ART 110 FINAL EXAM PT. 1 Name Full Text Book Handouts: Content Themes - Glossary - Principles & Elements IMAGE IDENTIFICATION - ESSENTIAL IMAGES Name of Work Artist / Culture / Location Approx Date Notes /Media / Details 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
ART 110 WEDNESDAY MAY 26 - FINAL EXAM PT. 2 Please Bring Clean Binder with Entire World of Art Text Book - Check In Bring Handouts: Content Themes - Glossary - Principles & Elements 12 FINAL Images for Identification & Short Answers 1 - Identification - 10 Essential Images (Closed Book) Name of Work Artist / Culture / Location Approx Date / Notes /Media /Details 2a - Glossary Term Definitions - Short List (Closed Book) 2b - Art Movements - Short List 3 - Compare & Contrast Two Works of Art (Open Book) What do they have in common? What makes them Different? Describe in terms of Historical Context (Pt 4) / Elements & Principles / Theme or Meaning 1 - Two Sculptures : Spiral Jetty / Matter of Time 2 - Two Buildings : Van der Rohe / Gehry 3 - Two Paintings : Jackson Pollock / Frank Stella 4 - List Ten Favorite Works of Art / Artists from Book or Elsewhere (Open Book ) Painting/Painter 1 2 Sculpture/Sculptor 1 2 Building/Architect 1 2 Craft/Craftsperson 1 2 Photographer/Video 1 2
GLOSSARY - WORLD OF ART - absolute symmetry vs asymmetrical balance representational vs abstract vs non objective art (page 26) atmospheric perspective collage color wheel complementary colors contrapposto hatching and cross-hatching / shading or modeling focal point foreshortening fresco ceramic glazing hue / spectrum iconography installation keystone linear perspective - one-point linear perspective - two-point linear perspective. lost-wax process medium - plural form, media. negative space pastel plein-air painting porcelain / stoneware / earthenware primary colors proportion vs scale radial balance vanishing point
Movements and Styles : Identify Styles Artist / Work / Date from each style. (Text Book) Abstract Expressionism A painting style of the late 1940s and early 1950s, predominantly American, characterized by its ren- dering of expressive content by abstract or nonobjective means. (page 510) Bauhaus A German school of design, founded by Walter Gropius in 1919 and closed by Hitler in 1933. (page 395) Cubism A style of art pioneered by Pablo Picasso and Georges Braque in the first decade of the twentieth century, noted for the geometry of its forms, its fragmentation of the object, and its increasing abstraction. (page 499) Dada An art movement that originated during World War I in a number of world capitals, including New York, Paris, Berlin, and Zurich, which was so antagonistic to traditional styles and materials of art that it was considered by many to be anti-art. (page 504) De Stijl A Dutch art movement of the early twentieth century that emphasized abstraction and simplicity, reducing form to the rectangle and color to the primary colors red, blue, and yellow. (page 392) Expressionism An art that stresses the psychological and emotional content of the work, associated particularly with German art in the early twentieth century. See also Abstract Expressionism. (page 500) Futurism An early twentieth-century art movement, characterized by its desire to celebrate the movement and speed of mod- ern industrial life. (page 502) Minimalism A style of art, predominantly American, that dates from the mid-twentieth century, characterized by its rejection of expressive content and its use of minimal formal means. (page 513) Modernism Generally speaking, the various strategies and directions employed in twentieth-century art Cubism, Futurism, Expressionism, etc. to explore the particular formal properties of any given medium. (page 510) Pop Art A style arising in the early 1960s characterized by empha- sis on the forms and imagery of mass culture. (page 512) Post-Impressionism A name that describes the painting of a number of artists, working in widely different styles, in France during the last decades of the nineteenth century. (page 496) Postmodernism A term used to describe the willfully plural and eclectic art forms of contemporary art. (pages 166, 402, 515) Renaissance The period in Europe from the fourteenth to the sixteenth century characterized by a revival of interest in the arts and sciences that had been lost since antiquity. (page 451) Surrealism A style of art of the early twentieth century that emphasized dream imagery, chance operations, and rapid, thoughtless forms of notation that expressed, it was felt, the unconscious mind. (page 505)
List Textbook Chapter Titles of these Part 2 Media Chapter Subheadings (Table of Contents) Chapter 11 Chapter 12 Chapter 13 Chapter 14 Title Headings