CONTENTS. About the Author... 4 Introduction The B Lessons Improvisation. The A Lessons Chords and Harmony. Chapter 1. Chapter 2.
|
|
- Sophie Bennett
- 5 years ago
- Views:
Transcription
1 CONTENTS Aout the Author... 4 ntroduction... 5 The A Lessons Chords and Harmony Chapter 1 Lesson 1A: The Progression...6 The Lessons mprovisation Lesson 1: mprovising Over Diatonic Progressions... 8 Lesson 2A/2: Diatonic Arpeggios...12 Chapter 2 Lesson 1A: Altered Chords...18 Dominant 7th 5 Chords...18 The Closer You Are...19 Lesson 2A: More Altered Chords...21 Dominant 7 # 5 Chords...21 Funny...21 Lesson A: Altered Chords, Continued...24 Dominant 7 9 Chords...24 Friendly...25 Lesson 4A: More Altered Chords...0 Dominant 7 # 9 Chords...0 y the Light of the Moon...0 Lesson 5A: Chords with Comined Alterations...4 Lesson 6A: More Chords with Comined Alterations...9 Lesson 7A: Other mportant Chords and Fingerings...42 Slash Chords...42 Fingerings...4 Lesson 1: Practicing Arpeggios...20 Lesson 2: Progressions for Practicing Arpeggios...22 Lesson : Creating Lines No Spelling Out the Changes...26 Swing Feel...26 Lesson 4: Creating Lines No Neighor Tones Approaching the Root...1 Lesson 5: Creating Lines No....6 Neighor Tones Approaching the rd...6 Lesson 6: Creating Lines No Neighor Tones Approaching the 5th...40 Lesson 7: Creating Lines No Neighor Tones Approaching the 7th...45 Chapter Lesson 1A: Comping Swing Feels...47 Lesson 2A: Comping Latin Feels...50 Lesson A: Comping Funk Feels...52 Lesson 4A: Comping allads...54 Lesson 1: Major 7th Extensions...49 Lesson 2: Diminished Extensions...51 Lesson : Ascending Lines from Chord Tones...5 Lesson 4: Descending Lines from Chord Tones Contents
2 Chapter 4 The A Lessons Chords and Harmony Lesson 1A: Chord Connections...56 Lesson 2A: Chord Connections No String Set String Set String Set Lesson A: Chord Connections No Moving Across the String Sets...66 Lesson 4A: Chord Connections No String Set String Set String Set The Lessons mprovisation Lesson 1: Learning Licks No Major Chord Licks Lesson 2: Learning Licks No Minor Licks Lesson : Learning Licks No Dominant Licks...68 Lesson 4: Learning Licks No mi7 5 Licks...72 Chapter 5 Lesson 1A: The lues Progression...74 Lesson 1: Soloing Over lues Progressions...78 C Minor Pentatonic Fingerings...78 C lues Scale Fingerings...79 C Mixolydian Fingerings...79 Sample lues Solos...80 lues Solo No lues Solo No lues Solo No Chapter 6 Lesson 1A: Rhythm Changes...82 Rhythm Lesson 1: Soloing Over Rhythm Changes...84 Rhythm Solo Chapter 7 Lesson 1A: Turnarounds...86 Lesson 1: Soloing Over Turnarounds...87 Chapter 8 Lesson 1A: Chord Solo...88 Foggy Lesson 1: Single-Note Solo...90 Single Notes in the Mist CODA A Medley of Suggestions and Musical Concepts Playing With ood Tone...92 More Aout Practicing...92 The Value of Practicing Along a Single String...94 Singing Along With mprovised Lines...95 Listening to the reats...95 Jazz Artists...96 Contents
3 Lesson 1: mprovising Over Diatonic Progressions The rule for improvising over diatonic progressions is quite simple, at least at this stage of the game: use the major scale of the chord. f the progression is mi7 C7 FMa7, improvise using the F Major scale; for Cmi7 F7 Ma7, use the major scale, etc. e sure the chords in the are not altered. n other words, all chords with a raised or lowered 5th ( 5, 5), 9th ( 9, 9) or 11th ( 11, 11) would make this rule inapplicale, ecause these altered tones are not diatonic (not in the major scale). After we get a handle on using the major scale, we will learn how to handle non-diatonic situations. Example will help you get used to the sound, and train you to get around from key to key. Use the CD that accompanies this ook, or record the chord progressions, and play along. Simply practice improvising over the entire progression without stopping. Each progression is repeated twice and then moves on to the next key. Use all the major scale fi ngerings that you know in all areas of the fi ngeroard. For some general tips on how to get started improvising, check out the CODA section of eginning Jazz uitar (page 85). &4 &4 4 È A ÿ &.. 8 ntermediate Jazz uitar &. E È D ÿ. È Fÿ &.. C7 CÈ ÿ &.. &. FÈ F 7 A 7 7 &.. E 7 E ÿ.
