UCLA Extension Writers Program Public Syllabus
|
|
- Brian Poole
- 5 years ago
- Views:
Transcription
1 1 UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses or curriculum, please contact the Writers Program at (310) or via at writers@uclaextension.edu. We are happy to answer any questions and to help you find the best class to achieve your writing goals. INSTRUCTOR: ANDY GUERDAT INTRODUCTION TO SCREENWRITING III: FINISHING THE FIRST SCRIPT X 430C GOAL: To refresh your understanding of the basics of the craft of screenwriting, while completing your screenplay. IN CLASS: Writing in Hollywood is a communal effort, so it s essential that you participate in class. Listen, read and critique the work of your fellow students. You ll learn as much from dissecting others work as from developing your own. Plus, you ll be learning how to work in a creative environment that s as much like a typical notes session as possible. And listen when your classmates critique your work. You ll never have another opportunity to have your work evaluated in such a safe environment. Only constructive criticism is allowed. Be sure you re trying to make a fellow student s work better. If you re trying to make yours look better at someone else s expense, the instructor will quickly correct your misconception. Feel free to ask dumb questions. This is the place to do it. Have fun. If you re not getting any joy from conceiving your movie, chances are no one else is going to enjoy reading it. Take your work seriously; not yourself. HOMEWORK: All assignments must be typed. All scenes must be written in a professional screenplay format. FINAL DRAFT software has become the industry standard, although there are many other acceptable screenwriting programs available. If you do not wish to invest in such a program, the instructor can provide you with a basic Word screenwriting program.. SUGGESTED VIEWING LIST: The movies I suggest you watch may help illuminate some or all of the points covered in class. As well as how the rules are often broken. More importantly, the list may open a hitherto unknown world of great films to you. But it s not required that you watch any of them.
2 2 SUGGESTED READING: As many screenplays as you can and the Writers Guild library are just some sources for finding screenplays. When online, however, be wary of transcripts and other nerd-bowdlerized versions of produced movies. None of the many How To books about screenwriting are necessary to read, and many are harmful to the creative process, especially for young writers. I don t recommend any of them. But a few books are thought-provoking in a tangential way. Among them: ADVENTURES IN THE SCREEN TRADE by William Goldman THE ART OF DRAMATIC WRITING by Lajos Egri POETICS by Aristotle ON DIRECTING FILM by David Mamet MAKING MOVIES by Sidney Lumet HANDOUTS: The class can download the screenplay FOURTH STORY, written by the instructor, as an illustration of the concepts taught in class. This screenplay will also provide students with a template for screenplay formatting. GRADING: Attendance: 25 points Class participation: 25 points Homework assignments: 25 points Screenplay pages: 25 point A = points B = points C = points D = points F = less than 60 points WEEK 1: THE BEGINNING OF THE END (AN OVERVIEW) Students hand in their completed outlines and screenplay pages. Who the heck am I and what makes me think I can teach you screenwriting? Who the heck are you and why do you want to write movies? Trusting your gut. Spec scripts, and why they re worth $380,000 and change. The reading script vs. the shooting script. All those screenwriting gurus and why you shouldn t listen to a word they say. Finding the Ur of your story. Making sure you know the spine of your story. Comedy vs. drama: how far to stand from your story. Drama vs. melodrama and why they re both cool.
3 3 Following the truth. How screenwriting is like sex. What s the writer s job and what s the director s? The Pyramid of Storytelling. The good ol Three Act structure and why it s really no big deal. It s okay to be manipulative! The Wow! That d be so cool! method of screenwriting. Three questions to test your story spine. Why all good stories are mysteries. The 3 most important words in storytelling. The full pitch V. the party pitch. ASSIGNMENT: Prepare to party pitch your screenplay in 3 minutes or less. OCT. 8 NO CLASS WEEK 2: PITCHING & SCENE DISCUSSION Students receive notes on their outlines. Students pitch their stories. Pitching techniques and why you need to know how to do it. So what is a scene anyway? Writing subtextually. Writing with pictures. Breaking down a story into units of information. The hand over the scene test. Defining dramatic conflict. Finding the axe of your scenes. Baiting the hooks of your scenes. Critical viewing of scenes that work or don t. ASSIGNMENT: All students write the next scene of their screenplays. Members of Group A will choose a scene and prepare for it to be read aloud in class (and bring enough copies for each speaking part as well as one for the instructor). WEEK 3: READING SCENES All students turn in their scenes. Group A s scenes are read aloud in class. Group analysis and discussion of the scenes. Discussion of genres and how to use them.
