Lead with a Story. Paul Smith.

Similar documents
with Jennifer Aaker Professor, Stanford Graduate School of Business

Most of these writers are well-educated people they have degrees in Journalism, Communications, or English Literature.

38. Looking back to now from a year ahead, what will you wish you d have done now? 39. Who are you trying to please? 40. What assumptions or beliefs

Passion. Finding Your. There is nothing quite as special as inspiring someone else. Something about it also inspires me as well.

OWN YOUR DIVINE FEMININE POWER AT WORK

Narrative Speeches. Friday, February 10

THE TWO COMPONENTS OF A GOOD WRITING CONFERENCE

Five Bad Habits of Good Writers - Five Bad Habits of Good Writers -

15 Ways to Live, and Not Merely Exist

MILLION-DOLLAR WEBINAR TEMPLATE DAN LOK

DR. WILLIE JOLLEY'S PREP 4 SPEAKING

Write Now: 10 Benefits + 40 Prompts

ADVICE FOR USING THE BLUEPRINT

Author. I m an Author! Are you? Maybe you enjoy writing down your feelings, or describing things you notice about your world.

Coach Approach Ministries Podcast Episode 6: How to Generate Great Coaching Topics Published: July 26, 2016

Periodic Table of Life Storytelling Elements Basic Story Elements Advanced Story Elements Writing Elements Editing Elements

Ideal Customer Profile Exercise

key points to remember

ADVANCED LIST BUILDING BUNDLE

Understanding Objection Language

Feel Good English. 4 Simple Steps to. The transcript to episode #69

WORKBOOK. 1 Page Marketing Plan

TOOLKIT. Use this resource to help you craft stronger and more compelling stories.

WRITING THE FIRST SCREENPLAY I SYLLABUS

ELEVATOR PITCH GUIDE. Office of Career Services North 103. Dr. M ary Rigali, PM P Director of Career Services

How to Be a Sought After In-Demand Expert Guest on Multiple Podcasts!

Managing Difficult Conversations: Quick Reference Guide

Manuscript Evaluation Checklist

How to Write a Compelling About Me Page for Your Blog

Attitude. Founding Sponsor. upskillsforwork.ca

Storytelling Toolkit. Use this resource to help you craft stronger and more compelling stories. The Early Childhood Innovation Prize

2PI Narrative Summative Assignment

Christmas and the Holidays. By Sheila Munafo Kanoza

Learning Canned Presentations or Scripts By Mike Ferry

A Starter Workbook. by Katie Scoggins

YOUR IMPACT INITIATIVES

VIBE AND TONE PROGRAM MODULE 1 INTRODUCTION

Roleplay some of the following telephoning problem situations. You can start with the easiest ones if you like.

Writing The First Screenplay II Instructor: Chris Webb

Let God Write Your Story

Change Your Life in 30 Days

Episode 6: Can You Give Away Too Much Free Content? Subscribe to the podcast here.

Novel Study Project Ideas

The Lessons in Side Hustling Podcast Transcript

The Live Master Class Experience. Join Rich Litvin and 8,100+ participants to learn the system you need to create a High-End Coaching Practice

CRAZY LOVE c-group Study

A digital story is a short digital video that combines your voiceover, photos, video clips, and music to tell a true story from your own life.

LITERARY CHARACTER ANALYSIS THROUGH ACTING

Independent Novel Study

Story Is Built on 4 Pillars

CORE TRUTHS ABOUT LIVING A

Set BIG goals! Dream BOLD dreams!

Best Prac*ces in Media & Storytelling

Illustration and book cover design by Suzanne Bastear/Studio Brilliante, Inc.

GOAL SETTING WORKSHEET PRINCE JOEL OBODE

1. Introduce myself 2. This presentation is about how to tell your unique story in your college applications.

A beginner s guide to the art of PR

Swirl and Spark playtime dreamtime thinktime Jackie Yeager Children s Author

DEMENTIA PROJECT COMMUNICATION IDEALS THE LANGUAGE OF DIGNITY. Trudy Bower ISBN

ACT PREPARTION ROY HIGH SCHOOL MRS. HARTNETT

Class 3 - Getting Quality Clients

Narrative Writing Assignment

Calm Living Blueprint Podcast

Step 2, Lesson 2 The List Builders Lab Three Core Lead Magnet Strategies

How YOU are like Shampoo for College Graduates e-audit #2. How Are Your Interviews Going?

The short instructions:

Elements of a Story. What you need to know!

MODULE SIX. The Art of Natural Storytelling: Adding the YOU to Your Copy!

TEACHER S GUIDE. Zen Pencils: Volume Two Dream The Impossible Dream Classroom Activity and Discussion Guide

PILLARS OF GREATNESS PILLARS OF GREATNESS. Dream. Plan. Execute.

T H E N E C E S S I T Y O F C O M M U N I T Y

BIGGER THAN A BREAD BOX STUDY GUIDE

LEADERSHIP AND STRATEGIC MANAGEMENT. City of Madison Women s Leadership Series Session #4 June 7, 2016 Presented by Darcy Luoma

C a r e e r S e r v i c e s c a r e e r o r u. e d u o r u g o l d e n h i r e. c o m

Have fun! We can t wait to see what you and your kids create!

Disclaimer: This is a sample. I was not hired to write this, but it demonstrates my writing style.


