WORDS & PiX by JOE & JONELLE LOUW

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profile TeCHniQUe i nspire mprove GeTTinG started WiTH TIMELAPSE WORDS & by JOE & JONELLE LOUW What exciting times we live in! Or rather, that we get to be photographers in! The ever-developing-non-stop-technology-driven-world is surely making life for any artist as exciting as it can get and it s certainly no different for photographers. Let s not debate about the good old film days here, but rather embrace creativity and technology where it is at the moment. This technology turmoil brings timelapse photography to everyday photographers like you and me. You don t need to have a big fat production company to be able to have fun with techniques such as this anymore. Thanks to digital cameras and affordable motion controlled dollies we can all experiment and perhaps specialize in a new genre of photography. So what s the fuss about timelapse? What exactly is timelapse photography and why does everyone want a dolly? Can t you just shoot a video and speed it up? Well, yes and no. Timelapse is very common in filming although making use of video cameras will not allow you the same amount of control with regards to exposure settings (while shooting), post processing, quality and a few other technical difficulties which we re not going to chat about now. We discuss this in more depth on our workshops. So let s get on with timelapse photography and how to start shooting and editing your own sequences. 64 64-70 Timelapse-ld.indd 1 2012/11/23 11:19 AM

Definition: timelapse is the photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time (take note - slowly!). When the frames are shown at normal speed the action seems much faster than in real life. it allows you to compress a long period of time into only a few seconds. the most common example of this technique is showing a flower unfolding, clouds passing by and sunsets or sunrises. Milky way and night-sky scenes have become very popular too. in essence, you speed up life that otherwise goes unnoticed in real time. And if you still don t get it; it s the total opposite of high-speed photography that allows you to play back 1 second of action slowed down to, for example, 30 seconds. 65 64-70 Timelapse-ld.indd 2 2012/11/23 11:19 AM

TeCHniQUe Equipment: To start with timelapse you need a camera, a steady tripod and an intervalometer (also referred to as timelapse recording ). Many cameras have built-in intervalometers such as Nikon, Canon, Pentax and Panasonic, but not all models have this function, so confirm this for your own camera model. Some cameras can also output your images as a.mov file straight from the camera. Keep in mind as it will lessen your post-processing options and limit your control when editing since you can no longer edit individual images. For cameras without a built-in intervalometer, you can buy an additional remote cable which will provide you with the necessary features for timelapse photography. Most controllers for motorized timelapse dollies not only control the speed of the motor but also act as an intervalometer. To add linear movements to your timelapse you need a motorized dolly for those ultimate motion shots. by adding motion you separate the foreground from the background which adds depth and authenticity to every sequence. This term is called parallax shift and is caused by the moving camera, not by timelapse. HoW to calculate AnD program your camera: Firstly; you need to know how long you want to shoot (over what period will the action take place; e.g how long will it take from now until the sun sets?). Secondly; how many photos do you want to take? Take note that the number of photos will indicate your playback time e.g. 25 photos = 1 sec video. Thirdly; how often do you want to take a photo? Are you shooting fast moving subjects such as people or cars, or perhaps a slow moving subject like shadows or a flower? Notice how the camera slowly makes it s way up the rail. 66 64-70 Timelapse-ld.indd 3 2012/11/23 11:19 AM

Use this formula to calculate your settings: example 1 - Shooting a flower opening over a 3 day period. Duration: 3 days x 24 hours = 720 hours or 4320 min Number of shots / playback time: 20 sec x 25fps = 500 photos or 500 / 25fps = 20 sec interval: 4320 min / 500 photos = 8,64 min i n other words, to photograph a flower opening over 3 days with a total playback time of 20 seconds, program your camera to take a photo every 8 min. You will end up taking 500 photos in 4320 min. example 2 - when the subject determines your interval (e.g. fast moving clouds). This time your interval is more important. Let s say you want to take a photo every 5 seconds. Calculate how long you will shoot and how many photos you will take, which will determine how long your playback will be. interval & Duration: 5 sec interval x 300 photos = 1500 sec or 25min Number of shots / playback time: 300 / 25fps = 12 sec Therefore, to photograph fast moving clouds with an interval of 5 seconds, it will take your camera 25 min (1500sec) to shoot 300 photos for 12 seconds of playback time. tip: there is a fantastic iphone app available to save time when making these calculations. timelapse Helper does exactly what it says - it helps you calculate your interval, fps, shooting time, amount of shots and playback time. it s so simple and easy to use, and it s free! 67 64-70 Timelapse-ld.indd 4 2012/11/23 11:20 AM

