Libretto adapted from Lewis Carroll s Through the Looking-Glass by Marilyn Barnett and Gary Bachlund. Alice. Through the Looking-Glass

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1 Libretto adapted from Lewis Carroll s Through the Looking-Glass by Marilyn Barnett and Gary Bachlund Alice Through the Looking-Glass Illustration by John Tenniel Gary Bachlund

2 Through the Looking-Glass CAST In order of appearance (seventeen singers) Alice lyric mezzo soprano or lyric soprano Lewis Carroll / White Knight lyric tenor Dean Liddell (spoken) /White King baritone Gnat soprano or mezzo soprano Tiger-Lily/Mrs. Liddell (spoken) soprano Red Queen mezzo soprano Tweedledee tenor Tweedledum tenor White Queen soprano Huty Duty tenor Messenger baritone Unicorn baritone Lion bass baritone or baritone Red Knight tenor Frog baritone Guard baritone Pudding baritone ORCHESTRA Oboe I & II Horn I & II Percussion single player (suspended cymbal with soft and hard sticks, triangle, tam-tam, tambourine, snare drum, bass drum, glockenspiel) Piano Harp Strings (divisi),,2,2,2,1 minimum

3 Libretto adapted from Lewis Carroll s Through the Looking-Glass and What Alice Found There By Marilyn Barnett and Gary Bachlund Alice Through the Looking-Glass Music by Gary Bachlund piano-vocal score CONTENTS I. Can We Pretend? Alice and Lewis Carroll 1 Lewis Carroll: Child of the pure unclouded brow Alice: Dinah, let s pretend the glass is soft as gauze II. Jabberwocky Alice 7 III. The Looking-Glass Garden Alice: Hmm It seems very pretty 1 Gnat: Ah! I know you are a friend 1 Tiger-Lily: We can talk when there's anybody worth talking to 21 IV. It s Like a Chess Board Red Queen: Where do you come from? 2 Red Queen: Your directions 29 V. Tweedledum and Tweedledee Tweedledum, Tweedledee and Alice Alice: Tweedledum and Tweedledee agreed to have a battle Tweedledum: You ve begun wrong. VI. The Walrus and the Carpenter Tweedledum and Tweedledee 1 VII. Battle for a Rattle Alice, Tweedledee and Tweedledum 0 VIII. The White Queen s Visit White Queen and Alice 9 White Queen: We-e-e-e-e-ell? Well! What is it you want to buy? IX. Huty Duty Huty Duty: It s very provoking to be called an egg! 70 Alice: Huty Duty sat on a wall 70 Huty Duty: Take a good look at me. 7 X. Jabberwocky Explained Alice and Huty Duty 1 XI. Huty Duty s Song Huty Duty and Alice XII. The Lion and the Unicorn White King, Alice and Messenger 92 Unicorn What a fight we might have with Lion and Alice 102 XIII. Ahoy! Ahoy! Check! Red Knight, White Knight and Alice 10 XIV. A-Sitting on a Gate White Knight 109 XV. The Eighth Square, At Last White Knight, Alice, Red Queen and White Queen 11 White Queen, Red Queen: Ridiculous! 11 XVI. Hush-a-by, LAdy Red Queen, White Queen and Alice 127 XVII. Queen Alice Frog, Alice, Guard and tutti 129 XVIII. A Looking-Glass Banquet Alice, Red Queen, Pudding 1 XIX. The Fish Riddle White Queen and Red Queen 19 XX. Oh! Such a Dream Red Queen: Meanwhile, we ll drink to your health with tutti 12 Alice: I rise to return thanks with tutti 1 Alice: Oh! Such a dream. With Mrs. Liddell, Lewis Carroll 1 Lewis Carroll: A boat, beneath a sunny sky 17 Coda: orchestra 19

4 Texts by Lewis Carroll as adapted and amended by Marilyn Barnett and Gary Bachlund Alice Through the Looking-Glass Music by Gary Bachlund I. Can We Pretend? Adagio [ Delighted. ] [ Alice and Lewis Carroll are playing chess at a card table near a large, full-length mirror with a small shelf at the bottom, Alice holds her kitten, Dinah, in her lap. ] Check! Check mate. LEWIS CARROLL [ Moving his piece almost ruefully. ] Check mate. [ Surprised. ] Check mate. Oh... Oh, it was the fault of that nas ty knight, al ways wrig gling a round. wrig gling and wrig gling a round. I could have Copyright 2001, 201 Gary Bachlund All international rights reserved.

