Singing the Faith corrections

Similar documents
Foundation Piano Level 1

Project Two - Building a complete song

Staves, Times, and Notes

By John Geraghty ISBN Copyright 2015 Green Olive Publications Ltd All Rights Reserved

The Worship Path. Step 3 - Gettin Good

Chapter 3: Scales, arpeggios, and easy pieces. Scales

INTRODUCTION TO CHORDS

Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) Background information and performance circumstances Performer

CONTENT AREA: MUSIC EDUCATION

The Beatles: Four songs from Revolver (for component 3: Appraising)

MUSIC THEORY GLOSSARY

Contents. Bassic Fundamentals Module 1 Workbook

Electric Guitar Foundation Level 1

Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

CW High School. Guitar Basics. 3 Developing I can give a developing performance of tunes using our EZ chords

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

MUSIC SOLO PERFORMANCE

PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS

Reading Music on Guitar

Thee We Adore. CORO Publishing Philip Moody

Church Music Grades repertoire list

Familia Valera Miranda: Caña Quema Alla vá candela and Se quema la chumbambà

How Sweet The Sound: Hymns And Choruses With Guitar Chords

Douglas Niedt's GUITAR TECHNIQUE TIP OF THE MONTH

FRANK BEE S LEARN AND MASTER PIANO METHOD

The Chromatic Scale (all half steps) The Major Scale The formula for the major scale is: w w 1/2 w w w 1/2. Minor Scales

A comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players

Level 3 Music Studies, 2015

Study Guide. The five lines that we use to demonstrate pitch are called the staff.

The Dark Enclosing Tomb of Night. Cmaj7. œ œ œ. œ œ œ. Em9. œ œ œ œ œ œ œ. j œ. j œ. Dsus2

YEAR 8 MUSIC 2012 HOMEWORK 1a

Gospel Piano Chord Progression Chart

Choosing your own song for Vocals Initial Grade 8

Verse (Bars 5 20) The Contour of the Acoustic Guitar Riff

Piano Recap Information Sheet

Easy Jazz Guitar Progressions

Pat Metheny. (Across the) Heartland Ensemble: Danny Gottleib. Keywords: Ostinato Pentatonic Diatonic Syncopation Polymetric Motif Motif Variant

Introduction To Guitar For Worship

Striking a Chord Mobile Studio Podcast Extra #1

10 Must Know Jazz Guitar Chords

You can get it if you really want: Lesson 1. Jimmy Cliff (1945-)

Music and Engineering: Review of the Western Music system for Engineers

Music Technology. Advanced Unit 4: Analysing and Producing. Thursday 31 May 2012 Afternoon Time: 2 hours (plus 10 minutes setting up time)

Major Scale Crash Course

Music Fundamentals for the Guitar

Worship Team Expectations

Land of Music Part 3: Musical Mind. Sample Lesson

MUSIC SOLO PERFORMANCE

ALL CHORD SETS IN ALL KEYS W I T H T H E R O M A N

Beginning Guitar. By: Catherine Schmidt-Jones

Answer Key. Theory Practice 1. To help memorize the name of every note on The treble staff, use the following rhymes. Treble Staff Space Notes

Harmonised Scales Author: John Clarke Date:?

Effective Chord Chart Writing

Overture Cotton Avenue

Bells and Keys... More or Less

Understanding the ChordMaps2 Screen

MUSIC SOLO PERFORMANCE

Introduction To Rhythm

Chicago Blues Turnaround

Theory of Music Grade 5

1. Glo ry to God in the high est, peace to his. you a lone are the Ho ly One, you a lone. (Vs 4 cue)

Fly Like a Bird. for Kate McMichael. Am7. B b add9. œ œ. œ J. œ œ œ œ

Forming a Tonal Center

# w. # w # # w # w # w

The Ultimate Guide To Bass Harmonics. Create chords, melodies and solo bass pieces using harmonics

JazzyPiano.net Glen Rose Professional Piano Techniques (2 parts)

HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer

Title Page Tune Page

RENT Combined Guitar Details

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Soundhole. Body. Pick guard. Bridge. Bridge Pins

Harmonic Improvement

Moving On. Beyond the Basics of Guitar Playing. by Charlotte Adams CD INCLUDED

Blues turnaround chord melody lick

Le a rn i n g the Ukulele Fingerboa rd

Playing Jazz Guitar Bass Lines with Chords

Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094)

Essential Bass Skills Course Level 1 Extension Activity Workbook

Using the Kalimba in Music Education Mark Holdaway, PhD (520)

Music Technology. Higher. Finalised Marking Instructions

Jazz Theory and Practice Module 5 a, b, c Dim. 7 th & 9 th Chords; Extensions to the 13 th ; Other Harmonic Structures

Copyright MCMLXXIX by Alfred Publishing Co., Inc.

