The SPD-SX provides four types of master effect. While performing, you can turn the [CONTROL 1] knob or [CONTROL 2] knob to vary the master effect.

Transcription

1 Effect Guide

2 Master Effect List FILTER The SPD-SX provides four types of master effect. While performing, you can turn the [CONTROL 1] knob or [CONTROL 2] knob to vary the master effect. This applies a filter effect. TYPE Explanation [CONTROL 1] knob [CONTROL 2] knob SIMPLE LPF A filter that passes only the low-frequency range. SIMPLE BPF A filter that passes only a specific frequency range. SIMPLE HPF A filter that passes only the high-frequency range. LPF+SYNC MOD BPF+SYNC MOD A filter that passes only the low-frequency range, with added modulation that's synchronized to the current kit tempo. A filter that passes only a specific frequency range, with added modulation that's synchronized to the current kit tempo. Changes the cutoff frequency. Changes the resonance level of the filter. HPF+SYNC MOD A filter that passes only the high-frequency range, with added modulation that's synchronized to the current kit tempo. You can make detailed settings for the master effect by using the MSTR FX EDIT quick menu that s shown in the MASTER EFFECT screen. The following parameters can be edited for each TYPE. Filter type Frequency range passed by each filter TYPE LOW PASS, BAND PASS, HIGH PASS LOW PASS: Frequencies below the cutoff BAND PASS: Frequencies in the region of the cutoff HIGH PASS: Frequencies above the cutoff SLOPE -12, -24, -36 db Filter slope (damping characteristics; amount of damping per octave) -36 db: Extremely steep -24 db: Steep -12 db: Gentle RATE SYNC SW OFF, ON OFF: Specify the modulation (MOD RATE) as a numerical value. ON: Specify the modulation (MOD RATE) as a note. MOD RATE 0 100, note (p. 6) Rate of modulation MOD DEPTH Depth of modulation How the cutoff frequency will be modulated. TRI: Triangle wave LFO WAVE TRI, SINE, SAW, SQR SINE: Sine wave SAW: Sawtooth wave SQR: Square wave Copyright 2011 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland is a registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. 2

3 Master Effect List DELAY This applies a delay effect. TYPE Explanation [CONTROL 1] knob [CONTROL 2] knob STEREO NORMAL STEREO SYNC PAN PAN PAN DOUBLE A stereo delay. Delay is applied in synchronization with the current kit tempo. A tap delay effect, with quarter-note delay panned to L/R. A tap delay effect, with dotted eighth-note delay panned to L/R. A delay effect with dotted eighth-note delay panned to L/R and doubled. Changes the volume of the delay. Changes the proportion of delayed sound that s fed back to the input. You can make detailed settings for the master effect by using the MSTR FX EDIT quick menu that s shown in the MASTER EFFECT screen. The following parameters can be edited for each TYPE. TYPE NORMAL, PAN NORMAL: A simple delay PAN: A delay with the delay time panned to the L/R channels SYNC SW OFF, ON OFF: Specify the delay time (DELAY TIME) as a numerical value. ON: Specify the delay time (DELAY TIME) as a note. TIME ms, note (p. 6) Delay time (the time by which the sound is delayed) TAP TIME 0 100% Delay of the L-channel Considering the R-channel delay time as 100%, this adjusts the L-channel delay time. FLAT 800 Hz Frequency at which the low range will be cut If you choose the FLAT setting, will not be applied. 700 Hz FLAT Frequency at which the high range will be cut If you choose the FLAT setting, will not be applied Volume of the direct sound 3

4 Master Effect List S.LOOP This loops a short interval of the input sound (Short Loop). While sound is playing, press the [S.LOOP] button; the sound at that moment will be played as a short loop. TYPE Explanation [CONTROL 1] knob [CONTROL 2] knob MANUAL The short loop will be turned on/off manually. AUTO AUTO AUTO AUTO FREERUN The short loop will turn on/off within a quarter note. The short loop will turn on/off within an eighth note. The short loop will turn on/off within a sixteenth note. The short loop will automatically turn on/off within the interval specified by RATE. Changes the rate of the short loop. Changes the volume of the short loop. You can make detailed settings for the master effect by using the MSTR FX EDIT quick menu that s shown in the MASTER EFFECT screen. The following parameters can be edited for each TYPE. MODE MANUAL, AUTO Specifies how the short loop will operate. MANUAL: The short loop will be turned on/off manually. AUTO: The short loop will be turned on/off automatically. RATE SYNC SW OFF, ON OFF: The rate of the short loop will be specified as a numerical value ON: The rate of the short loop will be specified as a note RATE 0 127, note (p. 6) The rate at which the short loop will repeat TIMING 1ST HALF, 2ND HALF The timing at which the short loop will occur when MODE is AUTO 1ST HALF: Loop the first half of the interval specified by RATE. 2ND HALF: Loop the second half of the interval specified by RATE. 4

