Professional. Setting Guide Movie Edition

Transcription

1 Professional Setting Guide Movie Edition En

2 Table of Contents Movie-Related Camera Controls... 4 Recording Movies... 6 Before Recording... 8 Frame Size/Frame Rate...8 ISO Sensitivity Settings...10 Set Picture Control...11 White Balance...12 Active D Lighting...13 Microphone Sensitivity...13 Frequency Response...13 Wind Noise Reduction...14 More on Movies The Information Display...15 Custom Control Assignments...17 Electronic Vibration Reduction...20 The Movie i-button Menu...21 White Balance...22 Choosing a Picture Control in Live View...23 Taking Photos...24 Creating Stills from 4K UHD Movies...25 HDMI Output...26 Time-Lapse Movies Time-Lapse Movie Techniques...29 Table: Time-Lapse Movie Techniques Compared...30 Filming 4K UHD Time-Lapse Movies

3 Things to Note Restrictions on Available Settings...33 Keeping the Camera Cool...33 Image Artifacts...34 Ending Recording...34 Movie Playback Tips and Tricks Ten-Second Advance/Rewind...35 Skipping to an Index or the Last/First Frame...35 Slow Motion...35 Using the Touch Screen...36 Joining Movie Files Together D500 Movie Specifications

4 Movie-Related Camera Controls S (Q) button E button Shutterrelease button Power switch Movie-record button Control panel Stereo microphone USB connector MODE button Headphone connector Focus-mode selector AF-mode button HDMI connector Connector for external microphone Sub-command dial Pv button Fn1 button Tripod socket 4

5 O (Q) button K button G button L (Z/Q ) button X button W (M) button J button Fn2 button Monitor Sub-selector i button a button AF-ON button Main command dial R button Live view selector Multi selector The monitor features touch-screen controls. In movie mode (in live view or during recording), you can touch the monitor to focus on the selected point. Touch-screen controls can also be used for movie playback (page 36). 5

6 Recording Movies 1 Start movie live view. Rotate the live view selector to 1 and press the a button. 2 Focus. Frame the opening shot and press the AF ON button or press the shutter-release button halfway to focus. a button 6 AF-ON button 3 Start recording. Press the movie-record button to start recording (audio is also recorded; be careful not to cover the built-in microphone). A recording indicator and the time available are displayed in Movie-record button the monitor. The camera can be refocused by pressing the AF ON button, and exposure can be locked by pressing the center of the sub-selector (page 19) or altered by up to ±3 EV using exposure compensation.

7 4 End recording. Press the movie-record button again to end recording and then press a to exit live view. 7

8 Before Recording Before recording, adjust settings in the movie shooting menu. l Frame Size/Frame Rate Choose an option according to how you will use the movie. Option Maximum length r (4K UHD); 30p s (4K UHD); 25p 29 min. 59 s (recorded across up to 8 files of up to t (4K UHD); 24p 4 GB each; the number and y/y ; 60p length of the files varies z/z ; 50p with Frame size/frame 1/ ; 30p rate and Movie quality; 2/ ; 25p files can be joined together 3/ ; 24p using ViewNX i as described 4/ ; 60p on page 37). 5/ ; 50p 8 File Names During recording, a new file is created when the current file reaches 4 GB. Normally displayed in white, the file name in the information display flashes amber 30 s and turns red 10 s before a new file is created.

9 The Movie Crop The movie crop varies with frame size and, at frame sizes of and , the option selected for Choose image area in the movie shooting menu or , DX image area or , 1.3 image area (4K UHD) 9

10 l ISO Sensitivity Settings ISO sensitivity can be adjusted in movie mode (in live view or during recording). ISO sensitivity (mode M): Choose the ISO sensitivity for exposure mode M from values between ISO 100 and Hi 5. Auto ISO sensitivity control is used in other exposure modes. Auto ISO control (mode M): Select On for auto ISO sensitivity control in exposure mode M, Off to use the value selected for ISO sensitivity (mode M). Maximum sensitivity: Choose the upper limit for auto ISO sensitivity control from values between ISO 200 and Hi 5. Auto ISO sensitivity control is used in exposure modes P, S, and A and when On is selected for Auto ISO control (mode M) in exposure mode M. 10 Auto ISO Sensitivity Control At high ISO sensitivities, the camera may have difficulty focusing and noise (randomly-spaced bright pixels, fog, or lines) may increase. This can be prevented by choosing a lower value for ISO sensitivity settings > Maximum sensitivity.

