PETER GELLHORN STRING QUARTET NO.2 (1935) RCM EDITIONS

PETER GELLHORN STRING QUARTET NO.2 (1935) RCM EDITIONS

About RCM Editions RCM Editions are erorming editions o works. They have been created to suort College erormances, recordings and research. They are ublished to bring the works to a wider ublic. About the Peter Gellhorn Project This edition was created as art o the AHRC-unded Cultural Engagement Project Exile Estates Music Restitution: The Musical Legacy o Conductor/Comoser Peter Gellhorn, in collaboration with the International Centre or Suressed Music (ICSM) and the Jewish Music Institute (JMI). Project suervisor: Norbert Meyn Cultural Engagement Fellow: Dr. Terence Curran Advisor (ICSM): Proessor Erik Levi General Editor: Dr. Bruno Bower Assistant Editors: Catherine Cheung, Lison Favard, Ray Leung, Piyawat Louilarrasert, Tim Maryon, Randall Scotting. 2016 Royal College o Music, London (grahic rights only), and Mary, Barbara, Martin and Phili Gellhorn. All rights reserved. This RCM Edition is suorted by: We would also like to acknowledge the suort o the British Library in roviding access to its collection o Peter Gellhorn s aers.

Preace On the manuscrit score o this string quartet Gellhorn gives November 1935, London as the date and lace o comosition. Gellhorn had just arrived in London and worked as a resident volunteer at Toynbee Hall, where he taught music, directed ensembles, and comosed incidental music or the theatre grou. 1 Reerences: Dr. Terence Curran and Norbert Meyn 1. Toynbee Hall Annual Reort, 1935-1938. Aendix A: List o Residents; Toynbee Hall Annual Reort, 1935-1938. Education and the Arts: The New Music Deartment,. 25. Editorial Statement A collection o Peter Gellhorn s aers, including autograh manuscrits or all o his extant comositions, was donated to the British Library on 30 th Aril 2010 and 20 th July 2011 as Music Deosit 2010/15. The oicial reerence or the collection is now MS Mus. 1800, and a comlete catalogue can be ound at www.etergellhorn.com /sheet-music. Alongside sketches and drats, the comosition manuscrits include a number o autograh air coies, written in ink, clearly notated, and with ew corrections, suggesting that Gellhorn intended them to be regarded as authoritative. It has thereore been ossible to make urtext editions o these works, accurately conveying Gellhorn s intentions. Some minor corrections and changes to ormatting have been made so that the scores are ready or use by erormers, in keeing with the ethos o the RCM Editions. On a similar basis, any seciic modiications are outlined in the reace to each work, rather than using editorial brackets in the score, in order to reduce clutter on the age and to ensure easy reading. For an overarching outline o the aroach to transcrition, see The Peter Gellhorn Edition: General Statement, available at www.etergellhorn.com/sheet-music and at researchonline.rcm.ac.uk/69/. Sources The Gellhorn Paers contain ive autograh manuscrits or String Quartet No.2, catalogued under MS Mus. 1800/4/1 Orchestral and instrumental music; 1932-1936: a air score, and comlete set o our air arts. The air score has been taken as the rimary coy text, with the air arts consulted to ensure consistency. The air score is written in black and blue ink on 18-stave Keith Prowse (U18, Siestro System) manuscrit aer. The manuscrit is ormed rom seventeen biolios, o which two are interolated, and two interolated olios, making an unbound seventy-two-age booklet measuring 359mm by 263mm. The contents are as ollows:

[i]: Title age [ii]: Blank age.1-19: First movement.20-32: Second movement.33-40: Third movement.41-57: Fourth movement [iii-xv]: Blank ages Seciic Editorial Remarks The ollowing minor corrections have been made: Movement 1 measure 61 beat 1: Gellhorn added a shar on the irst trilet quaver in the viola as it was carried rom a tie over a age break. It has been moved to the second trilet quaver here as it is still intended to stand or the whole bar (suorted by the autograh art). Movt.2 m.29 b.3: a slur has been added to the second violin or consistency. Movt.2 m.35 b.1: the F in the cello has been changed to a G to neaten the subsequent tie. Movt.2 m.73 b.1: the demisemiquaver beam in the irst violin has been divided to match the beaming in the second violin and viola. Movt.2 m.104 b.1: a Sul G marking has been removed, the line rom revious bar derived rom the same marking has been extended to cover the two notes. Movt.4 m.32 b.1: a natural has been added to the B in cello to match m.215 and or clarity. Movt.4 mm.67-68: a shar has been added to the C in the second violin or consistency (suorted by the autograh art). Movt.4 m.146: the F in the viola has been changed to an E to neaten the subsequent tie. Movt.4 m.174: slurs have been added to the second violin or consistency. Dr. Bruno Bower

String Quartet No.2 I. Peter Gellhorn (1912 2004) Violin I Andante lento q = 42 m Violin II Viola Violoncello 6 11 m 16 z z m z z 2016 Royal College o Music, London (grahic rights only), and Mary, Barbara, Martin and Phili Gellhorn. All rights reserved.

