Perception of temporal response and resolution in the time domain

Similar documents
A Guide to Reading Transducer Specification Sheets

Application Note L26ROY

ViRAY. with DDP Dual Diaphragm Planar-wave-driver Technology. Compact 3-way symmetrical line array system. DDP Technology

ENSEA conference Loudspeaker driver Loudspeaker enclosure. Jeremie Huscenot January 8, 2000

Technical Note Volume 3, Number 2A. The New JBL LSR6300 Series Studio Monitors. 1. Introduction: 2. The Linear Spatial Reference (LSR) Concept:

Guide to ELF Systems A New Era in Bass Reproduction VERSION 1.3

9 A small tutorial. 9.1 Loudspeaker boxes

ONLINE TUTORIALS. Log on using your username & password. (same as your ) Choose a category from menu. (ie: audio)

A Tutorial on Acoustical Transducers: Microphones and Loudspeakers

Sound recording & playback

Sound engineering course

Loudspeaker Power Ratings

Tower Mains. A new breed of Main Monitors

Introduction to Dynamic Loudspeaker Design

Introduction Unique Electronics

Loudspeaker Data Reliable, Comprehensive, Interpretable

Low frequency section: 500 Watts continuous 1,000 Watts program 2,000 Watts peak

Finding the Prototype for Stereo Loudspeakers

FBT RECANATI

How to Connect a Three-Way (Six Speaker) Legatia Speaker System to a 4-Channel Amplifier in a Quasi-Active Crossover Configuration

Since the rest position is the optimal average working point, DC offset leads to several undesirable consequences: reduced excursion capabilities,

a Full Range System Excelsior Audio Design & Services State of the Art Loudspeaker Design for Live Sound Subwoofer Alignment with a Full Range System

Force versus Frequency Figure 1.

Loudspeakers. Juan P Bello

From time to time it is useful even for an expert to give a thought to the basics of sound reproduction. For instance, what the stereo is all about?

The study on the woofer speaker characteristics due to design parameters

Dynamic Generation of DC Displacement AN 13

Monitor Setup Guide The right monitors. The correct setup. Proper sound.

Audio System Evaluation with Music Signals

Measurement of Equivalent Input Distortion. Wolfgang Klippel. Klippel GmbH,Dresden, 01277, Germany, Fellow

Processor Setting Fundamentals -or- What Is the Crossover Point?

FINEBox. Non-Linear High Power Box Design Program For Hi-Fi, PA and Micro loudspeakers T U T O R I A L

Professional Loudspeaker Systems and their Real World applications. High Performances Crossovers for. By Mario Di Cola, Audio Labs Systems,

XLS Subwoofer Application note for Peerless XLS 10" subwoofer drive units

FA28. Dual 8 inch Coaxial Loudspeaker. product specification. Performance Specifications 1

BIG 3 WAY SPEAKER: INTEGRATION OF BASS AND MIDRANGER DRIVERS. 3D Acoustics Research, January

THE ART EVOLUTION CONTINUES

Features: Description

LINN AKUBARIK - FREQUENTLY ASKED QUESTIONS THE LOUDSPEAKER YOU VE BEEN WAITING FOR!

The Mimir. Enclosure and stuffing. Drive units

An Enclosure Design for TEBM35C10-4 BMR Loudspeaker Driver

Genelec S30D Digital Monitoring System. Operating Manual

3D Distortion Measurement (DIS)

Causes for Amplitude Compression AN 12

AM404. architectual. Large format mid/high horn. features. applications

INTRODUCTION. the DALI EPICON 6

FA22. Dual 12 inch Coaxial Loudspeaker. product specification. Performance Specifications 1