4 4 ASSIGNMENT: Keep writing (3 to 12 pages). Members of Group B prepare scenes to be read aloud in class for analysis and discussion (and bring enough copies for each speaking part as well as one for the instructor). WEEK 4: MORE SCENE READING Students receive notes on their scenes. All students turn in their new script pages. Members of Group B s scenes are read aloud and critiqued. Discussion of how to write dialogue that plays. ASSIGNMENT: Keep writing (3 to 12 pages). Members of Group C prepare scenes to be read aloud in class for analysis and discussion (and bring enough copies for each speaking part as well as one for the instructor). WEEK 5: STILL MORE SCENES Students receive notes on their script pages. Members of Group C s scenes are read aloud and critiqued. Writing comedy. How to be funny when you want to be and avoid being funny when you don t want to be. ASSIGNMENT: Keep writing (3 to 12 pages). Members of Group A will choose a scene and prepare for it to be read aloud in class WEEK 6: DEALING WITH MID-SCRIPT CRISIS Students scenes are returned with the instructor s notes. Group A s scenes are read aloud in class. Group analysis and discussion of the scenes. Help! My story sucks! No, it doesn t. Time for addressing questions and difficulties that have arisen so far. When to go forwards and when to go backwards. How to go backwards. ASSIGNMENT: Keep writing (3 to 12 pages). Members of Group B prepare scenes to be read aloud in class for analysis and discussion WEEK 7: THE HOME STRETCH Students scenes are returned with instructor s notes.
5 5 Group B s scenes are read aloud and critiqued. Endings made (a little) easy(er). ASSIGNMENT: Keep writing (3 to 12 pages). Members of Group C prepare scenes to be read aloud on class. WEEK 8: REWRITING Students scenes are returned with the instructor's notes. Group C s scenes are read aloud and critiqued. Discussion of techniques to use when rewriting. Students participate in a punch-up session. ASSIGNMENT: Complete your screenplay. WEEK 9: THE HOME STRETCH Students receive the instructor s notes on their scenes. More time for problem solving. A feature film is viewed and analyzed, using what the students have learned so far. How this applies to your screenplay: learning how to let great movies inspire you without imitating them. Guests lecturer. ASSIGNMENT: Come up with a new idea for a screenplay (even if you never write it). WEEK 10: THE END OF THE BEGINNING Students receive final notes on their completed screenplays. Now what do I do? All about agents. Who not to give your script to. And when to not give it to them (or anyone). How to deal with suits. Guest lecturer. ASSIGNMENT: Become rich and famous.
6 6 SUGGESTED VIEWING LIST In no particular order: LAWRENCE OF ARABIA NOTORIOUS CHINATOWN CRASH CRIMES AND MISDEMEANORS THE APARTMENT ALL THE PRESIDENT S MEN RIDICULE BAMBI RUN LOLA RUN CAST AWAY THE FRENCH CONNECTION A SHOT IN THE DARK THE AMERICAN PRESIDENT REAR WINDOW THE THREE MUSKETEERS (1974) LONE STAR BRIDGE ON THE RIVER KWAI CASABLANCA SHAKESPEARE IN LOVE DOUBLE INDEMNITY JAWS JERRY MAGUIRE THE OPPOSITE OF SEX SCHINDLER S LIST THE PLAYER VERTIGO BARTON FINK FARGO ABOUT A BOY NETWORK SWINGERS THE TRIPLETS OF BELLEVILLE CHARADE THE HUNT FOR RED OCTOBER SENSE AND SENSIBILITY TOOTSIE THE DEVIL S BACKBONE THE USUAL SUSPECTS FLIRTING WITH DISASTER HUSBANDS AND WIVES HOUSE OF GAMES THE CONVERSATION GROUNDHOG DAY PLAY IT AGAIN, SAM THE SEARCHERS THE LADY EVE THE TRAIN NIGHT MOVES ANNIE HALL THE GRADUATE THE LIVES OF OTHERS ETERNAL SUNSHINE OF THE SPOTLESS MIND MICHAEL CLAYTON IN BRUGES
INTRODUCTION TO SCREENWRITING I X 430.A
1 Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. If you have any questions or concerns, please contact the Writers Program at (310) 825-9415
More informationUCLA Extension Writers Program Public Syllabus
1 UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationWRITING THE FIRST SCREENPLAY I SYLLABUS
Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses or curriculum, please contact the Writers Program
More informationCLASS OBJECTIVES INTRODUCTION TO SCREENWRITING I X 430A FILM & TELEVISION 3 UNITS INSTRUCTOR: ALISON LEA BINGEMAN
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationINTRODUCTION TO SCREENWRITING II Works-in-Progress April 1 June
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationCreating Movie Scripts
Creating Movie Scripts This is a syllabus from past semesters. It will not be the syllabus for Spring 2014, but is posted to give an idea what the class will be like. Please note that everything in it
More informationCRWT 4354 Creating Movie Scripts - Spring '15 Syllabus Thursday 7pm 9:45pm JO 3.906
CRWT 4354 Creating Movie Scripts - Spring '15 Syllabus Thursday 7pm 9:45pm JO 3.906 Noah Zisman noahz@utdallas.edu Phone: TBA Office Hours: by appt. Location: TBA COURSE MATERIALS: TEXTS: The Tools of
More informationin SCREENWRITING MASTER OF FINE ARTS Two-Year Accelerated
Two-Year Accelerated MASTER OF FINE ARTS in SCREENWRITING In the MFA program, staged readings of our students scripts are performed for an audience of guests and industry professionals. 46 LOCATION LOS
More informationWriting the One-Hour Drama: the First Draft
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationUCLA Extension Writers Program Public Syllabus
1 UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationUCLA Extension Writers Program Public Syllabus
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationWRITING THE COMEDY FEATURE. Summer Quarter 2011 Wednesdays 7-10pm. Instructor Dave Polsky. Overview
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationStart Date 9/13/2011 End Date 12/6/2011
ENL328 (2011TRI1-A) Screenwriting Fall Semester/Trimester 2011 Tuesdays: 6:00-9:00 p.m. Location: Foss 43 Instructor: Stephan Clark email: clarks@augsburg.edu Office: Memorial 219B Office Hours: TBA Phone:
More informationUCLA Extension Writers Program Public Syllabus. Writing for Animation
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationUCLA Extension Writers Program Public Syllabus VISUAL STORYTELLING FOR THE BIG SCREEN. Bill Boyle, Instructor SYLLABUS
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationUCLA Extension Writers Program Public Syllabus. Beginning Writing for the Half-Hour Comedy: Building the Story and Outline INSTRUCTOR: BARRY VIGON
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationSYLLABUS STORY ANALYSIS ONLINE
Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses or curriculum, please contact the Writers Program
More informationWRITING THE FIRST SCREENPLAY - I
WRITING THE FIRST SCREENPLAY - I April 14 through June 16, 2015 Instructor: Hank Nelken Course Description The first in a 4-part sequence designed to take you through the full process of writing a feature
More informationWesleyan University. FILM : Screenwriting, Fall 2018 Monday, 1:20 pm - 4:10 pm, CFS 124
Professor: Tom Lock Office Hours: By Appointment Email: tlock@wesleyan.edu M: 1:20 pm - 4:10 pm, CFS 124 This is a workshop class focused on the narrative short screenplay and how that translates to both
More informationWRITING THE FIRST SCREENPLAY I (Online) Course: FilmTV X 440A
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationINTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts
INTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts Class Information Section - 001 Location RTVP Building room 180i Time Tuesday 2-4:50pm Text None. Online readings and links provided
More informationWriting The First Screenplay II Instructor: Chris Webb
1 Writing The First Screenplay II Instructor: Chris Webb heytherechris@earthlink.net This second in a 4-part sequence in writing a feature film script has you hit the ground running. You begin by pitching
More informationThe One-Hour Drama: Writing the First Draft Winter 09
Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. If you have any questions or concerns, please contact the Writers Program at (310) 825-9415
More informationMake Your First Short Film (Hybrid) COURSE SYLLABUS
Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. Should you have further questions, please contact the UCLA Extension Entertainment Studies
More informationLangara College Spring archived
FLMA 1130 Feature Film Lecture, Lab & Workshop Film Arts: Writing Stream Instructor: Gary Fisher Phone: 604.874.9056 (off-campus) Office: A-326b Office Hours: Monday 1-2pm Thursday 1-2pm Email: On Fridays
More informationWriting the Half-Hour Spec Comedy Script Instructor: Manny Basanese
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationWRITING FOR TELEVISION AND FILM: SYLLABUS
WRITING FOR TELEVISION AND FILM: SYLLABUS Instructor ERIC REYES LOO (David Myers sub for first four weeks) TFM 110 Spring 2017 Thursdays 3:30 PM 6:10 PM or 7 PM 9:40 PM (office hours with Eric: via Skype,
More informationCOURSE DESCRIPTION: COURSE OBJECTIVES:
DC 401 801 WRITING THE SHORT SCREENPLAY WINTER 2017 MON 5:45-9:00pm INSTRUCTOR: DANIEL KLEIN OFFICE: 505 OFFICE HOURS: TUES 11:00am-1:30pm Email: daniel.klein@depaul.edu January 15, 2017 Last day to drop
More informationScreenwriting The Thirty Minute Script
Department of Media and Cultural Studies Module Outline Academic Year 2011/12 Birkbeck, University of London Screenwriting The Thirty Minute Script MODULE CODE: FFME026S5BCB CREDITS/LEVEL: 30 CATS/Level
More informationCity University of Hong Kong. Course Syllabus. offered by Department of English with effect from Semester A 2017/2018
City University of Hong Kong offered by Department of English with effect from Semester A 2017/2018 Part I Course Overview Course Title: Course Code: Script Writing EN3575 Course Duration: 1 Semester Credit
More informationThe short instructions:
The short instructions: Your final portfolio will consist of: 1. A heavily revised and rewritten version of your short story (20%). a. Length: 6-10 pages b. 2 page cover letter c. You must hand in the
More informationCOMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30
COMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30 Department of Communications University of Maryland, College Park The Universities at Shady Grove Campus Lecturer:
More informationCOM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106
COM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106 1 Instructor: Maria Sanders Office Hours: Bouillon 225 Assistant Professor, Film and Video Studies Mon. / Tue. / Wed.
More informationC E R R I T O S C O L L E G E. Norwalk, California COURSE OUTLINE ENGLISH 241 SCREENWRITING. Reviewed by:
C E R R I T O S C O L L E G E Norwalk, California COURSE OUTLINE ENGLISH 241 SCREENWRITING Approved by the Curriculum Committee on: February 23, 2006 Chad Greene Associate Professor, English Reviewed by:
More informationENG 382: Screenwriting Bishop s University, Winter 2009
Instructor: Dr. Steven Woodward Office: Morris 17 Class time: Tues. & Thurs., 10:00-11:30 Office telephone: 2250 Classroom: Hamilton 303 e-mail address: swoodwar@ubishops.ca Office hours: Mon. & Wed. 11:30-1:00
More informationWRITING THE FIRST SCREENPLAY I (Online) Course: FilmTV X 440A
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationin SCREENWRITING MASTER OF ARTS One-Year Accelerated LOCATION LOS ANGELES, CALIFORNIA
One-Year Accelerated MASTER OF ARTS in SCREENWRITING LOCATION LOS ANGELES, CALIFORNIA Location is subject to change. For start dates and tuition, please visit nyfa.edu 102 103 MA Screenwriting OVERVIEW
More informationLangara College Spring archived
FLMA_1181_Outline COLLABORATION: THE ACTOR, WRITER AND DIRECTOR Instructor: Byron Lamarque & Garwin Sanford Tel: (604) 323-5033 Email: gsanford@langara.bc.ca blamarque@langara.bc.ca Class Time: Locations:
More informationWRITERS PROGRAM STORIES MADE HERE.
