur is applied, so no glow is visible. Higher values produce more blur and, therefore, more glow.

Blur Amount=5 Blur Amount=25 Blur Amount=50 Increasing Spread causes each point in the rendered output to be affected more by points farther away in the blur. Animating Spread can cause visible jumps in the animated effect. Spread=0 Spread=50 Spread=100 The Blur Quality menu sets the quality of the blur used to generate the glow. Low produces a blur similar in quality to the Blur filter. Medium is adequate for most applications; High and Higher produces even smoother blurs. The Highest setting is much slower than High; only choose Highest if you see pixilation when using lower settings. Threshold adjusts the sensitivity of the filter to edges in the image. Increasing Threshold reduces the amount of glow created by weaker edges in the image, so less glow appears on smaller details in the source image. Reducing this value to 0 tends to add noise to the image. For best results, use Threshold settings of 1 or above.

Threshold=1 Threshold=15 Threshold=30 Overdrive Amount adjusts the overall intensity of the glow created by the blur. Lower values producing a softer glow, mixing the blurred image with the resulting glow. Higher values produce a harder, more dramatic glow effect. Overdrive=10 Overdrive=210 The Overdrive menu controls how the glow portion of the effect composites over the blurred portion of the effect. The resulting filtered image is then composited with the source image using the chosen global Apply Mode. For information on the available apply modes, see Apply Modes on page 633. In the following illustrations, Overdrive is set to Difference X2, so the glow composites with the blur using the Difference X2 apply mode. In the illustration on the left, Apply Mode is None, so the filtered image completely replaces the source. In the image on the right, the filtered image is composited with the source using the Lighten apply mode.

Apply Mode=None Apply Mode=Lighten Softness blurs the overdriven glow output before it is composited with the source. Enabling the Scale Opacity From Luma checkbox causes the glow image to have an alpha channel based on its luminance. This allows the original image to shine through the glow in places where the glow is dark. The Glow Opacity Scale parameter scales the opacity of the glow image. This parameter can be overdriven, which means it will only have an affect if the image is not opaque or if Scale Glow Opacity From Luma is enabled. The Apply Mode menu controls how the filter is composited over the source image. The Apply Modes are described in detail in Appendix A in the User Guide. However, this filter has additional Apply Mode parameters: None and Behind: None simply renders the light and ignores the underlying image. Behind renders the light behind the image that is lit, and is only useful for images that are not opaque. Apply Mix controls the mix of the specified Apply Mode with the Normal apply mode. If Apply Mode is Normal, Apply Mix has no affect. If Apply Mix is 0, Apply Mode has no affect. Increase Apply Mix to blend the Apply Mode setting with the Normal apply mode. This parameter has no affect on the Overdrive Apply Mode. Many hosts process media one field at a time which can cause flickering to occur on filtered effects. The Reduce Flicker menu allows you to reduce flicker in the rendered image. The only way to evaluate a deflicker setting is to render and play back the effect on an NTSC monitor. Choose from the following options in the Reduce Flicker menu. 1-2-1 mixes each pixel with the pixels above and below it, with the input pixel getting twice the weight as the ones above and below. For After Effects users, this works the same as applying the AE Reduce Flicker filter at a setting of 0.5. 2-3-2 provides more softening than 1-2-1. 1-1-1 provides the most softening for effects that still contain flicker with the above options. Off is the default. If Off is chosen, no deflickering will be done.

Mix with Original blends the source and filtered images. Use this parameter to animate from the unfiltered to the filtered image without adjusting other settings, or to reduce the effect of the filter by mixing it with the source image. Motion Tracker Parameter Group The Motion Tracker parameter group allows you to track the motion of an object, then use the motion path data to control another aspect of the effect. The parameters that can be affected depend upon the filter. For example, apply the Rough Glow filter and use the Motion Tracker parameters to track a logo on a t-shirt. Apply the Rough Glow effect to the logo in an oval area using the PixelChooser s Distance to Point choice. For more information, see Chapter One in the User Guide. If you are using the controls in the PixelChooser parameter group, the Apply PixelChooser menu determines when the PixelChooser controls are applied to the blurred image. Choose Post-Effect for the PixelChooser to affect the image before the blur is applied. Choose Pre-Effect for the PixelChooser to affect the image after the blur is applied. Choose Both for the PixelChooser to affect the image both before and after the blur is applied. The PixelChooser Parameter Group The PixelChooser is included in many Boris filters and provides several methods to selectively filter an image. For more information on the PixelChooser, see Chapter 10, The PixelChooser in the User Guide, or open the help file for the standalone PixelChooser filter.