TECHNICAL WHITE PAPER THE BENEFIT OF USING SPEAKER TUNINGS FOR COMMERCIAL LOUDSPEAKERS

USER MANUAL APG DYNAMIC PROCESSORS LPMC216 - LPDS8 - LPDS12S - LDSP15 - LPDS15S - LPMX4 - LP3000C - LPSC25

REVEL CONCERTA2 A TECHNOLOGY WHITE PAPER

klippel qc system 100% end-of-line testing

Maximizing LPM Accuracy AN 25

High-Performance Audio Applications of The LM833

Measurement of Weighted Harmonic Distortion HI-2

K L A N G W E R K ACTIVE TECHNOLOGY. Active versus Passive Technology. CPR (Compensated Phase Response)-System AOI (Adapted Output Impedance)-System

A White Paper Of The Installation Series Loudspeakers

The Naim Balanced Mode Radiator The Naim Ovator Bass Driver

REVIEWS ADAM AUDIO S3V. Midfield Monitor

FINEBox T U T O R I A L

Research & Development. White Paper WHP 203. Use of the low frequency effects (LFE) channel in broadcasting BRITISH BROADCASTING CORPORATION

A White Paper on Danley Sound Labs Tapped Horn and Synergy Horn Technologies

Dual Diaphragm Asymmetric Compression Drivers

Wisseloord Studios - one of the world s leading music production facilities, PMC equipped

Pre- and Post Ringing Of Impulse Response

Speaker Systems. Designed, engineered. and manufactured in Italy

Quadra 15 Available in Black and White

Surround: The Current Technological Situation. David Griesinger Lexicon 3 Oak Park Bedford, MA

RD75, RD50, RD40, RD28.1 Planar magnetic transducers with true line source characteristics

Measurement of weighted harmonic distortion HI-2

500 W (2000 W peak) 300 W (1200 W peak) 100 W (400 W peak)

MT1. Designed by Matt Willett

Design of a Line Array Point Source Loudspeaker System

CANTON Reference 7K floorstand ceramic/tungsten 7"mid 2x7"bass 89dB 22Hz-40kH

Computers in Acoustical Engineering Education: Loudspeaker System Simulation Program.

PRELIMINARY. the Montarbo most affordable solution...to avoid running out of GAS! for 2010

ECE Sound Reinforcement System Design Spring Loudspeaker Active Spectral Divider Design Project

Loudspeaker Design & Measurement

L1 Model 1S TECHNICAL DATA SHEET. portable line array system. Key Features. Product Overview. Technical Specifications

Loudspeaker Distortion Measurement and Perception Part 2: Irregular distortion caused by defects

APPLICATION NOTE MAKING GOOD MEASUREMENTS LEARNING TO RECOGNIZE AND AVOID DISTORTION SOUNDSCAPES. by Langston Holland -

Every design element crucial to LEGACY Series breath-taking dynamic range, clarity of sound and classic look has been faithfully preserved.

Distortion and Power Compression in Low-frequency Transducers

Owners Manual. Single Coupled Multi Purpose Professional Subwoofer. www. artcoustic.com

B&C Speaker SpA Bagno a Ripoli (FI), Italia

EBONY BLACK NATURAL OAK THE MC170 RANGE OFFERS THE CHOICE BETWEEN TWO FINISHES: EBONY BLACK AND NATURAL OAK JERSEY

OWNER'S MANUAL. Models DF-12sc & DF-10sc. Superior Design For Superior Sound

Non-linear Digital Audio Processor for dedicated loudspeaker systems

High sound quality and concha headphones: where are the limitations?

FLOATING WAVEGUIDE TECHNOLOGY

SPECIFICATIONS QW -1. Listen To This. Mid Frequency Section: 101 db SPL, (2 Volt input) High Frequency Section: 111 db SPL, (2.

Stereo 3-Way Active Crossover User Manual Model K231 Sublime Acoustic, LLC

datasheet TQ-445 QLIGHT SERIES ENGINEERING INFORMATION FEATURES APPLICATIONS Three-way, bi-amp design Exceptional audio clarity 60 x 40 dispersion

The CVEN speakers were designed by the Vibe Research and Development team of UK and European engineers headed by company founder Carl Venables.

