Name. Component 1. Section B: Media Industries & audiences. video games SET TEXT: assassin s creed 3 Liberation

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Name Component 1 Section B: Media Industries & audiences video games SET TEXT: assassin s creed 3 Liberation 1

Assassin s Creed 3 Liberation is only relevant to Component 2: Section B: Media Industries & Audiences INDUSTRY: Production, distribution and circulation of media products. The specialised and institutionalised nature of media production, distribution and circulation. How recent technological changes impacts upon production, distribution and circulation. Use of marketing to maintain varieties of audiences. Regulation of the video game industry. Impact of new media on regulation. CORE THEORIES: Livingstone & Lunt, Hesmondhalgh, Curran & Seaton. AUDIENCE: Grouping and categorisation including demographics and psychographics. How audiences are targeted and constructed. Relationship between media technologies and patterns of consumption and response. How audiences interpret the media including DIFFERENT responses to the same text (Hall s audience readings). How audiences INTERACT with the media and can be actively involved in media production. CORE THEORIES: Income & Status, Audience Profiling, 4Cs model, Opinion Leaders, Bandura s Media Effects (Hypodermic Syringe), Desensitisation, Uses & Gratifications, Jenkins Fandom. the video game industry historical context The computer games industry is relatively new in comparison with other media industries, but it has seen rapid growth in recent years. Its profits have rivalled those of major films and sales of consoles are still expanding. Games can be played on a range of different products offering diverse gaming experiences that enable the user to engage in multi-player interactivity that broadens the gaming experience. In recent years the profile of gamers has changed and it is no longer the case that a gamer is a lone male teenager in their bedroom; gamers are now of all ages and demographics, and of both genders. The playing of computer games is now also taken more seriously as a media industry, and computer games are accepted as media products valid for study in the same way as films and television programmes. Some computer games are very complex in their construction and the demands made on the gamer, compared with other media products. The video game industry has prospered as games continue to not only alter the entertainment landscape, but change business, sports, arts and education. While 20 years ago games were a niche entertainment medium, today they are a strong enough engine for innovation across sectors. Our industry plays a significant role throughout society. (www.theese.com) 2

Research Task: Research the history of video games and answer the questions below. 1. How have video games changed through history? Create a timeline highlighting major changes of each decade. Consider: which consoles/devices were available the important and influential games of the time the advances in technology and playability who the product targeted Decade 1960 1970 1980 1990 2000 2010 3

2. How can audiences play video games today? 3. What is the PSVita and when was it released? 4. What was it created to complete against? How? 6. What do the following terms mean? MMORPG AUGMENTED REALITY PERSISTENT WORLDS CRPG avatar 4

audience appeal of video games Video games differ from other media products in a range of ways, how do they appeal to audiences? Use the areas below to help you consider the appeal: Main point of playing a video game audience positioning MMORPG & Persistent Worlds use of avatar CRPG Augmented reality intertextuality range of platforms used 5

audience theory & regulation The regulation of video games is a sensitive issue and there are regular reports regarding the suitability of the content of video games and the easy accessibility to this content by young people. The wider media usually waste no time linking violent behaviour and lack of sociability of young people to the gaming industry. applying theory & theoretical framework Which theory were you introduced to during the theoretical framework booklets which was concerned with the relationship between violent media and audiences? a _ B - m E What are the main points about this theory? Video games are an area of the media that is regularly criticised for the assumed effect that overexposure may have upon young people s behaviour. Some of this criticism stems from the problem of regulating the industry and ensuring that gamers are only playing games that are suitable for their age. Why would people be more worried about this in relation to video games and the people who play games? 6

Until 2012 the classification of video games was carried out by the BBFC. This is now the role of the Video Standards Council (VSC), although the BBFC are still responsible for the classification of all nongame linear content on a game disc, such as trailers and featurettes. The role of the VSC is to regulate and classify games using the PEGI system to give a game a rating and additional information about the content of the game that will help consumers, particularly parents, to decide upon the suitability of the game. The system is supported by the major console manufactures, including Sony, Microsoft and Nintendo, as well as by the publishers and developers of interactive games throughout Europe. Visit the PEGI website and find out the defference between the different age ratings. http://www.pegi.info/en/index/id/33/ Extension Task - criticism of the UK games regulation system Read this article and summarise it in 50 words http://www.kotaku.co.uk/2015/01/13/uk-video-game-age-rating-system-works-doesnt 7

set product: assassin s creed 3: liberation (ASC3) product context Part of the very successful Assassin s Creed franchise, developed by Ubisoft and released on October 30 2012 along with Assassin s Creed III which was the best-selling game in the UK in the week of its release on the Playstation 3, with the best sales of the series to date. (Trailer youtu.be/pab-joqhrz8) Game originally exclusive to the PS Vita but was later (2014) released in a modified HD version across a large range of consoles and platforms (including PS3, Xbox 360 and Microsoft windows). ASC3 offers familiar pleasures to existing fans (narrative situation of the Assassins v the Templars, open world gameplay etc.) along with new elements to target a wider audience. How might this simultaneous release have helped the success of AC3 Liberation? Consider the impact of digitally convergent media platforms on global production, distribution and circulation and how these decisions help producers target, attract, reach, address and potentially construct audiences. How does the release of the game on the PS Vita offer a USP? (Unique selling point) How is convergence used in the marketing and circulation of the game? How does this help to target an audience? 8

As part of the marketing and distribution, a trailer for the games released. Continued marketing includes game-playing videos on Youtube introducing newcomers to the game and suggesting different playing techniques. Watch the trailers below and answer the following questions: Story Trailer - youtu.be/jvdldoy4nka Extended Trailer youtu.be/eda9j_syww0 Who does the game cast the player as? How is this different to the other Assassin s Creed games? Why do you think Ubisoft decided to include this character? social and cultural contexts - gender issues Considering video games in relation to gender issues may be a useful way to explore them in terms of social and cultural significance. The representation of female characters, underrepresentation of women in female game development and an assumed minority of female game development and an assumed minority of email video games players are areas to consider. What is the problem with the lack of female game developers? What are the issues surrounding female characters in video games? How are they often constructed and represented? What roles do they often play? 9

How is the main character of Aveline in Assassin s Creed 3 Liberation represented? Does she subvert or reinforce female characters in games? Make reference to the mise-en-scene seen in the trailers and print marketing. Is the main character represented as a positive role model? How might different audiences respond to this character? Consider Stuart Hall s Reception Theory? Extension Task - research responses to the game from gaming websites and review sites. How do they compare? 10

Does the inclusion of a female protagonist suggest social and/or cultural changes with regards to gender and video games? regulation of ac3: Liberation Assassin s Creed 3 Liberation was rated a PEGI 18. How can Albert Bandura s theory of media effects be applied to the game and it s players? 11