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Mary Gariel / ie etinis, sat solos, ercussion $25 / 000 I E E I N I MRY ND GRIEL or chorus, s a t soloists, ercussion Commissioned in loving memory o Mary oyce rantz y Choral rts Ensemle (Rochester, MN) Michael Culloton, conductor Coyright etemer 200, ylon ress/ie etinis (C) ll Rights Reserved Email ie at aie@aieetiniscom ~ Online at aieetiniscom

rogram Note: Ruert rooke (1115), ho, incidentally, never ore socks, as the most amous o the Georgian oets He delighted in lie, equally celerated oth the mundane the extraordinary He his many riends in literary circles ere knon or their rogressive thinking, their struggles or omen s rights, olitical idealism hey kne rooke as a rilliant comanion ho inused the urely academic ith the very sirit o youth thletic hsome, rooke as almost as ellknon or his dashing good looks as or his oetry (In act, the comoser must coness she as quite distracted y his icture hile orking on this iece) Much o his ork as insired y his dee love or Engl, his early death in World War I as, according to many oets o the time, one o Engl s great literary losses In the sirit o rooke s reutation or reethinking (!) have taken some lierties ith his text His original oem in its entirety aears elo, ritten at age 25 ie etinis Mary Gariel Young Mary, loitering once garden ay, elt a arm slendour gro in the ril day, s ine that lushes ater through nd soon, Out o the gold air o the aternoon, One knelt eore : hair he had, or ire, ound ack aove his ears ith golden ire, aring the eager marle o his ace Not man's nor oman's as the immortal grace Rounding the lims eneath that roe o hite, nd lighting the roud eyes ith changeless light, Incurious Calm as his ings, air, hat resence illed the garden he stood te, aying, "What ould you, ir" He told his ord, "lessed art thou o omen!" Hal she heard, Hs olded ace oed, hal long had knon, he message o that clear holy tone, hat luttered hot seet sos aout heart; uch serene tidings moved such human smart Her reath came quick as little lakes o sno Her hs cret u reast he did ut kno It as not s he elt a tremling stir Within ody, a ill too strong or hat held illed mastered all With eyes Closed, a thous sot short roken sighs, he gave sumission; earul, meek, glad he ished to seak Under reasts she had uch multitudinous urnings, to ro, nd thros not understood; she did not kno I they ere hurt or oy or ; ut only hat she as gron strange to sel, hal lonely, ll onderul, illed ull o ains to come nd thoughts she dare not think, sit thoughts dum, Human, quaint, on, yet very ar, Divine, dear, terrile, amiliar Her heart as aint or telling; to relate Her lims' seet treacy, strange high estate, Over over, hisering, hal revealing, Weeing; so ind kindness to healing 'ixt tears laughter, anic hurrying, he raised eyes to that air messenger He knelt unmoved, immortal; ith his eyes Gazing eyond, calm to the calm skies; Radiant, untrouled in his isdom, kind His shea o lilies stirred not in the ind Ho should she, itiul ith mortality, ry the ide eace o that elicity With riles o erlexed shaken heart, nd hints o human ecstasy, human smart, nd hisers o the lonely eight she ore, nd ho om ithin as s no more nd at length s eing tired, she oed head; nd said, "o e it!" he great ings ere sread hoering glory on the ields, ire he hole air, singing, ore him u, hig, Unserving, unreluctant oon he shone gold seck in the gold skies; then as gone he air as colder, grey he stood alone Ruert rooke, 112

Ruert rooke, 112 Commissioned in loving memory o Mary oyce rantz y Choral rts Ensemle (Rochester, MN), Michael Culloton, conductor Mary Gariel ie etinis Gently, q = 5 reely, Young Mar y, loit' ring once gard en ay, elt a arm slen dour erc crotale N in the ril day, It gre, it gre, it gre s ine that lush es ater through sus cym mark tree tamtam 11 2 nd soon, soon 2 2 2 2 Out o the Out o the Out o the gold air o the gold air o the gold air o the at ernoon, at ernoon, at ernoon, One One One knelt eore : knelt eore : knelt eore : Out o the gold air o the at ernoon, One knelt eore : 11 2 (lv)