ECE Sound Reinforcement System Design Spring Loudspeaker Active Spectral Divider Design Project

Balanced Armature Check (BAC)

Reduce distortion by shifting Voice Coil AN 21

CX14A 14 (356mm) coaxial, High Output, Powered, CORE Processed, Stage Monitor

Investigating Electromagnetic and Acoustic Properties of Loudspeakers Using Phase Sensitive Equipment

Portable Speakers Watt 2 Way 12" Full Range Powered Loudspeaker with KLARK TEKNIK DSP Technology for Portable PA and Installation Applications

Operating Mode: PERFORMANCE Operating Range: 50 Hz to 19 khz Nominal Beamwidth: Horz 90 Vert 12 Axial Sensitivity (whole space SPL):

Transcription:

Perception of temporal response and resolution in the time domain Workshop & Panel Discussion 142nd AES Convention, Berlin 20th May 2017 Workshop: Time domain response of loudspeakers Berlin, May 2017 1

The bottom end! a.k.a. Loudspeaker time-domain response from the low frequency perspective Michael J Turner Nidec Motor Corporation Workshop: Time domain response of loudspeakers Berlin, May 2017 2

1. Elementary recap (Regarding enclosed electro-dynamic loudspeaker) Workshop: Time domain response of loudspeakers Berlin, May 2017 3

Long-established LF design paradigms Enclosure selection, e.g. Sealed box (variants) acoustic suspension (Villchur), isobaric Transmission line (delay or acoustical termination) Open baffle Vented (ported) reflex systems (focus today) Passive radiator High-pass filter perspective (Thiele, Small) Poles of driver (@ electrical & pneumatic loading) Poles due to other acoustical components Infinitely many alignments possible Workshop: Time domain response of loudspeakers Berlin, May 2017 4

Second-order Butterworth (typical sealed box) Maximally-flat frequency response Slightly under-damped time response (ζ = Q t = 0.707) 2nd-order energy storage and exchange between the effective mass and spring stiffness of enclosed driver, damped by mechanical and (mainly) electrical losses Time-domain step response T ( s) s 2 s 2 o 2 s o Qt Workshop: Time domain response of loudspeakers Berlin, May 2017 5

Fourth-order Butterworth (B4) (typical vented box) Maximally-flat frequency response More complex under-damped time response due to 4th-order energy storage and exchange between Mass and stiffness of enclosed driver, as before Mass of air in port and pneumatic stiffness of air in box (Helmholtz resonance) Workshop: Time domain response of loudspeakers Berlin, May 2017 6 2 2 2 2 4 1.306 0.541 ) ( c c t c s s s s s s T

Group delay perspective Complex signals will be undistorted if time delay is same at all frequencies of interest Constant delay (across pass-band) means phase (lag) must be proportional to frequency: Φ = ω*δt i.e. dφ/dω = Δt Non-constant group delay with frequency time-smearing of signal components Caution: group delay really only meaningful for the steady state response to continuous signals For example: regions of positive dφ/dω in the phase response don t mean that a filter (or loudspeaker, whatever) is a time machine! Workshop: Time domain response of loudspeakers Berlin, May 2017 7

Example: simple lead (shelving HP) network 20dB/decade Network acts as passive differentiator for frequencies where its phase lead approaches 90 o For continuous sinusoids it appears to be looking ahead ¼ of a cycle But it s still a causal network! Region of positive dφ/dω Workshop: Time domain response of loudspeakers Berlin, May 2017 8

Example: simple lead (shelving HP) network Nevertheless: group delay is still useful as a generic name or label for the problem 20dB/decade Network acts as passive differentiator for frequencies where its phase lead approaches 90 o For continuous sinusoids it appears to be looking ahead ¼ of a cycle But it s still a causal network! Region of positive dφ/dω Workshop: Time domain response of loudspeakers Berlin, May 2017 9

Back to the B4 high-pass example: Frequency response (f c = 40Hz) Workshop: Time domain response of loudspeakers Berlin, May 2017 10

