Partner search. Culture sub-program. European Cooperation Projects. Strand/categor y. Deadline Expected November Cultural operator(s)

Similar documents
icd - institute for cultural diplomacy

Torino Living Lab & Open Incet

Torino Living Lab & Open Incet OPEN INNOVATION CENTER TURIN

COLLIDE International Award 2018

European management models in contemporary arts and culture Museum of Contemporary Arts Novi Sad, Project by Biljana Mickov

NOVA'S MANIFESTO. > From the "theatre crisis" to today

OPEN CALL FOR ARTISTS WINTER SPRING 20191

Living with Cultural Heritage

CREATIVE EUROPE PROPOSAL. Call for partner

The Hague Summer School

VISUAL ARTS COLLECTION COORDINATOR

Multi-level third space for systemic urban research and innovation

Please send your responses by to: This consultation closes on Friday, 8 April 2016.

Knowledge Exchange Strategy ( )

ANNEXES. to the. Proposal for a REGULATION OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL

REPORT FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT AND THE COUNCIL. on the evaluation of Europeana and the way forward. {SWD(2018) 398 final}

UNIVERSITY ART MUSEUMS AUSTRALIA: SUBMISSION TO THE NATIONAL CULTURAL POLICY

CHAPTER 5. MUSEUMS ADVISORY GROUP s RECOMMENDATIONS ON CACF. 5.1 M+ (Museum Plus)

STRATEGY IMPLEMENTATION PLAN

Opportunities for the Visual Arts and how it can contribute to Unlocking Potential, Embracing Ambition

Creativity as a tool for sustainable competitiveness

The Hague Summer School

COUNCIL OF THE EUROPEAN UNION. Brussels, 9 December 2008 (16.12) (OR. fr) 16767/08 RECH 410 COMPET 550

Circuit Programme Handbook

Visual Studies (VS) Courses. Visual Studies (VS) 1

THE ARTIST S RESEARCH LAB AND RESIDENCY PROGRAMME

ACTIVITY REPORT OF THE NATIONAL INDUSTRIAL COMPETITIVENESS COMMISSION PRAMONĖ 4.0 OF 2017

UNESCO Creative Cities Network Design City Kolding

RESOLUTION NO xxx

EuropeAid. Sustainable and Cleaner Production in the Manufacturing Industries of Pakistan (SCI-Pak)

WHY ACCOUNTANCY & SOCIAL DESIGN

Consultation on Horizon 2020 Science with and for Society Work Programme

Canadian Clay & Glass Gallery. Strategic Plan

DAVIDOFF EXTENDS CULTURAL PATRONAGE TO ASIA DAVIDOFF ART INITIATIVE ANNOUNCES FURTHER COLLABORATIONS

THE EXPO AS GLOBAL VILLAGE

Stakeholders Acting Together On the ethical impact assessment of Research and Innovation

Variations on Mobility GeoHumanities Creative Commissions 2019

Inclusively Creative

ICT : Future Hyper-connected Sociality. DG CONNECT European Commission

November 8-11, 2014 Moscow, Rostov the Great, Russian Federation

TOOLKIT. How to make cross innovation happen in your city

Written response to the public consultation on the European Commission Green Paper: From

ServDes Service Design Proof of Concept

Programme Culture in the Czech Republic

Creative Informatics Research Fellow - Job Description Edinburgh Napier University

We collaborate with a community of artists around the world to produce quality art glass and promote quality glass art.

Enforcement of Intellectual Property Rights Frequently Asked Questions

2nd Call for Proposals

Report on the Results of. Questionnaire 1

CLOTHING TEXTILE & FIBRES Technological Development

Experience Industries. Lublin - a meeting place for the exchange of ideas and experiences

FP9 s ambitious aims for societal impact call for a step change in interdisciplinarity and citizen engagement.