Nashville Number System

Audition Overview for B-FLAT TRANSPOSING INSTRUMENTS

Level 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Color Score Melody Harmonization System & User Guide

Basic Vocal Jazz Arranging for Music Educators. Brendan Ferrari Choral Director Miscoe Hill School Mendon-Upton Regional School District

Jesus At The Center Chord Chart

APPENDIX A SOME MUSIC INFORMATION

Advent Devotional Guide: Preparing for the Coming of Christ by Rev. Dr. Mark D. Roberts Copyright 2011 by Mark D. Roberts and Patheos.

Chord Progressions. Simple Progressions

Level 6. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Music Theory. Content Skills Learning Targets Assessment Resources & Technology CEQ: HOW IS MUSIC PUT TOGETHER?

Dobcroft Guitar Stars

REPEAT. Restores our souls F C G Restore our souls RETURN TO INTRO PROGRESSION AND DO IT TWICE THEN A DROPPED CHORUS

Chapter-8:Circle of 5ths

Holy Darkness. Assembly, Cantor, SATB Choir, Keyboard, Violin, Viola, Cello, French Horn, and Guitar. dark ness, bless ed night, heav en s

Progressions & Composing

keyboard workshop Silent Night Bars 1-8 (Intro) Fill-in D7 / / C / / G7 / / C / / C / /

ROCK GUITAR COMPLETE SYLLABUS

Transcription:

1 Singing the Faith corrections Corrections as included in the second impression of Singing the Faith (words and music editions), November 2011 combined with corrections included in the third impression, January 2012 (see note) A complete list follows. Individual corrections are also noted under individual StF+ hymn posts. [NOTE: The third impression WORDS edition has been published; corrections for the Music edition have been logged in preparation for printing in due course] Hymns by number StF 1 Words Delete Amen at the end StF 15 Music 4th page, 2nd stave, 3rd bar B in melody and accompaniment should be tied. Add tie marking. StF 16 Music 3rd stave, 2nd bar, 2nd chord. Amend alto D to F# StF 31 Music First bar line (at glory ) should be marked as the beginning of a repeat section StF 35 Music The segno sign at the start of the bottom line is printed back to front intentionally StF 48 Music 3rd stave in second bar, add 1st time ; in third bar, add 2nd time StF 54 Music 1st stave, 3rd bar the word with applies to V1, not V2 StF 68 Music 1st bar line (the repeat bar) should have the segno sign above it Final bar in vocal line, add tie before F Final bar delete the word loved StF 81 ii Music 2nd page of music, 1st bar amend last note in bass line to low C StF 92 Music Tune name is GENESIS 2nd stave, 1st bar amend (v.2) above stave to read (vv.2&4) 1

2 StF 100 Words Verse 5 should be numbered Verse 4 StF 100ii Copyright Delete Music: J. Curwen & Sons Ltd ; replace with Music: Permission applied for StF 103 Words V1 add comma at end of line 6 StF 106 Music Should read Descant (v.4) above bottom stave (not v.5) StF 151 Words v2, line 3 delete existing line and replace with today Christ s triumphs now we spread StF 156 Music v 3 underlay needs to be replaced with correct v3 text. This can be found on the website post for From the breaking of the dawn (http://www.singingthefaithplus.org.uk/?p=2336) StF 158 Music Correct metre to 87 87 9 To the note about the alternative tune, Stuttgart, add: omitting the last line of each verse StF 172 Copyright Delete Music: J. Curwen & Sons Ltd ; replace with Music: Permission applied for StF 176 Music 2nd page, 3rd bar the lower voice should echo Come to save us (as per God is with us previously) StF 194 Music Time signature is not 3/4 should be blank as it's mostly 4/4 apart for the final two bars StF 202 Music Verse 3, 2nd bar amend final quaver in bass line to B flat Verse 3, 2nd page, 2nd stave, final bar in melody line (vocal and accompaniment), amend 4th beat quaver F to F natural Verse 3, 2nd page, 2nd stave, final bar organ pedal line in this bar, plus minim D of following bar, should be played an octave higher than written StF 205 Words v4, line 5 delete comma at end of line StF 219 Music Bars 4, 6, 8, 16, 20, 22, 24, 26: the second guitar chord should be placed on the second beat of the bar 2nd page, 1st bar and 3rd page last bar, bass 3rd beat should be B natural StF 230 Music Correct metre to 87 89 D and refrain 2nd page, 2nd stave, last bar amend 3rd guitar chord to Fdom and 4th beat base accompaniment to octave 2