5 Master Effect List FX This applies the effect of the specified TYPE. TYPE Explanation [CONTROL 1] knob [CONTROL 2] knob THRU No effect will apply STEREO DELAY SYNC DELAY A stereo delay. Applies a delay that s synchronized to the current kit tempo. Adjusts the volume of the delay. TAPE ECHO A classic tape echo effect. Adjusts the tape speed. CHORUS FLANGER STEP FLANGER PHASER STEP PHASER Applies chorus. A stereo flanger. This produces a metallic resonance reminiscent of a jet airplane taking off or landing. The pitch of the flanger sound will change in steps. A stereo phaser. This creates modulation by adding a phase-shifted copy to the original sound. A phaser effect that changes in steps. Adjusts the volume of the chorus. Adjusts the rate of modulation. Adjusts the rate of modulation. Adjusts the rate of modulation. Adjusts the rate of modulation. Adjusts the amount of delayed sound that s fed back to the input. Adjusts the amount of repetition for the echo sound. Adjusts the depth of modulation. Adjusts the depth of modulation. Adjusts the rate of pitch change. Adjusts the depth of modulation. Adjusts the rate of stepwise change. EQUALIZER Modifies the tonal character COMPRESSOR Makes the overall volume more consistent by limiting loud sounds and boosting soft sounds FILTER Applies a filter effect. Adjusts the cutoff frequency. Adjusts the rate at which the cutoff frequency will change. FILT+DRIVE ISOLATOR TOUCH WAH DISTORTION RING MOD PITCH SHIFT A low-pass filter with overdrive; cuts the high-frequency range, and adds distortion. An equalizer that drastically reduces the volume, creating unique effects by cutting the volume of specific frequency regions. Applies a wah effect by varying a filter according to the volume of the performance. An effect that produces long sustain by distorting the sound. Generates bell-like sounds by applying amplitude modulation (AM) to the input signal. Shifts the pitch of the original sound. Adjusts the cutoff frequency. Adjusts the amount of boost/cut in the lowfrequency range. Adjusts the sensitivity at which the filter will change. Adjusts the volume balance between the direct sound and the effect sound. Adjusts the depth of amplitude modulation. Adjusts the amount of pitch shift. Adjusts the amount of overdrive distortion. Adjusts the amount of boost/cut in the highfrequency range. Adjusts the center frequency at which the wah effect is applied Adjusts the frequency at which modulation is applied. Adjusts the proportion of pitch-shifted sound that is fed back to the input. VIBRATO Applies vibrato. Adjusts the vibrato rate. Adjusts the vibrato depth. REVERB Applies reverberation. Adjusts the volume of reverb SLICER By repeatedly cutting the sound, this creates the sensation that a rhythmic backing phrase is impressed on the sound. Adjusts the rate at which the sound is cut You can make detailed settings for the master effect by using the MSTR FX EDIT quick menu that s shown in the MASTER EFFECT screen. For each TYPE of the FX group you can make settings for the same parameters as the Kit effects. For details on the parameters for which settings can be made, refer to the Kit Effect List (p. 6). * Parameters that are assigned to the [CONTROL 1] knob or [CONTROL 2] knob are not shown in the screen for detailed settings. 5