WRITERS PROGRAM STORIES MADE HERE. WELCOME FROM THE PROGRAM DIRECTOR The desire to write is an urgent one. Those of us who hear the call to tell our story sometimes find ourselves hamstrung by a fast-paced
More informationWRITERS PROGRAM CONTACT INFO: For help with any administrative issues: ;
WRITING THE FIRST SCREENPLAY I Jan. 19 - Wednesday 7 10pm INSTRUCTOR: DIANE DRAKE Contact: dianesclass@gmail.com WRITERS PROGRAM CONTACT INFO: For help with any administrative issues: 310-825-9415; writers@uclaextension.edu
More informationINTRODUCTION TO SCREENWRITING SYLLABUS FRIEDMAN & SERGE
INTRODUCTION TO SCREENWRITING SYLLABUS FRIEDMAN & SERGE COURSE DESCRIPTION: email: i2sdigital@gmail.com Introduction to Screenwriting at CHAMPS Charter High School gives students a foundation in the principles
More informationJon Bernstein Introduction to Screenwriting I, Winter Quarter SYLLABUS
Jon Bernstein Introduction to Screenwriting I, Winter Quarter 10 11-20-09 1 SYLLABUS Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. If you
More informationWRITERS PROGRAM CONTACT INFO: For help with any adminstrative issues: ;
INTRODUCTION TO SCREENWRITING I Tuesday 7 10pm July 7-September 8 INSTRUCTOR: DIANE DRAKE Contact: dianesclass@gmail.com WRITERS PROGRAM CONTACT INFO: For help with any adminstrative issues: 310-825-9415;
More informationFMST 310: SCREENWRITING Spring 2013 T, TH: 10:00am to 11:15am 206 Newton Michael Herman, Instructor
FMST 310: SCREENWRITING Spring 2013 T, TH: 10:00am to 11:15am 206 Newton Michael Herman, Instructor Office Hours: T, TH by appointment Office: Welles 203 Email: herman@geneseo.edu Phone: use email We're
More informationRTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i)
RTVF 2010.005 INTRODUCTION TO SCREENWRITING or, Writing for Visual Media Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i) INSTRUCTOR: Garrett Graham. You can just call me Garrett garrett.graham@unt.edu
More informationInstructor local xxx
CAPILANO UNIVERSITY COURSE OUTLINE Fall 2016 Division Course Name MOPA 304 Screenwriting III Credits: 3 Instructor x@capilanou.ca 604.986.1911 local xxx VISION STATEMENT The is dedicated to inspiring a
More informationEnglish Topics in Creative Writing: Writing Screenplays
English 138 - Topics in Creative Writing: Writing Screenplays Course Description Hasmik Ekimyan hasmik.ekimyan@ucla.edu 818-726-0392 Students will learn the art of screenwriting and will have the opportunity
More informationTextbooks (REQUIRED): 1. Snyder, Blake. Save The Cat, The Last Book On Screenwriting That You ll Ever Need. Michael Wiese Productions, 2005.
Developing the Screenplay EMF 387 Course Description: The examination of the creative process of writing for film and TV, with emphasis on writing screenplay treatments, developing characters, exploring
More informationCTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018
CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS USC SCHOOL OF CINEMATIC ARTS Spring 2018 Pre-requisite: MEETING TIMES: CTPR 310 - Intermediate Production or CTPR 425 - Production Planning Thursday 6:00
More informationRequired Text: Beginnings, Middles, and Ends by Nancy Kress Recommended Text: The Scene Book by Sandra Scofield
Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses or curriculum, please contact the Writers Program
More informationCOURSE SYLLABUS. Reg. # Y3858 Units: 4. Quarter/Yr: Summer Day/Time: Tuesday 7-10pm. Dates: Jun 26-Sep 11 NO MEETING JULY 3 1 MEETING TBD
COURSE SYLLABUS Course #: X 476.6 Low-Budget Filmmaking Reg. # Y3858 Units: 4 Quarter/Yr: Summer 2012 Day/Time: Tuesday 7-10pm Dates: Jun 26-Sep 11 NO MEETING JULY 3 1 MEETING TBD Location: 1246 School
More informationChapter 2: Start with the Script
Chapter 2: Start with the Script Overview The first step in the filmmaking process is developing the story. Good movies start with good ideas, which may be original or from source material. Theme, story,
More informationINTRODUCTION TO SCREENWRITING II: WORKS IN PROGRESS (Online) Summer 2010 Instructor: Andrew Osborne
INTRODUCTION TO SCREENWRITING II: WORKS IN PROGRESS (Online) Summer 2010 Instructor: Andrew Osborne SYLLABUS Course Description Designed for those with some training in feature film writing fundamentals
More informationPoetry. Fiction. Plays