3 F# s 3rd page, 2nd stave, last bar amend 3rd guitar chord to Fdom StF 232 Words Change author name to read Thomas G. Wilkinson (b. 1945) StF 233 See also See Also list following text of hymn (Music edition only): Crashing waters at creation should be listed as StF 376 StF 239 Music Bars 4 & 8 (at which the kingdom comes ) amend 2nd guitar chord to B7 Page 2, final stave of music guitar sequence should read Gmaj7 / Cmaj7 / Am / B7 / Em (on final beat) StF 241 Music 3rd page of music, 2nd bar add 1st time over bar StF 243 Copyright Copyright to read Music 2004 David Lee StF 246 Music Amend metre to 87 87 and refrain StF 252 Words Correct Anonymous, Urdhu to Anonymous Urdu in words credit StF 252 Music Correct Urdhu to Urdu in music credit StF 258 See also See Also list following text of hymn (Music edition only): Jesus the Carpenter should be listed as StF 275 StF 265 Words v4, line 3 add comma after the Father StF 272 Music Correct guitar chords: Bars 1 & 5 to Cm (1 st beat) and G/B (3 rd beat) Bars 3 & 7 to Bb/Ab (1 st beat) and Eb/G(3 rd beat) Final bar (for vv1-3 only) to Eb (1 st beat), Dm7 (3 rd beat) and G7 (4 th beat) StF 280ii Music 2nd stave, 2nd bar, 3rd beat add natural before alto F 2nd stave, 2nd bar, 4th beat add natural before bass D StF 283 Music Correct metre to 86 88 84 3

4 StF 337 Music Refrain, 2nd stave, 3rd bar amend spelling to read sapphire skies (i.e. add one p ) Refrain, last stave, 1st bar delete vertical line at beginning of 1st time bracket StF 341 Copyright Words copyright to read Words: 1887, 1915 Novello & Company Limited. All Rights Reserved. International Copyright Secured. Reproduced by permission. StF 349 Music 3rd page, 1st stave, 3rd bar correct D.C. to D.S. StF 350 Music 2nd stave, 1st complete bar, bass clef add natural sign before F in last chord 5th stave, 2nd bar, bass clef add natural sign before F in last chord 2nd page, 2nd bar, treble clef add natural sign before B in final chord StF 401 Words v3, line 3 add comma after sick StF 405 Music Refrain, 1st bar, 1st beat amend bass note to G StF 416ii Music 3rd stave, final bar amend note to read after v.5 go to v.6 overleaf StF 419 Music Correct metre to 11 10 11 10 When sung to the set tune Finlandia, the last two lines of each verse should be repeated. StF 421 Music 2nd page, final stave add D.C. above repeat marks StF 438 See also Correction to See Also below text of hymn (Music edition only): Correct Lord, thy Church on earth is seeking to Lord, your Church StF 445 Music Add D.C. above repeat marks at end StF 451 Music 2nd page, 2nd stave, 2nd bar after D.C. add first time only StF 455i Copyright Amend Music copyright to read Music: 1968 Novello & Company Limited. All Rights Reserved. International Copyright Secured. Reprinted by Permission. StF 464 Music Tune name is JESUS CALLS US (as at StF 28). 4

