What is an EQ? Subtract Hz to fix a problem Add Hz to cover up / hide a problem
|
|
- Alexia James
- 5 years ago
- Views:
Transcription
1 Objective: By the end of this lab you will be able to hide, display and call up any EQ and to deduce how to use it to your advantage. To be able do duplicate EQs to other Insert positions. Loading and Saving your EQ settings. Open the AE1_Lab5_EQ project. It is just Kick, Snare, High Hat, Bass & Piano. You can use any project you like, but this lab will refer specifically to that session. In not knowing how the previous session was saved we need to verify that certain things are being shown in this session. Go to the mixer (CMD + =) to toggle Mix/Edit windows. In the Edit Window the View Selector is located just above the tracks. In the Mix Window it is located in the lower left corner of the Mix window as shown below. The Edit window and Mix window have this option. Mix window Edit window When you click on it this pops up Click on the View selector and click on the ALL option. You will see the screen fill up with all sorts of data. We only need Inserts A-E, Sends A-E & I/O. You could go through this same process of clicking in the view selector and un-checking various components, but there is a faster way. Go to the Mixer +/or Editor and OPT + Click on the name header of the ones you want to no longer display. This also works for the different time rulers. Just OPT + Click on the ones you want to get rid of. The timeline ruler allows you to add components you want just like the Window View selector. Play around with these displays and see what is available. Eventually we only want Inserts A-E, Sends A-E & I/O. Everything else off. What is an EQ? EQ stands for equalization. It is the tool that an engineer uses to add or remove frequencies in a given instrument or sound effect. There are Graphic EQs that are a bunch of faders, similar to a mixing console, that will boost or cut specific frequencies and ONLY those frequencies. These are very common in car stereos for the consumer market. In the professional market they graphic EQs are used to compensate for the anomalies in a given room or space so that the room sounds as close to a flat response as possible or any other accentuation desired by the people who own the room. A typical multiband graphic EQ would be one from the Rane Corporation like this model 60S Bradford Cox Audio Engineering 1, Collin County College Page # 1
2 Rane Model 60S - More typically what you will come across is called a parametric equalizer. Parametric means we can adjust ALL parameters in any way we see fit. What is a parameter? It is a knob, switch or button that does only what we tell it to do. We set this value and that value and we can enable or disable its function. An example of a parameter would be a light switch on a dimmer. We can choose to use or not to use that light. Then when we do choose to use that light we tell the light how bright to be or not to be. In a parametric equalizer we can set the kind of influence, the amount of influence, the broadness or narrowness of the influence and where the influence is to take place. In Pro Tools we can even automate the parameters; meaning that we can have them change over time to better fit our needs. It is important to understand the basics of an EQ and what all the different things do in an EQ. There are several key terms you have to be familiar with in order to grasp what an EQ is going to do for or TO you. Envelope = The kind of influence or change to be done. There are several envelope types in an EQ and they all do something differently. You must be able to recognize them by picture and describe what they actually do, for two reasons 1) Audio Engineers look incompetent if they don t. 2) It is on the test. In general there are three types if EQs; Filters, Shelves and Notch (band pass). Lets talk about each. Did I mention these will definitely be a test? Filter / EQ type What it really does EQ Curve (icon/graphic) HPF = High Pass Filter. Its function is a Low Cut Filter. All frequencies at a dialed in Hz and below will be removed. LPF = Low Pass Filter. Its function is as a High Cut Filter. All frequencies at the dialed in Hz and above will be removed. High Shelf Gain (Boost or Cut) Highs and do nothing to the lows. All frequencies at the dialed in Hz and above will be modified where all frequencies at the dialed in Hz and below will have no change. Low Shelf Gain (Boost or Cut) Lows and do nothing to the highs. All frequencies at the dialed in Hz and below will be modified where all frequencies at the dialed in Hz and above will have no change. Band Pass or Notch (sometimes called parametric) - Boost or Cut any frequencies. The frequencies at the dialed in Hz will be affected and nothing happens to the other frequencies. Bradford Cox Audio Engineering 1, Collin County College OR OR OR Page # 2
3 There is a knob called the Q also known as the bandwidth. The Q s function, basically speaking, is to say how many other frequencies are going to be affected by the other values you dialed in. The Q s range of influence is measured in db per octave. Qs of higher values are more steep, used for lopping off frequencies or notching out a specific problem. Qs of smaller numbers are more Q Setting Bandwidth Octaves /3 Octaves Octave 2.8 1/2 Octave slope like and sound more natural to the human ear. Start with a Q setting of 1.0 (1 1/3 octaves). This setting covers about the frequency range of an instrument. For more percussive instruments a narrower (higher Q number) Q is more common. For more melodic instruments a broader (lower Q number) would be used. This chart that gives ballpark influences of the Q / Bandwidth. The Knee is the transition point of the filters where the EQ starts or ends it s effect on the sound. For an example, an HPF (High Pass Filter - which really means it is a low cut filter - we have to tell the EQ what frequencies to get rid of. It could be 100Hz it could be 1000Hz. A true parametric equalizer will let you type in any number within the frequency