George Sexton and Associates are the installation and lighting designers.

Similar documents
The Trustees and the Director present the National Gallery s Corporate Plan

EXECUTIVE SUMMARY STRATEGIC PLAN 2020

Photograph Collection BMA.3

Canadian Clay & Glass Gallery. Strategic Plan

PLAN SECTION SUBSECTION CHANGES OR COMPLETIONS

Inclusion: All members of our community are welcome, and we will make changes, when necessary, to make sure all feel welcome.

A Living History of t Ameri he can Revolution

Strategic Plan Engaging People with Art

CHIEF EXECUTIVE OFFICER

OPPORTUNITY RESOURCES INC.

This Call for Qualifications does not require the preparation of a design proposal.

CAMPAIGN FOR EXPANSION & RELOCATION N. 2nd Street, Philadelphia, PA theclaystudio.org

210 MAPLE: BUILDING ON

Convene and RXR Realty Partner to Bring Premier Meeting Lounge, Event Space and Workplace Hospitality Services to Newly Renovated 237 Park Avenue

National Gallery of Ireland. Strategic Plan

THE BULLOCK TEXAS STATE HISTORY MUSEUM ANNUAL REPORT. Preliminary September 1, August 31, 2012

Irvin L. Young Memorial Library Expansion Project. Frequently Asked Questions

Edmonton Space & Science Foundation - Overview

WHAT CLICKS? THE MUSEUM DIRECTORY

Exhibition Design Brief for Collections People Stories The Redevelopment of the Anthropology Galleries at the Horniman Museum and Gardens

Exterior Venue Spaces:

MINUTES OF THE FINANCE COMMITTEE University of Kentucky Board of Trustees June 16, :00 PM Patterson Office Tower

University of Houston System. System-wide Public Art Committee (SPAC) Operating Procedures Manual

THE STAINED GLASS MUSEUM. Developing a national centre for the discovery, appreciation and preservation of stained glass

C O R P O R AT E PARTNERS

PROVENANCE AT THE CLEVELAND MUSEUM OF ART

WHITNEY MUSEUM UNVEILS DESIGN BY RENZO PIANO FOR NEW DOWNTOWN BUILDING

Wisconsin Museum of Quilts & Fiber Arts

ORANGE REGIONAL MUSEUM HERITAGE COLLECTION POLICY

Call for Teaching Artists to create community-based art for a Fall 2017 exhibition

Pismo Beach Public Art Program Outline

THE MASSACHUSETTS HISTORICAL SOCIETY STRATEGIC PLAN,

Making It Your Own A PUBLIC ART POLICY AND PLANNING TEMPLATE. Arts North West Creative Opportunities 2012

About the Society. Lexington Arts and Crafts Society 130 Waltham Street Lexington, MA

VISUAL ARTS COLLECTION COORDINATOR

THE STANLEY KUBRICK ARCHIVE AT UNIVERSITY OF THE ARTS LONDON

From Studio to Gallery:

Corporate Membership at the British Library

How Kier saved 170,000 with a software-defined architecture

ORGANIZATION MEETING MINUTES

STRATEGIC PLAN

CHAPTER 5. MUSEUMS ADVISORY GROUP s RECOMMENDATIONS ON CACF. 5.1 M+ (Museum Plus)

National Eagle Center ready to hatch next big step

ARGYLE TOWNSHIP COURT HOUSE & ARCHIVES (ATCHA) PUBLIC ACCESS & REFERENCE POLICY

THE SMITHSONIAN INSTITUTION IN THE 21st CENTURY

STRATEGIC PLAN

Rent the. South Carolina State Museum. Historic Modern Unique

Crown Corporation BUSINESS PLANS FOR THE FISCAL YEAR Art Gallery of Nova Scotia. Table of Contents. Business Plan

Date: Approved: There were present: W. Birch Douglass III, Chair

Idaho State Historical Museum Renovation and Addition

Public Call to Artists for Expressions of Interest Newton Recreation Centre Glass Curtain Wall Design for glass frit application

The Urbana Free Library Policy Manual Section II-D (Page 1 of 7) 11/10/15 ARCHIVES COLLECTION MANAGEMENT

Art Collection Policy

City of Suwanee Public Art Initiative Public Art Ordinance Guide for Developers

This pack contains the Literary Assistant job description, person specification and equal opportunities form.

Art in Public Spaces Policy. City of Burlington

Public Art Accession, Selection Criteria and Gift Policy

BOARD POLICY COLLECTIONS

Lakewood, Ohio July 18, 2016

CITY OF LOVELAND VISUAL ARTS COMMISSION ACQUISITION POLICY

Trust Fundraiser (0.4 FTE)

Corporate Plan Summary

BRAVE NEW WORLD! UTOPIA OR DYSTOPIA?

Insuring corporate collections. Specialized insurance through AXA ART

Toronto Reference Library Premium Rental Space Renovation Award of Tender

Coming Home: Art and The Great Hunger

Allan Hancock College

YELLOWKNIFE GUILD OF ARTS AND CRAFTS

Acquisitions Policy. This policy was approved by the Board of Trustees on June 12, 2017.

