Taking the Mystery out of Double Weave Tieups (I Hope) A
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- Ira Mathews
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1 aking the Mystery out of ouble Weave ieups (I Hope) It is not easy to understand and remember how to figure out the tieups for double weave. Here is the method I use shown step by step and one weaving block at a time.. raw a x grid and label it block with warp shaft numbers and warp colors on the left of the grid. I have chosen four colors,,, and for the warp. You may find it easier to use colors such as R for red, O for orange, and so on. Label weft pick numbers and weft colors across the bottom of the grid. I have arbitrarily chosen two of the warp colors and for the weft colors. Other colors could of course be chosen. he weft order is always the same.. (Why? hen in multiblock weaving, the weft will weave properly in all blocks no matter how many tieup changes you decide to make.) olor lock Weft olors a. hoose the color scheme you want for the warp and identify the shaft numbers and colors for the top layer and for the bottom layer. b. hoose the color scheme you want for the weft and identify the weft pick numbers and the weft colors for the top layer and for the bottom layer. (hese are choices that you the weaver can make.) s olors or the warp op Layer ottom Layer Pick # s olors or the weft op Layer ottom Layer
2 . Identify the two warp threads that you want to weave in the top layer by shaft number, b y warp color, and by the order in which they weave. In this example the warp threads are on shafts and, their colors are and respectively, and they weave in the order that the threads on shaft are to be raised for the first weft pick and the threads on shaft are to be raised for the third weft pick. raw horizontal arrows from the proper warp threads into the grid. raw vertical arrows from the proper weft pick into the grids. Where they meet, is written in that grid square to signify that these will be the two warp threads weaving in the top layer of the double weave. Here is what that looks like. olor lock Weft olors ompletion of the grid follows almost automatically once the ;s have been put in place. Let us continue step by step.. Identify the two warp threads that you want to weave in the bottom layer by shaft number, b y warp color and by the order in which they weave. In this example the warp threads are on shafts and, their colors are and, and they weave in the order that threads on shaft are raised for the second weft pick the threads on shaft are raised for the fourth weft pick. raw the horizontal and vertival arrows again. Where they meet, write in s to signify these warp threads will be in the bottom layer of the double weave.
3 olor lock Weft olors. We are almost done. In order to weave the bottom layer of double weave, the top layer must be raised out of the way. his is shown in the next diagram with black dots to represent the shafts of the top layer which must be raised so that the second and fourth weft picks can weave the bottom layer. Notice that the black dots always appear in the rows with s and in the columns with s. he tieup grid for block has been completed! olor lock Weft olors
4 Let s go through the same procedure for block where the threads are on shafts -. he warp colors have been changed. he weft pick # s and colors stay the same because blocks and are to be woven at the same time. olor lock Weft olors I have deliberately chosen to make the plan for block different from the plan used in block. Here it is. he colors for the warp and the weft in the two layers has changed. (hat was my choice.) s olors or the warp op Layer ottom Layer Pick # s olors or the weft op Layer ottom Layer he arrows for the top layer are shown and the s are inserted followed by the diagrams where the s and the dots are added, leading to the complete tieup for block.
5 olor lock Weft olors olor lock Weft olors
6 ddition of the black dots gives the final tieup for block. olor lock Weft olors Now we are ready to present the tieups for both blocks and, one above the other as is the usual presentation. I have also changed the s, s, and black dots to s which is also the customary notation for tieup diagrams. he first of the two tieups weaves the background of the window design. he tieups for shafts - and for shafts - are identical in form. he second of the two tieups weaves the pattern or window of the window design and here of course the tieup for block is different in form from the tieup for block.
7 G ieup for ackground ieup for Window olor lock olor lock lock lock Weft olors Weft olors. Some dditional Notes about Notations, Numbers and olors he notations,, ORMP mean the same thing. hoose the one you like. ORMP means orange, red, magenta, purple wo Shaft hreadings wo olors our olors wo olors our olors wo olors OR R O R O our olors ORMP P M R O
8 H he Six olor Pairs for wo olor hreading op Layer ottom Layer op Layer ottom Layer op Layer ottom Layer OR OO OR OR RR RO RO RR RO OR OO OR Squares identify combinations that are essentially the same he Six olor Pairs for our olor hreading op Layer ottom Layer op Layer ottom Layer op Layer ottom Layer OR OO OR OR RR RO RO RR RO OR OO OR he weft color can be added to any of these warp color notations or example, using the first from each group op Layer ottom Layer olors - Weft olors olors - Weft olors OR - OO OR - RR op Layer ottom Layer olors - Weft olors olors - Weft olors OR - OO MP- PP
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