range of human hearing you want. The value of that frequency starts the knee point. The Q says how abruptly the frequencies below the knee are lopped off or said another way do the frequencies disappear immediately (sharp knee) or do the gradually disappear (sloped knee) The goal of a good EQ setting is to enhance the natural properties of the instrument. Though, EQs can be used for special effects like in Green Day s American Idiot there is a special EQ setting on the voice to make it sound like a megaphone, cell phone or some other processing. In film and TV EQs can be used to make recordings of one day sound like the recordings of a different day. Sometimes those days can be months apart. Sometimes the recording was on location and the new recording is in a climate-controlled studio. These are totally different atmospheres. Earlier in the semester you were given several frequency charts. One chart is laid out in such a way that if someone listens to your mix they may say something like That sounds to boxy to me. A phrase like that is fine, but what does that mean? If you look at that chart you can find the word boxy. You will see that generally speaking, people who describe a sound as being boxy it is an indication that the frequencies between 500Hz and 5kHz are too loud. To remove the boxy sound you would use a bell curve set to about 3k with a small Q and dial the gain down. Maybe 3dB maybe 9dB, whatever makes the fix happen. You may have to sweep to slightly higher or lower frequencies, depending on the problem. Remember, these are guidelines. Nothing is set in stone. This is an art form and your taste is what makes you valuable. Modern Recording Techniques, 7 th Edition, Page 485 has a chart of typical equalization guidelines in that if you want to increase or decrease body, fullness, sibilance and so on modify the gain of these frequencies. The EQ: To the right is a picture of the Pro Tools free EQ called EQ3-7Band. The term band means there are seven incidences or modification points where one can manipulate the tonal characteristics of a sound. A three band would give you three incidences or modification points to manipulate the tonal characteristics of a sound. Bradford Cox Audio Engineering 1, Collin County College Page # 3
4 Meters display the strength of the signal coming in and the signal going out. Gain Input & Output = You can boost or cut how much signal is going to or coming from the EQ. 0dB = Unity Gain HPF & LPF have two settings, either a notch that only cuts or a filter. Dial in the frequencies you want to eliminate and the range of influence (Q). The grayed out IN button means active or inactive, when the IN is blue, the filter is active as in the red LF section. Notice that this next section has five different colors, labeled differently. The knobs all do the same thing, the difference is WHERE they do their thing. LF = Low Frequencies, LMF = Low Mid Frequencies, MF = Mid Frequencies, HMF = High Mid Frequencies, HF = High Frequencies. The bottom section is somewhat of a parametric equalizer in that you can dial in the frequency you want to manipulate but only within that sections frequency range. In a true parametric equalizer any knob can be set to any value. Since these knobs have a fixed range of influence this kind of an EQ is called Semi-parametric. Q says how many OTHER frequencies will be affected. FREQ lets you dial in which frequency you want to manipulate. Gain lets you boost or cut that frequency. The IN is a button that turns on or off that portion of the EQ. In the LMF (orange) area, click the IN to turn it on, set the gain to be 18dB and the Q to be 1. Now set the HMF (green) gain to be -18dB, and click the IN so that it is blue. Look at the curve. This is telling you that the Low Mids will be increased by a certain gain and the High Mids will be reduced by a certain gain. This graphic representation of the modification is sometimes helpful in learning what an EQ is doing to your audio. How can you learn what different frequencies sound like? Good thing to know? Absolutely, it is critical to know what instruments play in what ranges and to know what makes any particular instrument warmer or brighter. A very good way is to develop relative pitch. Sit at a piano and sing your lowest note, whatever it is, doesn t matter, just the lowest note you can produce. Match that note on the piano in the correct octave. Refer to the chart below or at the link below and learn what the frequency of that note is. Repeat this for the highest note you can sing, comfortably. You now know what your frequency range is and you have the numbers for those extremes. If you are musically inclined you can deduce all notes based on how far away it is from your lowest frequency or highest frequency. I have even seen people train their ears by getting a pitch pipe, blowing a note, saying and singing that note over and over again until they can sing the note then blow the pitch pipe and it matches exactly. is an interactive frequency chart. Drag your mouse over the instrument and the data appears on the right side of the chart. Another way to learn pitch is to put the signal generator (Pull down menu Audio Suite>Other>Signal Generator) and it starts playing a sine wave at 1000 Hz. You can make the Hz any number you want, between 20Hz and 20kHz. See if you can match the pitch. Learn how your throat adjusts to various pitches. When you get to the stage of being able to mix or engineer at the speed of creativity you will use your voice to deduce various pitches for notching stuff out, or bring up missing frequencies. Bradford Cox Audio Engineering 1, Collin County College Page # 4