11 Before Recording l Set Picture Control Choose a Picture Control for movies. Same as photo settings: Use the Picture Control settings currently selected in the photo shooting menu. Q Standard: Standard processing for balanced results. Recommended for most situations. R Neutral: Minimal processing for natural results. Choose for footage that you intend to process in post-production. S Vivid: Footage is enhanced for a vivid, photoprint effect with emphasis on primary colors. T Monochrome: Film monochrome footage. o Portrait: Footage of portrait subjects is processed to give skin a natural texture and rounded feel. p Landscape: Film vibrant landscapes and cityscapes. q Flat : Details are preserved over a wide tone range, from highlights to shadows, maximizing the potential for tweaking in post-production. Use with highlight-weighted metering to minimize loss of detail in highlights. 11

12 l White Balance Adjust white balance according to lighting conditions. Choose Same as photo settings to use the white balance settings currently selected in the photo shooting menu. Measuring Preset Manual White Balance Instead of using a specially-prepared reference object, you can measure white balance from any white or grey object in the frame. When Preset manual is selected for white balance, you can hold the U button in live view to enter direct measurement mode. L will flash in the display; tap a white or grey object to position the spot white balance target (r) over the selected object and measure white balance. To zoom in on the target for precise positioning, press the X button. Press the U button again to exit direct measurement mode. White balance presets d1 d6 can be viewed by selecting Preset manual for White balance in the movie shooting menu. The white balance target is shown on the preset. 12

13 Before Recording l l Active D Lighting Use Active D Lighting to preserve details in highlights and shadows when filming high-contrast scenes, for example when shooting through a window or at the beach. Matrix metering is recommended. Active D Lighting does not apply at high ISO sensitivities (Hi 0.3 Hi 5) or at a frame size of If Same as photo settings is selected for Active D-Lighting in the movie shooting menu and Auto is selected in the photo shooting menu, movies will be shot at a setting equivalent to Normal. Microphone Sensitivity Adjust settings for the built-in stereo microphone or optional ME 1 stereo or ME W1 wireless microphones. Choose Auto sensitivity to adjust sensitivity automatically, Microphone off to turn sound recording off. To select sensitivity manually, select Manual sensitivity and choose a value between 1 and 20 (higher values indicate increased sensitivity). l Frequency Response If S Wide range is selected, the built-in microphone will respond to a wide range of frequencies, from music to the bustling hum of a city street. Choose T Vocal range to bring out human voices. 13

14 Before Recording l Wind Noise Reduction Select On to enable the low-cut filter for the built-in microphone (optional stereo microphones are unaffected), reducing noise produced by wind blowing over the microphone (note that other sounds may also be affected). Wind-noise reduction for optional stereo microphones that support this feature can be enabled or disabled using microphone controls. 14

15 l More on Movies Read this section for information on functions you may find useful when filming movies. The Information Display To hide or display indicators in the monitor, press the R button. Information on Information off Framing guides Virtual horizon Histogram Warnings Temperature warning (displayed in red 30 s before live view ends) Low battery No memory card 15

16 Indicators The indicators at right appear in the information display in movie mode (in live view and during recording). w e r t q y u i o!0!1!2 16 q No movie indicator: Indicates that movies can not be recorded. w Headphone volume: Volume of audio output to headphones. Displayed when third-party headphones are connected. e Microphone sensitivity: Microphone sensitivity. r Sound level: Sound level for audio recording. Displayed in red if level is too high; adjust microphone sensitivity accordingly. t Frequency response: The current frequency response. y Wind noise reduction: Displayed when wind noise reduction is on. u Time remaining: The recording time available for movies. i Movie frame size: The frame size for movie recording. o Electronic VR indicator: Displayed when electronic vibration reduction is on.!0 File name: The file name for the current movie (page 8).!1 Highlight display indicator: Appears when the highlight display is on.!2 No power aperture indicator: Indicates that power aperture is unavailable.

