Armello: Bringing Tabletop Adventure to Life. Trent Kusters & Blake Mizzi Co-Founders & Directors League of Geeks
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1 Armello: Bringing Tabletop Adventure to Life Trent Kusters & Blake Mizzi Co-Founders & Directors League of Geeks
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3 League of Geeks Living the Dream
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7 WHAT S AN ARMELLO?
8 League of Geeks Living the Dream
9 Four players
10 Player 1 Player 2 Player 4 Player 3
11 King
12 his King s Guards
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15 Four ways to win the Throne
16 The Kingslayer
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18 The Prestige Leader
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20 The Purifier
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22 The Corrupt
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24 Because at it s core
25 Armello is a race
26 in a brutal, animal, fairytale SANDBOX
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28 ...and nearly every system is interconnected
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32 And with just enough randomness...
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34 And some wonderful synergies...
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54 And you can play cards while other players have their turn
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56 It is a hex based game so use terrain and time of day wisely...
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59 Why Armello?
60 OPPORTUNITY SIGHTED 1. We saw a hole in the original ipad games line-up.
61 OPPORTUNITY SIGHTED 1. We saw a hole in the original ipad games line-up. 2. We saw weakness in the digital board game genre.
62 OPPORTUNITY SIGHTED 1. We saw a hole in the original ipad games line-up. 2. We saw weakness in the digital board game genre. 3. We saw a renaissance in physical board games.
63 OPPORTUNITY SIGHTED 1. We saw a hole in the original ipad games line-up. 2. We saw weakness in the digital board game genre. 3. We saw a renaissance in physical board games. 4. Lack of innovation and execution in digital board games.
64 OPPORTUNITY SIGHTED 1. We saw a hole in the original ipad games line-up. 2. We saw weakness in the digital board game genre. 3. We saw a renaissance in physical board games. 4. Lack of innovation and execution in digital board games. 5. Enjoyed playing tabletop games together.
65 OPPORTUNITY SIGHTED 1. We saw a hole in the original ipad games line-up. 2. We saw weakness in the digital board game genre. 3. We saw a renaissance in physical board games. 4. Lack of innovation and execution in digital board games. 5. Enjoyed playing tabletop games together. 6. Scope of a digital board game was manageable.
66 Opportunity identified :)
67 CONCEPT & PROTOTYPING
68 PROJECT GOALS 1. Create stories with friends.
69 PROJECT GOALS 1. Create stories with friends. 2. Mechanical sandbox.
70 PROJECT GOALS 1. Create stories with friends. 2. Mechanical sandbox. 3. Singleplayer in competitive multiplayer.
71 PROJECT GOALS 1. Create stories with friends. 2. Mechanical sandbox. 3. Singleplayer in competitive multiplayer. 4. Satisfy various player fantasies and styles.
72 PROJECT GOALS 1. Create stories with friends. 2. Mechanical sandbox. 3. Singleplayer in competitive multiplayer. 4. Satisfy various player fantasies and styles. 5. Player politics - AKA Stab your friend in the back!
73 PROJECT GOALS 1. Create stories with friends. 2. Mechanical sandbox. 3. Singleplayer in competitive multiplayer. 4. Satisfy various player fantasies and styles. 5. Player politics - AKA Stab your friend in the back! 6. Best in genre for digital board games.
74 PROJECT GOALS 1. Create stories with friends. 2. Mechanical sandbox. 3. Singleplayer in competitive multiplayer. 4. Satisfy various player fantasies and styles. 5. Player politics - AKA Stab your friend in the back! 6. Best in genre for digital board games. 7. Create a strong, commercially viable brand.
75 The Three Cs. Quality
76 Quality Cultural Furthers videogames as an art form and creative medium.
77 Quality Cultural Furthers videogames as an art form and creative medium. Critical Well received, by our peers, the public, and the press.
78 Quality Cultural Furthers videogames as an art form and creative medium. Critical Well received, by our peers, the public, and the press. Commercial Financially viable, perpetuating financial and creative independence.
79 Not about treasure
80 So we begun designing Armello.
81 We almost instantly agreed it would be an anthropomorphic (no-humans), grimm, dark, lowfantasy universe.
82 Animals gave us strong character tropes and personalities.
83 We wanted it to be gritty and dark, but full of love and hope.
84 We wanted creatures of terror
85 and knights of the Realm
86 Early Armello handwritten cards.
87 We spent nearly ten months in paper only prototypes.
88 We tried armies led by generals. And bands of Heroes.
89 Hero experience cards...
90 Castle and Holdings mechanics...
91 Strategy Cards...
92 Prophecy Cards...
93 Royal Decrees...
94 Family Requests...
95 Ruin Exploring...
96 And Quests...
97 The Armello Great Clans:
98 We got resourceful...
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101 But as we played more and more, a magic balance was taking shape.