4 Lesson 6: Creating Lines No. 4 NEhOR TONES APPROAChN ThE 5Th The following are examples of neighor tones approaching the 5th. Memorize some or all of them, transpose them to all the other keys and use them in your improvisations One Half Step elow the 5th &4 4 # J n = Neighor tones Œ One Half Step Aove the 5th 4 &4 4 J n j. n w Multiple Neighor Tones: Half Step Aove the 5th, Half Step elow the 5th &4 4 # # n n n # Multiple Neighor Tones: Whole Step Aove the 5th, Half Step elow the 5th &4 4 # # # 40 ntermediate Jazz uitar
5 SAMPLE LUES SOLOS There is a ig difference etween learning improvisational tools, such as scales, and actually putting them to use. At fi rst, we tend to organize them into patterns in different areas of the fi ngeroard. n actual practice, we usually comine the various tools and utilize the entire fi ngeroard. This is ecause the ideas we hear in our heads don t always conform to organized fi ngering patterns. n the sample lues solos that follow, you will fi nd that the scales eing used jump around to various parts of the fi ngeroard. Study these solos and memorize the parts that you enjoy so you can use them in your own solos. 4 &4 Minor pentatonic throughout C9 4 & C9. J LUES SOLO NO. 1 n ( ) Eñ & J. Œ Œ C9 Dñ = Target chord tones 44 LUES SOLO NO. 2 4 A A n EÈ ( ) A &4 A lues Scale A lues Scale # # #. A È C # È & J. J # n n j n. D # (A lues Scale) mi7 arp. C#mi7 arp. F # ï & A n E9 E Ma arp. A lues Scale n E7 w 80 ntermediate Jazz uitar
Major Pentatonic Scales: Lesson 1
Major Pentatonic Scales: Lesson 1 In the next 4 video lessons we will be looking at and discussing some simple concepts for creating grooves and groove solos. The 4 Lessons will focus on Using Major Pentatonic
More informationcontents ABOUT THE AUTHOR...4 INTRODUCTION...5
contents ABOUT THE AUTHO... INTODUTION...5 hapter : Getting Started Open Position hords 6, Barre hords 7, eading Music 8, Blues Progressions and Strumming 9, Pentatonic Scale Fingerings 0 hapter The A
More information6 Mojolicious Guitar Scales
6 Mojolicious Guitar Scales 1. The Minor Pentatonic Scale A pentatonic scale is a scale that has 5 notes per octave. The minor pentatonic scale is commonly used to form solos in rock, blues, and many other
More information!!!! Understanding!the!Modern!Rhythm!Section! Outside!Pedestrian! Dr.!Anthony!Fesmire,!guitar!
UnderstandingtheModernRhythmSection OutsidePedestrian.outsidepedestrian.com Dr.AnthonyFesmire,guitar AssociateProfessor,CollegeoftheDesert.anthonyfesmire.com DavidLockeretz,ass DavidOromaner,drums DavidODrums.davidoromaner.com
More information2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved
What s a Tritone Substitution? The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another
More informationChord Tones: Targeting Blues Guitar. Chord Tones: Targeting Blues Guitar
Chord Tones: Targeting Blues Guitar Chord Tones: Targeting Blues Guitar In this chord tones lesson we will learn to target the notes in each individual chord of the 12-bar blues progression and adjust
More informationIntro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50
Intro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50 Prerequisites: Ability to read music and facility on an instrument. This course explores some of the tools improvisers use to develop their
More information5 Miles Davis ii V I licks.