6 The SPD-SX provides 20 types of kit effect. FX1 TYPE/FX2 TYPE Page FX1 TYPE/FX2 TYPE Page THRU p. 7 FILTER p. 14 STEREO DLY p. 7 FILT+DRIVE p. 14 SYNC DELAY p. 8 ISOLATOR p. 14 TAPE ECHO p. 9 TOUCH WAH p. 15 CHORUS p. 10 DISTORTION p. 15 FLANGER p. 11 RINGMOD p. 16 STEP FLNGR p. 11 PITCHSHIFT p. 16 PHASER p. 12 VIBRATO p. 16 STEP PHASR p. 12 REVERB p. 17 EQ p. 13 SLICER p. 17 COMPRESSOR p. 13 About note value Some effect parameters (such as RATE or TIME) can be set in terms of a note value. If the corresponding parameter s RATE SYNC SW is ON, the setting can be specified as a note value, and the effect will be synchronized with the current kit tempo. Note: Thirty-second note Sixteenth note Eighth-note triplet Dotted sixteenth note Eighth note Quarter-note triplet Quarter note Half-note triplet Dotted quarter note Half note Dotted half note Whole note Dotted eighth note When RATE SYNC SW is set to OFF, a numerical value can be set for the relevant items. * The note values that can be selected will differ depending on the effect type. * If you specify the delay time as a note value, slowing down the tempo will not change the delay time beyond a certain length. This is because there is an upper limit for the delay time; if the delay time is specified as a note value and you slow down the tempo until this upper limit is reached, the delay time cannot change any further. This upper limit is the maximum value that can be specified when setting the delay time as a numerical value. * Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners. 6

7 THRU The effect won t be applied. STEREO DLY This is a stereo delay. TYPE: NORMAL EFFECT LEVEL EFFECT LEVEL DELAY FEEDBACK FEEDBACK DELAY TYPE: PAN EFFECT LEVEL EFFECT LEVEL DELAY FEEDBACK FEEDBACK DELAY TYPE NORMAL, PAN NORMAL: A simple delay PAN: TIME ms This determines the delay time. TAP TIME % A delay with the delay time panned to the L/R channels L channel delay time Assuming that the delay time of the R channel is 100%, this adjusts the delay time of the L channel. FEEDBACK 0 99 % Adjusts the amount of the delay sound that s fed back into the effect. FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. 700 Hz FLAT Frequency at which the high-frequency range will be cut With the FLAT setting, will not be applied. EFFECT LEVEL Volume of the delay sound Volume of the direct sound 7

8 SYNC DELAY This is a stereo delay. The delay time is set in terms of a note value. TYPE: NORMAL EFFECT LEVEL EFFECT LEVEL DELAY FEEDBACK FEEDBACK DELAY TYPE: PAN EFFECT LEVEL EFFECT LEVEL DELAY FEEDBACK FEEDBACK DELAY TYPE NORMAL, PAN NORMAL: A simple delay PAN: TIME(TEMPO) Note This determines the delay time. A delay with the delay time panned to the L/R channels TAP TIME 0 100% L channel delay time Assuming that the delay time of the R channel is 100%, this adjusts the delay time of the L channel. FEEDBACK 0 99% Adjusts the amount of the delay sound that s fed back into the effect. FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. 700 Hz FLAT Frequency at which the high-frequency range will be cut With the FLAT setting, will not be applied. EFFECT LEVEL Volume of the delay sound Volume of the direct sound 8

9 TAPE ECHO A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. TAPE ECHO ECHO LEVEL ECHO LEVEL MODE S, M, L, S+M, S+L, M+L, S+M+L Combination of playback heads to use Select from three different heads with different delay times. S: Short M: Middle L: Long REPEAT RATE Tape speed Increasing this value will shorten the spacing of the delayed sounds. INTENSITY Amount of delay repeats BASS db Boost/cut for the lower range of the echo sound TREBLE db Boost/cut for the upper range of the echo sound HEAD S PAN HEAD M PAN HEAD L PAN L64 CENTER R63 Independent panning for the short, middle, and long playback heads TAPE DIST 0 5 Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion. W/F RATE Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) W/F DEPTH Depth of wow/flutter ECHO LEVEL Volume of the echo sound Volume of the direct sound LEVEL Output level 9

10 CHORUS This applies a chorus effect. MODE: MONO EFFECT LEVEL CHORUS MODE: STEREO 1 EFFECT LEVEL CHORUS MODE: STEREO 2 EFFECT LEVEL CHORUS MONO: A chorus that outputs the same sound to the L/R channels MODE MONO, STEREO 1, STEREO 2 STEREO 1: A stereo two-stage chorus that adds a separate chorus sound to the L/R channels STEREO 2: The original sound is output to the L-channel, and the effect sound to the R-channel. RATE Frequency of modulation DEPTH Depth of modulation PRE DELAY ms Time from when the original sound is output until the effect sound is output FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. 700 Hz FLAT Frequency at which the high-frequency range will be cut With the FLAT setting, will not be applied. EFFECT LEVEL Volume of the effect sound Volume of the direct sound 10

