There are 16 waveforms to choose from. The full list of waveforms can be found on page 8.

Transcription

1 INSTRUCTIN MANUAL

2 1 Contents Contents 0 Functions 2 Waveform Select 2 Filter Type 2 Filter/Pitch Envelope 2 Amplitude Envelope 3 LF (Low Frequency scillator) Waveform Select 3 LF (Low Frequency scillator) Rate 3 Wave Crusher / Portamento 3 4 Pattern Tempo 4 Save Patch 4 Digital Controls 5 Filter Cutoff 5 Filter Envelope 5 Filter LF 5 Amplitude LF 5 Distortion Level 5 Volume 5 Filter Resonance 6 Pitch Envelope 6 Pitch LF 6 Pulse Width LF 6 Phase LF 7 Pitch 7 Audio Waveforms 8 Filter Types 9 LF Waveforms 10 Clock Division Rates 11 Envelope Presets 12 Arpeggiator Patterns 13 Wave Crusher / Portamento Presets 14 MIDI Implementation Chart 15

3 2 Functions t~îéñçêã=péäéåí= There are 16 waveforms to choose from The full list of waveforms can be found on page 8 cáäíéê=qóéé= There are 15 filter types to choose from Setting the value to 0 will turn off the filter By shaping the harmonic content of the sound, it can make the sound brighter or duller The full list of filters can be found on page 9! The Filter Resonance control doesn t affect the sound with some filter types This is the case with filter types 12 to 15 This is because the algorithms for Butterworth and Bessel filters do not require a resonance parameter! If you are used to using analogue synthesizers you will notice that the filters on the Atmegatron sound a bit different, particularly at low cutoff values This is partly to do with the sound being calculated in 8-bit and partly to do with the way the waveform is updated cáäíéêlmáíåü=båîéäçéé= This envelope is used to shape the sound, by controlling the cutoff frequency of the filter and/or the pitch The amount of shaping is controlled by the controls: Filter Envelope and Pitch Envelope (see page 5) There are four parameters (or stages) to the envelope These are represented in the diagram above The Filter/Pitch Envelope uses just one control to set the decay and release time The miniatmegatron has 16 preset envelope shapes, which consist of a variety of combinations of Attach, Decay, Sustain and Release parameters The preset envelope shapes are shown on page 12

4 3! It is worth noting that the Attack, Decay/Release and Sustain values only affect the shape of the envelope They don t affect how much the envelope affects the filter and pitch Use the Filter Envelope and Pitch Envelope digital controls for this purpose ^ãéäáíìçé=båîéäçéé= The amplitude (volume) of the sound can be shaped using the amplitude envelope See the Filter/Pitch Envelope section for information on how envelopes work The amplitude envelope uses the same preset shapes as the Filter/Pitch Envelope icl=eiçï=cêéèìéååó=lëåáää~íçêf=t~îéñçêã=péäéåí= The LF is used to shape the sound Unlike the envelope, it continually shapes the sound using a waveform This is just like the waveform that is used as the source of the sound, except it oscillates at a much lower frequency (several Hertz as opposed to many hundred Hertz) The LF can control the filter cutoff, amplitude (volume), pitch and waveform pulse width Use the Filter LF, Amplitude LF, Pitch LF and Pulse Width LF analogue controls to control the amount that the LF affects these respective parameters There are 16 LF waveforms to choose from These are listed on page 10 icl=eiçï=cêéèìéååó=lëåáää~íçêf=r~íé= The rate (or frequency) of the LF waveform is set by a division of the internal metronome of the Atmegatron This runs at 120bpm by default See Pattern Tempo for information See page 11 for a list of these divisions This can be overridden by an external MIDI clock source plugged into the USB MIDI input, which can run at any tempo This can come from a MIDI sequencer such as Logic or Ableton, or another MIDI instrument such as a drum machine Refer to your software or instrument instruction manual to see if it can transmit MIDI clock t~îé=`êìëüéê=l=mçêí~ãéåíç= The Wave Crusher allows the resolution of the waveform to be reduced It can do this in two ways: reducing the bit depth of the waveform and reducing the sample rate of the waveform If the waveform were plotted on a graph or viewed on an oscilloscope, changing the bit depth would alter the resolution vertically Changing the sample rate would alter the resolution horizontally The symbol for the Wave Crusher demonstrates this process on a sine wave There are 7 useful combinations of bit depth and sample rate reduction in the miniatmegatron See page 14 for a list of them When the value knob is at 0, the Wave Crusher is off It is worth noting that the Wave Crusher works differently to a Bit Crusher plugin commonly used in audio software The Wave Crusher only affects the waveform and not the overall output of the