5 2 Alice - Through the Looking-Glass won if I'd had two queens. Can we pre tend... LEWIS CARROLL Yes, 10 if your pawn rea ches the eighth square... mf 12 molto rit. Andante I'll set you a pro blem. White pawn to play and win in.....in e le ven moves. 1 Ve ry well. Di nah could be the Red Queen.

6 19 Alice - Through the Looking-Glass If you sat up and fold ed your arms, you'd look ex act ly like her. Do try! 22 Pre rit. tend. Adagio LEWIS CARROLL Child of the pure un cloud ed brow 2 Let's pre tend we're kings and queens. and dream ing eyes of won der! Though time be fleet, and I and 2 thou are half a life a sun der, thy lo ving smile will sure ly hail the love gift of a

7 Alice - Through the Looking-Glass 2 [ To Dinah. ] If you're not good, I'll put you through in to fai ry tale. [ Alice holds Dinah up to her reflection in the mirror. ] rit. Look ing Glass House. Look ing Glass House. How would you like that? LEWIS CARROLL And A teo I'll tell you all my i de as. though the sha dow of a sigh may trem ble through the sto ry, for

8 1 Alice - Through the Looking-Glass [ The door opens; Dean Liddell enters. Lewis Carroll looks up, and Alice curtsies. ] poco accel. hap py sum mer days gone by, and van ish'd sum mer glo ry... Andante DEAN LIDDELL: (spoken) Dodgson, could I have a word with you? Cer tain ly, Dean. mf rit. [ To Alice. ] Look o ver the pro blem till I re turn. Adagio [ Carroll exits with the Dean. ] 2 Di nah, p let's pre tend the glass is

9 Alice - Through the Looking-Glass soft like gauze, so that we can get through. Why, it's turn ing in to a sort of mist p 7 now! Ea sy e nough... What fun it will be when they see me through the glass, and 9 [ Alice rises from her place and goes to the mirror, and then through it at measure. ] can't get at me! mf f 2 [ The mirror (or entire stage) revolves, revealing the room in mirror image. ] p pp mf

10 9 Alice - Through the Looking-Glass 7 [ The "Jabberwocky" book is on Lewis Carroll's chair, in the mirror. Alice goes to the book. ] Ev' ry thing seems to be back wards. Back wards. A book? It's all in a lan guage I don't know. p 72 [ Alice holds the book up to the mirror so that she is facing the audience. ] If I hold it up to the glass, thewords will all go the right way a gain! p mf 7 rit. 12 The right way a gain mf 12 II. Jabberwocky 7 Allegretto ma non troppo 12 [ Alice reads aloud from the reflection in the mirror. ] 'Twas bril lig and the pp

11 Alice - Through the Looking-Glass 1 [ As she reads, an enactment of the story plays out behind her, in phantasmagorical pantomime which she does not observe. ] sli thy toves did gyre and gim ble in the wabe: All mim sy were the bo ro goves and the mome raths out 7 poco accel. grabe. Be ware the Jab ber wock, my son! The 9 jaws that bite! The claws that catch! Be ware the Jub jub bird, and shun the

12 91 Alice - Through the Looking-Glass 9 fru mi nous Ban der snatch. He f f 9 took his vor pal sword in hand: Long time the max ome foe he sought - So mf p 97 rest ed he by the Tum tum tree, and stood a while in thought, 100 And as in uf fish thought he stood, mf

13 10 10 Alice - Through the Looking-Glass the Jab ber wock, with eyes of flame, came f 10 poco accel. whif fling down the tul gey wood and bur bled as it came! mf 109 One! Two! One! Two! And through and through and through and through the 111 vor pal blade went snick er snack! He left it dead and with its head he went

14 11 Alice - Through the Looking-Glass 11 poco rall. back. Ga luh ing back. 11 And 119 hast thou slain the Jab ber wock? Come to my arms, my beam ish boy! O mf 121 frab jous day! Cal looh! Cal lay! He chort led, chort led, chort led, in his joy.

15 12 Alice - Through the Looking-Glass 12 Allegretto ma non troppo 'Twas bril lig and the pp [ At the end of the "Jabberwocky" pantomime, chess characters move unobserved behind Alice, coming into view and disappearing again. ] 127 sli thy toves did gyre and gim ble in the 10 wabe: All mim sy were the bo ro goves and the mome raths out 1 rit. grabe.