5 Below is a frequency chart of all 128 MIDI notes. A is in the middle of a piano keyboard and will give you a point of reference. Wave length is in centimeters. To get inches divide by Then multiply by 12 to get feet. A 440 Hz wave length = 78.4cm - Divided by 2.54 (2.54 cm is 1 inch) = inches. Divided by 12 = 2.57 feet Wave Note... MIDI... Hz... length C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B (Middle C on a piano) C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G The Pro Tools EQ: Practical application. In the AE1_Lab5_EQ project, solo the kick track and put the EQ-3 7 Band on Insert 1. Leave the gain at unity. Hit play and you will see that the input and output meters are identical in activity. Stop, activate the HPF and set the Q to be 24dB per octave. Select an area to loop play (KP + 4) and set the frequency to be 500Hz. Click the IN button so that it is grayed out. Hit play and you should hear Bradford Cox Audio Engineering 1, Collin County College Page # 5
6 the Kick as recorded. Now, click on the IN button to turn the HPF on (IN will turn blue). You should hear the low end of the EQ disappear. Deactivate all IN buttons (make them gray). In the LF section (red) click on the notch (bell) icon. Set the Q to be 1, set the FREQ to be 60.0Hz and set the GAIN to be 6dB. Press play. During playback activate the IN button. You will hear the body, low end, boom of the kick accentuated and the OUT meter will be much greater than the IN portion of the meters. Red lights are bad. The red lights can be turned off by pressing OPT + C. It doesn t get rid of the problem, it just turns off the red lights. Deactivate all IN buttons. See if you can locate the frequency of the punch of the kick. Think to yourself, is it lower or higher frequencies than the body of the kick? Make that sound out loud or at least in your head. In the HMF (green) section turn the GAIN to be 12dB, set the FREQ to be 6.5kHz or so, leave the Q to be 1 for now. Press play and toggle the IN button. Do you hear a change? Describe it. Try sweeping the FREQ to be higher or lower values, how does that effect your kick? Try decreasing or increasing the Q value. What happens to your sound? Refer to the charts given to you in class and the charts on page 485 of the textbook; refer to these often until you no longer need them. The charts cover instrument frequency ranges, frequency groups, key word descriptions e.g. if the sound is too much / not enough, then cut/add frequencies. Dial in those frequencies on those instruments and listen to how it changes the tonal characteristics (timbre) of the instruments. If there is a problem with the track, can you dial it out? Can you sweeten or enhance the natural properties of a particular instrument if you know what its frequency range is? Mixing is an art form. I can only show you how the tools work and guide you in the efficient use of those tools. It is all a matter of personal taste. If your taste matches the masses then you get paid to do what you do. If your tastes conflict with the buying public, there won t be much work out there for you. There are no right or wrong as everything is situational. An EQ setting for this band will not work for that band. If you have what you want to do already in your head then the rest is mechanics. Always ask yourself, what is wrong with this part? Is it too loud, soft, bright and in your face, dark and disappears in the mix? Once you identify the problem you need to deduce if the solution is a gain (loudness) problem or an EQ (timbre) problem or a combination of both. People smarter than me have said You cut frequencies to fix a problem, boost frequencies to hide a problem. The good mixers and higher paid mixers cut more than they boost. Get the free spectrum analyzer from BlueCat ( and put onto your personal system. You can see and hear what is going on and how you influenced the change. Google EQ Frequency Ranges and see what other people are saying and doing about frequency content. Try the cell phone EQ. Write down in real words a description of the sound from a cell phone, e.g. lacking lows, strong in lows, lacking mids you get the idea. Now dial in parameters that match your description. How does it sound? What to hand in: Save your work. When you are done with everything do a Save As and call it AE1_YourLastName_Lab05.ptx Bradford Cox Audio Engineering 1, Collin County College Page # 6
How big is your room and what are the walls made out of?
Objective: By the end of this lab you will be able to hide, display and call up any reverb and to deduce how to load presets and manipulate the various components within a reverb. To be able do duplicate
More informationAudio Engineering Basics Lab 4 Inserts, Sends & Busses
Objective: By the end of this lab you will be able to hide display Inserts & Sends, put an effect onto that track, route a track to an AUX track, put an effect onto that AUX track and control the blend
More informationWatch out for the More ME syndrome
Objective: By the end of this lab you will be able apply plug-ins to tracks. Adjust those plug-ins to enhance the mix. Set up Groups and Sub-Mixes with effects sends. Convert dual mono tracks into a single
More informationSetting up Pro Tools I/O & connecting a microphone for Recording
Setting up Pro Tools I/O & connecting a microphone for Recording The purpose of this lab is to demonstrate the ability to correctly connect a microphone to the Fast Track Pro interface in such a way that
More informationEQ s & Frequency Processing
LESSON 9 EQ s & Frequency Processing Assignment: Read in your MRT textbook pages 403-441 This reading will cover the next few lessons Complete the Quiz at the end of this chapter Equalization We will now
More informationGood EQ Is The Key To Great Mixes
Thanks for downloading this free ebook! I m excited for you to jump in and start learning how to effectively use EQ on anything you come across. If you haven t already done so, you can also sign up at
More informationSplash Instrument Manual
Splash Instrument Manual Thank you for buying Splash from Wobblophones! You will find two instruments in the Splash library: Splash and Nebulon Splash. This manual will give you an overview of the Splash
More informationIntroduction to Equalization
Introduction to Equalization Tools Needed: Real Time Analyzer, Pink noise audio source The first thing we need to understand is that everything we hear whether it is musical instruments, a person s voice