TeCHniQUe Shooting with a motorised dolly: When making use of a timelapse slider or rail, you now have to calculate the desired speed that the camera should move from point A to point b as well as the distance the cart should move between each shot. Ensure your camera is set to Manual mode - manual shooting and manual focusing! Adjust your iso, white balance, shutter and aperture accordingly for correct exposure. Make sure you achieve focus and then disable the autofocus completely. When using auto exposure you have no guarantee that the exposure will be consistent throughout your shoot and this will also cause an inconsistency in your exposure, referred to as flicker. Now sit back and relax while the time is lapsing as you take your sequence of still images. Once your shoot is complete go back home and transfer your files to your hard drive. Do some editing and output your files as a movie file. There are different ways to do this and so will your results be different too. 68 64-70 Timelapse-ld.indd 5 2012/11/23 11:20 AM

Editing - the easy way: You need to have software like QuickTime 7 Pro (available for Mac and PC) to convert your images from stills into a movie. Once installed and opened, go to File - Open image Sequence, select the first image and click Open. You then have to select a frame rate of 25, whereafter, if you have a decent computer, you can preview the video clip. Then go File - Export - Options and choose H.264 (this is the codec to export your file in) and then Save as a.mov file. And voila! You have a video clip. go ShooT: choose An ASSignmenT For yourself And get out There And ShooT. FlowerS are tempting but it s a little more complicated and requires a little more planning than some other shots. you need: a flower that opens fairly fast; a room that you can close off and darken completely; a constant light source for controlled lighting (no window - light can peek through since there is too much variation from day to night); lots of battery power and sufficient memory. Shoot for a total of 3 or perhaps 4 days. The constant light will also fasten the process of the flower opening. remember to check your battery life and replace it with a fresh one when needed. Also check your wb if you shoot with tungsten light. Editing - for better results: To have more control over your editing and for better results you need to use Adobe Lightroom to edit your stills first. To do this you would have to import your images into Adobe LR and then edit the very first shot until you are happy. Crop this image to 1920 x 1080 px for a full HD image. Now select all the files and sync your settings so that the same adjustment settings are applied to every image. Export your images as.jpg files and then repeat the steps in Quick Time Pro. FAST moving SubjecTS like people at a shopping mall, a sports field or on college campus will all work well. you would need: the appropriate location (always obtain permission when shooting in public places); activity from people; enough battery power and sufficient memory. Shoot for 1 or even 3 hours when there is lots of action happening. Editing - more advanced: As you become better with timelapse photography and learn more about it, you will soon realize that there is even more you can do in post production. For even more control with exposure shifts or changes etc. i always make use of LR Timelapse for all my timelapse processing. LR Timelapse was developed by Gunther Wegner from Germany which works hand-in-hand with Lightroom. There is a direct link from www.timelapsesa.co.za which will allow you to qualify for discount when purchasing the software. Gunther Wegner will be joining me in April 2013 to present some timelapse workshops. Gunther will also share how to maximize the use of his software LR Timelapse. Slow moving SubjecTS like clouds blowing in the wind, the sun setting or shadows moving across a room are all good od to start with. you would need: the appropriate location (the garden, the park or even in your house); activity, or rather movement from your desired subject; enough battery power and sufficient memory. Shoot for 2 or even 4 hours to ensure that you will notice the variation or movement in the shadows or the setting sun. Note: You can also use free software such as PhotoLapse for PC or Time Lapse Assembler for Mac. 69 64-70 Timelapse-ld.indd 6 2012/11/23 11:20 AM

TeCHniQUe When you have finally completed your very own timelapse shot and you have edited it into a video clip, be sure to post a request in the shoutbox on the TimeLapse SA channel on Vimeo. This channel is dedicated for all South African photographers and filmmakers, amateur, hobbyist or hard-core pros to share their timelapse reels, clips or even test shots and first attempts. The footage can be shot anywhere in the world and as long as you are South African we will share your timelapse. Visit this link http://vimeo.com/channels/timelapsesa. Be inspired: My favourite timelapse subjects are those found in nature. i m an adventurous traveller and lover of nature so my wife, Jonelle, and i always try to grab every opportunity to spend some time in the bush. i set somewhat of a personal goal to myself when i just started out with timelapse and that was to shoot that ultimate Milky Way shot! For the debut of the Shukuma DOLLY we went to a family farm in the Kalahari where we had two and half days of non-stop shooting. in the end, i was able to put together this timelapse reel showcasing my very first successful Milky Way. i was super-excited when i managed to pull this off. Some of the most memorable sequences in natural history result from timelapse photography, an astonishing filming technique that opens our eyes to a whole new world. So get yourself out there and start shooting some timelapse! Watch living on here: http://vimeo.com/42607306 Time-lapse photographer and Shukuma dolly designer joe louw, has been in the photography industry since 1999. Along with a passion for photography, joe has an incredible ability to understand almost all technical fields. He learnt about time-lapse photography for the first time in late 2010. With time-lapse photography came dolly sliders and motion controlled time-lapse rigs - and that is how the Shukuma dolly was born. having recently established Timelapse SA, joe louw is the first person to produce motorised time-lapse dollies in South Africa. his perfectionistic nature and high standards are the key behind the superb quality of the Shukuma dolly. for details visit www.timelapsesa.co.za 70 64-70 Timelapse-ld.indd 7 2012/11/23 11:20 AM