Back to the B4 high-pass example: Frequency response (f c = 40Hz) Let s have a look at the time response to a reasonably representative real-world signal Workshop: Time domain response of loudspeakers Berlin, May 2017 11

B4 (f c = 40Hz) tone burst response: Input = 3 cycles @ 40Hz Workshop: Time domain response of loudspeakers Berlin, May 2017 12

B4 (f c = 40Hz) tone burst response Input = 4 cycles @ 80Hz Response tail @ 40Hz - not 80Hz! Only about 13dB below signal input (occurs as resonant response to step function component of input signal) Workshop: Time domain response of loudspeakers Berlin, May 2017 13

2. Does it matter? What the papers say Points of view & experiences Widespread current practice Workshop: Time domain response of loudspeakers Berlin, May 2017 14

Fincham, JAES vol. 33, #6, June 1985 The Subjective Importance of Uniform Group Delay at Low Frequencies Concerned with the audibility of total LF group delay in reproduced programme including microphones, signal chain, [analogue] recorder as well as loudspeakers Listening tests using programme material from custom record/replay chain Speakers corrected using bi-quad equaliser to f c = 5Hz (2nd-order target response) Notes subjective reduction of bass in corrected recording / reproducing chain, also that excessive voice coil excursion was [surprisingly] not a problem Concludes (nevertheless): A reduction in [replay chain] group delay is probably worthwhile only when the recorded material is itself also free from such distortion. The effects are quite subtle Workshop: Time domain response of loudspeakers Berlin, May 2017 15

Krauss, 88th AES Convention, Montreux, 1990 Low Frequency Transient Response Problems in Vented Boxes Notes Neville Thiele postulate: transient behaviour not disturbing at least for the standard alignments suggested. Tone burst used to simulate drum / bass signals Filters to emulate B2, B4 and B6 alignments Listening panel auditioned these via electrostatic headphones (flat down to very low frequency ) B2 alignment sounded similar to the test signals B4 and B6 alignments clearly changed the timbre of the test signals. Differences still clearly audible with fundamental frequency of the tone burst one octave above the filter corner frequency. Workshop: Time domain response of loudspeakers Berlin, May 2017 16

Bech, 109th AES Convention, L.A. 2000 Subwoofer Requirements, Part II Comprehensive test regime included auditioning of both real speaker (anechoic conditions) and of emulated loudspeaker system via headphones 2nd, 4th and 6th order high-pass responses with 20Hz, 35Hz and 50Hz cut-off frequencies Summary conclusions: lower cut-off frequency has significant influence on the perceived level of lower and upper bass reproduction, independent of reproduction levels. The filter order was not found to be of significant importance for the conditions investigated. Workshop: Time domain response of loudspeakers Berlin, May 2017 17

Some personal views & experiences Analogue broadcast signal path: a great many cascaded low-pass (and high-pass) responses My own pick-up cartridge (pre-amp) story Gradually correlated subjective preference with loudspeaker enclosure type: reflex seemed consistently inferior to sealed box LF signal content out of time with remainder Hard to follow bass line lack of clarity, difficulty to distinguish instruments at lowest frequencies Boom rather than bass Experience of active system with extended (<20Hz) 1st-order response (not always more bass!) My own hypothesis: LF phase response and consequent time behaviour has much bigger subjective impact than generally acknowledged Workshop: Time domain response of loudspeakers Berlin, May 2017 18

Not to dismiss decades of industry experience (but maybe to question it!) Sweeping statements are always wrong! Good and bad designs! Efficiency benefits of reflex designs But electronics much cheaper now than historically Munich High End show: vast majority of speakers on show were reflex designs Big market for smaller speakers: some bass preferable to none (here I tend to agree) Nevertheless if the LF time response of most loudspeakers is so bad (and it is!) then why is this deemed acceptable even in large/high end units? Perhaps many consumers actually [think they] like it: superficially impressive impact of big bass? Or at any rate are accustomed to it Workshop: Time domain response of loudspeakers Berlin, May 2017 19