More informationThe Equalization Primer (The Complete Lesson On Getting Started With EQ) by Robert Dennis
People helping people, that's what it's all about The Recording Website Articles Section The Equalization Primer (The Complete Lesson On Getting Started With EQ) by Robert Dennis This article posted to
More information- for CreamWare SCOPE -
bx_digital MANUAL - for CreamWare SCOPE - 2006 by BRAINWORX GmbH Brainworx Music & Media GmbH Hitdorfer Str. 10 40764 Langenfeld info@brainworx-music.de 1 INDEX 1. What is the bx_digital? 3 2. What is
More informationSurferEQ 2. User Manual. SurferEQ v Sound Radix, All Rights Reserved
1 SurferEQ 2 User Manual 2 RADICALLY MUSICAL, CREATIVE TIMBRE SHAPER SurferEQ is a ground-breaking pitch-tracking equalizer plug-in that tracks a monophonic instrument or vocal and moves the selected bands
More informationWaves F6. Floating-Band Dynamic EQ. User Guide
Waves F6 Floating-Band Dynamic EQ User Guide Introduction Thank you for choosing Waves. In order to get the most out of your Waves processor, please take some time to read through this user guide. We also
More informationHow To Record On Cubase The A to Z Guide
musicproductiontips.net http://musicproductiontips.net/how-to-record-on-cubase/ How To Record On Cubase The A to Z Guide By Paschalis Recording on Cubase is easier than you think, so in this tutorial I
More informationDrum Leveler. User Manual. Drum Leveler v Sound Radix Ltd. All Rights Reserved
1 Drum Leveler User Manual 2 Overview Drum Leveler is a new beat detection-based downward and upward compressor/expander. By selectively applying gain to single drum beats, Drum Leveler easily achieves
More informationChapter 7: Signal Processing (SP) Tool Kit reference
Chapter 7: Signal Processing (SP) Tool Kit reference The Signal Processing (SP) Tool Kit contains the signal processing blocks that are available for use in your system design. The SP Tool Kit is visible
More informationbx_digital V2 manual
Index 1. What is bx_digital V2? 3 2. What is M/S technology? 3 3. What is M/S good for in Mastering? 4 4. But what s so new about V2 then? 4 5. Features of the bx_digital V2: 4 6. How do I get started
More informationbx_digital MANUAL - for TDM systems by BRAINWORX GmbH
bx_digital MANUAL - for TDM systems - 2007 by BRAINWORX GmbH Brainworx Music & Media GmbH Hitdorfer Str. 10 40764 Langenfeld info@brainworx-music.de www.brainworx-music.de 1 INDEX 1. What is the bx_digital?
More informationGetting Started. Pro Tools LE & Mbox 2 Micro. Version 8.0
Getting Started Pro Tools LE & Mbox 2 Micro Version 8.0 Welcome to Pro Tools LE Read this guide if you are new to Pro Tools or are just starting out making your own music. Inside, you ll find quick examples
More informationVB-99 V-Bass System. On-the-Gig Sound Settings. Workshop ÂØÒňΠVB99WS03
ÂØÒňΠWorkshop VB-99 V-Bass System On-the-Gig Sound Settings 009 Roland Corporation U.S. All rights reserved. No part of this publication may be reproduced in any form without the written permission of
More informationMic Mate Pro. User Manual
R Mic Mate Pro User Manual Mic Mate Pro Features Congratulations and thank you for purchasing the MXL Mic Mate Pro. This device is designed to minimize your setup for recording and allow for professional
More informationEQ Uncovered: Demo Chapter
EQ Uncovered: Demo Chapter This is an excerpt taken from Eddie Bazilʼs book, ʻEQ Uncoveredʼ. To download the complete book with all audio examples, please go to: http://www.mpc-samples.com/product.php/102/eq-uncovered/
More informationAdditional Reference Document
Audio Editing Additional Reference Document Session 1 Introduction to Adobe Audition 1.1.3 Technical Terms Used in Audio Different applications use different sample rates. Following are the list of sample
More informationGetting Started Pro Tools M-Powered. Version 8.0
Getting Started Pro Tools M-Powered Version 8.0 Welcome to Pro Tools M-Powered Read this guide if you are new to Pro Tools or are just starting out making your own music. Inside, you ll find quick examples
More informationCreate clarity & Loudness with Subtractive EQ
Create clarity & Loudness with Subtractive EQ Create clarity and loudness with subtractive EQ This guide will help you improve your ability to create powerful and polished mixes! I want you to know, this
More informationPracticing with Ableton: Click Tracks and Reference Tracks
Practicing with Ableton: Click Tracks and Reference Tracks Why practice our instruments with Ableton? Using Ableton in our practice can help us become better musicians. It offers Click tracks that change
More informationM-16DX 16-Channel Digital Mixer
M-16DX 16-Channel Digital Mixer Workshop Using the M-16DX with a DAW 2007 Roland Corporation U.S. All rights reserved. No part of this publication may be reproduced in any form without the written permission
More informationBerklee College of Music: MTEC224 Digital Audio Basics/Systems LAB #4 Created by JAL Created on 11/22/06 4:54 AM Page 1 of 6
MTEC-224 Lab #4 Working with Audio and Video In this Lab, you will load music and sound effects from the DA-88 into ProTools, and align them to picture from a video tape. The materials for this Lab consist
More informationChord Track Explained
Studio One 4.0 Chord Track Explained Unofficial Guide to Using the Chord Track Jeff Pettit 5/24/2018 Version 1.0 Unofficial Guide to Using the Chord Track Table of Contents Introducing Studio One Chord
More informationbx_digital V2 manual
Index 1. What is bx_digital V2? 3 2. What is M/S technology? 3 3. What is M/S good for in Mastering? 4 4. But what s so new about V2 then? 4 5. Features of the bx_digital V2: 4 6. How do I get started
More informationWaves - Linear Phase EQ. Software Audio Processor. Users Guide
Waves - Linear Phase EQ Software Audio Processor Users Guide Version 1.1 December 20 th 2001. Waves LinEQ software guide page 1 of 15 Chapter 1 Introduction Introducing Waves Linear Phase Equalizer. The
More informationThis article is an excerpt from MPC Samples new ebook release, Conquering EQ, by Eddie Bazil.
