Betty Woodman: Il Giardino Dipinto, February 18, 2005-May 1, 2005

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Betty Woodman: Il Giardino Dipinto, February 18, 2005-May 1, 2005 Betty Woodman (American, b.1930) is one of the preeminent ceramic artists working today. Woodman's Il Giardino Dipinto, composed of sixty glazed earthenware elements, brings painting, sculpture, and architecture together in one large installation. Created in 1993, it has been exhibited at several important European venues, but never before in the United States. Il Giardino Dipinto was inspired by a frescoed room from the ancient Roman site of Pompeii. Woodman's garden features a balustrade of flat half-vases, above which three fully volumetric vases are mounted, in addition to numerous flat vessels, handles, and shelves. The open spaces between and around the ceramic shapes are as important as the two- and three-dimensional forms themselves. All of Woodman's works start with clay that is thrown on a wheel. Some of these vessels are flattened into slabs that are then cut into various shapes. After a first firing, the ceramic pieces are glazed in vibrant colors and refired. Her objects and installations are strikingly contemporary, even though steeped in the history of art and ceramics of many cultures and periods: ancient Greece and Rome, China, the Islamic world, European decorative arts, and the work of such modern masters as Matisse and Picasso. Woodman has chosen objects from the Museum's permanent collection to enhance this exhibition of Il Giardino Dipinto. Two related shows are on view in adjacent galleries: a selection of Woodman's drawings; and a group of one-of-a-kind, contemporary ceramics created by Woodman and twelve other artists, drawn from the Museum's collection. CHECKLIST OF THE EXHIBITION Italo- Oil Flask (Lekythos),, red-figure Gift of Mr. Albert Harkness 54.142.87 Betty Woodman was invited to browse through the Museum's ceramic and glass storage areas to pick out objects that resonate with her interest in vessels from various places and times in history. The artist was attracted primarily to form rather than surface decoration, with particular attention to various types of spouts and handles. Objects illustrating a revival of earlier styles, such as the "Egyptian" and neoclassical tea services, were also of interest to her. The idea of an artist choosing objects for exhibition continues a tradition dating back to 1969, when Andy Warhol was invited to select a wide

range of artworks from The RISD Museum's storage vaults for a traveling exhibition entitled Raid the Icebox, the first of its kind. Betty Woodman, American, 1930-2018 Il Giardino Dipinto, 1993 Earthenware, glaze, epoxy resin, lacquer, and paint Gift of Charles and Andrea Woodman 2005.110 This large architectural installation was inspired by a fresco painting called Il Giardino Dipinto from the living room of the House of the Golden Bracelet in Pompeii, a thriving ancient Roman city buried and preserved by the eruption of Mt. Vesuvius in 79 CE. The fresco was sent to Florence for restoration, where it was displayed at the Palazzo Vecchio in the early 1990s and seen by Woodman. Woodman took the idea of classical clay vessels and the spaces between and around them as her subject and created an environment. Because most of the ceramic components are flat, the viewer may have the experience of being simultaneously inside the architectural framework looking out and outside looking in. The composition is animated by the placement of pots, vases, shelves, and handles, as well as by the fluid contours of their shapes and the bold patterns of color applied to them. By deconstructing the vessels into their various parts neck, body, foot, handle, spout Woodman underscores the functions of traditional pottery while at the same time abstracting the forms.

Italo- Oil Flask (Lekythos), 300s BCE Bequest of Lyra Brown Nickerson 16.540 Italo- Oil Bottle (Alabastron), 600s BCE Bequest of Lyra Brown Nickerson 16.539

Oil or Perfume Bottle (Aryballos), 600s BCE Bequest of Lyra Brown Nickerson 16.538 Italo- Wide-mouthed Jar (Stamnos), 300s BCE-200s BCE, black-gloss Bequest of Lyra Brown Nickerson 16.535 Oil Bottle (Alabastron), late 600s BCE Gift of Mrs. Gustav Radeke 11.015

Oil Flask (Lekythos), 5th century BCE, red-figure Museums Appropriation and Special Gift Funds 25.109 Oil or Perfume Bottle (Aryballos), 600s BCE Gift of Mrs. Murray S. Danforth 44.351