INFLUENCE OF CULTURE ON REGIONAL DEVELOPMENT

4. THE GREAT EGYPTIAN MUSEUM PROJECT GIZA

THE RISKY CITY: INNOVATION IS THE OUTCOME. CREATIVITY IS THE PROCESS

Research Infrastructures and Innovation

Sultanate of Oman Ministry of Education. Muscat Declaration

GUIDE TO THE ERDF REGIONAL OPERATIONAL PROGRAMME The European Regional Development Fund in Emilia-Romagna

1 st EU Dialogue on Ecodesign and New Business Models for a Circular Economy. Introduction to the COBALT project

Conclusions concerning various issues related to the development of the European Research Area

Module Catalogue Faculty of Architecture and the Built Environment Undergraduate Study Abroad 2018/9 Semester 2

Smart Specialisation and the Budapest Manifesto

Integrated Transformational and Open City Governance Rome May

To whom it may concern. Denmark, 11/05/17. INVITATION TO: LET S MEET AND SHARE - Formats of Caravan Next

Public consultation on Europeana

IN TRANSITION. How much is technology changing human behaviour? Ugly Duck Creative Open Call Deadline for submissions 14th Dec 2018

Institutional Sustainable Development Policy

Digitisation Plan

Report on 2 nd International Event

Arts, Culture and Sustainability: Building Synergies between Asia and Europe 6-7 December 2009 Danish Cultural Institute, Copenhagen

10246/10 EV/ek 1 DG C II

THE METHODOLOGY: STATUS AND OBJECTIVES THE PILOT PROJECT B

Highways, ring road, expressways of tomorrow in the Greater Paris

European Charter for Access to Research Infrastructures - DRAFT

Terms of Reference. Call for Experts in the field of Foresight and ICT

THE BLUEMED INITIATIVE AND ITS STRATEGIC RESEARCH AGENDA

~. a.\\ l. å ~ t 1 ~ ~, Department of Cultural Anthropology and Ethnology

Science with and for Society Project Partner Search Form

Evaluation and impact assessment of Citizen Science: what s the value for projects and for research funding policies?

ORANGE REGIONAL MUSEUM HERITAGE COLLECTION POLICY

More info Contact us at

1. GENERAL PROVISIONS

Draft executive summaries to target groups on industrial energy efficiency and material substitution in carbonintensive

Tokyo Protocol. On the Role of Science Centres and Science Museums Worldwide In Support of the United Nations Sustainable Development Goals

Establishing a reference framework for assessing the Socio-economic impact of Research Infrastructures

EN 43 EN. Action Fiche for Egypt 1. IDENTIFICATION

Position Paper on Horizon ESFRI Biological and Medical Research Infrastructures

SUSTAINABLE STOCKHOLM TRANSFORMING FROM WHAT TO WHAT?

COMMISSION OF THE EUROPEAN COMMUNITIES

NATIONAL DESIGN POLICY. Approved by Government of India

An introduction to the 7 th Framework Programme for Research and Technological Development. Gorgias Garofalakis

ALCOTRA INNOVATION. Transnational Workshop July 8th 2011 Genova

ICT10 - Collective Awareness Platforms for Sustainability and Social Innovation

Design Futures Rachel Cooper

BONUS EEIG- (Article 185, ex.169) the Joint Baltic Sea Research and Development Programme

Reputation enhanced by innovation - Call for proposals in module 3

STRATEGIC ACTIVITIES AND PRIORITIES

Digitalisation to unlock the potential of cultural assets

CERN-PH-ADO-MN For Internal Discussion. ATTRACT Initiative. Markus Nordberg Marzio Nessi

the Companies and Intellectual Property Commission of South Africa (CIPC)

Transcription:

Culture sub-program Partner search Strand/categor y European Cooperation Projects Deadline Expected November 2018 Cultural operator(s) Name and country Short description NNLE Propaganda, Georgia Considering the challenges and the opportunities of the Georgian contemporary cultural scene, a multidisciplinary initiative group established a not-for-profit, non-governmental organisation - Propaganda.network in 2014, committed to the development of contemporary (visual) arts. However, since that period and especially from 2017 onwards, organisation s multidisciplinary profile has resulted in developing the projects which delve into wider cultural contexts. The objectives of Propaganda.network: rising awareness about both: intrinsic and extrinsic values of arts; engaging international audiences in the Georgian contemporary art scene and facilitating transnational mobility of the artists and creative entrepreneurs; supporting interdisciplinary projects amongst the representatives of the arts world and the representatives of other fields, initiating the creation of experimental and new business models; providing critical analysis of the current art processes and initiating respective theoretical and practical research projects. With this in mind, we work in two main directions: Propaganda Studio handles the practical activities initiated and supported by the organization, while Propaganda Archive deals with researchoriented projects. The brick and mortar office spans on two main venues (both in

Tbilisi) and encompasses different studio-based concept spaces. The first building (80 sq.m.) contains the working space and a small-scale exhibition hall. Another venue is at a newly developed multiplex - Stamba and contains: Stamba Open Studios & Residencies In collaboration with freelance curators and artists, Propaganda.network offers studio and residency spaces to national (amongst them, regional) and international artists for a fixed or flexible time periods. Synthesis is a new business model dedicated to the experimental practices encompassing the people from different life areas. The outcome of the collaboration often results in developing new knowledge, concept, products and/or services. Museum The small-scale space hosts exhibitions of unique and peculiar objects and processes, reflecting artistic, technological, scientific, etc. achievements. Silk print and neon workshops - Both studios are highly equipped and stand ready to provide all the facilities so that the consumers and artists have the opportunity to develop creative products. In addition to the fixed studios/workshops, additional space is given to a temporary propaganda-initiated projects and/or guest organisations, such as: an interdisciplinary, artistic organisation - Obscura; Tbilisi Architecture Biennial; The Laboratory of Experimental Music and Sound; Radio-informational platform TEMPO and the studio of a private gallery - LC QUISSER, etc. On the internet, the organization carries out its activities via four major platforms (the Propaganda website www.propaganda.network, contemporary art achieve www.archive.propaganda.network, blogpage; as well as various social network accounts. In addition to different medium-scale projects, in May 2018 Propaganda.network organised a large-scale contemporary art exhibition Oxygen (www.oxygen.propaganda.network) at Stamba. For more information about the implemented projects, please visit our webpage.

Contact details Nikoloz Nadirashvili, (Research) Projects Manager nnadirashvili@propaganda.network, +995 599 33 90 60 Ana Gabelaia, Curator agabelaia@propaganda.network, +995 599 23 61 60 Address: 4 Vashlovani St. 0108, Tbilisi, Georgia info@propaganda.network Proposed Creative Europe project Field(s) Description Visual arts, Experimental art, Multidisciplinary art, Ecology, Science The global tendencies, such as rapid urbanisation and underestimating the long-term effect of protecting natural resources are twice as intense in developing countries, such as Georgia. Through turbulent political post-soviet history, the country has never had a chance to develop a firm green strategy and systemize the political will of sustainable development. Many years of experimental reforms on urbanization, profit-oriented initiatives and chaotic privatization has left Georgia face to face with concrete blocking, deadliest air pollution, no recycling system, severe lack of green zones and poor awareness and frustration of local population. Considering the urgency of the matter, Propaganda.network came up with an idea to refer to the power of art and creative thinking in order to highlight the above mentioned issues and contribute to the optimistic development of this crisis scenario. The goal of the project is to rise the awareness about the potentials of art, when intervened in wider ecosystem and mixed with natural resources (landscapes, natural elements and artefacts, scientific research outcomes, experiments, etc.) and vice versa, when some of these resources are placed in conventional and/or experimental artistic contexts and in constantly changing urban realities. As an outcome of the project, we expect the stakeholders and civic society to be engaged in the process of alternative value creation when different fields collide. The objectives of the project: facilitate transnational mobility of the artists, curators and the

