Step by-step three piece lid and finial

Similar documents
Christmas Bell Ornament

ALAN CARTER STUDIO 5332 RIVERVIEW DR., LISLE, IL

Turning a Duck by Fred Holder

A candle stick addresses transferring and reproducing dimensions from a plan and breaking the project into steps.

Curved Metal Segmenting

Jimmy s 2 nd demonstration was what he called an African Drum style box made from Iroko with a cocobolo insert in the lid with inlaid sterling silver.

ALAN CARTER STUDIO 7 Cane Creek Circle, Fairview, NC

1. Mount between centers round cut tenons on both ends (same diameter).

Fig2: The Sliding Glue Block from the back.

Copyright WilkerDos.com Dining Table. Project Designed By April Wilkerson - Plan Created By Jay Bates (jayscustomcreations.

How I built my Breezy pieces

Demonstration Bob Rosand October 20, 2007 by Bob Gunther

Turning an End Grain Lidded Box

Perhaps the best thing about. Three bowls slightly rearranged Twisted Possibilities

Clay Foster Demonstration topics

Building a shaft less Crush/Grind Pepper mill Chuck Ellis

Shoulder Plane. dovetailed. fine tools. Make an heirloom tool and learn the secret to creating double dovetails in metal it s easier than you think.

My favorite turnings are TURNING A FIVE-SIDED BOX. Design brings regular polygons to life. Ted Rasmussen. Prepare the stock

Rose Inspired Corner Shelf

Turning a Fast Joint dovetailed vase on a lathe

Grade 11 Woods Lift Lid Coffee Table. Based on Under the big Top from Popular Mechanics Website

Turning Pendants with the Richard Joyner Eccentric Backer Plate

NaI (New and Improved) Realistic Cigar Pen

e) Attach the faceplate/backing plate assembly to the spindle. PROCESS

Making a snap lid box By Jeffrey A Lavine

Vacuum System for Woodturnes by Robin Costelle graphics by Caleb Costelle

Slicing Jig For Pen Inlays

Notes for Making Wood Rings With Stainless Steel Insert Centers

Basic Box Making by Alan Hewitt

Central Illinois Woodturners present Making A Wig Stand

Odd Wobbler Instructions By: Don Geiger

Making a Veneer Sand Shaded Fan

WOOD TOY NEWS SANDING DRUMS & JIGS ISSUE

The finished ornaments.

How to Turn a Wooden Egg

Greene & Greene. Mailbox. by Seth Keller. Signature details create an elegant box. 2 AmericanWoodworker.com

Cut two squares of 1/2 to 3/4 stock that are the exact size of your coaster blanks. Stacking Coasters

O nament. Birdhouse. Birdhouse Christmas ornaments have become very

Pro-Doweling Kit USER S MANUAL #840. Visit us at

GENERAL NOTES: Page 1 of 9

Making Beads of Courage boxes (using flat wood stock and thin-walled 6 inch white PVC sewer pipe.)

Scissor Stool. Written By: Feitan

Making a Windsor Stool

Display Case (for J&S)

Band Less Slim Line Pens A How To Guide. Written By: Joe Agrella.

Turning Between Centers (Reissued 2015)

YOUR MONTHLY ONLINE WOODTURNING MAGAZINE

A Unique Cutting Board

PEPPERMILL CONSTRUCTION

Jaws. It s All in the

Heirloom. Pat and Karen Miller

Invisible Clip Tutorial

Making a Scalloped Segmented Pen Blank

Copyright 1998 KDE Technologies

Turning between centers - another way

Two-Piece Hollow Form Turning Hollowing Without the Hassle

OFFSET TURNINGS. By using an eccentric chuck, SHOPMADE CHUCK BUILD A FOR. David Mueller FEATURE. Build the chuck body

Turning a Lidded Box

Turning Penguin and Chick Ornaments

Please note the August 1st meeting will be held at Hudson Mills Metropark. See page 7 for details

Main Photo: Completed Holly and Acrylic Warbling Whistles.

Legacy Magnet Pen Kit

WOODWORKING GUIDE: BASIC JOINERY

TUTORIAL: INTERCHANGEABLE STENCIL BOX

Slimline Pro Single Tube Click Pen

Domed Cove Box. Materials: Dry stable hardwood, straight grained with pronounced end grain, about 3+ square and 3+ long Sandpaper Finish of choice

How to install backchecks

Kitchen Step Stool. Premium Plan. In this plan you ll find: America s leading woodworking authority

Plan #1 Wooden hinge, single action

Fig01 A 1/8" x 1/2" parting tool, which is the raw material for the Shear Spear. Fig02 After marking a 45 on the end of the parting tool.

boxes lidded It s hard to top

Turning a Christmas Angel

Three Legged Stool. Randy Cordle / 2016

Ice Cream Cone Pen Made with a European Kit by Bill Jacob

Making these amazing small toys. Eugen Schlaak

BUILDING A STORM DOOR

Instructions for Turning Laminated Bracelets

Caution: Always use safety glasses or a full face shield when turning anything on a lathe.