MA IN CREATIVE WRITING Thesis Requirements To satisfy the Masters of Arts in Creative Writing thesis requirement: Students, graduating with a Master of Arts in Creative Writing, will produce and present
More informationTop 100 Greatest Movies of All Time (The Ultimate List) - IMDb
Top 100 Greatest Movies of All Time (The Ultimate List) by ChrisWalczyk55 created - 21 Dec 2012 updated - 10 months ago Public The movies on this list are ranked according to their success (awards & nominations),
More informationPRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated
One-Year Accelerated MASTER OF ARTS in FILM & MEDIA PRODUCTION The Academy offers an accelerated one-year schedule for students interested in our Master of Arts degree program by creating an extended academic
More informationCOWLEY COLLEGE & Area Vocational Technical School
COWLEY COLLEGE & Area Vocational Technical School COURSE PROCEDURE FOR INTRO TO SCREENWRITING ENG2264-3 Credit Hours Student Level: This course is open to students on the college level in either the freshman
More informationWeek 1. Seating Arrangement: Supplies: Colored Markers Large Index Cards Small Index Cards Copies of Course Syllabus Chart Paper
Week 1 Seating Arrangement: Supplies: Colored Markers Large Index Cards Small Index Cards Copies of Course Syllabus Chart Paper Class Introductions: Large Index Cards: Ask students to fold the card in
More informationShort Video Writing and Production English 254A / MCOM 290G Spring Tue/Thu 3:30 4:45 Fisk 313
Short Video Writing and Production English 254A / MCOM 290G Spring 2015-16 Tue/Thu 3:30 4:45 Fisk 313 Doyle Avant doyleavant3@gmail.com Fisk 215 Ext. 4130 Office Hours: Tue / Thu 11:15-12:15 + by appt.
More informationCTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION
USCCinematic Arts CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: 18544 2 Units Adjunct Professor: Robert L. Brown Email: robertbrown979@gmail.com Phone: 818 970-3978 Day/Time: Wednesdays 7 pm 9 pm Room:
More informationUSC School of Cinematic Arts Production Planning CTPR 425. Syllabus. Spring Instructor: Robert L. Brown
USC School of Cinematic Arts Production Planning CTPR 425 Syllabus Spring 2010 Instructor: Robert L. Brown CTPR 425 Production Planning Syllabus How do you turn a script into a film? This course will
More information17434 ENG 410 Writing for Comics Video-Conferenced Instructor: Brian Michael Bendis
17434 ENG 410 Writing for Comics Video-Conferenced Instructor: Brian Michael Bendis Fridays 1:00-4:00 P.M. Email: brian1138@aol.com Class group: https://groups.google.com/forum/#!forum/writing-for-comics-fall-2013
More informationCommunications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45
! South Portland, Maine 04106 Communications and New Media Title: Writing for Media Catalog Number: CNMS-125 01 Credit Hours: 3 Total Contact Hours: 45 Lecture (or Lab): Room HILDM-102 Instructor: Huey
More informationMPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014
MPJO- 700-40: FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014 Instructor: Ryan Lizza Downtown campus, room C230 Office hours: by appointment. COURSE OVERVIEW
More informationWriting Short Film Scripts
Writing Short Film Scripts A Student Guide to Film-making Samuel Taye Writing Short Film Scripts for Educational Purpose Contents A Note for Teachers Iv Script 1 Plot 6 Character 12 Theme 15 Language/Dialogue
More informationWriting The Thriller Film: The Terror Within (Michael Wiese Productions) By Neill D Hicks READ ONLINE
Writing The Thriller Film: The Terror Within (Michael Wiese Productions) By Neill D Hicks READ ONLINE Michael J. Lyle. Student Hot Fuzz is an action comedy that occasionally parodies other films, mostly
More informationCourse outline. Code: CMN200. Title: Introduction to Screenwriting: The Art of Visual Storytelling
Faculty of: Arts and Business Teaching Session: Semester 1 Year: 2018 Course Coordinator: Rebecca Belfield-Kennedy Email: rbelfie1@usc.edu.au Course outline Code: CMN200 Title: Introduction to Screenwriting:
More informationCOM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed :50am L & L 307
COM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed. 10 11:50am L & L 307 Instructor: Maria Sanders Office Hours: Bouillon 225 Assistant Professor, Film and Video Studies Mon. / Tue. / Wed.