5 Miles Davis ii V I licks. BASS CLEF Matt Lawton WWW.MATTLAWTONBASS.COM MATTLAWTONBASS@GMAIL.COM About The Author Thanks for downloading my ebook! If you don t know who I am allow me to introduce myself;
More informationImprov Pathways. Table of Contents. CD 1 Track List
Introduction & CD Track Lists........ 1-3 Lessons 1-8: The I Chord............ 4-14 Head Charts: I Chord.............. 15-16 Lessons 9-13: The IV Chord........ 17-23 Head Charts: I & IV Chords........
More informationDeveloping lines. œ œ œ œ œ œ œ Œ Ó. Break the bebop scale up into 4 parts that connect chord tones using scale motion
G7 4 G 7 # Bebop Lines Developing lines Jeff Ellwood Break the bebop scale up into 4 parts that connect chord tones using scale motion 1-5 3-7 5-1 7-3 # # 4 5-1 7-3 1-5 3-7 8 After learning the scales
More informationAdding Color and Richness to Common Chords
Adding Color and Richness to Common Chords BY JOHN MARK PIPER Maj 7 chords are made of 1, 3, 5, 7 of the major scale. (Cmaj7, CM7) It is often desirale to add color to chords using chord extensions that
More informationUnderstanding and Using Pentatonics Creatively: Lesson 1
Understanding and Using Pentatonics Creatively: Lesson 1 Major and Minor Scales When we write melodies, play bass lines and improvise solos, we derive our information from scales. There are many types
More informationTABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5
ABLE OF CONENS ABOU HE AUHOR...4 INRODUCION... CHAPER Getting Started 6 he Fretboard...6 Reading Standard Music Notation... Reading Bass ablature...9 Chord Symbols...9 Accidentals... 0 he Chromatic Scale...
More informationThe Major Scale Key Signatures Cycle of 5ths Numbering (Spelling)... 24
CONEN bout the uthor... 4 INRODUCION... Chapter Getting tarted 6 he Guitar Fingerboard...6 uning... Music Notation...8 Reading, cale, and Chord Diagrams... 2 Roman Numerals... 2 ome erms and igns... asic
More informationHarmonic Plumbing Mark White Whitmark Music Publishing
Harmonic Plumbing Mark White Whitmark Music Publishing I borrowed the term "Harmonic Plumbing" from the liner notes of a Bill Evans album. In plumbing, one can find any number of different routes to connect
More informationApproach Note Series #1: Root and Third
Approach Note Series #1: Root and Third A true staple in the jazz improvisation world is the approach note technique. It is a technique that has been used by all of the greatest jazz improvisers of the
More informationGypsy And Jazz Arpeggio Book Arpeggios and Tricks
Gypsy And Jazz Arpeggio Book Arpeggios and Tricks Yaakov Hoter P a g e 1 TABLE OF CONTENTS Arpeggios... 3 Rest-stroke Picking... 5 Daily Practice... 8 Major Vertical Arpeggios... 9 Minor Vertical Arpeggios...