2 1 etinis: Mary Gariel hair he had, or hair he had, or ire, ound R ire, ack aove his ears ith ound ith gold en N gold en hair he had, or ire, R ound ack aove his ears ith gold en # hair he had, or ire, ound ith gold en 1 cym glock 20 (+ so) nd olo lto olo en aring the eag er marle o his ace nd aring the eag er marle o his ace nd olo ass as rounding the lims e neath that roe o hite, ire, ire, Im Im mor tal mor tal grace grace ire, Im mor tal grace ire, Im mor tal grace 20 sus cym n

etinis: Mary Gariel olo lto 2 light ing the roud eyes N light ing the roud eyes ith changeless light, ith changeless light, olo en light ing the roud eyes N ith changeless light, olo ass N In cur ious N In cur ious In cur ious N In cur ious 2 glock

etinis: Mary Gariel 1 olo lto olo en hat # re sence illed the gard en he he stood stood te, te, U U U he stood te, olo ass U he stood te, U Calm as his ings, air, U Calm as his ings, air, 1 crotale (oed) U 5, as i rom aar n "less ed art thou o om en! less ed art thou o om en!", as i rom aar "less ed art thou o om en! less ed art thou o om en!", as i rom aar "less ed art thou o om en! # less ed art thou o n om en!", as i rom aar "less ed art thou o om en! less ed art thou o om en!" 5 niente

etinis: Mary Gariel 5 q reathlessly, = 1 (semre stac) Hal she heard, hal long Hal she heard, hal long had knon, (semre stac) (semre stac) had knon, Her reath Her reath came quick as lit tle came quick as lit tle lakes o sno Her lakes o sno Her Hal she heard, hal long had knon, (semre stac) Her reath came quick as lit tle lakes o sno Her Hal she heard, hal long had knon, Her reath came quick as lit tle lakes o sno Her marima # n hs cret hs hs cret cret u u u reast he did ut kno It reast he did ut kno It reast he did ut kno It ä â â as not s â â â as not s ä ä ä as not s ä ä N ä he he he hs cret u reast he did ut kno It as not s he ƒ ƒ su

etinis: Mary Gariel elt, she elt a trem elt, she elt a trem ling stir With ling stir With in in (stac) (stac) od y, a ill too strong od y, a ill too strong or or hat hat elt, she elt a trem ling stir With in (stac) od y, a ill too strong or hat elt, she elt a trem ling stir With in (stac) od y, a ill too strong or hat tgl marima 5 held held illed illed mas tered mas tered N# all all # held illed mas tered all N held illed mas tered all 5 cym tamtam molto ß (lv)

etinis: Mary Gariel 5 # N n (semre stac) With eyesclosed, a thous sot short rok en sighs, he had suchurn ings, With # eyesclosed, # a N thous sot short (semre stac) rok en sighs, he had suchurn ings, (semre stac) With eyesclosed, a (ha haha ha haha ha ha ha ha) (ha ha ha ha ha ha ha ha ha (semre stac) With eyesclosed, a (ha ha ha ha ha ha ha ha ha) (ha ha ha ha ha congas 2 to ro, nd thros not un der stood; she did not kno i they ere 2 to ro, nd (ha ha ha ha ha ha ha ha ha ha ha ha ha ha) they ere 2 ha ha ha) (ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha) they ere 2 ha ha ha ha) (ha ha ha ha ha ha ha ha ha ha ha ha ha ha) they ere 2

etinis: Mary Gariel 2 2 N 2 hurt or ōr oy or ; ut 2 on ly hat she as 2 hurt oy or ; ut 2 on ly hat she as 2 hurt ōr oy or ; ut 2 on ly hat she as hurt or oy or ; ut on ly hat she as 2 2 2 cym tamtam cym tamtam cym 2 tgl N N su N gron strange, hal lone ly, ll on der ul, illed ull o ains to gron strange, su ll on der ul, illed ull o ains to # su gron strange, hal lone ly, ll on der ul, illed ull o ains to # su gron strange, ll on der ul, illed ull o ains to marima su ƒ

he Music o ie etinis e: aieetiniscom hone: 1250 email: aie@aieetiniscom HI GE has een intentionally LE LNK in the hoes that you might uy this score Contact ie at the hone or email address aove or current ricing inormation, or donload an order orm rom: aieetiniscom/order_ormd

etinis: Mary Gariel 15 15 Ho should she, i ti ul ith morta li ty, ry the # # trou led, # # trou led, # kind # kind # Un Un n moved moved ise im ise im mortal mortal trou led, # kind # Un moved ise im mortal trou led, kind Un moved ise im mortal 15 # # # # marima mark tree Gliss ~~~~~~~~~~~~~~~~~~~~~~~~~~~ 11 n # # # N 2 N (non dim) ide eace o that e li ci ty he oed head; 2 2 2 2 Into the Into the Into the Into the 11 n # # # # g# # N g 2 g 2 cym