5 synthesizer (as would happen with a plugin) This means that the decrease in resolution of sample rate isn t fixed, but is a division of the current frequency (or note) being played Portamento (or glide) is the time it takes for the pitch to change from the last note to the new note, when a key is pressed (on a MIDI controller keyboard) The portamento values range from 0 = 0 secs (ie portamento off) to 15 = 65 secs 4 The miniatmegatron has an inbuilt sequencer with 15 preset patterns The root not of the pattern is selected using the Pitch control or via the USB MIDI Input The patterns can be found on page 13 Pattern 0 turns the sequencer off, allowing notes to be play via the Play button or USB MIDI Input m~ííéêå=qéãéç= The internal tempo can be adjusted by holding down the Func + button and pressing the Value + and buttons The tempo ranges from 60 to 220bpm and each press increments by 10bpm p~îé=m~íåü= The miniatmegatron can save the current sound to a patch The patch is automatically loaded when the miniatmegatron is powered up Press and hold the Func button When the Func LED flashes, the patch is saved

6 5 Controls cáäíéê=`ìíçññ= This sets the frequency at which the filter acts For example if the Filter Type is set to 1 (low pass filter), frequencies above the Cutoff are attenuated The Filter Cutoff is inactive when the Filter Type is set to 0 (bypassed) cáäíéê=båîéäçéé= This sets the amount that the envelope affects the filter cutoff frequency The A, D/R and S values of the Filter/Pitch Envelope set the shape of the envelope See the Filter/Pitch Envelope section for more information cáäíéê=icl= This sets the amount that the LF (low frequency oscillator) affects the filter cutoff frequency See LF for information on how to set the LF s parameters ^ãéäáíìçé=icl= This sets the amount that the LF (low frequency oscillator) affects the amplitude of the sound This is commonly called a tremolo effect See LF for information on how to set the LF s parameters! If the LF waveform is set to 15 (DC offset) and the Amplitude LF is set to minimum (fully anti-clockwise), the output of Atmegatron will be silent This is intentional, as the DC waveform is useful for assigning a fixed level to the Pulse Width and Phaser parameters aáëíçêíáçå=iéîéä= Distortion is an effect on the output that clips the waveform It does this by multiplying each sample by a value If the result is greater than the maximum amplitude, it sets the sample to the maximum amplitude There are in fact only 8 discrete values for the distortion level They range from a multiplier of 1 when the knob is fully anti-clockwise (ie no distortion) and a multiplier of 128 when the knob is fully clockwise sçäìãé= This sets the volume of the audio It controls the volume of the sound digitally The volume should be set to maximum when using the headphone jack as a line output

7 6 cáäíéê=réëçå~ååé= Resonance (also known as emphasis or Q) is the magnitude of the peak of the filter at the cutoff frequency The resonance ranges from 05 when the knob is fully anti-clockwise to 20 when the knob is fully clockwise Resonance adds a sharp characteristic to the sound It can be very useful for sound effects máíåü=båîéäçéé= This sets the amount that the envelope affects the pitch (or frequency) of the sound The A, D/R and S values of the Filter/Pitch Envelope set the shape of the envelope See Filter/Pitch Envelope for more information máíåü=icl= This sets the amount that the LF (low frequency oscillator) affects the pitch (or frequency) of the sound This is commonly called vibrato See LF for information on how to set the LF s parameters mìäëé=táçíü=icl= Many classic analogue synthesizers have a pulse width parameter Traditionally this controls the mark/space ratio of a square wave The Atmegatron s pulse width parameter works in a similar way and is the ratio of sound to silence within the waveform The LF (low frequency oscillator) affects the pulse width value over time The Pulse Width LF control sets the amount that the LF affects the pulse width For example with the LF control set to half, the pulse width will be 50% at the peak of the LF waveform! To hold the pulse width at a fixed value, set the LF Waveform Select to 15 (DC offset) and use the Pulse Width LF control to set the pulse width

8 mü~ëé=icl= This sets the amount of phaser effect It is created by adding a delayed copy of the wavetable to the output sound The LF controls the delay time of the waveform When the Phase LF control is fully anti-clockwise, the effect is off When it is fully clockwise, the maximum delay is equal to the length of 1 waveform cycle To prevent distortion, the amplitude of the main waveform and delayed waveform are halved If the Phase LF control is fully anti-clockwise, the effect is off and the output waveform is unaffected With certain waveforms, the delayed waveform can actually cancel out the main waveform This is only momentary, as the LF continually adjusts the delay To use a fixed delay, set the LF Waveform Select to 15 máíåü= The Pitch control sets the pitch of the Play button and also the root note of the Pattern Sequencer The Pitch value can also be set via the USB MIDI Input 7

