Rogue GS100R Solid State Amplifier Modifications

Similar documents
Modification of a Tube Amplifier

Jason Stull. Physics 498 (Physics of Music) Valve Junior Modification 5/13/2010

Physics of Music Projects Final Report

Big Muff Pi Kit. Introduction. About this effects pedal. Jon Liang Spring 2015 PHYS 406

ANALOG RING MODULATOR GUITAR PEDAL. Daniel Klingler PHYS 498 POM Prof. Steve Errede 05/12/2011

Tweed Champ 5F1 (assembling the board)

Quick Start. Overview Blamsoft, Inc. All rights reserved.

Tone Stack and Frequency Response. for Regal/Lifco Model 630 and Amplifiers

The following examples explore some of the possible uses of these preamps.

University of North Carolina, Charlotte Department of Electrical and Computer Engineering ECGR 3157 EE Design II Fall 2009

PHYS 406. Spring Final Report. Connor Gooding 05/16/2014 Prof. Steven Errede

Basic operational amplifier circuits In this lab exercise, we look at a variety of op-amp circuits. Note that this is a two-period lab.

ECE3042 Lab Report and Homework Guidelines. Homework. Lab Report

El-Cheapo - A Really Simple Power Amplifier

RockCrusher Recording

Amplifier Performance Report

3-Way Active Crossover Model XOVER-3. Xkitz.com. User s Manual. Features. Rev 2.1

LBI-31807D. Mobile Communications MASTR II REPEATER CONTROL PANEL 19B234871P1. Maintenance Manual. Printed in U.S.A.

15: AUDIO AMPLIFIER I. INTRODUCTION

UNIVERSITI MALAYSIA PERLIS

DeluxeArcade. JAMMA Fingerboard. Introduction. Features. Version 1.1, November 2014 Martin-Jones Technology Ltd

Amplifier Performance Report

Electrifying an Acoustical Guitar. Cody Jones Final Project Report Physics

Bone Bender 1 description and working theory text by Björn Juhl

AMP CAMP AMP #1. Introduction. Requirements and Constraints. by Nelson Pass

Valve Junior Modification

KXR. Owner, s Manual. One hundred KEYBOARD EXTENDED RANGE TYPE: PR 262 P/N

RP40 Operations Manual

GETTING MORE OUT OF YOUR OVATION DEACON OR BREADWINNER

RPHD100 (Overdrive Classic) Operations Manual

ME 365 EXPERIMENT 7 SIGNAL CONDITIONING AND LOADING

MEASURING HUM MODULATION USING MATRIX MODEL HD-500 HUM DEMODULATOR

Version (0) Sept. 28, LTD East 5th Street Superior, WI USA tel: fax:

SPECIFICATIONS: Subcarrier Frequency 5.5MHz adjustable, FM Modulated +/- 50KHz. 2nd 11MHz >40dB down from 5.5MHz

Draw in the space below a possible arrangement for the resistor and capacitor. encapsulated components

TABLE OF CONTENTS. Page 1 of 8. Copyright MasterTone Amplifiers 2008 amplifiers.co.uk

Lauren Gresko, Elliott Williams, Elaine McVay Final Project Proposal 9. April Analog Synthesizer. Motivation

Building and Rebuilding

Project 4 Optical Communications Link

Analog Effect Pedals. EE333 Project 1. Francisco Alegria and Josh Rolles

FLAMINGO.1 OPERATOR'S MANUAL. Version

Electronics and Instrumentation Name ENGR-4220 Spring 1999 Section Experiment 4 Introduction to Operational Amplifiers

The Pearl II Phono Stage. By Wayne Colburn. Introduction

2-Way Active Crossover Model XOVER-2. Xkitz.com. User s Manual. Features. Rev 5.0

FIRST WATT B4 USER MANUAL

WESTREX RA-1712 PHOTOGRAPHIC SOUND RECORD ELECTRONICS

Minimalist Discrete Hi-Fi Preamp

University of Utah Electrical & Computer Engineering Department ECE 1250 Lab 4 Pulse Width Modulation Circuit

CDS3 - Chuck D Aloia Signature Amp Version2 Operations Manual

A Simple Notch Type Harmonic Distortion Analyzer

VMS ML-2 Quick Start

R 1 R 2. (3) Suppose you have two ac signals, which we ll call signals A and B, which have peak-to-peak amplitudes of 30 mv and 600 mv, respectively.

Physics 123: Homework 4: Op Amps II

EE 300W Lab 2: Optical Theremin Critical Design Review

Loudspeaker Active Spectral Divider Design Project Team 3: Aaron, Sam, Brandon, & Matt

USERS MANUAL EBS MICROBASSII BLACK LABEL SERIES. EBS MicroBassII. EBS Professional Bass Equipment SPECIFICATIONS

6.101 Project Proposal April 9, 2014 Kayla Esquivel and Jason Yang. General Outline

How a Vacuum Tube Guitar Amplifier Operates

ECE Sound Reinforcement System Design Spring Loudspeaker Active Spectral Divider Design Project

The Professor an old school amp project from back in the day... Tilmann Zwicker, GITEC Member, Munich, Germany

Each individual is to report on the design, simulations, construction, and testing according to the reporting guidelines attached.

Opamp Based Power Amplifier

Testing and Stabilizing Feedback Loops in Today s Power Supplies

Operational Amplifiers

TLN-428 Voltage Controlled State Variable Filter

KXB800 BASS AMPLIFIER

BMC011. Wave Animator Written April 8, 2013 Last Editted April 8, 2013

Low Distortion Design 4

Simulating Saturated Vacuum Tube Characteristics of a Valve Guitar Preamp

Analyzing the Dynaco Stereo 120 Power Amplifier

EE351 Laboratory Exercise 1 Diode Circuits

Common-emitter amplifier, no feedback, with reference waveforms for comparison.