Conquering EQ This article is an excerpt from MPC Samples new ebook release, Conquering EQ, by Eddie Bazil. http://www.mpc-samples.com/product.php/57/8/ This book shows you, step-by-step, the intriacies
More information2017 VCE VET Music Industry: Sound Production examination report
2017 VCE VET Music Industry: Sound Production examination report General comments Overall, students performed very well on the 2017 VCE VET Music Industry: Sound Production examination. However, there
More informationThe "art" of EQ by Aaron Trumm
The "art" of EQ by Aaron Trumm EQ can be used in a variety of situations, from live sound recording tape mixing down. Mainly, it should be used enhance signals that have some problem. The golden rule of
More informationProcessor Setting Fundamentals -or- What Is the Crossover Point?
The Law of Physics / The Art of Listening Processor Setting Fundamentals -or- What Is the Crossover Point? Nathan Butler Design Engineer, EAW There are many misconceptions about what a crossover is, and
More informationOverview of the EQ50 Filter Functions. Bypass Hardwire Bypass
Overview of the EQ50 Filter Functions Application Note The Ingram Engineering EQ50 is a 500-series equalizer module that contains extremely versatile and musical sounding Low Cut, High Cut and See-Saw
More informationThe Altitude Technique. Step-by-Step Guide
The Altitude Technique Step-by-Step Guide Now that you now the principles behind the Altitude Mixing Technique, it s time to put them in to practice! In this guide you will go through several effects and
More informationBBGUNN s Allen and Heath ZED R16 setup guide for Reaper
BBGUNN s Allen and Heath ZED R16 setup guide for Reaper So you ve bought or are thinking of buying an Allen and Heath Zed R16 and are wondering how to make it work with Reaper. Well, you ve come to the
More informationREPLIKA SOUND GUITAR LIBRARY : BASS GUITAR v7 FEATURE GUIDE
REPLIKA SOUND GUITAR LIBRARY : BASS GUITAR v7 FEATURE GUIDE 1 TABLE OF CONTENTS Important (Requirements) 3 Library Size 3 Pack Contents 3 Main Interface 4 Articulation Key Switches 5 Articulation Descriptions
More informationTable of Contents. Chapter 1 Overview Chapter 2 Quick Start Guide Chapter 3 Interface and Controls Interface...
Table of Contents Chapter 1 Overview... 3 Chapter 2 Quick Start Guide... 4 Chapter 3 Interface and Controls... 5 3.1 Interface... 5 3.2 Controls... 9-2 - Chapter 1 Overview The ASUS N-Series puts the power
More informationGetting Started. Pro Tools LE & Mbox 2 Pro. Version 8.0
Getting Started Pro Tools LE & Mbox 2 Pro Version 8.0 Welcome to Pro Tools LE Read this guide if you are new to Pro Tools or are just starting out making your own music. Inside, you ll find quick examples
More informationProject Two - Building a complete song
Project Two - Building a complete song Objective - Our first project involved building an eight bar piece of music and arranging it for three backing instruments. In this second project we will consider
More informationSasquatch Kick Machine
Sasquatch Kick Machine Users Manual 1 Intro Thank you for installing Sasquatch Kick Machine. We hope it blows your mind. If it doesn t blow your mind, it should at least blow your speakers. Don t blame
More informationBAE AUDIO G10 INSTRUCTION MANUAL
BAE AUDIO G10 INSTRUCTION MANUAL G10 Graphic Equaliser Congratulations! You ve purchased a G10 500 Series 10-Band equalizer. This EQ has balanced input and output and hi/low-pass filters and is the ultimate
More informationWarm Audio EQP WA Tube Equalizer Review
Warm Audio EQP WA Tube Equalizer Review Incredibly, Warm has managed to launch its first EQ and land an instant classic and, what s more, it s actually affordable. John Pickford investigates http://www.musictech.net/2015/06/warm
More informationBoomTschak User s Guide
BoomTschak User s Guide Audio Damage, Inc. 1 November 2016 The information in this document is subject to change without notice and does not represent a commitment on the part of Audio Damage, Inc. No
More informationthank you for choosing the Vengeance Producer Suite: Multiband Sidechain (which will be abbreviated to VPS MBS throughout this document).
Vengeance Producer Suite Multiband Sidechain User Guide: Version: 1.0 Update: August 2009 Dear customer, thank you for choosing the Vengeance Producer Suite: Multiband Sidechain (which will be abbreviated
More informationGarageBand 3 Tutorial
You don t have to be a musician to make music with GarageBand. GarageBand includes short pieces of pre-recorded music called loops. Loops contain musical patterns that can be combined and repeated seamlessly.
More informationSuppose you re going to mike a singer, a sax, or a guitar. Which mic should you choose? Where should you place it?
