A Finding Aid to the Carus Gallery Records, , in the Archives of American Art

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1 A Finding Aid to the Carus Gallery Records, , in the Archives of American Art by Dominique Luster and Justin Brancato 2014 July 21 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C

2 Table of Contents Collection Overview... 1 Administrative Information...1 Biographical Note...1 Scope and Content Note... 2 Arrangement...2 Names and Subject Terms... 2 Series Descriptions/Container Listing... 3 Series 1: Correspondence, Series 2: Business Records, Series 3: Inventories, Series 4: Printed Material, Series 5: Photographic Material, 1980s-1990s...4

3 Collection Overview Repository: Creator: Title: Archives of American Art Carus Gallery. Carus Gallery records Dates: Quantity: Abstract: Language: 3.2 linear feet The records of Carus Gallery measure 3.2 linear feet and date from This collection documents Dorothea Carus Isserstedt's management of the New York gallery through a small amount of business and personal correspondence; business records regarding acquisitions, sales, and consignments; intentories of artwork and rare books; exhibition catalogs, press clippings, and other printed material; and photographs depicting artwork and exhibition installations. The majority of collection is in English. Some of the correspondence is in German. Administrative Information Acquisition Information The records were donated to the Archives in 2004 by Dr. Gheorghe Costinescu and Mrs. Silvelin von Scanzoni Costinescu, the heirs and executors of Dorothy Carus Isserstedt s estate. Processing Information The collection was minimally processed by Justin Brancato in December The Finding Aid for the collection was finalized by intern Dominique Luster in July Preferred Citation Carus Gallery Records, Archives of American Art, Smithsonian Institution. Restrictions on Access Use of original papers requires an appointment. Ownership & Literary Rights The Carus Gallery records are owned by the Archives of American Art, Smithsonian Insitution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Biographical Note The Carus Gallery was founded by Dorothea Carus Isserstedt ( ). The gallery's primary interest was in European Graphic Arts, specifically German Expressionism, and Russian Constructivism. The gallery exhibited works by Alexander Archipenko, Ernst Barlach, Max Beckmann, Heinrich Campendonk, Otto Dix, Lyonel Feininger, Natalia Goncharova, George Grosz, Erich Heckel, Alexej Jawlensky, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Gustav Klimt, Max Klinger, Kathe Kollowitz, El Lissitzky, Kazimir Page 1

4 Malevich, László Moholy-Nagy, Marlow Moss, Otto Mueller, Edvard Munch, Emil Nolde, Christian Rohlfs and Egon Schiele. In 1968, following the death of her parents, Isserstedt opened the Carus Gallery, which was located on the ground level of her home at 243 E 82nd street in New York. The gallery was relocated to Madison Avenue in 1974 and finally to 1044 Madison Avenue where it remained until Isserstedt's retirement in Dorothy was born in 1914 in Elberfeld, Germany. She studied art history and archeology at Freiburg University, receiving a doctorate in Towards the end of World War II Dorothy escaped to East Germany where she settled in Hamburg and found work as a supervisor with the British Forces Network. In 1952 she immigrated to Yorkville, NY where she worked in her father's print and framing shop. Dorothy became an American citizen in Scope and Content Note The records of Carus Gallery measure 3.2 linear feet and date from This collection documents Dorothea Carus Isserstedt's management of the New York gallery through a small amount of business and personal correspondence; business records regarding acquisitions, sales, and consignments; intentories of artwork and rare books; exhibition catalogs, press clippings, and other printed material; and photographs depicting artwork and exhibition installations. Arrangement This collection is arranged as 5 series. Series 1: Correspondence, (4 folders; Box 1) Series 2: Business Records, (1.8 linear feet; Box 1-2) Series 3: Inventories, (0.6 linear feet; Box 2-3) Series 4: Printed Material, (0.6 linear feet; Box 3-4) Series 5: Photographic Material, 1980s-1990s (4 folders; Box 4) Names and Subject Terms This collection is indexed in the online catalog of the Archives of American Art under the following terms: Subjects: Art, Modern--20th century Art galleries, Commercial--New York (State)--New York Constructivism (Art)--Russia Expressionism (Art)--Germany Futurism (Art)--Italy Futurism (Art)--Russia Types of Materials: Names: Photographs Carus Isserstedt, Dorthea, Page 2

5 Series Descriptions/Container Listing Series 1: Correspondence, folders; Box 1 Correspondence is minimal and consist primarily of art inquiries and similar letters to private collectors, conservators, and other galleries, specifically the Prakapas Gallery and the Skulima Galarie. There is also a small amount of correspondence regarding exhibitions and sales. 1 1 Personal Correspondence, Business Correspondence, Business Correspondence, Prakapas Gallery, , Business Correspondence, Skulima Galerie, Series 2: Business Records, linear feet; Box 1-2 Business records include documents detailing acquisitions, sales, and consignments. Also found are financial, legal, and office documents Aquisitions and Sales, , Acquisitions, Sales, Invoices, Consignments, Pricelists, Check Ledger, Taxes, Phone Log, "Jawlensky Affair" Legal Proceedings, Europe, Notebooks, Series 3: Inventories, linear feet; Box 2-3 Inventories include lists of artworks and rare books that could be found at the Carus Gallery. This series also includes a set of index cards containing catalog information regarding artwork. Page 3

6 Artworks, Rare Artists' Book Sale, Artists' Books and Prints, Index Cards of Gallery Library, circa 1980s-1990s Index Cards of Gallery Library, circa 1980s-1990s Series 4: Printed Material, linear feet; Box 3-4 Printed material includes a number of gallery catalogs, exhibition announcements, and press releases. The series also includes a catalog that was originally bound detailing information regarding the gallery's art holdings; most entries also include a small thumbnail. Additionally, this series contains a limited number of magazine and newspaper clippings Catalogs, Gallery Invitations, Magazine and Newspaper Clippings, Catalog Clippings, A-J, circa 1980s-1990s 3 12 Catalog Clippings, K-Z, circa 1980s-1990s 4 1 Printed Artwork, circa 1980s-1990s 4 2 Carus Gallery Advertisements, Press Kit Materials, 1980s 4 4 Press Releases, 1980s-1990s Series 5: Photographic Material, 1980s-1990s 4 folders; Box 4 Photographs and slides depict artwork by Felix Del Marle, El Lissitzky, and others. In addition to photographs, this series also contains slides of gallery installations at the Carus Gallery. 4 5 Photographs of Artwork, 1980s-1990s 4 6 Photographs of Artwork, Felix Del Marle, 1980s-1990s 4 7 Photographs of Artwork, El Lissitzky, 1980s-1990s 4 8 Installation Photographs and Slides, circa 1980s-1990s Page 4

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