17 More on Movies l Custom Control Assignments Use Custom Setting g1 (Custom control assignment) to choose the roles played by camera controls during movie recording. Press To choose the roles played by the following controls, highlight an option and press the center of the multi selector: 0 Pv button v Fn1 button x Fn2 button 8 Center of sub-selector G Shutter-release button The functions that can be assigned to these controls are: 0 v x 8 G t Power aperture (open) 4 q Power aperture (close) 4 i Exposure compensation + 4 h Exposure compensation 4 r Index marking s View photo shooting info B AE/AF lock 4 C AE lock only 4 E AE lock (Hold) 4 F AF lock only 4 C Take photos 4 1 Record movies 4 17

18 0 v x 8 G None Power Aperture Power aperture is available only in exposure modes A and M and can not be used while photo shooting info is displayed (a 6 icon indicates that power aperture can not be used). The display may flicker while aperture is adjusted. Press + y To choose the roles played by the following controls in combination with the command dials, highlight an option and press the center of the multi selector: 1 Pv button + y w Fn1 button + y 9 Center of sub-selector + y Choose from J Choose image area and None. 18

19 More on Movies Silent Exposure Compensation At default settings, exposure compensation can be adjusted by pressing the E button and rotating the main command dial. The sound of the dial may however be audible in the audio recorded with movies. This can be prevented by using Custom Setting g1 (Custom control assignment) to assign Exposure compensation + to the Pv button and Exposure compensation to the Fn1 button. Exposure compensation can then be adjusted by pressing and holding one or the other of these buttons instead of rotating the main command dial. Exposure Lock To lock exposure when filming in P, S, or A mode or when auto ISO sensitivity control is enabled, assign AE L lock (Hold) to the center of the sub-selector. Exposure will lock when the center of the sub-selector is pressed and remain locked until it is pressed again. Exposure lock will Center of subselector not be interrupted if the shutter-release button is pressed all the way down to take photographs during filming. 19

20 Starting Recording with the Shutter-Release Button If Record movies is assigned to the shutter-release button and the live view selector is rotated to 1, you can start live view by pressing the shutter-release button halfway and start and end recording by pressing it all the way down. To prevent camera shake, you can mount the camera on a tripod and start and end recording using an optional remote cord (such as the MC-36A or MC-30A) or wireless remote controller (such as the WR-R10/WR-T10). To prevent unintended operation of the a button, select Disable for Custom Setting f8 (Live view button options). l Electronic Vibration Reduction To enable electronic vibration reduction in movie mode, select On for Electronic VR in the movie shooting menu. Electronic vibration reduction is best with hand-held cinematography; select Off when the camera is on a tripod. Note that if electronic vibration reduction is on and DX is selected for Choose image area (page 9), the angle of view will be reduced and the edges of the frame cropped out. Electronic vibration reduction is not available at a frame size of (page 8). Regardless of the option chosen for ISO sensitivity settings > ISO sensitivity (mode M) in the movie shooting menu (page 10), the upper limit when electronic vibration reduction is on is ISO

21 More on Movies l The Movie i-button Menu Pressing the i button in movie mode displays the following options: Choose image area: Choose an image area for movie recording (page 9). Frame size/frame rate: Select a frame size and rate (page 8). i button Active D Lighting: Adjust Active D Lighting for movies recorded at frame sizes other than (page 8). Movie quality: Choose movie quality. Microphone sensitivity: Press 1 or 3 to adjust microphone sensitivity (page 13). Frequency response: Control the frequency response of the built-in microphone (page 13). Wind noise reduction: Enable or disable wind noise reduction using the built-in microphone s low-cut filter (page 14). Destination: When two memory cards are inserted, you can choose the card to which movies are recorded. Monitor brightness: Press 1 or 3 to adjust monitor brightness (note that this affects live view only and has no effect on photographs or movies or on the brightness of the monitor for menus or playback). Multi-selector power aperture: Select Enable to enable power aperture. Press 1 to widen the aperture, 3 to narrow the aperture. Highlight display: Choose whether the brightest areas of the frame (highlights) are shown by slanting lines in the display. Headphone volume: Press 1 or 3 to adjust headphone volume. Electronic VR: Enable or disable electronic vibration reduction in movie mode (page 20). 21

22 l White Balance In movie mode, white balance can be set by pressing the U button and rotating a command dial. The Main Command Dial Choose a white balance option. The effect can be previewed in the monitor. The Sub-command Dial Fine-tune white balance on the amber (A) blue (B) axis in increments of 0.5. If K (Choose color temp.) is selected for white balance, you can choose a color temperature by pressing the U button and rotating the subcommand dial (adjustments are made in mireds), or enter a color temperature by pressing and holding the U button and using 4 and 2 to highlight digits and 1 and 3 to edit. 22