REINFORCING THE CORNERS OF FLAT FRAMES

Design Considerations

Wooden Faceplates. Tapping on the Lathe

A Pictorial of David Dawes AA400 HFT Thumbhole Stock in the Making

Carcase Construction. Choosing and making the right joints. by Tage Frid

Building the Circular Tower

Sweet Pea Garden Bunk Bed Storage Stairs [1]

Floating-Top Table. Creative joinery adds spark to this versatile piece

TURNING A NATURAL EDGE BOWL

In this class we re concentrating on using up left over scraps of patterned paper and using dots as our basis for design.

ECHOES FROM THE BAT CAVE

Between Turns. August Upcoming Dates. Michigan Association of Woodturners A chapter of the American Association of Woodturners

Lesson 6. The Peg Game

George Hatfield Demonstrates for CMW April 10, 2010 By Bob Gunther Photographs by Tina Collison

HORNSBY DISTRICT WOODTURNERS INC. Established 1983

Cape Cod Woodturners Minutes and News May 6, 2015

Cape Cod Woodturners Minutes and News October 7, 2015

LITTLE CRITTERS WITH CHARACTER

Fig01: The pieces that will make up the turning blank.

Fig01: A spindle with the intended extents of a spiral marked with V-cuts.

Boxes & Hollow Vessels

Procedure for Longworth Chuck construction

Transcription:

Step by-step three piece lid and finial Hi all. Just thought I would share my way of creating a three piece finial. This really adds interest to vessels and boxes by providing a visual highlight and enabling the artist to duplicate the vessel form in the topper. You must save a small piece (or two or 3) of the vessel wood -or just try another contrasting piece. Here s a little tutorial I threw together to maybe help out anyone that might just want to try their hand at one. I hope you get something out of it. If you look closely at my woods you ll see that my accent piece is cracked and my base didn t come out exactly as planned, but hopefully you can at least see the overall game plan. Now this is just how I do things today. Tomorrow it may change, but I ve been doing it like this for a few years now with little variance. Feel free, of course, to modify the techniques anyway you see fit. It will probably work better. I don t actually show any turning. It just takes a bit of spindle practice to create the details and if you need more instruction, there are videos and probably youtube features that can help with that.

First off, take a standard pen blank this is African Blackwood, but any wood might work. Any wood that is fine grain and cuts cleanly and holds good details. Typically, exotics and rosewoods are good, as well as holly which can be dyed any color. Step two is to cut the pen blank into 3 pieces to form the base. I will. typically cut the center section just a bit longer thinking that I can get. another millimeter of diameter if I need it.

Sand the sides to be glued on a sander. (Watch the fingers!) Glue the sections together. Notice the line I ve drawn for reference. Try. to keep the grain orientation the same for a more even look when glued. together and turned. I usually use Titebond glue for this step.

Here I ve glued the base to a waste block/faceplate. I ve sanded the base and waste block for a smooth fit and good glue joint. Use either CA or Titebond for this. Now to start the finial while the base is setting up. Put a pen blank in your. chuck- I prefer long jaws to hold better but my standard jaws have worked.

Here I ve turned an 1/8 tenon on the end of my pen blank. Make sure you have a very flat surface around the tenon to mate up to the middle section. I also leave tiny grooves in the tenon to help give the glue something to grab. Drill an 1/8 hole in the accent piece of wood. Not all the way thru just enough to accept the tenon. Again the surface should be flat to mate up to the bottom finial section perfectly.

Close up of accent piece. Use a very sharp bit for this. The bit has a tendency. to drift with the grain. Below is the first two sections glued together. I use CA glue for this.

Ok, back to the base. Now we can finish the base while the glue on the finial pieces sets up. Turn the base round and just slightly larger than your finished diameter. Here, I ve cut the waste block back in a nice sweeping arch-just because it felt so good to keep the cut going.

Here s the turned and finished base. I ve also drilled a ¼ hole to accept the finial. Below is another shot. The diameter should be cut to size as well.

With the base completed, we can move back to the finial. Here we turn the middle accent piece and drill another 1/8 hole to accept the upper piece. I usually finish this section and then move on to the lower section. Below is the first two sections completed. Notice the crack in the accent wood.. Remember-this is just for practice (and it s amazing how much practice I need).

Here is the turned and finished top section. Notice the tenon to be inserted into the accent wood. Blelow is the sections glued together (CA glue) and aligned with the live center. This is an easy way for me to get good alignment.

Ok-now to glue the whole thing together. First off, you probably noticed that I had to modify my base somewhat. I didn t get enough undercut before parting off the bottom of the finial so I had to take a little off the top of the base for a good fit. No biggie, and I ll think harder about this next time. If it doesn t look right in your test fit don t glue it up. Take the time to cut a new base. You want your finial to flow from your form and thru to the top of the finial. If you try to cut corners, you may not be satisfied with your results and that will probably just piss you off in the long run. Here I ve decided to stay the course-basically because this finial will not be used on a piece and I don t have the time to start over on a tutorial.

Now everything is glued together and once again, we align the finial with. the live center on my tailstock. To finish the base, I put the whole thing in a long narrow vacuum chuck. A vacuum chuck of this diameter doesn t have much holding force, but it s enough for some light cuts and sanding. I usually turn a couple of rings on the underside to show it was turned and maybe to sign it.

Here is the finished product. Even if you don t use these techniques for a finial, there are a few steps you can use for other projects. Hopefully you got something from it. Good luck on your own project and most of all Have Fun! -Robin Costelle