More informationChromatic Chord Tone Patterns
A scale-like approach to add chromatics to Gypsy Jazz improvisation By Jim Vence March 2011 As a progressing Gypsy Jazz improviser, you have been probably working on your chord and arpeggio patterns, as
More informationTarget Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar
Target Intervals in Jazz Blues Guitar Target Intervals in Jazz Blues Guitar When learning to solo on a jazz blues it is important to learn to target intervals in each chord of the progression. This will
More informationImprov Pathways. Table of Contents. CD 1 Track List
Introduction....................... 1-2 Lessons 1-8: The I Chord............ 3-10 Head Charts: I Chord.............. 11-12 Lessons 9-13: The IV Chord........ 13-17 Head Charts: I & IV Chords........ 18-19
More informationMozart, Beethoven, and Brahms were all renowned for their improvisational abilities
ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American
More informationLevel 6. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100
Level 6 Length of the examination: 30 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: Successful completion of the THEORY 2 examination
More informationForming a Tonal Center
Forming a Tonal Center Tonality in Western Music How do we establish of the 2 notes in western music as the most important note or tonal center Here is the way it happens! Free Lesson, Page The 2 notes
More informationVirginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales
Guitar I Beginning Level Technique 1. Demonstrate knowledge of basic guitar care and maintenance 2. Demonstrate proper sitting position 3. Demonstrate proper left-hand and right-hand playing techniques
More informationElements of Predictability
Advanced Harmonic Concepts Elements of Predictability There are a number of similar characteristics associated ith the composition and performance of standard jazz With these characteristics come a number
More informationThe diminished harmonic system produces three eight-note
Diminished System Diminished Scale Construction The diminished harmonic system produces three eight-note symmetric scales ased on the minor third interval (four equal divisions of the octave). Each scale
More informationLevel 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100
Level 7 Length of the examination: 35 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: Successful completion of the THEORY 3 examination
More informationCONTENTS
CONENS + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + OU E UOR INRODUCION 4 CPER ONE: Getting Started alf Steps and Whole Steps he Notes
More informationForming a Tonal Center
Forming a Tonal Center Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Jazz Everyone! Free Lesson,
More informationGroup Piano. E. L. Lancaster Kenon D. Renfrow BOOK 1 SECOND EDITION ALFRED S
BOOK SECOND EDITION ALFRED S Group Piano FOR A D U LT S An Innovative Method Enhanced with Audio and MIDI Files for Practice and Performance E. L. Lancaster Kenon D. Renfrow Unit 9 Scales (Group ) and
More informationModern Band: Chart Notation Guide
At the top of each lead sheet, you ll fi nd information on the song s key (in this case, A major), tempo (90 BPM), chords, and song structure. You ll see the chords listed with a letter name and a roman
More informationTutorial 3K: Dominant Alterations
Tutorial 3K: Dominant Alterations Welcome! In this tutorial you ll learn how to: Other Tutorials 1. Find and use dominant alterations 3A: More Melodic Color 2. Play whole-tone scales that use alterations
More informationGUERRILLA TACTICS FOR GUITAR IMPROVISATION. A Non-Jazz Oriented Approach
GUERRILLA TACTICS FOR GUITAR IMPROVISATION A Non-Jazz Oriented Approach WHY GUITAR IMPROVISATION? The guitar s fretboard presents some unique problems because of its tuning disposition. The work offers
More informationAnd please check out our full on video instructional website at now let s get to it!
Here are a few lessons from the lead guitar manual that goes with the Rock Jam Tracks Plus and Blues Jam Tracks Plus packages. The lead guitar manual that come with the CDs are over 53 pages each absolutely
More informationContents. Beginning Bass for Adults. About the Author Eighth Notes...33 Eight to the Bar...33 The Eighth Rest...34 Rasta Riff...
2 Contents bout the uthor... Introduction... Ho to Use his ook... Chapter One uying Your ass... mplifiers... arts of the ass... Holding the ass... 8 he Left Hand... he Right Hand... uning Your ass...2
More informationSCOOBY-SAX NEWSLETTER (August, 2013)
SCOOBY-SAX NEWSLETTER (August, 2013) Welcome Well, it has been quite a while since I sent out a Newsletter! Hopefully you will find that it was been worth the wait. The main focus of this issue is the
More informationForming a Tonal Center
Forming a Tonal enter Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Free Lesson, Page 1 The 12
More informationTony Grey Bass Academy
Tony Grey Bass Academy BeBop Study Lesson 1 Step 1 Tony Grey Bass Academy This lesson is taken directly from inside the Tony Grey Bass Academy were we do a full course on all of the different approach
More informationii-v-i ? 4 4 Dm7 G7 CMaj7 Gm7 C7 FMaj7 Cm7 F7 B Maj7 Fm7 B 7 E Maj7 B m7 E 7 A Maj7 E m7 A 7 D Maj7 A m7 D 7 G Maj7 C # m7 F # 7 BMaj7 F # m7 B7 EMaj7
The most common chord progression found in jazz music is the ii-v-i (2-5-1), and the source of the minor ii, dominant V, and major I chords is the modes of the major scale. For example, the C major scale
More informationIntroduction to Jazz Guitar Chords and Comping Styles. -by Mike Scott
Introduction to Jazz Guitar Chords and Comping Styles -y Mike Scott he folloing lessons introduce some of the asics of azz guitar chords opics include: Some of the most common chord voicings used Intervals
More informationContents. The Total Beginning Guitarist
Contents bout the uthors... 4 Introduction... 5 uying a Guitar... 6 Parts of the Guitar... 7 Holding the Guitar... 8 wo Positions for Playing the Guitar... 8 Left-Hand echnique... Right-Hand echnique...