23 More on Movies If Preset manual is selected for white balance, you can use the U button and sub-command dial to choose a preset. l Choosing a Picture Control in Live View To choose a Picture Control in live view, press the L (Z/Q) button. The effect of the selected control can be previewed in the monitor. To modify the selected control, press 2. 23

24 l Taking Photos In movie mode, photos can be taken by keeping the shutter-release button pressed all the way down (note that photos will not be taken if the camera is unable to focus). If filming is in progress, recording will end and any footage shot to that point will be saved. The photos will have an aspect ratio of 16 9; size varies with the option selected for movie frame size and, in the case of photos taken at frame sizes of and , with the image area and the option selected for Image size > JPEG/TIFF in the photo shooting menu. Frame size Image area Image size Photo size (pixels) Large DX Medium Small Large Medium Small

25 More on Movies l Creating Stills from 4K UHD Movies During movie playback, you can use Save selected frame to save selected frames of 4K UHD movies as JPEG images. 1 Pause playback on the desired frame. Press 3 to pause playback. 2 Choose Save selected frame. Press i or J, then highlight Save selected frame and press 2. 3 Create a still copy. Press 1 to create a fine quality JPEG copy of the current frame. A confirmation dialog will be displayed; highlight Yes and press J. Save Selected Frame Movie stills lack some photo information and can not be retouched. 25

26 l HDMI Output The camera can be connected to HDMI devices for highdefinition movie playback and recording. Connecting to an HDMI Device The camera can be connected to high-definition video devices using an optional High-Definition Multimedia Interface (HDMI) cable or a third-party type C HDMI cable. Always turn the camera off before connecting or disconnecting the cable. Connect to high-definition device (choose cable with appropriate connector) Connect to camera Tune the device to the HDMI input channel, then turn the camera on and press the K button. During playback, images will be displayed on the television screen. Volume can be adjusted using television controls; the camera controls can not be used. If the camera is connected to a third-party HDMI video recorder, you can film movies and save them directly to the device even if no memory card is inserted in the camera. 26

27 More on Movies The HDMI Cable Clip When using the optional Nikon HDMI cable, attach the supplied clip as shown to prevent accidental disconnection. Do not use cable clips with non-nikon cables. 27

28 More on Movies HDMI Options The HDMI option in the setup menu controls output resolution and offers a variety of advanced HDMI options. Output Resolution Choose the format for images output to the HDMI device. If Auto is selected, the camera will automatically select the appropriate format. 28 Advanced Selecting Advanced displays the following options: Output range: Auto is recommended in most situations. If the camera is unable to determine the correct setting, you can choose an option based on the device s video signal input color range. If the input range is 16 to 235 or contrast is so high that highlights are washed out (too bright) and shadows too dark, choose Limited range. Choose Full range if the input range is 0 to 255 or if contrast is so low that shadows are washed out. Output display size: Horizontal and vertical frame coverage for HDMI output can be set to 95% or 100%. Choose 100% when recording video to an external device. Live view on-screen display: If Off is selected, the external device will not display shooting information during live view photography. Dual monitor: Choose On to mirror the HDMI display on the camera monitor, Off to turn the camera monitor off to save power. Dual monitor turns on automatically when Live view onscreen display is Off.

29 l Time-Lapse Movies Time-lapse movies can be created from photos shot using time-lapse photography, the interval timer, or unlimited continuous release. In the first case, the camera generates the movie automatically, while the last two methods require third-party movie-editing software, a powerful computer, and advanced image-processing skills. Time-Lapse Movie Techniques The three methods of creating time-lapse movies are compared below. Interval-Timer Photography In interval-timer photography, the camera takes photos at preset intervals. Image quality, size, and other settings can be adjusted for exactly the results you want, while shots containing unwanted objects can be edited or deleted. You can create frames for high-quality movies and even (in NEF/RAW format) choose the color temperature. Time-Lapse Photography This is the least complicated method: the camera creates movies from photos taken at preset intervals, sparing you the task of splicing the shots together. You are however limited to the frame sizes, bit rates, and quality options available in the Frame size/frame rate and Movie quality menus and can record movies in MOV format only. In addition, the individual frames that make up the movie are not stored in separate files. 29