6 Allegro h = 76 20 m m m m 27 z z z z 33 m m m m 39 m m m m

45 51 m m 3 3 3 m m 3 3 m m m m 3 56 3 3 izz. m 7 60 m m m

8 65 # m izz. m m m 69 3 3 molto Andante lento q = 42 73 m 77

9 81 m 85 z z z z m 89 Allegro h = 76 92 3 3 3 3 m m m 3 3

10 97 m b 3 ohne Nachschlag 101 105 109 m

114 11 izz. 119 3 3 m 123 m 129 z m z m z z m m

12 135 140 145 151 m m m m m m m 3 m m 3

156 m 3 izz. 161 # # b b b b 165 169 m m m m izz. m # m m m 13

14 173 molto Andante lento q = 40 177 m izz. 181 molto izz. izz. izz. II Andante q = 50

6 15 11 m m m m 17 23 m m m m

16 29 35 41 m m m m 47

17 51 m 55 59 m m m m 64

18 69 m 73 m m 76 m m m m 78 m m m m m izz. m

81 19 85 m m m 89 b 93 m m m m

20 97 m m m m 100 102 Sul G oco iù lento 106

Scherzo h. = 92 Allegro Vivace m m III. m izz. m 21 11 21 30 m m m

22 38 1. m 2. 46 m m izz. 56 64 m m izz. m

73 23 81 m izz. izz. izz. 88 97 m

24 106 Musette h = 84 118 m 130 m m m m 140

accel. 150 Scherzo da Cao al, oi la Coda al Temo I. 25 izz. m m m Coda () 165 Andante q = 60 senza vibrato senza vibrato senza vibrato senza vibrato IV.

26 11 20 attacca: z Allegro molto q. = 152 m z m 27 m izz. izz. m 34 izz. m izz. m m m

42 27 49 56 izz. izz. izz. 64 izz. # senza vibrato

28 72 m 80 m 88 96 m m m m m m

29 104 112 izz. m 120 izz. z m m z 127 m m

30 135 z m m m m 143 m m m 151 m 159 izz. izz. izz. izz.

31 167 175 183 semre semre semre 190 semre

32 196 izz. izz. izz. 203 z m m 211 izz. izz. m izz. izz. 218 m izz. m m m

226 33 233 240 izz. izz. izz. izz. izz. izz. 247 izz.

34 254 senza vibrato m 262 270 m 278

286 m m 294 m m m m 302 izz. 35 310 izz. izz. izz. izz. Fine

Violin I Andante lento q = 42 m String Quartet No.2 I. Peter Gellhorn (1912 2004) 6 11 16 z m 19 Allegro h = 76 m 24 28 2016 Royal College o Music, London (grahic rights only), and Mary, Barbara, Martin and Phili Gellhorn. All rights reserved.

Violin I 2 32 37 z m m 41 47 m 3 3 m 55 58 61 m 66 # m

Violin I 70 Andante lento q = 42 3 75 77 79 81 84 87 z 90 Allegro h = 76

Violin I 4 93 3 96 m 3 100 b 103 106 109 m 113 118

Violin I 121 3 m 5 126 130 135 139 z m 142 m 146 149 m

Violin I 6 157 m # # b b 163 b b m 167 170 m 173 176 molto Andante lento q = 40 m 180 182 molto

Violin I 4 Andante q = 50 II 7 8 15 m 20 25 30 36 44 53 m m 56

Violin I 8 59 64 m 69 72 m 74 76 79 m m m 86 92 m

Violin I 98 m 101 104 oco iù lento 107 Sul G 9 Scherzo h. = 92 Allegro Vivace 8 m III. 14 21 26

Violin I 10 32 m 44 1. 55 2. 46 m 61 66 73 m 81 87 92 97

Violin I 100 11 106 Musette h = 84 114 122 133 m 142 Scherzo da Cao al, oi la Coda 150 accel. al Temo I. Coda 166

Violin I 12 Andante q = 60 9 senza vibrato IV. 17 attacca: 24 Allegro molto q. = 152 z m 30 35 40 47 izz. m 53

Violin I 58 izz. 13 65 senza vibrato 73 80 87 94 m 101 m 108 112

Violin I 14 117 m 123 131 139 146 z 154 163 m izz. 170 179 187 192 z m m semre

Violin I 196 izz. 15 201 z m 209 215 220 225 231 izz. m 237 izz. 243 247 izz.

Violin I 16 252 260 senza vibrato 267 274 279 284 292 298 306 312 m m izz.