Lewis & Clark Library Board of Trustees Meeting Lewis & Clark Library Augusta Branch August 16, 2016 MINUTES

KCAI/Durwood Trust Internship Opportunities The Nelson-Atkins Museum of Art

SOCIETY SOUTH CAROLINA AQUARIUM

JANUARY. DATE ACTIVITY ORC Reference NOTES 1st day of January after election

2008 INSTITUTIONAL SELF STUDY REPORT EXECUTIVE SUMMARY

International Sculpture Garden Relationship Statement

Candidate Brief. Head of Interpretation Science Museum. November Contact: Liz Amos

visiting an exhibition

TOWN OF MORAGA ART IN PUBLIC SPACES POLICY

IVINS CITY ARTS MASTER PLAN

POLICIES AND PROCEDURES FOR PROCESSING ARTWORK PURCHASES

Strategic Plan

Visual Story. This information is designed to help you prepare for a visit to Kents Cavern in Devon. Created by

Sunspotting a Walking Forest, Jenny Marketou, The Highline, New York (2012) MORE ART STRATEGIC PLAN 2

ART COLLECTION POLICY

Business Plan

WM2011 Conference, February 27 - March 3, 2011, Phoenix AZ

Bristol Archives Access policy

Staff members present were Assistant to Town Administrator Josh Suddath and Museum Curator & Director Erin Narloch.

THE GALLERY AT BAYSIDE ARTS & CULTURAL CENTRE BOARD STRATEGIC PLAN

Board of Directors Packet. Company Description, Expectations, By-Laws Committees and Meeting Dates

Preservation Needs Assessment Report Template

Grand Rapids Public Museum ArtPrize Venue Information 2016 ArtPrize 8 Dates: September 21 - October 9, 2016

Wisconsin Museum of Quilts & Fiber Arts

ibb ~ My Time at Hawk Mountain Sanctuary

Submission to Manitoba Sport, Culture and Heritage in response to the consultation on a new culture policy for Manitoba. Canadian Museums Association

AGENDA. NORTH CENTRAL MICHIGAN COLLEGE BOARD OF TRUSTEES REGULAR MEETING LIBRARY CONFERENCE ROOMS 1 & 2 June 26, :05 P.M. 1. Call to Order.

Interview for artandsignature, March Daniel Lippitsch interviews Dr. Renate Wiehager, director of the Daimler Art Collection

Foreword. Everybody has a budget but excellence and value can be found at any level when you know where to look. That search is what drives me.

All Saints Capital Campaign. Focus Group Meeting

Frequently Asked Questions: United Open Call Artist Information Sessions December 8, 10, and 12, 2018

Transcription:

FAQ: The Chrysler Museum s Expansion and Renovation What exactly does the expansion/renovation project include? The Chrysler s 210,000-square-foot home on the Hague Inlet of the Elizabeth River is regularly cited as one of our region s most beautiful buildings. The Museum is home to 62 galleries, a 375-seat theatre, 112,000-volume library, education spaces, Museum Shop, and a small café, as well as support spaces and offices. While the building accommodates many essential functions well, gallery space is at a premium. We lack room to display important works in our current collection and are unable to credibly request gifts from regional collectors. In addition, catering facilities (an important source of earned income) and backof-house support spaces are inadequate and poorly located. The Museum s HVAC plant, crucial to the preservation of our collections and the comfort of our visitors, is energy inefficient and is nearing the end of its useful life. We currently offer poor access for people with disabilities and those with wheelchairs; they must now enter through a side door. The expansion and renovation of the Museum will: o Create approximately 8,000 square feet of new gallery space 5,500 square feet of new space for painting and sculpture 2,500 square feet of new space for glass, an increase of 30 percent o Relocate and expand catering facilities o Create a new café opening onto our north garden o Completely reinterpret and reinstall our Glass and Ancient Worlds Collections o Dramatically improve visitor and back-of-house circulation o Upgrade our antiquated HVAC systems, and make the Chrysler more energy-efficient o Improve access to the Museum for visitors with disabilities H&A Architects are the project architects. George Sexton and Associates are the installation and lighting designers. What will the expansion project cost? Our project budget is $24 million. We will not have a final cost until all components of the project are formally bid and contracts awarded. How will we pay for it? The building project is a major component of the Chrysler s larger $45 million Capital Campaign. This three-part effort has already made possible the creation of the Museum s Glass Studio, the doubling of the size of our curatorial department, and the endowment of free admission.

