... the Slav Defense: 1. d4 d5 2. c4 c6 3. c3 f6 4. f3 e6 5. cd (avoiding both the sharp Botvinnik system and the Meran variation) 5...
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1 THE "KARLSBAD" PAWN STRUCTURE [...] ORIGIN OF THE PAWN STRUCTURE 1. d4 d5 2. c4 e6 3. c3 f6 4. f3 bd7 5. g5 c6 6. cd [Avoiding the sharp Cambridge-Springs variation 6. e3 a5] 6... ed 7. e3 This is the "Karlsbad" pawn structure. It was named after the 1923 international tournament in Karlsbad in which this variation was very popular. Besides the Queen's Gambit Declined, the "Karlsbad" structure may also arise in the Nimzo-Indian Defense: 1. d4 f6 2. c4 e6 3. c3 b4 4. c2 d5 5. cd ed ;... the Slav Defense: 1. d4 d5 2. c4 c6 3. c3 f6 4. f3 e6 5. cd (avoiding both the sharp Botvinnik system and the Meran variation) 5... ed ;... the Gruenfeld Defense: 1. d4 f6 2. c4 g6 3. c3 d5 4. f3 g7 5. g5 e4 6. cd g5 7. g5 e6 8. f3 ed ;... with colors reversed in the Caro-Kann Defense: 1. e4 c6 2. d4 d5 3. ed cd ;... with a slight difference (the white pawn is on b6) in the Makogonov- Bondarevsky System of the QGD: 1. d4 d5 2. c4 e6 3. c3 f6 4. g5 e7 5. f3 O-O 6. e3 h6 7. h4 b6 8. e2 b7 9. f6 f6 10. cd ed. Let us deal with typical plans and methods, which White and Black carry out in the "Karlsbad" pawn structure.
![WHITE'S MAIN PLANS. [...] 1) The pawn minority attack. 2) Piece pressure on the queenside. 3) Attack in the center by å3-å4.](/docs-images/76/73502330/images/2-2.jpg "4) Creating of an outpost in the center by means of f3- e5 followed by f2-f4 5) Attack on the kingside. THE PAWN MINORITY ATTACK. Kramnik V - Timman J Belgrade 1995 11. b1 hf6 12. b4 e8 13. c1! a6 14.")
2 WHITE'S MAIN PLANS. [...] 1) The pawn minority attack. 2) Piece pressure on the queenside. 3) Attack in the center by å3-å4. 4) Creating of an outpost in the center by means of f3- e5 followed by f2-f4 5) Attack on the kingside. THE PAWN MINORITY ATTACK. Kramnik V - Timman J Belgrade b1 hf6 12. b4 e8 13. c1! a6 14. a4 g6 15. b2² Kramnik - Timman (Belgrade, 1995) Pilsburry - Shovalter New York 1898
3 The pawn minority attack is the most common in this pawn structure. White intends to weaken the ñ6-pawn, creating a target for an attack. 1. b4! ae8 (More precise is 1... à6, striving to get rid of the eventually weak pawn on à7) 2. b5! g5 3. f4! (The å3-pawn is easy to defend. In the case of 3. h1 White should take into consideration the maneuver e7- e6- h6. ) 3... f6 4. d2 f5 5. a5! g6 6. f5 f5 7. a6! cb 8. b5 d7 9. ab! a6 [9... b5? 10. b1 ] 10. c3 b7 11. b1 c6 (As a result of the pawn minority attack, Black has got two weaknesses, the a6 and d5-pawns) 12. fc1! d6 [12... e3? 13. e4 ] 13. d1! g6 14. g3 h5 15. e2 h4 16. h5 hg 17. hg f8 18. c5 d8 19. bc1 g6 20. f3 e6 21. c8 g7? [21... c7!