More informationSchool Based Projects
Welcome to the Week One lesson. School Based Projects Who is this lesson for? If you're a high school, university or college student, or you're taking a well defined course, maybe you're going to your
More information3. Department of Communication Philosophy
COMM 361 Scriptwriting Video/Film/Radio, Fall 2018 (Attributes: Film Studies) Tues & Thurs 12.30-1.50pm Room 103 McEwen Hall (Sheldon Lab) Pre-requisites: COMM 251 and COMM 255, or COMM 254 or Creative
More informationHow to Use This Book Frequently Asked Questions Foreword Introduction. CHAPTER 1 Mapping the Story 1. Making Things Go BOOM! 2 Why Story?
CONTENTS How to Use This Book Frequently Asked Questions Foreword Introduction iv vi xi xiii CHAPTER 1 Mapping the Story 1 Making Things Go BOOM! 2 Why Story? 4 CHAPTER 2 How Story Works 7 Story Has a
More informationStory Sense: Writing Story And Script For Feature Films And Television By Paul Lucey
Story Sense: Writing Story And Script For Feature Films And Television By Paul Lucey Writing Majors - Film, Television & Digital Arts School - View our writing course descriptions. outside of feature films
More informationWRI 356/FS 256: Screenwriting Workshop Dr. Deborah C. Mitchell Fall Semester 2018 PH 302, Ext. 7030
WRI 356/FS 256: Screenwriting Workshop Dr. Deborah C. Mitchell Fall Semester 2018 PH 302, Ext. 7030 Class Meets: TC 205 Office Hours: MW 10:30 11:30 a.m. Class Time: TR 11:00 12:30 or by appointment A
More informationCourse Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 04/23/2018
5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: THEA 20 DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 04/23/2018 SHORT TITLE: INTRO SCRIPTWRITING LONG
More informationAssociate of Fine Arts
Associate of Fine Arts - Two-Year Degree Programs - Filmmaking Acting for Film Producing for Film & TV Screenwriting Game Design 212 When I m making a film, I m the audience. - Martin Scorsese A NYFA student
More informationSyllabus: Title of Course
Syllabus: Title of Course CE 1925 N Spring 2017 Continuing Education Writing for TV and Web Course Information Location: Terra Building Room 1221 Dates: February 2, 9, 16, 23 & March 2 Note: Thursday evenings
More informationBehind the Mask: Superheroes Revealed Sample Course Syllabus
Day 1 Day 1 Day 2 Day 3 Day 2 Behind the Mask: Superheroes Revealed Sample Course Syllabus Welcome Journal: Why did you choose to take this CTY course? What are you hoping to learn in this course? Icebreaker
More informationSan José State University Theatre, Radio, Film, TV, Animation/Illustration ADVANCED SCRIPTWRITING TA 129 (#27132) Spring, 2011
San José State University Theatre, Radio, Film, TV, Animation/Illustration ADVANCED SCRIPTWRITING TA 129 (#27132) Spring, 2011 Instructor: Dr. David Kahn Office Location: HGH 110 Telephone: (408) 924-4540
More informationINTRODUCTION TO PLAYWRITING: SYLLABUS
INTRODUCTION TO PLAYWRITING: SYLLABUS Instructor ERIC REYES LOO (Aurorae Khoo returns for final three weeks) THEA 596 Spring 2016 Wednesdays 3:30-6:10 PM, Room DA 101 (office hours: 1 PM 3 PM Wednesdays,
More informationWriting Stories for Film THEORY AND PRACTICE FROM CONCEPT TO SCREEN
Writing Stories for Film THEORY AND PRACTICE FROM CONCEPT TO SCREEN OBJECTIVES 1. Explore techniques for Developing Ideas and Production Concepts. 2. Organize Strategically for writing effective Stories
More informationRTV3320 EFP II - Screenwriting and Producing
INSTRUCTOR INFORMATION CLASS MEETING COURSE OBJECTIVE STUDENT LEARNING OUTCOMES PREREQUISITES TEXTBOOK Professor Iman Zawahry Contact Info: iman@jou.ufl.edu 352-392-0444 Office: 3048 Weimer Hall Office
More informationA digital story is a short digital video that combines your voiceover, photos, video clips, and music to tell a true story from your own life.