102 Four Heroes. One insane King. And we realised we could do amazing things that normal boardgames Can t do.
103
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105 The Art Bible
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108 League of Geeks The GDD Living the Dream
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110 The heart of Armello
111 ARMELLO S CORE
112 1. Hero-centric. ARMELLO S CORE
113 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play.
114 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective.
115 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players.
116 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players. 5. Card play (across three shared decks).
117 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players. 5. Card play (across three shared decks). 6. Mechanical ecosystem.
118 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players. 5. Card play (across three shared decks). 6. Mechanical ecosystem. 7. Fast-paced progression.
119 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players. 5. Card play (across three shared decks). 6. Mechanical ecosystem. 7. Fast-paced progression. 8. Conflict creation through player proximity.
120 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players. 5. Card play (across three shared decks). 6. Mechanical ecosystem. 7. Fast-paced progression. 8. Conflict creation through player proximity. 9. Experimentation focus.
121 ARMELLO S CORE 1. Hero-centric. 2. Real-time turn based play. 3. Hex layout with central objective. 4. Race the clock / players. 5. Card play (across three shared decks). 6. Mechanical ecosystem. 7. Fast-paced progression. 8. Conflict creation through player proximity. 9. Experimentation focus. 10. Storytelling potential.
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123 BRINGING LIFE TO ARMELLO
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132 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes.
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135 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth).
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140 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment.
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144 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds.
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146 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds. 4. Windows into the world.
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151 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds. 4. Windows into the world. 5. Dynamic quest system.
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157 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds. 4. Windows into the world. 5. Dynamic quest system. 6. Contrast & Duality.
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159 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds. 4. Windows into the world. 5. Dynamic quest system. 6. Contrast & Duality. 7. Phrase-based chat system.
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162 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds. 4. Windows into the world. 5. Dynamic quest system. 6. Contrast & Duality. 7. Phrase-based chat system. 8. Abstraction vs projection.
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165 BRINGING LIFE TO ARMELLO 1. Animated 3D Heroes (e.g., Stealth). 2. Seamless environment. 3. Camera constraint. Clouds. 4. Windows into the world. 5. Dynamic quest system. 6. Contrast & Duality. 7. Phrase-based chat system. 8. Abstraction vs projection. 9. Preserving the magic of tabletop.
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171 TOUR THE MORGUE
172 1. Heraldry System THE MORGUE
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174 1. Heraldry System 2. Clan Castle Upgrading THE MORGUE
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178 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees THE MORGUE
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181 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems THE MORGUE
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183 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems 5. Quest System Overhauled THE MORGUE
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187 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems 5. Quest System Overhauled 6. NPC Variants THE MORGUE
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190 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems 5. Quest System Overhauled 6. NPC Variants 7. Active Explore mechanic THE MORGUE
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194 THE MORGUE 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems 5. Quest System Overhauled 6. NPC Variants 7. Active Explore mechanic 8. Active & Passive Card Play
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196 THE MORGUE 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems 5. Quest System Overhauled 6. NPC Variants 7. Active Explore mechanic 8. Active & Passive Card Play 9. Terrain Bases & Features
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198 THE MORGUE 1. Heraldry System 2. Clan Castle Upgrading 3. Talent Trees 4. Voting Systems 5. Quest System Overhauled 6. NPC Variants 7. Active Explore mechanic 8. Active & Passive Card Play 9. Terrain Bases & Features 10. Multiple Characters on Hexes
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200 TAKEAWAYS
201 TAKEAWAYS 1. Comms was/is the biggest challenge.
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207 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics.
208 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom.
209 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions.
210 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions. 5. Abstraction & Projection.
211 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions. 5. Abstraction & Projection. 6. Make the story shine.
212 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions. 5. Abstraction & Projection. 6. Make the story shine. 7. Be mercenary with Ideas. Execute.
213 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions. 5. Abstraction & Projection. 6. Make the story shine. 7. Be mercenary with Ideas. Execute. 8. Iterative, collaborative, focused design.
214 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions. 5. Abstraction & Projection. 6. Make the story shine. 7. Be mercenary with Ideas. Execute. 8. Iterative, collaborative, focused design. 9. Embrace imbalance.
215 TAKEAWAYS 1. Comms was/is the biggest challenge. 2. Thematics give birth to mechanics. 3. Treat the problem, not the symptom. 4. Strategy video game vs board game perceptions. 5. Abstraction & Projection. 6. Make the story shine. 7. Be mercenary with Ideas. Execute. 8. Iterative, collaborative, focused design. 9. Embrace imbalance. 10. Know your end product.
216 Trent Blake
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