16 III. The Looking-Glasss Garden Alice - Through the Looking-Glass 1 [ Alice closes the "Jabberwocky" book, and places it back down on the chair. Behind her a garden has appeared. ] 1 Allegretto Hmm... mf 10 Adagio It seems ve ry pret ty, but it's ra ther hard to un der stand. Some how it seems to fill my head p 1 with i de as-- On ly I don't know ex act ly what they are! Let's have a look [ Noticing the garden, but not the chess pieces. Alice is propelled ahead by the white Queen into the garden, who then vanishes. ] 1 molto rit. Allegretto at the gar den. Oh! Oh! Oh! p

17 1 Alice - Through the Looking-Glass 10 1 [ An out-sized Gnat appears, and is startled by Alic'e presence. Alice is startled as well. ] GNAT Ah! q = q 10 GNAT I know you are a friend, a dear friend, an old friend. And you won't 1 hurt me, though I am an in sect. [ Anxiously wondering whether it stings. ] An in sect? What kind of an in sect?

18 Alice - Through the Looking-Glass 1 1 GNAT [ Suspiciously. ] What, then you don't like all in sects? What kind? 170 I'm ra ther a fraid of them-- at least the large kinds. but I can tell you the names of 17 GNAT Of course, they an swer to their names. some of them. I

19 1 Alice - Through the Looking-Glass 17 GNAT What's the use of their ha ving ne ver knew them to do it. Ne ver. f 11 names if they won't an swer to them? No useto them, but it's use ful to the peo ple that name them. pp 1 GNAT I can't say. Fur ther on, in the If not, why do things have names at all?

20 1 poco rit. Alice - Through the Looking-Glass 17 wood down there, they've got no names - no names. How No names. 191 Andante e ver, go on with your list of in sects. Here you'll see a Rock ing Horse Well, there's the horse fly. 19 [ The Gnat points out the entry of the Rocking-horse-fly which moves about them in choreographed movement. ] fly. Sap and saw dust. What does it live on? Sap and saw dust. mf

21 1 200 Alice - Through the Looking-Glass rit. And then there's the 20 Adagio GNAT [ The Gnat points out the Snap-dragon-fly, which joins the Rocking-horse-fly in a pas de deux. ] Here you'll find a Snap dra gon fly made of plum pud ding, its wings of Dra gon fly. p 210 hol ly leaves, its head a rai sin burn ing in bran dy. It makes its nest in a Christ mas

22 Alice - Through the Looking-Glass box. Fa la la la la la la la la. And there's the 21 [ The Bread-and-butter-fly joins the other insects. ] Andante You may ob serve the Bread and but ter fly, its wings, thin sli ces of bread and But ter fly. p 222 but ter, its bo dy, crust, and its head, a lu of su gar. What does it live pp

23 20 Alice - Through the Looking-Glass 227 GNAT [ The Rocking-horse-fly exits. The other two dance on. ] Weak tea and cream. on? Sup pos ing it could n't 2 [ The Snap--dragon-fly exits. The Bread-and-butter-fly dances sadly alone. ] GNAT Then it would die of course. find a ny? 2 [ The Bread-and-butter-fly dances weakly and exits with difficulty in its movement. The Gnat sighs and quietly disappears into the garden leaving Alice alone. ] But that must hap pen ve ry of ten. It al ways hap pens.

24 Alice - Through the Looking-Glass 21 2 The pp 2 Andante poco accel. [ Frustrated at being left alone, Alice addressed a Tiger-Lily. ] wood where things have no name... O Ti ger Li ly! I wish you could talk! 22 Allegretto [ One Tiger-Lily stirs into movement. ] TIGER-LILY We can talk when there's a ny bo dy worth talk ing to. Wh...? 2 TIGER-LILY As well as you can, and a great deal loud er too. Can all the flo wers talk?