Oil Flask (Lekythos), late 6th century BCE, black-figure, white-ground Gift of Mrs. Murray S. Danforth 37.020 Miniature Oil Flask (Lekythos), late 5th century BCE, red-figure Anonymous gift 55.049 The Concentric Circle Group Wine jug (oinochoe), 735-720 BCE Helen M. Danforth Acquisition Fund 2002.46

Antefix, 500-450 BCE Gift of Mrs. Gustav Radeke 27.167 ; Minoan Stemmed Drinking Cup (Kylix), 1350-1300 BCE Mary B. Jackson Fund 32.046 Drinking cup (kylix), ca. 550-525 BCE, black-figure Gift of Mrs. Gustav Radeke 22.214

Southern Italian Wine Jug (Oinochoe), 300s BCE Gift of Mrs. Clarkson A. Collins 52.235 Storage Jar (Bail Amphora), ca. 325-300 BCE, red-figure Gift of Miss Charlotte F. Dailey 97.099

Oil Flask (Lekythos), 480 BC - 470 BC, red-figure Bequest of Susan Martin Allien 35.708 Oil Flask (Lekythos), 6th century BCE, black-figure Gift of Mrs. Jesse H. Metcalf 14.432 Doccia Porcelain Factory, Italian, fl. 1737-present Sugar Bowl, ca. 1840 Porcelain, overglaze enamel, gilt Bequest of Susan Martin Allien 35.560

Royal Doulton, English, 1815- Creamer, ca. 1860 Stoneware Gift of James Brayton Hall in honor of Thomas S. Michie, Decorative Arts Curator, 1984-2004 2005.27.2 Royal Doulton, English, 1815- Teapot, ca. 1860 Stoneware Gift of James Brayton Hall in honor of Thomas S. Michie, Decorative Arts Curator, 1984-2004 2005.27.1 Royal Doulton, English, 1815- Tea Service, ca. 1860 Stoneware Gift of James Brayton Hall in honor of Thomas S. Michie, Decorative Arts Curator, 1984-2004 2005.27 Italian; Venetian Vase, 19th Century Blown glass Gift of Mrs. Frank Mauran and John O. Ames D14.351

Italian; Venetian Small amphora, 19th Century Blown glass Gift of Mrs. Frank Mauran and John O. Ames D14.368 Italian; Venetian Kylix, 1800s Blown glass Gift of Mrs. Frank Mauran and John O. Ames D14.323 Italian; Venetian Ornamented Pitcher, 19th Century Blown glass Gift of Mrs. Frank Mauran and John O. Ames D14.362

Italo- Oil Bottle (Alabastron), 7th century BCE Bequest of Lyra Brown Nickerson 16.541 Doccia Porcelain Factory, Italian, fl. 1737-present Creamer, ca. 1840 Porcelain, overglaze enamel, gilt Bequest of Susan Martin Allien 35.561 Royal Doulton, English, 1815- Sugar Bowl, ca. 1860 Stoneware Gift of James Brayton Hall in honor of Thomas S. Michie, Decorative Arts Curator, 1984-2004 2005.27.3 Doccia Porcelain Factory, Italian, fl. 1737-present Teapot, ca. 1840 Porcelain, overglaze enamel, gilt Bequest of Susan Martin Allien 35.559

Italo- Wine Jug (Oinochoe), 399-200 BCE, black-gloss Gift of Baroness Virginia von Strombeck Horn 24.058 Wine cup (kantharos), 399-200 BCE, black-gloss Museum Appropriation Fund 25.111 Drinking cup (kylix), ca. 300 BCE Ceramic Gift of Mrs. Gustav Radeke 11.010

Wine Jug (Oinochoe), 399-369 BCE, red-figure Museum Appropriation Fund 25.067 Oil or Perfume Bottle (Aryballos), 575 BCE-550 BCE Gift of Terence Higgins 1991.139 Southern Italian Liquid Storage Jar (Pelike), 3rd century BCE-2nd century BCE Gift of Miss M.C. Harrington 66.072

Italian; Venetian Small two-handled vessel, 19th Century Blown glass Gift of Mrs. Frank Mauran and John O. Ames D14.355