MICROPHONE TECHNIQUE BASICS FOR MUSICAL INSTRUMENTS by Bruce Bartlett Copyright 2010 Suppose you re going to mike a singer, a sax, or a guitar. Which mic should you choose? Where should you place it? Your
More informationWaves Q10 Paragraphic Equalizer
Q10Equa l i z er Us ergui de Waves Q10 Paragraphic Equalizer User Guide Chapter 1 About the Q10... 3 What s new?... 4 Q10 components... 4 Chapter 2 Using Q10... 6 Using the Parametric Controls... 7 Using
More informationI2C8 MIDI Plug-In Documentation
I2C8 MIDI Plug-In Documentation Introduction... 2 Installation... 2 macos... 2 Windows... 2 Unlocking... 4 Online Activation... 4 Offline Activation... 5 Deactivation... 5 Demo Mode... 5 Tutorial... 6
More informationIntro to Pro Tools. Pro Tools LE and Eleven Rack. Version 8.0.1
Intro to Pro Tools Pro Tools LE and Eleven Rack Version 8.0.1 Welcome to Pro Tools LE and Eleven Rack Read this guide if you are new to Pro Tools or are just starting out making your own music. Inside,
More informationMbox Basics Guide. Version 6.4 for LE Systems on Windows XP and Mac OS X. Digidesign
Mbox Basics Guide Version 6.4 for LE Systems on Windows XP and Mac OS X Digidesign 2001 Junipero Serra Boulevard Daly City, CA 94014-3886 USA tel: 650 731 6300 fax: 650 731 6399 Technical Support (USA)
More informationZero Latency and Tape Style Monitor Handbook
What is "Z" monitoring? Zero Latency or Direct ing via ASIO 2.0 is somewhere between 2-5ms. So is that good enough when monitoring or overdubbing a live performs? Well it depends on the person. Vocals
More informationIntro to Pro Tools. Version 8.0.4
Intro to Pro Tools Version 8.0.4 Welcome to Pro Tools LE Read this guide if you are new to Pro Tools or are just starting out making your own music. Inside, you ll find quick examples of how to record,
More informationPSP squad. Operation Manual
PSP squad Operation Manual Acknowledgments Programming and Design: Mateusz Woźniak Graphics: Mateusz Woźniak Product Manager: Antoni Ożyński Documentation: Orren Merton Special thanks go out to: George
More informationMaking Music with Tabla Loops
Making Music with Tabla Loops Executive Summary What are Tabla Loops Tabla Introduction How Tabla Loops can be used to make a good music Steps to making good music I. Getting the good rhythm II. Loading
More informationCopyright 2017 by Kevin de Wit
Copyright 2017 by Kevin de Wit All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic
More informationAudacity 5EBI Manual
Audacity 5EBI Manual (February 2018 How to use this manual? This manual is designed to be used following a hands-on practice procedure. However, you must read it at least once through in its entirety before
More informationMUSC 1331 Lab 3 (Northwest) Using Software Instruments Creating Markers Creating an Audio CD of Multiple Sources
MUSC 1331 Lab 3 (Northwest) Using Software Instruments Creating Markers Creating an Audio CD of Multiple Sources Objectives: 1. Learn to use Markers to identify sections of a sequence/song/recording. 2.
More informationA-128 Fixed Filter 110 Hz
doepfer System A - 100 Fixed Filter Bank A-128 1. Introduction In 50 Hz 75 Hz A-128 Fixed Filter 110 Hz Bank Module A-128 (Fixed Filter Bank) is a filter bank, made up of 15 parallel band pass filters,
More informationRecord your debut album using Garageband Brandon Arnold, Instructor
Record your debut album using Garageband Brandon Arnold, Instructor brandon.arnold@nebo.edu Garageband is free software that comes with every new Mac computer. It is surprisingly robust and can be used
More informationMana Recording Studios
Mana Recording Studios Mixing Requirements and Guidelines This document is list of requirements and guidelines for projects that are being sent to us for mixing. The goal of this document is to help us
More informationMusic Production. Summer Music Technology - Day 1. July 8, 2013
Music Production Summer Music Technology - Day 1 July 8, 2013 1 Introduction In this activity we will cover the basics of music production using the popular digital audio workstation (DAW) GarageBand for
More informationbx_spredshread manual
bx_spredshread manual Intelligent stereo width, panorama and tone control for guitar and keyboard buss groups 2010 by Brainworx Music & Media GmbH Index 1.0 What is the bx_shredspread plug-in? 3 2.0 What
More informationQUANTUM MASTERING LPEQ
QUANTUM MASTERING LPEQ LINEAR PHASE PARAMETRIC EQUALIZER USER MANUAL Quantum-music.ca 2013 Quantum Matering LPEQ User Manual Quantum-Music.ca Version 1.0 2013 Thank you for downloading Quantum Matering
More informationSolid State Logic S O U N D V I S I O N
Solid State Logic S O U N D V I S I O N SUPERANALOGUE X - R A C K Super-Analogue Outboard X-Rack EQ User s Guide This documentation package contains the User s Guide for your new X-Rack EQ module. Depending
More informationScarlett Plug-in Suite
Scarlett Plug-in Suite User Guide FA0000-01 1 Contents Installation... 3 Software Activation... 3 Scarlett Plug-in Suite Modules... 5 Compressor... 5 EQ... 6 Gate... 7 Reverb... 9 2 Installation 1. Double
More informationCONTENTS PREFACE. Chapter 1 Monitoring Welcome To The Audio Mixing Bootcamp...xi
iii CONTENTS PREFACE Welcome To The Audio Mixing Bootcamp...xi Chapter 1 Monitoring... 1 The Listening Environment... 1 Determining The Listening Position... 2 Standing Waves... 2 Acoustic Quick Fixes...