25 22 2 Alice - Through the Looking-Glass [ Other flowers stir into movement also, relieved that Alice has begun the conversation. ] It is n't man ners for us to be gin you know. f 22 I've been in ma ny gar dens be fore, but none of the flo wers could talk. subito pp 2 TIGER-LILY [ Alice does so. ] [ And again. ] Put your hand down, and feel the ground. It's ve ry hard. Ve ry hard. mf 270 In most gar dens they make the beds too soft-- so that the flo wers

26 27 Alice - Through the Looking-Glass 2 are al ways a sleep. I ne ver thought of that. Are there a ny more peo ple in the 27 TIGER-LILY There's one o ther flo wer that can move a bout like you, but gar den be sides me? 22 [ Tiger-Lily points in the Red Queen's direction. ] Adagio she's more bush y, red der. Thekind that has nine spikes. She's com ing. f 2 IV. It's Like a Chess Board Adagio [ The Red Queen enters energetically. ] f

27 2 Alice - Through the Looking-Glass Andante 29 RED QUEEN [ To Alice. ] Where do you come from? f 292 Where are you go ing? Curt sey while you're think ing what to say. It saves time. 29 O pen your mouth a lit tle wi der when you speak. And al ways say,"your Ma jes ty. Your Ma jes ty. 29 RED QUEEN Your Ma jes ty." That's I on ly want ed to see the gar den, your Ma jes ty... pp

28 02 right. Alice - Through the Looking-Glass 2 [ Alice makes her way up a small hill, where a chessboard patterned vista beyond the garden can be seen. ] That's right....and I thought I'd try to find my way to the top of the hill. I de 0 clare! It's like a chess board! How I wish I could play. I would n't mind be ing a 09 RED QUEEN [ Giving instructions. ] [ Shyly. ] You can be the White Queen's Pawn; you're in the Pawn, al though I should like to be a Queen best! 1 molto rit. se cond square to be gin with; when you get to the eighth square, You'll be a f

29 2 1 Vivace Queen. [ The Red Queen takes Alice by the hand, and they begin to run in a circle under a tree. ] Alice - Through the Looking-Glass f 21 RED QUEEN Fast er! Fast er! 2 2 RED QUEEN Near ly there? We passed it ten min utes a go. Are we near ly there? p f

30 Alice - Through the Looking-Glass Meno mosso [ They stop suddenly. ] RED QUEEN You may rest a lit tle now. p RED QUEEN Of course. Of Why, I do be lieve we've been un der this tree the whole time. p course. Of course. Of course. Of

31 2 Alice - Through the Looking-Glass course. Well, in my coun try, you'd gen' ral ly get to 1 some where else if you ran ve ry fast as we've been do ing. RED QUEEN Here it takes all the run ning you can do to keep in the same place. If you want to 7 get some where else, you must run at least twice as fast as that.

32 Alice - Through the Looking-Glass RED QUEEN I know what you'd like! Have a bis cuit? I am so hot and thirst y. 7 RED QUEEN While you're re fresh ing your self, I'll give you your di rec tions. 7 molto rit. Adagio Your di rec tions. A Pawn moves two squares in its first move. p 2 You'll find your self in the Fourth Square in no time. That be longs to Twee dle dum

33 and Twee dle dee. The Fifth is most ly wa ter. 7 Thirst quenched, or would you like a no ther bis cuit? The 92 No, thank you. Sixth be longs to Hu ty Du ty. The Se venth is for est, but one of the Knights 9 will show you the way. In the Eighth square, in the Eighth, we shall all be 00 [ Having hidden the dry buscuit in her pocket. ] Alice - Through the Looking-Glass 0

34 0 Queens to ge ther! Alice - Through the Looking-Glass 1 Adagio But you make no re mark? I... I did n't know I had to 10 RED QUEEN molto rit. Allegretto You should have said, "It's ex treme ly nice of you to tell me all of this." How e ver, we'll sup make one. 1 pose it said. 1 Speak French when you can't think of the Eng lish for a thing.

35 2 22 Alice - Through the Looking-Glass Turn your toes out as you walk. And re mem ber who you are! 2 Good bye. Good bye. 0 p rit. attacca

36 Alice - Through the Looking-Glass V. Tweedledum and Tweedledee Allegro con moto q. = f [ Tweedledum and Tweedledee step out from behind a tree. ] TWEEDLEDUM Dee dum dee dum dum dee dum dee TWEEDLEDEE Dee dum dee dum dum dee dum dee 9 dee dee dum dum dee dum. If you think we're wax works, dee dee dum dum dee dum. you ought to pay, you know. Pay! you ought to pay, you know. Pay!