±] 22. d8 d8 23. c5 e6 24. d5 b6 25. c1 b4 26. f2 d2 27. e5! f6 28. f6 Pillsbury - Showalter (New York, 1898) Karpov Anatoly (RUS) - Korchnoi London 1984 The pawn minority attack is effective with the black pawn on c7 too. In this case White advances his b-pawn to b5 and waits until Black would play ñ7-ñ6 (as he needs to support the d5-pawn). 10. b4! e6 11. e2 d7 12. O-O f5 (With the idea of counterplay on the kingside) 13. e1! g5 14. c1 h8 15. d3 c6 16. b5! g4 17. d2 c5 (An important moment. Generally speaking, White should consider the move ñ6-ñ5 in response to b4-b5 (see the next example). However, in this particular situation, c6-c5 does not help Black as he would uncover his pawn weaknesses on the kingside. ) 18. dc c5 19. b3 b3 20. ab c8 21. e2 c1 22. c1 b6 23. f4 g8 24. g3 d4 25. c4! c8 26. b1 de 27. e3 c5 28. e1 d4 29. e2 c4 30. bc g8 31. c1 c8 32. c2 g7 33. d3 d4 34. f5 c4 35. e7 d8 36. g2 b3 37. g4 g8 38. g6 1:0, Karpov - Korchnoi (London, 1984)
4 Petrosian - Krogius N Tbilisi 1959 In order to prevent the black pawn move c6-c5 in response to b4-b5, White has to control the ñ-file and, in particular, the important ñ5-square. 17. c2! c6 [After c5 18. dc c5 19. ac1 White siezed the d-file. ] 18. ac1 h6 19. a4! ab8 20. g3 h7 21. c5 fd8 [21... b6 22. d3 cb 23. b5 fc8 24. c8 c8 25. c8 c8 26. e8!±] 22. bc bc 23. a4 (Black has got two pawn weaknesses, à7 and ñ6) f6 24. g2 a8 25. b7 e8 26. a5 g5 27. h3 f5 28. c6 e4 29. c5 f5 30. c2! c6 31. c6 f4 32. ef gf 33. g4 d4 34. d2 g7 35. e1 a4 36. d5 e1 37. e1 f8 38. f3 h8 39. c7 a6 40. b7 g8 41. h4 1:0, Petrosian - Krogius (Tbilisi, 1959) Petrosian - Rossetto Portoroz 1958 Let us look the case of Black's preliminary a-pawn exchange. 13. b4 a6! 14. f6! (A typical method. Distracting the black bishop from the f8-a3 diagonal, White manages to quickly advance his queenside pawns.) f6 15. a4 f5 16. f5 f5 17. b5 ab 18. ab d6 19. bc bc (Black's only weakness is the ñ6- pawn, but his hard times are not over, as White would occupy the important c5- square with his pieces) 20. a4! fb8 21. c5 c7 22. d3 b7 23. fe5 e5 24. e5 a1 25. a1 e7 26. g3 b2 27. d1 h5 28. c1 b6 29. h3 g7 30. g2 a3 31. a1 b2 32. g4! (The black pieces are tied to the defense of the c6-pawn, and White opens a second front on the kingside) hg 33. hg b7 34. c1 b5 35. f3 f6 36. g5! Petrosian - Rossetto (Portoroz, 1958)