11 FLANGER The flanging effect gives a twisting, jet-airplane-like character to the sound. RATE SYNC SW OFF, ON OFF: Specify the modulation (RATE) as a numerical value. ON: Specify the modulation (RATE) as a note value. RATE 0 100, note Frequency of modulation DEPTH Depth of modulation MANUAL Center frequency at which the effect is applied RESONANCE Amount of resonance (amount of feedback) SEPARATION Spaciousness of the sound FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. EFFECT LEVEL Volume of the effect sound Volume of the direct sound STEP FLNGR This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note value of a specified tempo. RATE SYNC SW OFF, ON OFF: Specify the modulation (RATE) as a numerical value. ON: Specify the modulation (RATE) as a note value. RATE 0 100, note Frequency of modulation STEP SYNC SW OFF, ON OFF: Specify the pitch change (STEP RATE) as a numerical value. ON: Specify the pitch change (STEP RATE) as a note value. STEP RATE 0 100, note Rate (period) of pitch change DEPTH Depth of modulation MANUAL Center frequency at which the effect is applied RESONANCE Amount of resonance (amount of feedback) SEPARATION Spaciousness of the sound FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. EFFECT LEVEL Volume of the effect sound Volume of the direct sound 11

12 PHASER A phase-shifted sound is added to the original sound and modulated. TYPE 4 STAGE, 8 STAGE, 12 STAGE Number of stages in the phaser RATE SYNC SW OFF, ON OFF: Specify the modulation (RATE) as a numerical value. ON: Specify the modulation (RATE) as a note value. RATE 0 100, note Frequency of modulation DEPTH Depth of modulation MANUAL Center frequency at which the effect is applied RESONANCE Amount of resonance (amount of feedback) SEPARATION Spaciousness of the sound EFFECT LEVEL Volume of the effect sound Volume of the direct sound STEP PHASR This is a stereo phaser. The phaser effect will be varied gradually. TYPE 4 STAGE, 8 STAGE, 12 STAGE Number of stages in the phaser RATE SYNC SW OFF, ON OFF: Specify the modulation (RATE) as a numerical value. ON: Specify the modulation (RATE) as a note value. RATE 0 100, note Frequency of modulation STEP SYNC SW OFF, ON OFF: Specify the step-wise change (STEP RATE) as a numerical value. ON: Specify the step-wise change (STEP RATE) as a note value. STEP RATE 0 100, note Rate of the step-wise change in the phaser effect DEPTH Depth of modulation MANUAL Center frequency at which the effect is applied RESONANCE Amount of resonance (amount of feedback) SEPARATION Spaciousness of the sound EFFECT LEVEL Volume of the effect sound Volume of the direct sound 12

13 EQ This adjusts the tone as a equalizer. LOWCUT FREQ FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. LOW GAIN db Adjusts the low frequency range tone. PKG1 FREQ 20.0 Hz 10.0 khz Center frequency of PKG1 PKG1 Q 0.5, 1, 2, 4, 8, 16 Width of PKG1 Higher values make the width more narrow. PKG1 GAIN db Amount of boost/cut for PKG1 PKG2 FREQ 20.0 Hz 10.0 khz Center frequency of PKG2 PKG2 Q 0.5, 1, 2, 4, 8, 16 Width of PKG2 Higher values make the width more narrow. PKG2 GAIN db Amount of boost/cut for PKG2 HI GAIN db Adjusts the high frequency range tone. HICUT FREQ 700 Hz FLAT Frequency at which the high-frequency range is cut With the FLAT setting, will not be applied. LEVEL db Output level COMPRESSOR Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. THRESHOLD db Adjusts the volume at which compression begins. ATTACK Sets the time from when the input exceeds the THRESHOLD until the volume starts eing compressed. RELEASE 0 99 Adjusts the time after the signal volume falls below the THRESHOLD Level until compression is no longer applied. RATIO 2:1 100:1 Compression ratio KNEE SOFT, HARD The sound s attack at the moment that compression begins to be applied. MAKE UP db Adjusts the output gain 13