37 Meno mosso TWEEDLEDUM Alice - Through the Looking-Glass Wax works were n't made to be looked at for no thing. No how! mf 9 No how! TWEEDLEDEE No how! Con tra ri wise, if you think we're a live, you ought to speak. 2 I'm sor ry. Speak. Speak. Speak. Speak.

38 Allegro Alice - Through the Looking-Glass TWEEDLEDUM TWEEDLEDEE Dee dum dee dum dum dee dum dee Dee dum dee dum dum dee dum dee mf 9 Meno mosso dee dee dum dum dee dum. I know what you're dee dee dum dum dee dum. 2 think ing a bout, but it is n't so, no how. Con tra ri wise, if it was so, it might be; and

39 Alice - Through the Looking-Glass rit. That's lo gic. if it were so, it would be; but as it is n't, it ain't. That's lo gic. mf subito pp 9 molto rit. Andante Lo gic. Well? Lo gic. Well? I was think ing... mf pp 7 rit. Allegro Think ing... Twee dle dum and Twee dle dee a greed to p

40 0 Alice - Through the Looking-Glass 7 have a bat tle; for Twee dle dum said Twee dle dee had spoiled his 2 Più mosso brand new rat tle. Just then flew down a mon strous crow as black as a tar 2 mf 2 9 molto rit. bar rel; which fright ened both the he roes so they quite for got their quar 10 Allegro rels. Twee dle dum and

41 Alice - Through the Looking-Glass 1 molto rit. Twee dle dee a greed to have a bat tle; Dee p 2 12 Allegro con moto q. = dum dee dum. 12 ppp f 12 1 TWEEDLEDUM Meno mosso You've be gun wrong! The first things in a vi sit is [ They begin to go round in a dance. ] Più mosso to say "How d' ye do?" And shake hands. TWEEDLEDEE "How d' ye do?"

42 Alice - Through the Looking-Glass 9 7 TWEEDLEDEE Shake hands. 0 TWEEDLEDUM How d' ye do? How d' ye do? How d' ye......do? How d' ye do? How d' ye do? How d' ye......do? Meno mosso TWEEDLEDUM I hope you're not ti Four times round is e nough for one dance. TWEEDLEDEE How d' ye do? subito p

43 0 Alice - Through the Looking-Glass red. TWEEDLEDUM TWEEDLEDEE No how! And thank you ve ry much for ask ing. How d' ye do? No how! 9 Yes. So much o bliged! You like po e try? pp 2 Pret ty well. Some po e try. Which road leads out of the wood? pp

44 Alice - Through the Looking-Glass 1 TWEEDLEDUM TWEEDLEDEE "The Wal rus and the Car pen ter" is the long est. What shall I re peat for her? "The If it's ve ry long, would you please tell me first which Wal rus and the Car pen ter" Yes! p 1 rit. road... TWEEDLEDEE VI. The Walrus and the Carpenter Presto C C "The Wal rus and the Car pen ter." The sun was shin ing C pp ff C

45 2 Alice - Through the Looking-Glass on the sea, shin ing with all its might: He did his ve ry best to make the bil lows smooth and 71 TWEEDLEDUM The bright And this was odd be cause it was the mid dle of the night. pp mf pp mf pp mf f p 7 Wal rus and the Car pen ter were walk ing close at hand: They wept like a ny thing to see such 2 quan ti ties of sand: "If this were on ly cleared a way,"they said, "it would be

46 7 Alice - Through the Looking-Glass grand." Se ven! TWEEDLEDEE So grand! "If se ven maids with se ven mops swept it for half a mf 91 year, do you sup pose," the Wal rus said, "that they could get it 9 TWEEDLEDUM "O clear?" "I doubt it," said the Car pen ter, and shed a bit ter tear. pp mf pp mf pp mf 00 Oy sters, come and walk with us," the Wal rus did be seech. "A plea sant walk, a p

47 Alice - Through the Looking-Glass 0 plea sant talk, a long the bri ny beach; We can not do with more than four to 10 give a hand to each." TWEEDLEDEE On the beach! The Wal rus and the Car pen ter walked on a mile or 1 so, and then they rest ed on a rock con ven ient ly quite low. And 20 TWEEDLEDUM "The time has come all the lit tle Oy sters stood and wait ed in a row....the

48 Alice - Through the Looking-Glass 2 to talk of ma ny things: "And seal ing wax, - and Wal rus said! "Of shoes and ships - of cab ba ges..." 1 kings....and whe ther pigs have And why the sea is boil ing hot... TWEEDLEDUM TWEEDLEDEE "But wait a bit," the Oy sters cried, "be fore we have our chat: for...wings. Wait! Wait! Wait! Wait!