Floyd Toole: Circle of confusion Workshop: Time domain response of loudspeakers Berlin, May 2017 20

Is it really this bad in practice? Well, unfortunately, yes! Well-reviewed small vented speaker example 50Hz tone burst input Acoustical output @ 1m Workshop: Time domain response of loudspeakers Berlin, May 2017 21

We can do things differently! Paradigm shift needed: Consider electronics and loudspeaker together, as a system Not the way much of the industry has historically operated [with notable exceptions!] Design holistically - not as separate components Workshop: Time domain response of loudspeakers Berlin, May 2017 22

Matched equalisation Straightforward in principle Dynamic loudspeaker motors exhibit minimum-phase behaviour at low frequencies Enclosed drive unit native transfer function D(s) Target system transfer function T(s) Then requisite equaliser transfer function is simply EQ(s) = T(s) / D(s) Perfectly causal and realisable (but watch LF gain) Accuracy depends on knowledge and stability of drive unit parameters Workshop: Time domain response of loudspeakers Berlin, May 2017 23

Matched equalisation Stiffness is notoriously ill-controlled and illdefined (temperature, age, signal history ) Nonlinearity a potential issue if seeking a significant reduction in LF corner frequency and / or a lower order of response Limited excursion of voice coil Distortions due to Bl(x), K S (x), L E (x) But attractive possibilities offered by making the target response adaptive to operating conditions E.g. small speaker equalised to full low-frequency range capability when quiet, but with raised f c in party mode to maintain acceptable displacement Audio limiter type behaviour, based upon displacement Workshop: Time domain response of loudspeakers Berlin, May 2017 24

Feedback control The norm for decades in servo motor control Has been (and is) applied to speakers but still a comparative rarity in the market place Apply negative feedback of voice coil motion Acceleration, velocity or displacement but remember that SPL is proportional to acceleration Careful tailoring of loop transfer function needed But stability need NOT be an issue at low frequencies where improvements are [IMHO] most needed Potential increases in cost and complexity Rewards are extended frequency response and lower nonlinear distortion with much-reduced sensitivity to drive unit parameters Adaptive target response possible, as before Workshop: Time domain response of loudspeakers Berlin, May 2017 25

Open-loop versus closed-loop control Power amplifier (voltage source) Passive speaker V in SPL roughly follows V in??? V in Traditional separate amplifier & speaker Active loudspeaker Conventional systems : both are essentially open-loop in operation Error amplifier and compensation Power amplifier Combine in one enclosure? V in + f (s) SPL accurately follows V in Full active servo control system Workshop: Time domain response of loudspeakers Berlin, May 2017 26

Transient response improvement: 50Hz tone burst, without and with active control Conventional vented system MFB system Upper trace = input signal Lower trace = (near field) acoustical output

Proposal for further subjective evaluation For presentation at a future Convention (Spring 2018, or maybe Autumn this year) Workshop: Time domain response of loudspeakers Berlin, May 2017 28

Accurate emulation of a range of high-pass woofer responses Conventional high quality MF / HF speaker and amplifier Programme input Crossover filter HP LP Target response selection EQ N (s) will account for both the target responses and the native response of the active woofer system Active woofer system Workshop: Time domain response of loudspeakers Berlin, May 2017 29

Evaluation testing proposal: just how subjectively audible is all this? Extension of tests by others (as described earlier) Range of high-pass woofer responses: 1st order, B2, B4, B6 (need to decide what f c is appropriate for each) Varied programme material tone bursts, speech, various types of music Blind or double-blind testing in reasonable room Accurate emulation of target responses no need for approximations Results not obscured by port nonlinearity etc. Single consistent (physically identical) test set-up for all responses no influence of spacing etc. Input welcomed: defining details of procedure, and as members of the listening panel Workshop: Time domain response of loudspeakers Berlin, May 2017 30

Thank you! Questions and discussion Workshop: Time domain response of loudspeakers Berlin, May 2017 31