Violin II String Quartet No.2 I. Peter Gellhorn (1912 2004) Andante lento q = 42 4 7 10 13 16 z 19 Allegro h = 76 23 m 29 2016 Royal College o Music, London (grahic rights only), and Mary, Barbara, Martin and Phili Gellhorn. All rights reserved. z m

34 39 m 45 m Violin II 3 53 3 3 m 56 59 64 69 78 Andante lento q = 42 m m 86 z

Violin II 4 92 Allegro h = 76 96 m 3 100 105 109 112 116 120 3 m 123 128

133 138 142 147 z m m Violin II 5 154 3 m 3 m 157 160 163 168 172 m

6 177 Andante lento q = 40 Violin II 180 182 izz. II Andante q = 50 9 12 m 17 21 25 m

Violin II 29 7 33 39 45 m 48 51 55 60 m 63

Violin II 8 67 72 m 75 76 m 78 m m 82 85 88 m 92 b m

Violin II 95 m 9 99 102 oco iù lento 106 Scherzo h. = 92 Allegro Vivace m III. 9 16 24 30 m

10 38 1. 46 53 2. Violin II 63 69 m 77 m 84 izz. 92 97 100

Violin II 106 Musette h = 84 11 117 m 126 134 m 144 151 Scherzo da Cao al, oi la Coda accel. al Temo I. m Coda 165

Violin II 12 Andante q = 60 senza vibrato IV. 11 20 attacca: Allegro molto q. = 152 28 33 izz. 38 m 42 48 54 57 izz.

Violin II 61 13 67 72 77 82 88 93 98 m m 105 109

14 114 122 128 izz. 133 140 148 153 m Violin II m m 158 163 izz. 168 173

178 185 190 195 200 206 212 217 izz. 222 227 semre izz. m 234 Violin II 15 240 izz.

Violin II 16 246 izz. 252 257 262 267 272 278 284 m m

Violin II 291 17 297 306 312 izz.

Viola String Quartet No.2 Peter Gellhorn (1912 2004) I. Andante lento q = 42 4 7 10 13 16 z 19 Allegro h = 76 m 24 2016 Royal College o Music, London (grahic rights only), and Mary, Barbara, Martin and Phili Gellhorn. All rights reserved.

Viola 2 29 z m 37 m 42 46 50 3 3 m 53 m 59 m 63 65

Viola 67 m 3 69 73 Andante lento q = 42 76 79 82 85 88 z 90

Viola 4 92 98 102 Allegro h = 76 3 3 m ohne Nachschlag 105 108 111 114 117 121 127 134 m z

Viola 140 5 144 m 149 153 m 157 3 160 163 167 171 # m 173

Viola 6 177 Andante lento q = 40 180 182 izz. Andante q = 50 II 6 12 19 m 24 m 29

Viola 7 33 40 45 m 49 52 55 57

8 61 m 66 70 74 76 78 80 m m m Viola 83 87 m 91 m

Viola 94 9 98 m 103 oco iù lento 107 Scherzo h. = 92 Allegro Vivace 9 m III. 17 25 33 m 39 1. 2.

Viola 10 46 54 63 71 80 87 95 100 izz. 106 Musette h = 84 119 131 m

Viola 144 11 152 Scherzo da Cao al accel. al Temo I. m, oi la Coda Coda 165 Andante q = 60 senza vibrato 8 IV. 16 attacca: 24 Allegro molto q. = 152 z m 29 m izz. 33

12 38 Viola m 43 50 55 60 66 # m 74 79 m

Viola 13 85 91 97 m 103 110 117 123

Viola 14 131 m m 138 146 m 152 157 162 izz. 167 172

Viola 177 15 183 semre 189 194 izz. 199 205 m 211 izz. 216 izz.

Viola 16 221 m 226 232 238 243 izz. 249 255 m 262

Viola 267 17 m 273 280 286 m 293 300 308 313 izz.

Violoncello Andante lento q = 42 String Quartet No.2 12 15 m 20 Allegro h = 76 25 z 30 I. Peter Gellhorn (1912 2004) 2016 Royal College o Music, London (grahic rights only), and Mary, Barbara, Martin and Phili Gellhorn. All rights reserved. m 35 42 49 52 m 3 3 z m izz. m m

Violoncello 56 m m 3 62 68 71 m 3 3 molto izz. m 73 Andante lento q = 42 77 82 86 z m 90 Allegro h = 76

4 96 3 3 100 103 106 110 114 m 118 123 128 izz. Violoncello 133 z m

138 Violoncello 5 142 149 154 161 m izz. m m m m 166 171 m izz. Andante lento q = 40 177 izz. 182 izz.

6 Andante q = 50 II Violoncello 6 11 m 16 22 m 28 35 45 m 49

Violoncello 53 7 60 65 m m 70 76 m 78 izz. m 84 90 97 m 104 oco iù lento m m

8 Scherzo h. = 92 Allegro Vivace m Violoncello III. izz. 9 17 25 m 34 43 1. 52 59 2. izz. m 66 izz. m 74 81 izz.

Violoncello 88 9 m 97 101 106 Musette h = 84 118 130 143 m 152 izz. accel. al Temo I. m Scherzo da Cao al, oi la Coda Coda () 165

10 Andante q = 60 senza vibrato Violoncello IV. 9 16 attacca: Allegro molto q. = 152 24 izz. m 32 39 m 45 50 57 izz. 63 izz.

Violoncello 68 11 73 78 83 89 95 102 111 118 122 131 m izz. m z

12 138 144 m 151 158 165 m 172 Violoncello izz. 180 185 semre 192 198 204

211 izz. m 217 224 229 235 241 izz. 246 252 Violoncello m izz. 13 257 262 267 272

14 277 283 Violoncello m 290 298 izz. 307 313 izz.