Electronics EECE2412 Spring 2016 Exam #1

Op-amp characteristics Operational amplifiers have several very important characteristics that make them so useful:

Audio Amplifier. November 27, 2017

Demo Circuit DC550A Quick Start Guide.

D-VERB Digital Reverb Unit

ELR 4202C Project: Finger Pulse Display Module

PHYSICS 107 LAB #9: AMPLIFIERS

Restoration Performance Report

Trace Elliot Elf Bass Instrument Amplifier

EEE118: Electronic Devices and Circuits

Data Conversion and Lab Lab 4 Fall Digital to Analog Conversions

INTRODUCTION. Please read this manual carefully for a through explanation of the THETA Pre-Amplifier and its functions.

Piezo contact mic amplifier (original article)

Electrical Engineer. Lab2. Dr. Lars Hansen

225 Lock-in Amplifier

MICROTUBE 200. OWNER S MANUAL (version 1)

Fixing/Rebuilding a Rickenbacker M-10

An Electronic Watt-Watt-Hour Meter

Op Amp Booster Designs

Frequency sweep with Bass and Treble on 5. Showing the effect of the Bright Switch. Treble on 5, Bass on 10

Introduction (cont )

TL082 Wide Bandwidth Dual JFET Input Operational Amplifier

Screening Audiometer

Using the V5.x Integrator

My experience with the ANC-4 on 50 MHz Rev. 1

10: AMPLIFIERS. Circuit Connections in the Laboratory. Op-Amp. I. Introduction

Final Mini Project Report

USER GUIDE PREFIX PREMIUM STEREO ONBOARD BLENDER

Transcription:

Rogue GS100R Solid State Amplifier Modifications Joshua Frank The Rogue GS100R is a 2x12 100W amp. As far as I can tell, Rogue is Musiciansfriend.com's house brand, but once you open it up you can see that on one of the circuit boards it says "Designed by HANA Electronics Co., Ltd." which is an electronics company based in Korea. I bought this Rogue GS100R from my guitar instructor five or six years ago, and since then it has been my main amp. The clean channel sounded fine, but the distortion channel had always sounded sort of terrible. The distortion was harsh and no matter how I adjusted the tone controls it always sounded gutless. My original plan was to build a solid state guitar amp from scratch only reusing the Rogue cabinet I already had. Thankfully, Professor Errede convinced me that this would probably take far too much time for me to be able to complete in one semester, so I scaled my plans down and resolved to do what I could make the drive channel sound better. The first step was to take some measurements in order to see just what was making the drive channel sound so terrible.

Figure 1: Frequency Response of Rogue GS100R Before Modifications Figure 1 is a graph of the voltage across the speaker terminals versus frequency as white noise was fed into the amp at various settings, and it highlights the first of the major problems I wished to address: why the amp sounded gutless. Notice that in all the measurements taken of the drive channel (excepting the noise floor), there is a voltage drop of over three orders of magnitude in the frequencies around 700-800Hz. Professor Errede suggested that there may be a T-type notch filter somewhere in the preamp circuit that was causing this drop, but to know for sure I would have to examine the circuit diagram. After attempting to contact HANA Electronics and receiving no response it became apparent that I would have to trace and draw the circuit by hand in order to make any progress.

Four weeks later I had what you see in Figure 2. Figure 2: My original hand-drawn schematic for the Rogue GS100R Using this schematic it was very hard to see where anything went or how the components connected. It also doesn't have any of the resistor or capacitor values, but it did make it much easier for me to redraw the circuit in easy to read sections. For the purpose of understanding the modifications I made, the only diagram we need to look at is the one related to the drive channel circuitry.

Figure 3: Drive Channel Circuitry (Changes hilighted) After simulating various sections of the preamp circuit in MultiSym, I found that the significant notch in the mid-range frequencies first showed up in the section shown in Figure 3. After a few more simulations it was determined that the culprit lay in the blue highlighted area of Figure 3. Specifically capacitor C26 (the one labeled "culprit"). By removing this capacitor from the circuit I was able to completely eliminate the notch in frequency response from this section. With my first goal taken care of, and the distortion channel already laid out in MultiSym, it seemed prudent to see what could be done about changing the harshness of the distortion.

The initial simulation showed that the waveform was very peaked, somewhat like a sawtooth wave, which was causing lots of higher harmonics when listening to the speaker output. Professor Errede suggested that by adding a resistor between the diodes and ground (green highlighted area of Figure 3), I could soften the peaks of the waveform and have much more pleasant distorted sound. After another simulation, I installed two 1k 25 turn trim-pots between the diodes and ground. The trimpots allow me to change the resistance and alter the waveform to my liking without the necessity of unsoldering and resoldering new resistors. They also open the possibility of having an asymmetrical waveform, which I will experiment with at some point in the future. For now, both of them are set to 750 Ohms which gives me much improved distortion characteristics compared to the unmodified circuit. The final step was to measure the frequency response again to see how well the modified amp stacked up compared to the original.

Figure 4: Frequency Response of Rogue GS100R After Modifications You can see in Figure 4 the original drive channel measurements (lower on the chart) versus the modified measurements (higher on the chart. This clearly shows the vast improvement that was achieved with my simple modification; the notch in the midrange response was entirely eliminated.