5 StF 472i Music Firstly, correct: 2nd stave, 2nd bar, 3rd beat amend tenor B to Bb 3rd stave, 2nd bar, 1st beat amend alto D to E Then correct: bar division and rhythm of 3rd stave, 1st bar. This should be split into two bars first bar = 3 crotchets; in new second bar, change two quavers to a minim and crotchet StF 474 Music Delete Refrain at start of 2nd stave StF 483 Words Xhosa lines 2 & 4 should match lines 1 & 3 StF 484 Words Words attribution to read Traditional hymn from Swaziland StF 494i Music Correct metre to 87 87 D StF 494ii Music Correct metre to 87 87 D StF 497 Music 2 nd page, 1 st stave, final bar add p to the word ho, as in my hoping 2 nd page, 1 st stave add First time over first time bracket 2 nd page, 2 nd stave add Second time over second time bracket StF 507 Words The final verse should be numbered verse 5, not 6 StF 511 Copyright Amend Words copyright to read Words: Song Solutions Copycare StF 512 Words v4, line 6 amend thy to your StF 554 Music In later impressions of the Music edition of Singing the Faith, Martin Clarke s arrangement of Pollitt has been replaced by the composer s own original version. StF 561 Words Words attribution to read Ich habe nun den Grund gefunden by Johann Andreas Rothe (1688-1758) translated by John Wesley (1703-1791) StF 569 Music Correct metre to 98 98 5

6 StF 581 Music Add repeat marks at end of last bar StF 584 Music Correct metre to 65 65 55 75 75 StF 599 Copyright Delete words Permission applied for. StF 615 Music 2nd stave, 1st complete bar, bass clef add natural sign before F in last chord 5th stave, 2nd bar, bass clef add natural sign before F in last chord 2nd page, 2nd bar, treble clef add natural sign before B in final chord StF 621 Music Correct metre to 11 10 11 10 11 10 StF 626 Music 4th page, 1st stave, 1st bar, bass clef correct minim low G to crotchet StF 631 Music Add D.C. above repeat marks at end StF 632 Music Add D.C. above repeat marks at end First three bars of Bridge deleted from bottom of page 2 StF 657 Music Page 2 add note, Words for v.2 are overleaf StF 685 Copyright Delete Words: Desmond Dunkerley [words are now out of copyright] StF 687 Words V2, line 6 delete world and replace with word StF 689 Music Correct metre to 87 87 D StF 699 Music Page 2, add D.C. to 1st time bar Page 3, add 1 and 2 over 1st and 2nd time bars 3rd page, 3rd stave, 1st bar, accompaniment treble clef add tie mark before quaver G StF 708 Words Delete repeated last line of words in each verse Music Correct metre to 86 88 6 StF 717 Words Add note: Last line of each verse is repeated. StF 722 Copyright Words copyright to read Words: Song Solutions Copycare 6

7 StF 722 Music 3rd stave, last bar delete vv.2,3 and replace minim chord with two crotchets StF 730 Music 2nd stave, following repeat marks add missing bar line after quaver (the word We ) StF 731 Words Delete Amen from end of final verse StF 734 Music Amend to read from Symphony No.9, From the New World in music credit StF 740 Music Correct metre to 11 10 11 4 StF 754 Music 1st page, last stave delete vertical line at beginning of 1st/2nd time bracket StF 755 Music Delete metre StF 762 Music 2nd page, 2nd stave, 1st bar, bass clef add missing tie lines tied over from previous bar StF 763 Copyright Amend music copyright to read Music: Ian Worsfold (not Paul Leddington Wright) StF 771 Music 3rd stave, 3rd bar amend word though-out to read through-out StF 778 Words Delete last line Alleluia! from chorus StF 789 Music 1st bar indicate that lower part glory is only to be sung at repeat, not at start Indexes [page numbers as in Music Edition] Index of Biblical Texts Add a final h to Nehemiah (p. xvi) Alphabetical Index of Tunes Jesus Calls Us add StF 464 as well as StF 28 (p.lxii) Metrical Index of Tunes (Music Edition only) East Dulwich (StF 246) is listed as 87 87 but should be listed as 87 87 and refrain (p.lxxi) Chalfont Park (StF 708) is listed as 86 88 686 88 6 but should be listed as 86 88 6 alongside Gatescarth (bottom p.lxx). 7

8 Jennifer (StF 740) is listed as 11 10 11 but should be listed as 11 10 11 4 (p.lxxiii) Jesus Calls Us listed as 87 87 D add StF 464 as well as StF 28 (p.lxxi) In third impression, Metrical Index of Tunes has been entirely reset Index of Authors Wilkinson, Tom (b.1943) amend to Wilkinson, Thomas G. (b. 1945) Index of First Lines Incomplete in the first impression of the Music Edition only (more information on the Frequently asked questions website page) God it was who said to Abraham add name of tune: Jesus Calls Us Lord God, your love has called us here amend to read StF 499 Further changes listed above have all been incorporated into the indexes as appropriate 8