representatives (activists, researchers, etc.) of the organisations oriented on ecological issues and facilitate knowledge and experience sharing to foster critical thinking; develop the platforms for initiating new business/collaboration models reflecting cultural and ecological conditions in situ and worldwide; build and train the audience for semi-artistic, multidisciplinary projects in order to creatively involve them in problem solving process. Activities: 1. Synthesis sub-project - the aim of this edition of Synthesis is to engage artists and the representatives of the natural sciences in collaborative activities in order to develop innovative interdisciplinary research practices, concepts, products and/or services. 2. Museum sub-project focuses on researching, collecting and exposing unique and peculiar natural resources, rare traditional craftsmanship examples, techniques and inventions. (e.g. the Georgian silk heritage, beekeeping practice, etc.). 3. Magic Garden - aims to develop experimental greenhouse in Stamba multiplex. The botanical ritual will be devoted to emergence and development of new plants and cultivation of rare breeds as well as medicinal plant crops. Experimental flora and herbalism of Georgian or many other folklores will be practiced in collaboration with the Tbilisi Botanical Gardens. 4. Stamba Residencies and Open Studios - In addition to the abovementioned studios/sub-projects, up to 3 studios (and respective accommodation facilities) will host international, national (amongst them regional) artists and the representatives of other fields who endeavour to help each other in order to develop eco-related experimental projects. Along with the Studios/residency spaces at Stamba multiplex, we aim to offer regional residency spaces around Georgia, especially in the areas with rich natural heritage with the support of our local partners, such as Svaneti Museum of History and Ethnography, Art Villa Garikula, etc.

As a consequence of the abovementioned sub-projects, we aim to launch the second edition of Oxygen festival (the first edition was held in May 2018, encompassing up to 35 international and national artists). The second edition will focus on eco-related themes and encompass the legacy of the interactions developed at Synthesis, Museum, Magic Garden and Residencies/Open Studios subprojects. The festival will provide large-scale exhibition programme in multiple venues in Tbilisi and beyond its borders. Moreover, following activities are provisioned in the frames of the festival week: Informal Symposium; Roundtable meetings with the stakeholders responsible for wider ecological condition, such as the representatives of the City Hall; Masterclasses & workshops aimed at training young artactivists, artists and other stakeholders. Partners currently involved in the project (if any) Name of organisation and country Potential Partners: Tbilisi Botanical Garden, Svaneti Museum of History and Ethnography, The Museum of Jurassic Technology, Art Villa Garikula, Tbilisi Architecture Biennial, Multiplex Stamba and their tenants with varying profiles, Gallery LC Quisser, Tbilisi Silk Museum, The institutions of higher education, green movements, etc. Partners searched Countries Any

Ideally, potential partner organisation should be aimed at developing research-based, experimental, creative projects concerning ecological themes, social ecology and natural resources. Desired competencies: - organising small/medium scale exhibitions; - managing international residency programmes and research projects. What we expect from our partners: Preferred profile - understanding the challenges of developing countries and their active interest in its cultural discourses in reference to the ecological and socio-economical dimensions. - being able to host international artists and the representatives of the organisations committed to ecological themes; - being able to offer artists and the representatives of the organisations committed to ecological themes for our residencies; - contribute to the development of festival programming and be willing to cooperate in order to make the event transnational. The past experience of being the beneficiary of Creative Europe programme would be an advantage. Previous Creative Europe or Culture 2007-2013 programme experience (if any) Project name(s) Role within projects x x

Are you interested in participating in other EU projects as a partner? Yes Yes No What kind of projects are you interested in participating in? Projects aimed at: transnational mobility of artists (e.g. residency programmes) audience building for contemporary arts (e.g. large-scale exposition events) (artistic) research practices (e.g. archiving) Thematic priority: Ecology and interdisciplinary approach Other Leader/Partner