49 0 Alice - Through the Looking-Glass some of us are out of breath..." "No hur ry,"said the Car pen ter. "...and all of us are fat." They molto rit. Andante "A loaf of bread......is what we chief ly thanked him much for that. The Wal rus said... 1 need. Pep per and vi ne gar be sides are ve ry good in deed. Now, TWEEDLEDEE In deed!

50 Alice - Through the Looking-Glass 7 accel. Vivo if you're rea dy, Oy sters dear, we can be gin to feed. And feed. TWEEDLEDEE Dear, we can be gin to feed. And feed. f 1 molto rit. 7 TWEEDLEDUM Allegretto "It seems a shame......to play them such a TWEEDLEDEE The Wal rus said:

51 71 Alice - Through the Looking-Glass trick." And made them trot so quick!" "Af ter we brought them out so far..." The Car pen ter said 7 "The but ter's spread too thick!" no thing but "The but ter's spread too thick!" mf 79 The Wal rus said: With "I weep for them, I deep ly sym pa thize." pp

52 Alice - Through the Looking-Glass 9 sobs and tears he sort ed out... Hold ing his pock et hand...those of the lar gest size, 9 ker chief be fore his stream ing eyes. "O Oy sters!" "You've TWEEDLEDEE Said the Car pen ter: mf 9 had a plea sant run! Shall we be trot ting home a gain?" But, an swer came there

53 0 700 Alice - Through the Looking-Glass And this was scarce ly odd, be cause they'd ea ten ev' ry one! And none -...be cause they'd ea ten ev' ry one! And f 70 this was scarce ly odd be cause they'd ea ten ev' ry this was scarce ly odd be cause they'd ea ten ev' ry 710 C VII. Battle for a Rattle Presto one! one! Shucks! Shucks! C C C f

54 71 Lento Bass Drum Alice - Through the Looking-Glass 1 Allegretto A ny li ons or ti gers a round here? p f pp p mf pp TWEEDLEDEE It's on ly the ff pp 721 TWEEDLEDUM molto rit. A teo Is n't he a love ly sight? Red King snor ing. And what do you think he's dream ing a bout? A bout 72 TWEEDLEDUM If he left off dream ing, dream ing, dream ing, dream ing, you! dream ing, dream ing, dream ing, dream ing,

55 2 729 Alice - Through the Looking-Glass dream ing! Where do you think you'd be? No where! dream ing! If he left off dream ing... No where! No where! f 7 Meno mosso If... You're on ly a sort of a thing in his dream. f p 7 If I'm on ly a sort of a thing in his dream, what are you? TWEEDLEDUM TWEEDLEDEE Dit to! Dit to! Dit to! Dit to! pp f

56 70 Alice - Through the Looking-Glass TWEEDLEDUM I am real! You know ve ry well you're not real! TWEEDLEDEE Not real! pp 7 Andante You self ish things! It's on ly a rat tle. Quite old and TWEEDLEDUM Do you see that? 7 molto rit. bro ken. TWEEDLEDUM It's spoiled! It's spoilt, of course. f

57 71 Adagio TWEEDLEDUM Alice - Through the Looking-Glass Spoilt! My nice new rat tle. You'll a gree, of course, to have a bat tle! mf 7 Of course, you'll a gree to have a bat tle! Of course, you'll a gree to have a 79 A bat tle? Twee dle dum and Twee dle dee a greed... bat tle. TWEEDLEDEE She

58 7 Andante must help us to dress up. Alice - Through the Looking-Glass Twee dle dum and Twee dle dee a greed... 7 molto rit. TWEEDLEDUM Dress up! Presto Dress up! Dum dee dum, dee dle dee dum dee dum dee dle dee Dum dee dum, dee dle dee dum dee dum dee dle dee ff p 771 dum dee dee dum, dee dum dum. Dee dle de dum dee dum, Dee dle de dum dee dee dum, dee dum dum. Dee dle de dum dee dum, Dee dle de