More informationBlues Guitar 101 Classic Licks
Blues Guitar 101 Classic Licks Essential Blues Guitar Licks and Phrases Written By: Matthew Warnock Audio By: Jack Taylor Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com
More informationPlaying Jazz Guitar Bass Lines with Chords
Playing Jazz Guitar Bass Lines with Chords The guitar is an extremely versatile instrument, with seemingly endless techniques and tones around every corner. One very important and widely used jazz guitar
More informationThe Solo Section is a Part of the Chart Too!
The Solo Section is a Part of the Chart Too! Making the Solo Section Work for Your Band Mike Conrad Doctoral Candidate University of Northern Colorado Time spent on improvisation? Chart is about 5 minutes
More informationApproach Notes and Enclosures for Jazz Guitar Guide
Approach Notes and Enclosures for Jazz Guitar Guide As a student of Jazz guitar, learning how to improvise can involve listening as well as learning licks, solos, and transcriptions. The process of emulating
More informationVertical Harmony Concepts
Vertical Harmony Concepts The purpose of this book is to familiarize the bassist with chord structures and to enhance his ability to solo intelligently and effectively. While many of these concepts can
More informationJazz Standard Study Guide Corcovado
Jazz Standard Study Guide Corcovado Written By: Matthew Warnock Published By: Guitar for Life LLC Cover Photo By: Twizzlebird Creative Copyright 2017 Guitar for Life LLC Introduction to This Study Guide
More information1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 The
More informationSay Wha? (60 BPM) BLUES-ROCK HARD ROCK. Blind Swine (90 BPM) FUNK ROCK. Tipitina s 501 (100 BPM Shuffle)... 24
SIING IN: ROCK GUIR CONNS bout the uthor Introduction ow to Use his ook Working with the Play-long racks Scale heory6 Intro to Rock armony Changing Keys and Making the Changes Say Wha? (Classic Rock in
More informationpage title type location genre video audio
Guitar Training material contents: page title type location genre video audio 3 basic exercises exercise GT XL v a 4 technical exercises exercise GT XL a 6 practising tips exercise GT XL a 8 scales, interval
More information10 Must Know Jazz Guitar Licks
10 Must Know Jazz Guitar Licks Building A Vocabulary From Studying What The Masters Play Written By: Jamie Holroyd Edited By: Jamie Holroyd and Britt Reed 2012 Jamie Holroyd http://www.jamieholroydguitar.com/
More informationTable of Contents. Chucking, Damping and Palm Muting About the Author... 4 Introduction The Art of the Power Chord...
able of Contents bout the uthor... Introduction... Part : Getting Started... Holding the Guitar... humb Position... Wrist Position... Picking Grip... 8 Strumming Grip... 8 Stretching and Warming Up...
More informationLEVEL SIX. The THEORY 2 written examination must be completed successfully for the awarding of the Level 6 Practical Certificate.