14 FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. Filter type Frequency range that will pass through each filter TYPE LOW PASS, BAND PASS, HIGH PASS LOW PASS: Frequencies below the cutoff BAND PASS: Frequencies in the region of the cutoff HIGH PASS: Frequencies above the cutoff CUTOFF Cutoff frequency of the filter RESONANCE Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. SLOPE -12, -24, -36 db Filter slope (damping characteristics; amount of damping per octave) -12 db: Gentle -24 db: Steep -36 db: Extremely steep RATE SYNC SW OFF, ON OFF: Specify the modulation (MOD RATE) as a numerical value. ON: Specify the modulation (MOD RATE) as a note. MOD RATE 0 100, note Rate of modulation How the cutoff frequency will be modulated. TRI: Triangle wave LFO WAVE TRI, SINE, SAW, SQR SINE: Sine wave SAW: Sawtooth wave (upward) SQR: Square wave MOD DEPTH Depth of modulation FILT+DRIVE This is a low-pass filter equipped with overdrive. It cuts the upper range and adds distortion. CUTOFF Cutoff frequency of the filter Increasing this value will raise the cutoff frequency. RESONANCE Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. DRIVE Amount of distortion LEVEL Output level ISOLATOR This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. LOW db These boost and cut each of the low frequency ranges. MID db These boost and cut each of the middle frequency ranges. HIGH db These boost and cut each of the high frequency ranges. LEVEL Output level 14

15 TOUCH WAH This produces a wah effect by modifying the filter in correspondence with the volume of the performance. MODE LPF, BPF Type of filter LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range. POLARITY DOWN, UP Sets the direction in which the frequency will change when the touch wah filter is modulated. DOWN: The filter will change toward a lower frequency. UP: The filter will change toward a higher frequency. SENS Adjusts the sensitivity with which the filter is controlled. FREQUENCY Center frequency at which the wah effect is applied PEAK Adjusts the amount of the wah effect that will occur in the range of the center frequency. Set a higher value for Q to narrow the range to be affected. EFFECT LEVEL Volume of the effect sound Volume of the direct sound DISTORTION This effect distorts the sound to create long sustain. DISTORTION EFFECT LEVEL BALANCE (D) BALANCE (W) BALANCE (D) TYPE MID BOOST, CLEAN BOOST, TREBLE BST, BLUES OD, CRUNCH, NATURAL OD, OD-1, T-SCREAM, TURBO OD, WARM OD, DISTORTION, MILD DS, MID DS, RAT, GUV DS, DST+, MODERN DS, SOLID DS, STACK, LOUD, METAL ZONE, LEAD, '60S FUZZ, Oct FUZZ, MUFF FUZZ Selects the type of distortion. DRIVE Amount of distortion BOTTOM Adjusts the tone for the low frequency range. TONE Tone quality of distorted sound EFFECT LEVEL Volume of the effect sound BALANCE D100 : 0W D0 : 100W Volume balance between the direct sound (D) and the effect sound (W) 15

16 RINGMOD This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. FREQUENCY Adjusts the frequency at which modulation is applied. SENS Adjusts the amount of frequency modulation applied. POLARITY UP, DOWN Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN). LOW GAIN db Amount of boost/cut for the effect sound s lower range HIGH GAIN db Amount of boost/cut for the effect sound s upper range BALANCE D100 : 0W D0 : 100W Volume balance between the direct sound (D) and the effect sound (W) LEVEL Output level PITCHSHIFT A stereo pitch shifter. PITCH Adjusts the pitch in semitone steps. FINE Amount of pitch change 100 steps of FINE are equivalent to one step of PITCH. FEEDBACK 0 100% Adjusts the proportion of the pitch shifted sound that is fed back into the effect. EFFECT LEVEL Volume of the effect sound Volume of the direct sound VIBRATO This effect adds vibrato sound. RATE Frequency of vibrato DEPTH Depth of vibrato 16

17 REVERB Adds reverberation to the sound, simulating an acoustic space. EFFECT LEVEL GRBL REV LVL REVERB GRBL REV LVL TYPE AMBIENCE, ROOM, HALL 1, HALL 2, PLATE Type of reverb REVERB TIME 0 99 Time length of reverberation PRE DELAY Adjusts the delay time from the direct sound until the reverb sound is heard. FLAT 800 Hz Frequency at which the low-frequency range will be cut With the FLAT setting, will not be applied. 700 Hz FLAT Frequency at which the high-frequency range will be cut With the FLAT setting, will not be applied. DENSITY 0 10 Density of the reverberation EFFECT LEVEL Input volume of the reverberation Volume of the direct sound GRBL REV LVL Output volume of the reverberation SLICER By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustain type sounds. PATTERN 0 15 Timing at which the sound is cut RATE SYNC SW OFF, ON OFF: Specify the frequency (RATE) as a numerical value ON: Specify the frequency (RATE) as a note value RATE 0 100, note Rate at which PATTERN is to be repeated ATTACK Speed at which the level changes between steps 17

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