59 777 Alice - Through the Looking-Glass molto rit. Lento dum dee dum, dee dum, dee dum, dee dum dum. Do I look pale? dum dee dum, dee dum, dee dum, dee dum dum. 7 Presto Lento Presto I'm ve ry brave, gen er al ly. On ly to Dum dee dum, dee dle dee mf mf 7 day I have a head ache. Dee dle dee dum dee dum dee dum dee dum dee dle dee dum dee dee dum, And I have a

60 79 Alice - Through the Looking-Glass 7 dum dum. Dee dle de dum dee dum, dee dum, dee dum, dee tooth ache. I'm far worse than you. Far worse Far worse 00 molto rit. Moderato dum, dee dum, Let's fight un til six, and then have din ner. than you. Din ner! f mf 0 Allegro And all a bout a rat tle. ff 11

61 1 molto rit. Lento rit. TWEEDLEDUM Alice - Through the Looking-Glass 2 It's get ting dark as it can. TWEEDLEDEE 2 And dark er. 2 p pp Presto It's the crow! It's the crow! Crow! 2 It's the crow! It's the crow! Crow! 2 f 2 1 molto rit. attacca f

62 VIII. The White Queen's Visit Alice - Through the Looking-Glass 9 [ In the change of scene, the White Queen runs on, caught up in a wind storm. ] 0 Presto SNARE DRUM f ff ff ff 2 9 molto rit. Lento molto rit. 2 WHITE QUEEN Andante 2 Bread and but ter bread and but ter bread and but ter. I'm 2 2

63 0 [ The White Queen fumbles with her shawl. ] Alice - Through the Looking-Glass Bread and but ter bread and but ter bread and but ter bread and but ter. ve ry glad I hap pened to be in theway. 70 [ Alice curtsies. ] Well, yes. Yes. If you Am I ad dress ing the White Queen? p 77 [ The White Queen fingers her shawl even more. ] call that ad dress ing, I've been ad dress ing my self for the last two hours. I don't know what's the

64 Alice - Through the Looking-Glass 1 2 mat ter with it. I've pinned it here and I've pinned it there. And pinned it here and pinned it there. [ Gently assisting the White Queen. ] May I put your shawl straight for you? You pin it all on one 9 WHITE QUEEN [ Regards her bandaged finger. ] Oh! Oh! O o o o oh! My fin ger's bleed ing! Oh! side. Come, you look ra ther bet ter now. 7 7

65 2 Alice - Through the Looking-Glass 902 Oh! Oh! Not yet. but I will when I fas ten my Have you pricked your fin ger? 90 [ The White Queen nods kindly. ] shawl a gain! I will when I fas ten myshawl a gain. Liv ing back wards I'm con fused. 91 al ways makes one a lit tle gid dy at first-- a lit tle... Liv ing back wards! Liv ing back wards!

66 919 Alice - Through the Looking-Glass Liv ing back wards! Back wards liv ing! But there's one great ad van tage: One's mem' ry 92 [ The brooch pinning the White Queen's shawl becomes undone, and she grabs wildly at it. And too late; the Queen as pricked her finger. ] Presto works both ways. You see? There goes the shawl [ Gasps a warning. ] Ah! 91 [ The White Queen leaps after the shawl, crossing a little brook. Alice follows. ] a gain! f

67 97 2 Alice - Through the Looking-Glass Andante [ The White Queen begins changing into a ewe. ] WHITE QUEEN 2 Much bet ter, thank you! I hope your fin ger is bet ter! 2 f mf subito pp 2 9 [ Bleating... ] molto rit. Much be e e e e e ter! Much be e e e e e ter! be e e e e e ter! Thank you! p 99 Adagio [ At the side of the little brook, Alice sees rushes. ] Scent ed rush es! And what beau ties! p

68 Alice - Through the Looking-Glass 9 97 molto rit. A teo The pret ti est al ways seem just out of reach. p 90 p 9 They've...They've fad ed al read y.

69 Alice - Through the Looking-Glass 9 WHITE QUEEN [ The brookside has become a small shop, and the Queen a sheep shopkeeper. ] We e e e e e ell? Well! What is it you want to buy? f 972 WHITE QUEEN You can I don't quite know yet. I should like to look a round me first. 97 look in front of you, and on both sides, but you can't look all a round you- un mf 977 less you got eyes at the back of yourhead. Now, what do you want to buy? What do you want to

70 Alice - Through the Looking-Glass 7 90 bu uy? We e e e e e ell? Don't be e e e e e eg! What do you want to I beg your par don. 9 WHITE QUEEN buy? An e e e e e egg? I should like to buy an egg. I should like to buy an egg. 9 WHITE QUEEN Five pence far thing for one- two An egg. Or an e e e e e e e e egg. An egg!

