Letteratura Inglese III
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1 Letteratura Inglese III A.A Prof. Diego Saglia Titolo del corso: Twentieth-Century British Literature: from the Edwardians to the 1960s Questo programma è da ritenersi valido per studenti frequentanti. Testo di riferimento: Norton Anthology of English Literature (volume 2). I testi non contenuti nell antologia sono disponibili in fotocopia (presso stanza fotocopie). L esame va sostenuto interamente in lingua inglese Programma d esame: 1) Storia della letteratura: dall introduzione a The Twentieth Century sulla Norton Anthology of English Literature, e la sezione relativa a The Twentieth Century in Ronald Carter and John McRae, The Routledge History of Literature in English (Routledge) 2) Cronologie di eventi storici e letterari: Norton Anthology of English Literature vol. 2, Timeline pp ; Ronald Carter and John McRae, The Routledge History of Literature in English (Routledge), pp ) Vita e opere degli autori esaminati: dalle introduzioni alla Norton Anthology vol. 2 (e eventualmente da The Concise Oxford Companion to English Literature, ed. Margaret Drabble and Jenny Stringer, Oxford UP) 4) Contenuti del corso Il passaggio dall Otto al Novecento: The Death of Queen Victoria A.E. Housman, A Shropshire Lad: Loveliest of Trees, When I was one and twenty, To an Athlete Dying Young, With Rue My Heart is Laden (dalla Norton Anthology), Into my heart an air that kills (disponibile su internet) Thomas Hardy: The Darkling Thrush (lettura e analisi individuali di: Thomas Hardy, The Convergence of the Twain ) La Prima Guerra Mondiale: Wilfred Owen, Anthem for Doomed Youth
2 Gerald Manley Hopkins, Pied Beauty, The Windhover Joseph Conrad, Heart of Darkness (lettura integrale) Il modernismo: periodi, figure, influssi Imagism: Ezra Pound, In a Station in the Metro T.S. Eliot: The Waste Land (vv ; , ) (lettura e analisi individuale di: The Hollow Men ) James Joyce, Ulysses (estratti da Proteus e Lestrygonians ) Virginia Woolf, Modern Fiction La Seconda Guerra Mondiale: T.S. Eliot, Little Gidding (vv ) Gli anni Cinquanta, la ricostruzione e i nuovi modelli letterari Philip Larkin: An Arundel Tomb (lettura e analisi individuale di: Dylan Thomas, Do Not Go Gentle into That Good Night ) John Braine, Room at the Top (estratti in fotocopie) John Osborne, Look Back in Anger (estratti in fotocopie) Harold Pinter, The Dumb Waiter (lettura integrale) A Taste of Honey, regia Tony Richardson (dal dramma di Shelagh Delaney) (il film è disponibile sul server del Dipartimento e visionabile in Aula Multimediale) 5) Letture individuali (un opera più relativo saggio critico) Teatro: un testo a scelta fra John Osborne, Look Back in Anger; Harold Pinter, The Birthday Party; Tom Stoppard, Rosencrantz and Guildernstern are Dead; Edward Bond, Saved (i testi sono disponibili in biblioteca). Bibliografia di riferimento: Christopher Innes, Modern British Drama: The Twentieth Century, (in biblioteca: GER INN) studiare il saggio relativo all autore scelto: Osborne pp ; Pinter ; Stoppard pp ; Bond pp Romanzo: un testo a scelta fra Virginia Woolf, To the Lighthouse o Mrs Dalloway; L. P. Hartley, The Go-Between; Anthony Burgess, A Clockwork Orange; William Golding, Lord of the Flies; John Fowles, The French Lieutenant s Woman (i testi sono disponibili in biblioteca).