By Kimberly Hash de Vries

Phase 1: Ideation Getting Started with Concept Testing

TABLE OF CONTENTS TOPIC AND THEME RESEARCHING THESIS CRAFTING AND ANALYSIS SHOW WHAT YOU KNOW FINAL TIPS

Ready? Turn over to get started and let s do this!


Why You Need a Signature Story. By Laura Morton. Every company has a story to tell, but your signature story is the one you share that takes your

5 0 I N S I D E R T I P S T O G O F R O M M A K I N G A L I V I N G T O M A K I N G A L I F E

Constructing Heroic Associations: Making a Good Line Better

Clint s 11 STEP CHECKLIST TO ENROLL NEW STUDENTS BY CLINT SALTER

Drama Elements. English 7

Questions: blueprint[at]benarion.com

Activity One. Katherine Paterson

Writing Letters to the Editor that Help Win Campaigns

Personal Narrative Essay Assignment

PUBLICITY. Five Rules of Good News

Pre-Program Workbook & Intention Setting Journal

CONSTELLATING MY SYSTEM (DEVELOPING SELF AWARENESS) LEADERSHIP AND STRATEGIC MANAGEMENT. Darcy Luoma Coaching & Consul3ng, LLC 9/29/15

INSTRUCTIONS FOR COACHES: How to do the Gift of Clarity Exercise with a Client

The Psychic Salesperson Speakers Edition

THE WEBINAR WILL BEGIN SOON! Send me your questions here or tweet #NakedRoommate I ll answer them during our event!

How to Write a Novel Part 1: Plan & Outline

9:00. Affirmation/Goals. Video

Then, as it was Then again it will be You know the course may change sometimes Rivers always reach the sea

Transcription:

Lead with a Story Paul Smith www.leadwithastory.com paul@leadwithastory.com

How can we improve jury deliberation process?

Why Tell Stories? Simple Timeless Demographic-proof Contagious Easy to remember Inspirational

When to tell stories

Share a story that increases the value of your idea

Problem Stories

What makes a great story a great story? A hero we care about A villain we re afraid of Epic struggle between them

What makes a great story a great story? A hero we care about A villain we re afraid of Epic struggle between them A relatable hero A relevant obstacle An honest struggle A worthy lesson

Story Structure: Questions Answered Why should I listen to this story? When and where does it take place? Who is the main character and what do they want? What was the problem or opportunity they ran into? What did they do about it? How did it turn out in the end? What did you learn from it? What do you think I should do now?

Story Structure: Story Spine I think the best example of that I ve seen was...... back in, at, there was, and (s)he was trying to. Then one day. So, (s)he, and then they, and so (s)he. Eventually... What I learned from that was... And that s why I think you should...

Bad Hooks Never: Apologize Ask permission Use the S-word ( story ) Give away the ending or specific lesson

Emotion Q. Why use emotion in a leadership story? A. Humans make emotional decisions

Emotion What is a story? Story = fact + emotion - novelist E.M. Forster The king died. And then the queen died of grief.

Are you capturing those great stories all around you?

What if your audience doesn t care about your idea? Find out what they do care about, then associate it with your idea in a story Source: Made to Stick by Chip Heath and Dan Heath

Element of Surprise Purpose #1: at beginning, gets audience to pay attention Purpose #2: at end, seals lesson in memory

Element of Surprise: An Example What was the surprise at the beginning of the story? What was the surprise at the end?

No natural surprise in your story? Create one! James and the tea kettle

Courage to pursue your dreams Source: Parenting with a Story, by Paul Smith

Thank You If you d like to hear one new story a week, visit www.leadwithastory.com and sign up for my free weekly newsletter and podcast. Contact info: Email: paul@leadwithastory.com Facebook: www.facebook.com/leadwithastory I answer all emails personally and quickly.

Storytelling Roadmap and Checklist Story Selection What s your objective? What do you want the audience to think, feel, or do after the story? Think of a relevant success, failure, or moment of clarity to build your story around Alternatives: two-roads or discovery journey stories, folktale. Nothing? Make one up. Let audience know. Story Structure Hook Why should I listen to this story? Context Where and when did it happen? Who is the hero? (Are they relatable?) What do they want? (Is that worthy?) Other necessary background to make sense? Challenge What is the problem/opportunity? (Relevant?) Conflict What did the hero do about it? (Honest struggle?) Resolution How did it turn out in the end? Lesson What did you learn? Recommended Action What do you want me to do? Story Elements Emotion: Identify which emotions the characters or audience should be feeling. Use the tell me, show me, Make me feel, and dialog techniques to develop the most important ones Surprise: Beginning to get attention; End to seal it in memory. Lead with an unusual event, use flashback, skip one element in the context, or hide a critical fact until the end Dialog: Replace scenes where you describe what characters meant with what they actually said (outer) or thought (inner) Details: Replace generalities with specifics. Show, don t tell. Pick one important scene and describe it in vivid detail. Use metaphors Length: Leadership: 2-5 minutes to tell (300-750 words). Sales: 1-3 minutes to tell (150-450 words) Accuracy: Set expectations about accuracy of story. Would someone who was there be offended at your version? Delivery: Oral: focus on the story, not physical performance. 5 or 6 filler words a minute is okay. Conversational tone. Written: write the way you d like to speak 15 words per sentence, small words, active voice, Flesch-Kincaid of 7-8 Practice and Save: Stories should be unscripted and extemporaneous, not memorized. Walk and talk with imaginary friend to practice. Save your story in outline form www.leadwithastory.com Sources: Lead with a Story, and Sell with a Story, by Paul Smith paul@leadwithastory.com