Name Book 2, Unit 1, page 4 (1-5)

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Name Book 2, Unit 1, page 4 (1-5) Section 1 50 points Complete your SmartMusic assignment: Book 2, page 4, exercises 1-5. Section 2-8 points Section 3 Read this review page. You only need to read the information related to your Be ready to take a short, 10 point quiz on the contents of this article.

17 Review: Holding Your Violin Guitar Position Sit tall on the edge of your chair, feet apart, flat on the floor. Take your violin from the case with the left hand grabbing the neck. Place the violin in rest position with the bottom of the instrument resting on your left knee. The violin should face away from you. Tuck the instrument under your right arm, with the scroll slightly aimed towards the ceiling. With your right hand, place your four fingers on the side of the fingerboard and allow the thumb to rest above the strings in preparation for plucking. A Brief Shoulder Position From guitar position, use your left hand to hold the instrument around the neck at the shoulder as you begin the transition. Extend your left arm (with the violin) straight out, parallel to the floor, at about the 10 o clock position. The violin should face away from you. Turn your head to the left and flip your instrument over and onto your arm. Your arm is still extended straight with the elbow locked. With your right arm, guide your violin slowly up the arm and onto the shoulder, nestling your chin into the chin rest. With your head still turned and looking down the violin strings, give the instrument a few pats to make sure you have found your shoulder, not your collarbone or chest. History Violins are made of specially seasoned/aged woods, particularly spruce and maple. You ll find at least 70 parts make up one instrument! Chisels, scrapers, and gouges are just some of the tools a violinmaker uses to make an Glue and varnish are also important when making a string

18 Review: Holding Your Viola Guitar Position Shoulder Position Sit tall on the edge of your chair, feet apart, flat on the floor. From guitar position, use your left hand to hold the instrument around the neck at the shoulder as you begin the transition. Take your viola from the case with the left hand grabbing the neck. Place the viola in rest position with the bottom of the instrument resting on your left knee. The viola should face away from you. Tuck the instrument under your right arm, with the scroll slightly aimed towards the ceiling. With your right hand, place your four fingers on the side of the fingerboard and allow the thumb to rest above the strings in preparation for plucking. Extend your left arm (with the viola) straight out, parallel to the floor, at about the 10 o clock position. The viola should face away from you. Turn your head to the left and flip your instrument over and onto your arm. Your arm is still extended straight with the elbow locked. With your right arm, guide your viola slowly up the arm and onto the shoulder, nestling your chin into the chin rest. With your head still turned and looking down the viola strings, give the instrument a few pats to make sure you have found your shoulder, not your collarbone or chest. A Brief History will find a thriving town. In the middle of the musical activities is the Amati family, famous for building the first modern viola. String music was just then Violas are made of specially seasoned/aged woods, particularly spruce and maple. You ll find at least 70 parts make up one instrument! Chisels, scrapers, and gouges are just some of the tools a violinmaker uses to make an Glue and varnish are also important when making a string

19 Review: Holding Your Cello Playing Position If you need it, extend an endpin strap from a chair leg or place an endpin holder on the floor about two feet in front of you. With your cello already placed (on its side) on the floor to your left, pick it up with both hands and lay it across your lap so that the endpin is aimed to your right. Loosen your endpin screw and pull out the endpin to the length designated by your teacher. Tighten the screw. Check to see that the C-peg is behind your left ear and that you have approximately two inches between your shoulder and the cello s neck. Put your cello in front of you and stand up. Position your feet in front of the chair legs and place the point of the endpin about 2 feet in front of you, forming a triangle with both feet. Sit down on the edge of your chair and bring the cello into your body. It should be centered right in the middle of your body with the neck on your left side. finger, make a backwards L. Rest your thumb on the side of the fingerboard (about 3 4 inches from the end of the fingerboard). A Brief Histor y Cellos are made of specially seasoned/aged woods, particularly spruce and maple. You ll find at least 70 parts make up one instrument! Chisels, scrapers, and gouges are just some of the tools required to make an Glue and varnish are also important when making a string

20 Review: Holding Your Bass Playing Position: Sitting If needed, place an endpin holder on the floor about two feet in front of you. Using both hands to handle your bass, sit on the edge of the stool and place your left foot on the rung and your right foot flat on the floor. Pull the bass in towards you and let it rest on the inside of your upper left leg. Place your left hand on the left shoulder of your bass. The neck of your bass should be close to your neck. Playing Position: Standing If needed, place an endpin holder on the floor about two feet in front of you. Using both hands to handle your bass, stand to the side of the bass, feet shoulder length apart, feet pointed toward the endpin. The top/upper bout of the bass should lean into your body so that it rests comfortably along the left side of your stomach. The neck of your bass should be close to your neck. For All Bass Students from the end of the fingerboard). A Brief History Basses are made of specially seasoned/aged woods, particularly spruce and maple. You ll find at least 70 parts make up one instrument! Chisels, scrapers, and gouges are just some of the tools required to make an Glue and varnish are also important when making a string