3 Bibliografia di riferimento: studiare il saggio relativo all autore scelto: Frank W. Bradbrook, Virginia Woolf: The Theory and Practice of Fiction, in The New Pelican Guide to English Literature, ed. Boris Ford, vol. 7: From James to Eliot (in biblioteca: GER NEW 7); James Acheson, The French Lieutenant s Woman, in John Fowles (in stanza fotocopie); R.E. Pritchard, L.P. Hartley s The Go-Between, Critical Quarterly 22 (1980), pp (in stanza fotocopie); Brian W. Shaffer, William Golding s Lord of the Flies, in Reading the Novel in English (Blackwell, 2006), pp (in biblioteca); Philip E. Ray, Alex Before and After: A New Approach to Burgess A Clockwork Orange, MFS: Modern Fiction Studies 27 (1981), pp (in stanza fotocopie); Rubin Rabinovitz, Ethical Values in Anthony Burgess A Clockwork Orange, Studies in the Novel 11 (1979), pp (in stanza fotocopie). Per ulteriori informazioni bibliografiche e siti web utili gli studenti possono consultare il sito del corso all indirizzo:
4 Letteratura Inglese III A.A Prof. Diego Saglia Titolo del corso: Twentieth-Century British Literature: from the Edwardians to the 1960s Programma per studenti impossibilitati a frequentare. Testo di riferimento: Norton Anthology of English Literature (volume 2). L esame va sostenuto interamente in lingua inglese Programma d esame: 1) Storia della letteratura: dall introduzione a The Twentieth Century sulla Norton Anthology of English Literature, e la sezione relativa a The Twentieth Century in Ronald Carter and John McRae, The Routledge History of Literature in English (Routledge) 2) Cronologie di eventi storici e letterari: Norton Anthology of English Literature vol. 2, Timeline pp ; Ronald Carter and John McRae, The Routledge History of Literature in English (Routledge), pp ) Vita e opere degli autori esaminati: dalle introduzioni alla Norton Anthology vol. 2 (e eventualmente da The Concise Oxford Companion to English Literature, ed. Margaret Drabble and Jenny Stringer, Oxford UP) 4) Opere (disponibili su The Norton Anthology of English Literature vol. 2) (tranne se indicate con *) A.E. Housman, A Shropshire Lad: Loveliest of Trees, When I was one and twenty, To an Athlete Dying Young, With Rue My Heart is Laden, Into my heart an air that kills * (disponibile sul sito Thomas Hardy: The Darkling Thrush, The Convergence of the Twain Joseph Conrad: Heart of Darkness (lettura integrale) Chinua Achebe: Racism in Conrad s Heart of Darkness
5 T.S. Eliot: The Waste Land (lettura integrale) Virginia Woolf: To the Lighthouse* (lettura integrale) W.H. Auden: Spain 1937, On This Island John Braine: Room at the Top* (lettura integrale) John Osborne: Look Back in Anger* (lettura integrale) Harold Pinter: The Dumb Waiter (lettura integrale) Philip Larkin: Church Going Shelagh Delaney: A Taste of Honey* (lettura integrale) John Fowles: The French Lieutenant s Woman* (lettura integrale) 5) Letture critiche 6 saggi a scelta fra i seguenti: Da volumi in biblioteca: - Douglas Brown, From Heart of Darkness to Nostromo: An Approach to Conrad - Frank W. Bradbrook, Virginia Woolf: The Theory and Practice of Fiction - L. G. Salingar, T.S. Eliot: Poet and Critic - R.G. Cox, The Poetry of W.H. Auden Contenuti in: The New Pelican Guide to English Literature, ed. Boris Ford, vol. 7: From James to Eliot (in biblioteca: GER NEW 7) - Harold Pinter: Power Plays and the Trap of Comedy - John Osborne: The Rhetoric of Social Alienation Contenuti in: Christopher Innes, Modern British Drama: The Twentieth Century, pp ) (in biblioteca: GER INN) - Peter Brooker and Simon Perril, Modernist Poetry and its Precursors, pp John Haffenden, The Waste Land, pp Contenuti in: Neil Roberts (ed.), A Companion to Twentieth-Century Poetry) (in biblioteca: GER ROB) In stanza fotocopie: A.E. Housman, ed. Harold Bloom (Chelsea House, 2003) pp , 64-8, 69-72
6 Stuart Laing, Room at the Top: The Morality of Affluence (da Popular Fiction and Social Change, 1984) pp Katie Wales, Teach Yourself Rhetoric : An Analysis of Philip Larkin s Church Going (da Twentieth-Century Poetry, 1993) pp James Acheson, The French Lieutenant s Woman (da John Fowles), pp Elin Diamond, The Parody Plays/The Dumb Waiter (da Steven H. Gale, Critical Essays on Harold Pinter, 1990), pp F.B. Pinion, The Waste Land (A T.S. Eliot Companion), pp G. Leeming, Introduction to Shelagh Delaney, A Taste of Honey (Methuen, 1982) pp. vii-xxvii. Per ulteriori informazioni bibliografiche e siti web utili gli studenti possono consultare il sito del corso all indirizzo:
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