LEVEL SIX Length of the examination: Examination Fee: Co-requisite: 30 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca The THEORY 2 written examination must be completed
More informationWeekly Bass Lessons: Week 7 Walking Bass Line Concepts
Weekly Bass Lessons: Week 7 Walking Bass Line Concepts In this weeks lesson we will be focusing on some Walking Bass Line Concepts. The Chord Progression I m using is based on the changes to the popular
More informationTABLE OF CONTENTS. Preface... iii
i TABLE OF CONTENTS Preface........................................................................... iii Chapter 1 Cycles and II-V Sequences............................................ 1 Fast-moving
More informationLearning the Extended Range Bass Guitar Neck (Key of C-Major) By Byron Santo
Learning the Extended Range Bass Guitar Neck (Key of C-Major) By Byron Santo In this lesson, we will take my Extended Range Bass Neck chart and apply the key of C-Major to it. Only the notes that correspond
More informationSoloing in the Real World
C Solo q = Y X Soloing in the Real World Steve Stine ÍÍÍÍÍÍÍ ÍÍÍÍÍ ÍÍÍÍÍÍÍ Ÿ~~~~~ J J n ÍÍÍÍÍÍÍ ÍÍÍÍÍ ÍÍÍÍÍÍÍ Ÿ~~~~~ 2 2 2 9 9 2 2 9 n n 6 6 6 n 4 ÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍ Ÿ~~~~~~ j ÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍ
More informationContents. Contents Scales Listed Alphabetically. How to Use this Book... 4
Contents How to Use this ook Contents Scales Listed lphaetically SCLES LISED LPHEICLLY eolian eolian eolian Major 7 ke ono 8 ltered Dominant 9 ltered Dominant 70 ugmented ugmented 9 ugmented 9 ugmented
More informationEasy Jazz Guitar Progressions
Easy Jazz Guitar Progressions 12 Essential Progressions for Jazz Guitar Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2017 Guitar for Life LLC mattwarnockguitar.com 2 Table of
More informationRGT offers quality exams you can have confidence in. About Registry of Guitar Tutors (RGT) For more information about RGT visit
RGT@LCM Registry of Guitar Tutors at London College of Music RGT offers quality exams you can have confidence in. About Registry of Guitar Tutors (RGT) RGT was established in the UK in 1992 and is now
More informationSlow Blues Chord Progression Overview
Chord Progression Overview "12 bar" with a "Quick Change" Key of ypical Root chords with alternating major th in tab Rhythm is a "triplet shuffle" You play on the 1 and 3 of the triplet: 1 2 3 1 2 3 1
More informationrock piano scales CC1E7F B5FE6A5FD235C568D Rock Piano Scales 1 / 6
Rock Piano Scales 1 / 6 2 / 6 3 / 6 Rock Piano Scales Welcome to irocku, Chuck Leavell s rock piano lessons. Below are videos and sheet music to learn Piano Rhythms and Progressions such as Salsa, Reggae,
More informationabout the author... 4
CONN about the author... 4 INRODUCION... 5 Chapter etting tarted 6 he uitar Fingerboard...6 uning...7 Music Notation... Reading, cale, and Chord Diagrams... Roman Numerals... ome erms and igns... asic
More informationThe following table shows the maximum marks that can be awarded in each section of the examination.
Introduction To Bass Guitar Examinations Internationally Recognised Qualifications These examinations offer a formal recognition of the specific talents of bass guitar players. The examinations have been
More informationTable of Contents. The Blues Scale in A Minor 3 Position 1 4 Position 2 5 Position 3 6 Position 4 7 Position Must Know Chords 9
Tale of Contents The Blues Scale in A Minor Position Position 5 Position 6 Position 7 Position 5 8 -Must Know Chords 9 The Blues Scale in A Minor If you want to e ale to play the Blues as well as related
More informationLearn Guitar The Method For A New Generation
pt pt Presents Learn Guitar The Method For A New Generation Written & Method By John McCarthy Adapted By: Jimmy Rutkowski Supervising Editor: Joe Palombo Music Transcribing & Engraving: Jimmy Rutkowski
More informationEar Training Exercises Ted Greene 1975, March 10 and May 8
Ear Training Exercises Ted Greene 1975, March 10 and May 8 PART 1 Wherever the word sing is used, you might wish to substitute hum or whistle if you prefer to do these. If you do sing the exercises you
More informationFENDER PLAYERS CLUB SCALES SCALES ESSENTIAL INGREDIENTS... 1
SCALES SCALE (from L. scala, ladder): A progression of notes in a specific order. Scales are very important to know, especially when it comes to playing a solo. This section is an easy reference for constructing,
More information150 Frequently Asked Questions about Improvisation
150 Frequently Asked Questions about Improvisation Copyright 2004 Visual Jazz Publications Here are some of the questions you may have wondering about when it comes to improvisation. Each question number
More informationStraight No Chaser. for Osceola All-County Jazz Auditions. j œ œ œ nœ. # œ œ nœ. œ # œ œ # œ œ œ # œ œ œ. # œ œ. œ œ# œ œ# œ œ œ œ.