30 Unlimited Continuous Release Selecting a shutter speed of 4 s or slower in exposure mode S or M lets you take an unlimited number of photographs in continuous release mode (Cl, Ch, or Qc): shooting can continue as long as the battery lasts and there is space on the memory card, regardless of the option selected for Custom Setting d2 (Max. continuous release). Although the lack of shutter speeds faster than 4 s limits your choice of subjects, the interval between shots is as short as in normal photography, producing smoother footage of subjects that require exposure times of 4 s or more, such as stars or auroras. l Table: Time-Lapse Movie Techniques Compared Interval timer Time lapse Continuous Stills NEF, JPEG, TIFF NEF, JPEG, TIFF Format Movies MOV Max. frame size Time between Time selected in Cl 0.5 s or more 1 s or more shots or Ch mode Exposure time 1/ s 4 30 s Material for Material for Hassle-free advanced timelapse movies and featuring star trails time-lapse movies Creates time-lapse movies film logs or auroras 30

31 Time-Lapse Movies l Filming 4K UHD Time-Lapse Movies Filming 4K UHD time-lapse movies is simple: just select a frame size of for Frame size/frame rate in the movie shooting menu and then follow the steps below. The crop (page 9) is the same as for 4K UHD movies. 1 Adjust time-lapse movie settings. Select Time-lapse movie in the movie shooting menu and adjust the following settings: Interval: The interval (in minutes and seconds) should be longer than the slowest anticipated shutter speed. Highlight Interval and Choose an interval and press 2. press J. Shooting time: The total shooting time (in hours and minutes) can be up to 7 hours and 59 minutes. Highlight Shooting time and press 2. Choose a shooting time and press J. 31

32 Time-Lapse Movies Exposure smoothing: Select On to smooth abrupt changes in exposure in modes other than M (note that exposure smoothing only takes effect in mode M if auto ISO sensitivity control is enabled in the photo shooting menu). Highlight Exposure smoothing and press 2. Highlight an option and press J. 2 Start shooting. Highlight Start and press J. After about 3 s, shooting will start and the camera will take photographs at the selected interval for the selected shooting time. To end shooting early and create a time-lapse movie from the frames shot to that point, highlight Off in the time-lapse movie menu and press J, or press J between frames or immediately after a frame is recorded. 32

33 l l Things to Note Some things to note when filming: Restrictions on Available Settings The exposure settings available in movie mode (in live view or during recording) vary with the exposure mode selected. Aperture Shutter speed ISO sensitivity P, S 1, 2 A 4 1, 2 M , 3 1. The upper limit for ISO sensitivity can be selected using the ISO sensitivity settings > Maximum sensitivity option in the movie shooting menu (page 10). 2. The upper limit when On is selected for Electronic VR in the movie shooting menu is ISO If On is selected for ISO sensitivity settings > Auto ISO control (mode M) in the movie shooting menu, the upper limit for ISO sensitivity can be selected using the Maximum sensitivity option. Keeping the Camera Cool If live view is used continuously for extended periods, the camera s internal temperature will rise, causing noise (bright spots, randomly-spaced bright pixels, or fog) to appear in images. Use live view only when taking pictures. Note that live view does not end when menus are displayed; unless you intend to resume shooting immediately, exit live view before using the menus. 33

34 Things to Note l Image Artifacts Flicker, banding, or distortion may be visible in the monitor and in the final movie under fluorescent, mercury vapor, or sodium lamps, when power aperture is in use, or if the camera is panned horizontally or an object moves at high speed through frame. Jagged edges, color fringing, moiré, and bright spots may also appear. Bright areas or bands may appear with flashing signs and other intermittent light sources or if the subject is briefly illuminated by a strobe or other bright, momentary light source. Noise (randomly-spaced bright pixels, fog, or lines) and unexpected colors may be more noticeable if you zoom in on the view through the lens during live view. The Flicker reduction option in the movie shooting menu can be used to reduce flicker under fluorescent, mercury vapor, or sodium lamps. The desired results may not be obtained if the subject is very bright, in which case you should try a smaller aperture (higher f-number). l Ending Recording If the maximum length is reached, the memory card fills, the battery runs low, the live view selector is rotated to C, the lens is removed, or the camera overheats, filming will end automatically and all footage shot to that point will be saved. No movie will be recorded if the battery is removed during filming. 34

35 l l l Movie Playback Tips and Tricks Some tips for viewing movies: Ten-Second Advance/Rewind Rotate the main command dial one click to advance or rewind 10 seconds. Skipping to an Index or the Last/First Frame If you added index markers during recording, you can skip to the next or previous index frame by rotating the subcommand dial during playback. If there are no intervening index markers, the sub-command dial will take you to the last or first frame. Slow Motion Press 3 for slow-motion playback. Index Marking If Index marking is assigned to a control using Custom Setting g1 (Custom control assignment, page 17), you can press the selected control during recording to add indices that can be used to locate frames during editing and playback. Up to 20 indices can be added to each movie. 35