1 etinis: Mary Gariel 1 gold air the great ings ere sread ho'ring glor y, ire he gold air the great ings ere sread ho'ring glor y, ire he gold air the great ings ere sread ho'ring glor y, ire he gold air the great ings ere sread ho'ring glor y, ire he mark tree ~~~~~~~~~~ Gliss sus cym Í sus cym tamtam ƒ 150 2 hole air, sing ing, ore him u, high'r, Un serving, un re 2 hole air, sing ing, ore him u, high'r, Un 2 serving, un re hole air, sing ing, ore him u, high'r, Un serving, un re 2 hole air, sing ing, ore him u, high'r, Un serving, un re 150 glock 2

15 luc tant oon he luc tant oon he shone shone etinis: Mary Gariel 1 gold seck in the gold seck in the gold skies; then as gold skies; then as gone gone luc tant oon he shone gold seck in the gold skies; then as gone luc tant oon he n shone gold seck in the N gold skies; then as (unis) gone 15 crotale 15 U he air as colder, grey ( ) non rit U hestood alone ( ) non rit hestood a ( ) non rit lone U U hestood a ( ) non rit hestood a lone lone U 15 marima g crotale (oed) U U

lso y ie etinis he urt amily Carols eries: Hail, Christmas Day! (or ) a caella canon ylon ress 02C He Might Have Come on Clouds o Heaven a caella ylon ress 01C2 In a ar udean City a caella ylon ress 00C1 rayer or eace a caella, s or t solos ylon ress 0C ong o the ines a caella ylon ress 01C5 Ot Choral Works: not ky, marima ylon ress ext: Emily Dickinson 01200 he ae o ethlehem, arr a caella ylon ress ext tune: William Walker in outn Harmony 0101 lessed e the Lord, My Rock a caella/organ Grahite ulishing ext: salm 1 G00 uild a House (or riends irds), string quartet ylon ress ext: Haiz 000 Carmina mei cordis a caella ylon ress ext: traditional Latin 0001 Dormi, esu a caella ylon ress ext: traditional Latin 0000 erusalem Luminosa a caella Kos Music ext: homas a Kemis Cat No 2 salm 12: ong o scents a caella ugsurg ortress ext: salm 12 00020 o the Evening tar, lute ylon ress ext: William lake 0000 Yhinx: n ncient Greek Love Charm a caella, t t solos ylon ress ext: heocritus, ancient Greek stone 0101 IE EINI ( 10) has ritten music in a variety o genres, ut greatest assion is or the human voice etinis, ho also sings roessionally, holds a in music ith emhasis in theory/comosition rom t Ola College, e she studied rimarily ith eter Hamlin Mary Ellen Childs, a M in music comosition rom the University o Minnesota, e she studied under udith Zaimont Uon tice receiving the Cynthia Lilley cholarshi rom the Euroean merican Musical lliance, she sent to summers at La chola Cantorum the Ecole Normale de Musique in aris, rance, e she studied harmony counteroint in the tradition o Nadia oulanger ith aculty rom uilliard the aris Conservatory etinis has on the Craig anet an Comoser rize in Choral Music (2005) the Mention Excellent Mention ien (EM), numerous Minnesota Music Educators ssociation ards in comosition, as a inalist or the Ithaca College Choral Comosition Contest (200), the Young Ne Yorkers Chorus Comosition Cometition (2005) Her ork has een commissioned y the merican uzuki oundation, Cantus, the Dale Warl ingers, Ensemle o the North, Hokins High chool, he Rose Ensemle, he chuert Clu, the University o Minnesota Men s Chorus, among ots Her ork is ulished y ylon ress, ugsurg ortress, Grahite ulishing, Kos, anta arara Music ulishing he lives in aint aul, e she serves as ComoserinResidence or he chuert Clu he Music o ie etinis e: aieetiniscom hone: 1250 email: aie@aieetiniscom