More informationThe Sony Oxford EQ System Overview
The Sony Oxford EQ System Overview The Sony Oxford OXF-R3 EQ The Oxford EQ is a full 5-band EQ with selectable shelf settings on the LF and HF sections. Additionally, separate variable slope low pass and
More informationScreaming Trumpet Manual. Main Page
Screaming Trumpet Manual Congratulations on your purchase of Screaming Trumpet! It s a pretty simple instrument to use, but there are a few tricks, so read on: Main Page EXPRESSION ON/OFF BUTTON This must
More informationM-16DX 16-Channel Digital Mixer
M-6DX 6-Channel Digital Mixer Workshop Live Mixing with the M-6DX 007 Roland Corporation U.S. All rights reserved. No part of this publication may be reproduced in any form without the written permission
More informationPLEASE NOTE: EVERY ACTIVITY IN THIS SECTION MUST BE SAVED AS A WAV AND UPLOADED TO YOUR BOX.COM FOLDER FOR GRADING.
PLEASE NOTE: EVERY ACTIVITY IN THIS SECTION MUST BE SAVED AS A WAV AND UPLOADED TO YOUR BOX.COM FOLDER FOR GRADING. Multitrack Recording There will often be times when you will want to record more than
More informationPA WATT PORTABLE PA SYSTEM PRODUCT MANUAL
PA-5150 5 150-WATT PORTABLE PA SYSTEM PRODUCT MANUAL THANK YOU FOR CHOOSING POLSEN. The Polsen PA-5150 is an active PA system that s ideal for solo performers or vocalists. It can be used as a PA system
More informationREALIVOX LADIES MANUAL THE MAIN PAGE
REALIVOX LADIES MANUAL Congratulations on your purchase of Realivox Ladies! There are five different singers you can use by themselves, or in combination with each other. We ve tried to make this instrument
More informationHow To Add Falling Snow
How To Add Falling Snow How To Add Snow With Photoshop Step 1: Add A New Blank Layer To begin, let's add a new blank layer above our photo. If we look in our Layers palette, we can see that our photo is
More informationUSERS MANUAL EBS MICROBASSII BLACK LABEL SERIES. EBS MicroBassII. EBS Professional Bass Equipment SPECIFICATIONS
SPECIFICATIONS Nominal Input Level - 8 dbv Input Impedance 10 Mohms (Ch A), 1 Mohms (Ch B) Output Impedance 10 kohms Frequency Response +0 / -3 db 20 20 khz Tone Controls Bass +/- 15 db @ 100 Hz Treble
More informationThe Vertigo Sound VSM-3 plugin is modeled faithfully by Brainworx after the VSM-2 a.k.a The Mix Satellite hardware by VERTIGO SOUND.
The Vertigo Sound VSM-3 plugin is modeled faithfully by Brainworx after the VSM-2 a.k.a The Mix Satellite hardware by VERTIGO SOUND. The basic idea and concept of the VSM-3 The VSM-3 is a creative mix
More information3A: PROPERTIES OF WAVES
3A: PROPERTIES OF WAVES Int roduct ion Your ear is complicated device that is designed to detect variations in the pressure of the air at your eardrum. The reason this is so useful is that disturbances
More informationI personally hope you enjoy this release and find it to be an inspirational addition to your musical toolkit.
1 CONTENTS 2 Welcome to CAPSULE... 2 2.1 System Requirements... 2 3 About CAPSULE... 3 4 Getting Started... 4 4.1 Using Reaktor... 4 4.2 Included Files... 4 4.3 Opening CAPSULE... 4 4.4 Playback... 4 4.5
More informationWhat s in this free demo? In this free excerpt from Beat Making on the MPC500 we ve included the chapter Chopping Breakbeats where you ll learn how to slice up a break to create your own drum kits and
More informationSolid State Logic S O U N D V I S I O N
Solid State Logic S O U N D V I S I O N SUPERANALOGUE X - R A C K Super-Analogue Outboard X-Rack E Series EQ User s Guide This documentation package contains the User s Guide for your new X-Rack E Series
More informationWhat is Helix??? It s a
What is Helix??? It s a l Five-mode dual 31-band graphic equaliser l Dual 12-band parametric equaliser l Four configurable filters per channel l Full function delay line per channel l Two dynamic EQ filters
More informationMultichannel Audio Technologies: Lecture 3.A. Mixing in 5.1 Surround Sound. Setup
Multichannel Audio Technologies: Lecture 3.A Mixing in 5.1 Surround Sound Setup Given that most people pay scant regard to the positioning of stereo speakers in a domestic environment, it s likely that
More information5.3 EQ & Filter Sample EQ The Loop Menu Interface Main Page Loop Controls Volume Envelopes...