Alto Sax 4 Ó Œ for Osceola 2002-2003 All-County azz Auditions # # n T Monk # # G # # 9 # E- # # # A # # # A 4 # G # n # # 8 G # # # E- E- 22 # # # # # # A The Articulation in this piece should e closer
More informationWes Montgomery Licks. From the Master. Written by Sam Smiley Copyright 2012 by Sam Smiley
Wes Montgomery Licks From the Master Written by Sam Smiley Copyright 2012 by Sam Smiley http://www.samsmileymusic.com twitter.com/samsmileymusic facebook.com/samsmileymusic Table of Contents Introduction...
More informationJazz Lesson 12. Technique. Harmony & Theory. 1. Playing Modes over 5-1 Resolution. 1. The ii-7-v7-i Resolution. Jazz Piano School 2014
Jazz Lesson 12 Technique 1. Playing Modes over 5-1 Resolution a. The V-I resolution is incredibly important. So much so, thatpracticing V-I resolutions in every key using specific modes will be an important
More informationJazz Guitar Lessons Misty Chord Melody Chart,
Jazz Guitar Lessons Misty Chord Melody Chart, Learning Blues Guitar I have been teaching guitar professionally since 1992, when Don t Fret Guitar Instruction was established. Over the years, I have taught
More informationIntroduction Charlie Christian Biography Charlie Christian s Influences...8. Charlie Christian and Benny Goodman...10
1 2 Table of Contents Introduction... 5 Charlie Christian Biography... 7 Charlie Christian s Influences...8 Charlie Christian and Benny Goodman...10 Charlie & Bebop...11 Charlie Christian s Guitar Technique...12
More informationThe Modes Of The Major Scale - Aeolian
The Modes Of The Major Scale - Aeolian The Aeolian Mode is a seven-note scale often used in blues, rock, jazz, and many other musical genres. It is also called Natural Minor or Pure Minor. Aeolian is considered
More informationA practical approach to learning essential scales using the Blues scale.
UkuleleLessons by Curt Sheller Learning The Blues Scale A practical approach to learning essential scales using the Blues scale. Scales like chords are typically learned as shapes using fingerboard grids,
More informationIntroduction to Lead Guitar. Playing Scales-Introducing the Minor Pentatonic Scale
Lesson Nineteen Gigajam Guitar School Lesson 19 IGS ILGP Introducing Lead Guitar Playing Lesson Objectives. Introduce the idea of playing individual notes as a Scale. Introduce and be able to play a Minor
More informationJim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationJim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationLEVEL THREE. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING
LEVEL THREE Length of the examination: Examination Fee: Co-requisite: 25 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca None. There is no written examination corequisite
More informationIntroduction. So, grab your guitar, roll up your sleeves and let s get started! Cheers, Dan Denley
Da nde n l e y s Blues Gui tar Secrets Mast er i ng ThePent at oni c And Bl uesscal es: Di scoverthesecr et stocr eat i ngyour OwnSol os,ri ffsandki l l erbl uesli cks! Introduction Pentatonic scales are
More informationHow To Practice arpeggios
How To Practice arpeggios Scott Devine How to Practice Arpeggios Part 1, 2 & (L#,,) How to Practice Arpeggios Part 1 (L#) Start Point 00:6 The Arpeggios of a II V I Progression in the Key of C Major. 4
More informationHow to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 There are different forms of jazz improvisation. For example, in free improvisation, the player is under absolutely no constraints.
More informationFENDER PLAYERS CLUB THE ii-v-i
THE CADENTIAL USE OF THE DOMINANT SEVENTH CHORD The following figures demonstrate improvised melodic "lines" over common progressions using major, minor, and dominant seventh chords. In this lesson, we
More informationThe I-IV-II-V Progression
The I-IV-II-V Progression I-VI-II-V Soloing (L#9) Scott Devine "In this tutorial I demonstrate how to play the I-IV-II-I progression. It's really common and one you need to learn." Parent Scale: C Major
More informationRhythm. Chords. Play these three chords in the following pattern of 12 bars.
This is a very short, brief, inadequate, introduction to playing blues on a guitar. Shown is a twelve bar blues in A because it's easy to get started. Have fun! Rhythm You've heard this rhythm before:
More informationCONTENTS 2 SITTING IN: BLUES PIANO. SONGS BY CATEGORY BASIC BLUES C Gold Blues (Basic Blues)... 6 The Bad, Bad Blues (Basic Blues)...