9 8 Audio Waveforms 0 Pure Square 1 Pure Saw 2 Pure Sine 3 ctave Square (Juno 60) 4 Square Fifths 5 Pulse Wave (RP2A07) 6 Warped Sine 7 Bass (Multivox) 8 Metal 1 9 Metal 2 10 Vocal Brass (Multivox) Reed rgan (PPG) Bell (PPG) 14 Chord 15 Continuously Generated Noise

10 9 Filter Types 0 Filter Bypassed Cutoff and Resonance controls inactive 1 Low Pass Filter 2 High Pass Filter 3 Band Pass Filter 4 Notch Filter Parametric EQ (10dB gain) Parametric EQ (30dB gain) Parametric EQ (100dB gain) Low Shelf (10 db gain) Low Shelf (30dB gain) High Shelf (10dB gain) 11 High Shelf (30dB gain) 12 Butterworth Low Pass Filter 13 Butterworth High Pass Filter 14 Bessel Low Pass Filter 15 Bessel High Pass Filter Resonance control inactive Resonance control inactive Resonance control inactive Resonance control inactive

11 10 LF Waveforms 0 Sine 1 Triangle 2 Ramp Down 3 4 Exponential Ramp Up Sine + 3 rd Harmonic 5 5% Pulse 6 25% Pulse 7 50% Pulse 8 75% Pulse 9 95% Pulse 10 Ramp Up and Hold 11 Hold and Ramp Down 12 Duh Dugga 13 Dugga Duh 14 Noise-like 15 DC (static) offset

12 11 Clock Division Rates 0 4 beats 1 2 beats 2 1 beat 3 3/4 beat 4 2/3 beat 5 1/2 beat 6 3/8 beat 7 1/3 beat 8 1/4 beat 9 3/16 beat 10 1/8 beat 11 3/32 beat 12 1/16 beat 13 3/64 beat 14 1/32 beat 15 1/64 beat

13 12 Envelope Presets 0 0,0,15 (Attack time, Decay time, Sustain level) 1 0,3,0 2 0,5,0 3 0,5,15 4 0,7,0 5 0,7,7 6 0,11,0 7 0,11,15 8 3,0,0 9 3,5,0 10 5,7,0 11 7,0,0 12 7,3,0 13 7,7, ,7, ,15,0

14 13 Sequencer Patterns Sequencer off miniatmegatron can be played by Play button or via MIDI 1 & \ 2 % \ \ 3 3 % \ \ F 4 4 % \ \ 5 5 % \ \ Q 6 6 % \! F! F F! F! F! F 7 7 % \ \ 8 8 % \! F!! F F P 9 9 % \ \ F F F F! % \ % \ \ #! F % \ % \ \ % \ \ % \ Q

15 14 Wave Crusher / Portamento Presets Bit Depth Reduction Sample Rate Reduction Portamento Time 0 ff ff ff 1 2 bit Full ff 2 4 bit 1/2 ff 3 2 bit 1/2 ff 4 4 bit 1/4 ff 5 2 bit 1/4 ff 6 4 bit 1/8 ff 7 2 bit 1/8 ff 8 ff ff 5ms 9 ff ff 27ms 10 ff ff 77ms 11 ff ff 195ms 12 ff ff 477ms 13 ff ff 1145ms 14 ff ff 2728ms 15 ff ff 6484ms

16 15 MIDI Implementation Chart Manufacturer: Soulsby Synthesizers Model: Atmegatron Version: 10 Date: 21/9/13 Functions Transmitted Recognised Remarks Basic Channel Default Changed Mode Default Messages Mode 2 Mode 2 Note Number There is a limit on maximum output frequency Velocity Note N Note FF After Touch Key Channel V=1-127 V=0-127 Pitch Bender 7 bit resolution Control Change Pitch LF Filter Envelope Distortion Level Filter Resonance Filter Cutoff LF Rate Pulse Width LF Amplitude LF Filter LF Pitch Envelope Phase LF Program Change System Exclusive System Common Song Position Song Sel Tune System Real Time Clock Commands Aux Messages Local n/ff All Notes ff Active Sense Reset Notes