36 Movie Playback Tips and Tricks l Using the Touch Screen The touch screen offers the following movie playback controls: Play/Pause/Resume Tap the a icon to start playback and tap the monitor to pause or resume. a icon Skip Tap the progress bar to skip to the selected position and pause playback. You may find this useful when attempting to find a specific scene in a long movie. Progress bar Volume Control Tap the W or X icon during playback to adjust the volume. Volume control 36

37 Joining Movie Files Together Each movie recorded with the D500 may consist of up to 8 files of up to 4 GB in size. These files can be joined together in ViewNX i. 1 Select the files in the movie. Right-click any of the files in the movie and choose Select Set of Continuous Movies to select all the movie s component files. 37

38 Joining Movie Files Together 2 Launch ViewNX Movie Editor. Click the (movie) button to launch ViewNX Movie Editor. 3 Click Combine movies. The options at right will be displayed. Click Combine Movies. 4 Save the movie. Choose a destination and file name and click Output. 38

39 D500 Movie Specifications Image sensor Image sensor Total pixels Dust-reduction system Storage Media Movies Metering Metering method Frame size (pixels) and frame rate Bit rate Sampling rate mm CMOS sensor million Image sensor cleaning, Image Dust Off reference data (Capture NX-D software required) XQD memory cards; SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards TTL exposure metering using main image sensor Matrix, center-weighted, or highlight-weighted (4K UHD); 30p (progressive), 25p, 24p ; 60p, 50p, 30p, 25p, 24p ; 60p, 50p Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and fps respectively; high quality available at all frame sizes, normal quality available at all sizes except (4K UHD): 144 Mbps p/50p high: 48 Mbps p/50p normal: 24 Mbps p/25p/24p high: 24 Mbps p/25p/24p normal: 12 Mbps high: 24 Mbps normal: 12 Mbps Internal storage: 4 2 0, 8 bit HDMI output: 4 2 2, 8 bit 39

40 40 Movies File format MOV Video compression H.264/MPEG-4 Advanced Video Coding Audio recording format 48 khz, 16-bit linear PCM Audio recording Built-in stereo microphone; external microphone (impedance 2.2K Ω); sensitivity adjustable device ISO sensitivity Exposure mode M: Auto ISO sensitivity control (ISO 100 to Hi 5) available with selectable upper limit; manual selection (ISO 100 to in steps of 1/3, 1/2, or 1 EV) with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, 2, 3, 4, or 5 EV (ISO equivalent) above ISO Exposure modes P, S, and A: Auto ISO sensitivity control (ISO 100 to Hi 5) with selectable upper limit Active D Lighting Can be selected from Same as photo settings, Extra high, High, Normal, Low, or Off Other options Index marking, time-lapse movies, electronic vibration reduction White balance Same as photo settings, auto (3 types), incandescent, fluorescent (7 types), direct sunlight, cloudy, shade, preset manual (up to 6 values can be stored, spot white balance measurement available during live view), choose color temperature (2500 K K), all with fine-tuning. Picture Control Picture Control System Same as photo settings, Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, Flat; selected Picture Control can be modified; storage for custom Picture Controls

41 D500 Movie Specifications Monitor 8-cm/3.2-in., approx. 2359k-dot (XGA) tilting TFT touchsensitive LCD with 170 viewing angle, approximately 100% frame coverage, and manual monitor brightness control Interface USB SuperSpeed USB (USB 3.0 Micro-B connector); connection to built-in USB port is recommended HDMI output Type C HDMI connector Audio input Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) Audio output Stereo mini-pin jack (3.5 mm diameter) Power source Battery One rechargeable Li-ion EN-EL15 battery Battery pack Optional MB-D17 multi-power battery pack with one rechargeable Nikon EN-EL18a or EN-EL18 Li-ion battery (available separately), one rechargeable Nikon EN-EL15 Li-ion battery, or eight AA alkaline, Ni-MH, or lithium batteries. A BL-5 battery-chamber cover is required when using EN-EL18a or EN-EL18 batteries. AC adapter EH-5b AC adapter; requires EP-5B power connector (available separately) Tripod socket 1/4 in. (ISO 1222) 41

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