What is a digital story? A digital story is a short digital video that combines your voiceover, photos, video clips, and music to tell a true story from your own life. How are they different? * The stories
More informationACADEMIC LESSON PLAN
ACADEMIC LESSON PLAN Get a jump on your curriculum with the official lesson plan for the industry standard production scheduling program. This fully illustrated teaching tool features detailed, focused
More informationField & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0
P351 Video Field & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0 Instructor: Jim Krause jarkraus [at] indiana.edu (812) 332-1005 www.indiana.edu/~jkmedia Office Hours: Tuesday
More informationThe 3 Fundamental Problems of Screenplay Development
The 3 Fundamental Problems of Screenplay Development [Music Intro, upbeat] Video Transcript Hi, my name is Jeff Bollow, and I m an independent film producer based in Sydney, Australia. Well, I was I couldn
More informationPreliminary Syllabus Anatomy of a Premise Line: Seven Steps to Foolproof Story Development EGL 22 W
Preliminary Syllabus Anatomy of a Premise Line: Seven Steps to Foolproof Story Development EGL 22 W If a story is going to fail, it will first do so at the premise level. Knowing how to create, design,
More informationUCLA Extension Writers Program Public Syllabus
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationNovel Writing II: Writing a Novel the Professional Way Workshop (online) Instructor: Jessica Barksdale Inclan
Novel Writing II: Writing a Novel the Professional Way Workshop (online) Instructor: Jessica Barksdale Inclan Note to students: While this syllabus is posted to give you an overview of the course, it is
More informationUCLA Extension Writers Studio, February Courage and Craft: A Writing Workshop to Jumpstart Your Creativity Barbara Abercrombie
Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses or curriculum, please contact the Writers Program
More informationAll The Key Points From Busting Loose From The Money Game
All The Key Points From Busting Loose From The Money Game Following are all the Key Points listed in the book for your reference and convenience. To make Phase 1 of the Human Game work, all Truth must
More informationGalway, September 18-21, 2018
FOR Designed by Emmanuel Oberg Galway, September 18-21, 2018 (Draft schedule: content, case studies and film clips might change) We are delighted to offer Irish TV and film creative professionals a specially
More informationMaster of Creative Writing for Scriptwriters
Master of Creative Writing for Scriptwriters Available onsite or via distance learning, the Master of Creative Writing (MCW) for Scriptwriters is for writers who are serious about a career in film, TV,
More informationSSW 612-MAD FEATURE FILM WRITING SPRING 2012 DISTANCE POSTING ON TUESDAYS
Mission Statement: Our mission is to serve as a leading center of Christian thought and action providing an excellent education from a biblical perspective and global context in pivotal professions to
More informationCourse Title: Writing the Novel Back to Front Course Code: NVL 09 W Instructor: Caroline Leavitt
Course Title: Writing the Novel Back to Front Course Code: NVL 09 W Instructor: Caroline Leavitt Course Summary: Many beginning writers start writing their novels with an eye to just getting words on the
More informationUCLA Department of Film, Television and Digital Media FTV 183a: Introduction to Producing
UCLA Department of Film, Television and Digital Media FTV 183a: Introduction to Producing Class Meetings: Mondays & Wednesdays 7:30pm 9:50pm Location : Public Affairs Room 2333 Updated : 11/11/16 COURSE
More informationThe Live Master Class Experience. Join Rich Litvin and 8,100+ participants to learn the system you need to create a High-End Coaching Practice
The Live Master Class Experience Join Rich Litvin and 8,100+ participants to learn the system you need to create a High-End Coaching Practice YOUR OFFICIAL ONLINE EVENT GUIDEBOOK 6 Simple Tips To Get The
More informationRTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA
RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationFinding a Movie Script
Finding a Movie Script Movie Script Script Type Movie Movies Indie Film Tweet 0 Jun 20, 2011 Misty Faucheux 1 Comments Join the Conversation Filmmaking - avlxyz Want to create a movie, but don't have a
More informationCOURSE CONTENT. DF3009 Film Directing DF2000 and DF AUs for BFA students admitted before AY2017; 39 hours studio contact
COURSE CONTENT Course Code Course Title Pre-requisites No of AUs Contact Hours DF3009 Film Directing DF2000 and DF2005 4 AUs for BFA students admitted before AY2017; 39 hours studio contact Course Aims
More informationSyllabus: Screenwriting - Developing the Script
Syllabus: Screenwriting - Developing the Script CE 1902 N Summer 2018 Continuing Education Course Information Location: Terra TBD Dates: TUE 6-9PM, JUN 5 - JUL 10 Note: Instructor Information Name: David
More information