For the expansion and renovation component of the Campaign, we currently have firm commitments from donors for all but $2.5 million of the $24 million building budget. The Museum is confident that it will raise the remaining funds in the near future. How will the project be scheduled? 2012 March Chrysler Trustees vote to proceed with bidding the project. June Construction contract awarded (pending receipt of satisfactory bid). July Construction begins on additions at front of building. Visitor entry relocated to theatre entrance. August Glass, Worcester porcelain, and some European galleries close for renovation work; other galleries and special exhibitions remain open. November Impressionist galleries close for renovation; galleries adjacent to Huber Court, McKinnon Galleries of Modern and Contemporary Art and special exhibitions remain open. Museum programs and special events continue as scheduled through the end of the year. 2013 2014 January Museum building closes to public. Focus of Chrysler activities moves to Glass Studio, Moses Myers and Willoughby-Baylor Houses, and off-site locations. November Substantial completion of construction project; reinstallation of collections begins. January to March Behind-the-scenes previews of transformed museum. April Grand Reopening Please note that this timetable is preliminary and will almost certainly change as the project evolves. Why do we have to close? Couldn t we complete the project while open? The planned update of the Museum s HVAC system will mean that for significant periods of time the Museum will be without climate control. Because fragile works of art require stable temperature and humidity, they cannot safely remain in spaces without climate control. Concerned about the impact of closing our doors to visitors for an extended period, the Museum studied closely the possibility of staging HVAC and other essential work to allow at least a portion of the Chrysler to remain open during construction. This option posed more problems than it would have solved. It would have required moving much of our collection multiple times, putting fragile objects at risk. Staging would have

raised project costs by an estimated 30 percent, and would have extended the total construction time by months. The enjoyment of our visitors in a building under construction would have been seriously compromised. Ultimately, we felt that it was advisable to close so that the project could move ahead on the fastest possible timetable. How will we keep the Museum visible during construction? Our mission commits us to providing the people of our community with experiences that enrich and transform lives. While our main building is unavailable to visitors, we will ensure that the Chrysler s collections, programs, and staff expertise will be remain widely available to the public. To achieve this we will open a series of satellite locations across Hampton Roads. You will be able to find the Chrysler s collections in a new storefront gallery at MacArthur Center. The Norfolk History Museum will be reinstalled as a temporary home for the Museum s remarkable American art holdings, and there will be a series of special changing exhibitions at such partner institutions as Old Dominion s Baron and Ellin Gordon Gallery and the Virginia Museum of Contemporary Art. Expanded programming is also planned for the Moses Myers House and the Chrysler Museum Glass Studio, including evenings with music and refreshments. At the same time, Museum educators and curators will fan out across region to offer lectures, classes, workshops, and special educational programs. During this period of transition the Museum will also increase its program of regional partnerships working with other performing arts and civic groups on new initiatives, public events, and art commissions. Construction offers us endless opportunities to create new and exciting arts experiences. All of us are looking forward to taking our collections and programs out into the community in fresh and exciting ways. What impact do we expect the project to have on operating revenue? In normal times the Museum depends on earned income from facility rentals, Museum Shop sales, and catering to support ongoing exhibitions and programs. This revenue stream will largely disappear during 2013. Our projected expenses have been adjusted to take this into account, and the Museum will continue to operate on a balanced budget. It is also typical for membership revenue to decline during museum construction projects. We anticipate that we will also experience some loss of members. To ensure that this loss is as small as possible, we are putting in place a range of new and expanded benefits for Chrysler members during the transition period. We re committed to ensuring that Chrysler membership remains a great value through a full range of special members-only programs and social events, art

travel opportunities, and new perks such as special access and discounts at an expanded number of partner organizations. How will the project impact Chrysler Museum staff? The Chrysler s success is due in very large measure to the hard work and dedication of its skilled professional staff. The Museum is committed to retaining as many of our current employees as possible throughout the building project. We will do this by reassigning staff whose current jobs will not be necessary while the Museum building is closed to other duties and to satellite locations. While we expect that this will be possible for a majority of the staff, we cannot promise that some personnel changes will not be necessary. What will happen with school tours? The Museum s education department is working closely with regional school systems to ensure that the exhibitions in our satellite spaces at MacArthur Center and Old Dominion University specifically address the curricular needs of area educators. We expect to offer a full range of school tours, including some new and specially designed ones, at both locations and in the Glass Studio. We will also be working to produce enhanced online learning resources for teachers and to design special in-classroom and outreach experiences that will as closely as possible replicate the tours usually offered in the Museum. What changes will come to The Museum Shop? To permit construction The Museum Shop will remain closed from January 2013 to April 2014. Limited retail opportunities will be available at the Glass Studio during the transition. At grand reopening, we ll unveil a modernized, updated Museum Shop in its current location. What will happen to the Library during construction? The Museum Library will be open only by advance appointment during the time when the building is closed. Staff will continue to have access. What impact will the project have on docents, volunteers, and Museum support groups? Volunteers will continue to play a key role at the Museum during construction. For example, docents will offer tours at satellite locations as a part of our expanded outreach efforts, and floral displays will be a regular feature at special events and at satellites. We also plan to use the transition period as an opportunity to closely examine the overall structure and goals of the Chrysler s volunteer programs and support groups to ensure that they are appropriately organized to meet the evolving needs of the Museum.