Table of Contents 1 Welcome to DM-307!... 3 2 About DM-307... 4 3 Key Mappings... 5 3.1 Kits... 5 3.2 Performance Multi... 5 3.3 Loop Menus... 6 3.4 Single Loops... 6 4 Common Interface Controls... 7 4.1
More informationSEM OPERATION IN LOW VACUUM MODE
SEM OPERATION IN LOW VACUUM MODE Instructions for JEOL 5800 LV The EVAC light of the SEM specimen chamber should be already lit when you approach the SEM & the SEM will have been left in the high vacuum
More informationQF2 Analog Multiband Distortion Pedal
QF2 Analog Multiband Distortion Pedal Out In 4 6 4 6 4 6 10x 4 6 2 8 2 8 2 8 2 8 Volume 4 6 4 6 Freq 3x Boost Drive 6 4 6 2 8 2 8 2 8 2 8 Low Lo mid Hi mid High Q Q Q Q HP 4 BP Bypass Boost Craig Anderton
More informationDUAL EQUALIZER. API, 8301 Patuxent Range Road, Jessup, MD Tel:
5500 DUAL EQUALIZER API, 8301 Patuxent Range Road, Jessup, MD 20794 Tel: 301-776-7879 www.apiaudio.com Thank You for purchasing API's 5500 Dual Equalizer Whether youre seeking a truly superior analog sound,
More informationChannelStrip User Guide ChannelStrip version 2.0 January 12, 2004
ChannelStrip version 2.0 January 12, 2004 Metric Halo 5 Donovan Drive Hopewell Junction, NY 12533 tel (845) 223-6112 fax (603) 250-2451 Toll Free (888) 638-4527 http://www.mhlabs.com email: support@mhlabs.com
More informationRecording your Voice Tutorials 3 - Basic Uses of Audacity Wayne B. Dickerson
Recording your Voice Tutorials 3 - Basic Uses of Audacity Wayne B. Dickerson In this tutorial, you are going to learn how to use Audacity to perform some basic functions, namely, to record, edit, save
More informationBy: 500 Series Inductor EQ. Serial #: Operations Manual
551 500 Series Inductor EQ By: Serial #: Operations Manual 551: 500 Series Inductor EQ Thank you for your purchase of the 551 Inductor EQ. Everyone at Rupert Neve Designs hopes you enjoy using this tool
More informationWELCOME TO SHIMMER SHAKE STRIKE 2 SETUP TIPS 2 SNAPSHOTS 3
WELCOME TO SHIMMER SHAKE STRIKE 2 SETUP TIPS 2 SNAPSHOTS 3 INSTRUMENT FEATURES 4 OVERVIEW 4 MAIN PANEL 4 SYNCHRONIZATION 5 SYNC: ON/OFF 5 TRIGGER: HOST/KEYS 5 PLAY BUTTON 6 HALF SPEED 6 PLAYBACK CONTROLS
More informationCONSOLE 1 POWER-USER TIPS
CONSOLE 1 POWER-USER TIPS 1 2 Contents 4 1. Grouping tracks 2. Saving presets6 8 3. Deeper DAW Integration 10 4. Using UAD Plug-ins 5. History Function (Undo/Redo) 12 14 16 6. Solo Safe 7. Sidechaining
More informationRecording guidebook This provides information and handy tips on recording vocals and live instruments at home.
Welcome to The Hit Kit s QuickStart instructions! Read on and you ll be set up and making your first steps in the world of music making in no time at all! Remember, you can find complete instructions to
More informationThe Fantom-X Experience
ÂØÒňΠWorkshop The Fantom-X Experience 2005 Roland Corporation U.S. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Corporation
More informationCONTENTS PREFACE. Chapter 1 Monitoring... 1 CHAPTER 2 THE MICROPHONE Welcome To The Audio Recording Basic Training...xi
iii CONTENTS PREFACE Welcome To The Audio Recording Basic Training...xi Chapter 1 Monitoring... 1 The Listening Environment... 1 Determining The Listening Position... 2 Standing Waves... 2 Acoustic Quick
More informationEqualize 2 User Guide
Equalize 2 User Guide Acon AS Equalize 2 User Guide All rights re se rve d. No parts of this work may be re produce d in any form or by any me ans - graphic, e le ctronic, or me chanical, including photocopying,
More informationUSER MANUAL DISTRIBUTED BY
B U I L T F O R P O W E R C O R E USER MANUAL DISTRIBUTED BY BY TC WORKS SOFT & HARDWARE GMBH 2002. ALL PRODUCT AND COMPANY NAMES ARE TRADEMARKS OF THEIR RESPECTIVE OWNERS. D-CODER IS A TRADEMARK OF WALDORF
More informationCreating Digital Music
Chapter 2 Creating Digital Music Chapter 2 exposes students to some of the most important engineering ideas associated with the creation of digital music. Students learn how basic ideas drawn from the
More informationOriginal manual by Anders Nordmark Revision: Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer The information in this document is
Plug-in Reference Original manual by Anders Nordmark Revision: Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer The information in this document is subject to change without notice and does
More informationWelcome to deq6, a 6 band stereo/ms dynamic equalizer with high quality oversampling and accurate spectrum analyzer.
MANUAL 2016 1 Introduction Welcome to deq6, a 6 band stereo/ms dynamic equalizer with high quality oversampling and accurate spectrum analyzer. deq6 controls the filter gain of each band by a compressor/expander.
More information