SITTIN IN: BLUES PIANO CONTENTS About the Author... Introduction... How to Use This Book... Working with the Audio Tracks and Software... 5 C old Blues... 6 The Bad, Bad Blues... Summer s one... 6 JJ Rider...
More informationTABLE OF CONTENTS. Contents
ABLE OF CONENS ABOU HE AUHO... INODUCION... CHAPE GEING SAED... 6 Half Steps, Whole Steps, and the Importance of Gravity...6 he Fretboard... uning Up... Music Notation... eading ablature... eading Chord
More informationPat Metheny. (Across the) Heartland Ensemble: Danny Gottleib. Keywords: Ostinato Pentatonic Diatonic Syncopation Polymetric Motif Motif Variant
Pat Metheny 5 (Across the) Heartland-1979 Keywords: Ostinato Pentatonic Diatonic Syncopation Polymetric Motif Motif Variant Key Features of Jazz Fusion: Jazz Fusion began in the late 60s when jazz artists
More informationTable of Contents. About the Author... 4 Introduction... 5
able of ontents bout the uthor... Introduction... art : laying coustic Songs... 6 hapter : etting to Know the coustic uitar... 6 Lesson : arts and ositioning of the uitar... 6 Lesson : Naming itches...
More informationBlues Guitar E E E E E A E E E A E E A A E E A A E E A A E E B A E B B A E B B B E E
Blues music uses a 3 Chord Progression - I IV V Chord numbering example in the key of C: C = I, D = II, E = III, F = IV, G = V, A = VI, B = VII Examples of different scales A D E B E F C F G D G A E A
More informationMelodic Guitar Patterns Video Guitar Lesson. Melodic Guitar Patterns
Melodic Guitar Patterns Video Guitar Lesson Melodic Guitar Patterns In the previous lesson, I showed you some practical ways to improve your dexterity and coordination through a series of five carefully
More informationContents. CD-Track Listing...5. Introduction Pentatonic Scales Creating Pentatonic Lines Rhythmic Variation...
Contents CD-Track Listing...5 Introduction...7 1 Pentatonic Scales...9 2 Creating Pentatonic Lines...13 3 Rhythmic Variation...27 Chords and Pentatonics...29 Progression 1: (Minor 7th Cycle)...29 Progression
More informationViolin Harmony Syllabus. (Ear Training, and Practical Application of Remedial Theory) Allen Russell
Violin Harmony Syllabus (Ear Training, and Practical Application of Remedial Theory) Allen Russell Intervals o Singing intervals o Identification! By ear! On the piano! On the violin (only Major and minor
More informationContents. Rock Guitar for Adults. About the Author... 4 Introduction Chapter One: Rock Chords 6. Chapter Five: The First Wave of Rock Scales 30
Contents bout the uthor Introduction Chapter One: ock Chords 6 he First Wave of ock Chords 6 he econd Wave of ock Chords Power Chords Barre Chords Chapter wo: Getting Bluesy he -Bar Blues ockin Up the
More informationJazz Lesson 20. Technique. Harmony & Theory
Lesson 20 Jazz Lesson 20 Technique 1. Minor Bebop Scale a. Playing minor bebop scales is going to be exactly the same as a dominant bebop scale fingering wise except for the fact that you will play a minor
More informationAn Approach to Jazz Piano
An Approach to Jazz Piano Fifth Edition Introduction This book is an attempt to address the techniques of piano playing as applied to the playing of jazz. It is also an attempt to address theoretical knowledge,
More informationNOTES TO JAZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005
41-42 42 nd Street, Suite 1-O Sunnyside, NY 11104 (646) 320-3617 russ@russnolan.com.russnolan.com NOTES TO AZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005 1. ust like English, Spanish, German,
More informationRock Modes III by Chris Botta
Rock Modes III by Chris Botta In our last lesson, we worked to solidify our concepts of modal improvisation by looking at how pentatonic scales are applied modally in everyday rock and blues, and also
More informationChronicles II Part 1: Chord Phrasing Chord Phrasing Lesson 1: The C Shape
Chronicles II Part 1: Chord Phrasing Chord Phrasing Lesson 1: The C Shape The open C chord is one of the first things a guitarist will learn, but did you know that there's a built-in scale pattern that
More information