5 PIECE PRESSURE ON THE QUEENSIDE. Capablanca - Miezis Bad Kissingen 1928 The plan of piece pressure on the queenside occurs not so often as the pawn minority attack. Here too, White strives to take control of the ñ5-square. 9. b3 c6 (The b6-square weakness is another motif of White's play) 10. d3 h5 11. e7 e7 12. O-O hf6 13. a4! e4 14. e4 e4 15. b4! g6 16. e7 f6 17. c3 e8 18. d6 f7 19. fc1 f8 20. f8 f8 21. e1! e8 22. d3 b8 23. f3 e7 24. f2 f8 25. b3 ( 26. c6) d7 26. g4 b5 (Suicide, but Black already does not have any good move) 27. ac5 b6 28. b4 b7 29. b7 bb7 30. c6 a5 31. b6 1:0, Capablanca - Mieses (Bad Kissingen, 1928) ATTACK IN THE CENTER BY e3- e4. Botvinnik Mikhail (RUS) - Keres Paul (EST) Moscow 1952 White's initiative may involve his central pawn advance, f2-f3 followed by e3-e4. 9. ge2 f8 10. O-O c6 11. ab1 d6?! [11... g4] 12. h1! g6 [12... h2? 13. f6 f6 14. h2 ] 13. f3! e7 [13... h6 14. f6 f6 15. e4±] 14. be1 d7 15. e7 e7 16. g3 f6 17. f2 e6 18. f5 f5 19. f5 b6 20. e4! de 21. fe d8 22. e5! d5 23. e4 f8 24. d6 c7 25. e4 e6 26. h4 g6 27. d5 cd 28. c1 d7 29. c3 f8 30. f5 fe8 31. h6 f8 32. f6 g7 33. cf3 c8 34. f7 Botvinnik - Keres (Moscow, 1952)
6 Marshall - Rubinstein Moscow 1925 Sometimes White breaks through with å3-å4 even with his knight on f3. This plan leads to opening up of the center and is especially strong if Black is behind in development. 11. ae1 e4 12. e7 e7 13. e4 de 14. d2 f5 [14... f5? 15. f3] 15. f3! ef 16. f3 e6 17. e4! fe 18. e4 ad8 19. e5 [19. fe1!?] h6 20. e4 b4? [20... c7! d5 ] 21. a3 c4 22. f2! f7 23. b3 b3 24. fd2 a2 25. c3 1:0, Marshall - Rubinstein (Moscow, 1925) CREATION OF AN OUTPOST IN THE CENTER BY MEANS OF f3- e5 FOLLOWED BY f2- f4. Kasparov Gary (RUS) - Pigusov Evgeny (RUS) URS e5! d7 13. e7 e7 14. f4! gf8 15. e4! e5 16. fe e6 17. ed d5 18. d5 cd 19. f5! b4 20. d1 e7 21. f2 h6 22. d3! c7 23. b3 e7 24. g3 e6 25. e3 h8 26. h3 b4 27. g4 b2 28. h2 b4 29. d3 e7 30. f6! g5 31. g5 hg 32. g5 g8 33. h4 a3 34. f3 g6 35. g6 f3 36. h7 f8 37. gf 1:0, Kasparov - Pigusov (USSR, 1977) ATTACK ON THE KINGSIDE.
7 Kramnik V - Renet Paris 1995 Quite often, White's kingside operations involve advance of his f- and g-pawns. This plan is possible because the center is stable. 12. e5 6d7 13. e7 e7 14. f4! f6 15. f3 (As we have already seen, the e3-pawn is easy to protect) b6 16. ae1 c8 17. g4! d6 18. g2 h8 19. f5! f7 20. h1 c7 21. g1 ( g4-g5) g5 22. h4! h6 23. h2 e8 24. g3! h7 25. g2 g8 26. hg hg 27. h6 b6 28. e2 d8 29. h3 g7 30. e4! de 31. e4 d4 32. d4 d4 33. f1 f7 34. he3 Kramnik - Renet (Paris, 1995) Beliavsky Alexander G (SLO) - Geller Efim P (RUS) Moscow 1983 Another possible plan of the kingside attack is an advance of the g- and h- pawns. In this case the f-pawn stays on f3 covering the squares å4 and g4. 7. g4! e6 8. h4! d7 [8... h4 9. b3 ] 9. h5! b6 10. b1 gf6 11. f3 O-O 12. d3 c5 13. ge2 ac8 14. f1! cd 15. ed d6 16. d2 e8 17. g2 d8 18. be1 b6 19. b1 c4 20. d3 f5 21. c1 f6 22. g3! g3 23. e6 fg 24. g3 e4 25. e4 f3 26. f3 gf 27. g5 d6 28. h7 f8 29. f1 1:0, Beliavsky - Geller (Moscow, 1983)
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