71 99 Alice - Through the Looking-Glass pence for two. On ly you must eat them both if you buy two. Then I'll have one, please. 992 WHITE QUEEN You must get it for your self. I ne ver put things Please. mf f 99 molto rit. in to peo ple's hands. Ne e e e e e ver! Ne e e e e e ver! Ne ver! mf

72 Alice - Through the Looking-Glass 9 [ The shp shifts about, and shelves move. The White Queen exits. Atop a wall sits Huty Duty.] 99 Allegro molto rit. Adagio Allegro Things do flow a bout here so! subito mf 100 molto rit. Cu rious, and cu rious p 100 Adagio molto rit. segue er. How ex act ly like an egg he is. Ex act ly.

73 70 IX. Huty Duty 100 Presto f HUMPTY DUMPTY Alice - Through the Looking-Glass C It's ve ry pro vok ing to be called an egg! C C 101 Allegro mf Some peo ple have no moresense than a ba by. f p Presto 1019 Hu ty Du ty sat on a wall: Hu ty Du ty had a great 102 fall. All the king's hors es and all the king's men could n't put Hu ty Du ty

74 10 in his place a gain. Alice - Through the Looking-Glass 71 ff 10 Andante HUMPTY DUMPTY Don't stand a round chat ter ing to your self. Don't! Tell me your name and your bus' ness. mf f mf 10 A lice. Must a name mean some thing? It's a stu pid name e nough. What does it mean? Of pp f pp 109 course it must. My name means the shape I am. With a name like yours,

75 Alice - Through the Looking-Glass Don't you think you'd be sa fer down on the ground? you might be a ny shape. 10 HUMPTY DUMPTY Of course I don't think so! If e ver I did fall... If e ver I did fall... the King has f 10 To send all his hor ses and all of his men! pro mised... pro mised...

76 10 rit. HUMPTY DUMPTY Alice - Through the Looking-Glass 7 Adagio It's in a book. You've been lis ten ing at doors a gain! Ah, well, in a f pp 101 book, that's what you call a His to ry of En gland. f 10 Andante Take a good look at me, I'm the one that's spo ken to a King. Take a look. Take a look. 107 Take a good look. And to show you I'm not proud, you may shake hands with f

77 Alice - Through the Looking-Glass me. With me. Yes, [ Almost falling off the wall in trying to shake hands. ] 107 all his hor ses and all his men. Yes. They'd pick me up a gain, in a 107 What a beau ti ful belt... Cra vat, I should have said. min ute, they would! Adagio No, belt, I mean. I beg your par don. 12

78 10 Alice - Through the Looking-Glass 7 HUMPTY DUMPTY A most pro vok ing thing when a per son does n't know a cra vat from a belt. 10 Andante It's a cra vat. A pre sent from the mf 107 White King and Queen. They gave it me for an un birth day pre sent. An un birth day pre sent I beg your par don. I'm not of fend ed. I mean, what is an un birth day pre sent?

79 7 109 Alice - Through the Looking-Glass A pre sent gi ven when it is n't your birth day, is n't your birth day, is n't your birth day. 109 Of course. Of course. How ma ny days are there in a year? Three hun dred and six ty five One. And how ma ny birth days have you? Take one from three hun dred and six ty five, p 1102 Three hun dred and six ty four. What re mains? I'd ra ther

80 110 see it done on pa per. Alice - Through the Looking-Glass 77 [ Alice, smiling, takes out her memorandum book and writes it out for hm. ] 110 HUMPTY DUMPTY You're hold ing it up side down. That seems to be done right... I thought it looked a lit tle queer. pp 1111 Seems to be done right. That shows there are three hun dred and six ty four days when you might get un birth day pre sents, and on ly one for birth day pre sents.

81 Alice - Through the Looking-Glass I don't know what you mean by "glo ry." There's glo ry for you. I meant "there's a pp 1120 But "glo ry" does n't mean that. nice knock down ar gu ment for you." When I mf 1122 use a word, it means what I choose it to mean. Nei ther more or

82 112 Alice - Through the Looking-Glass 79 The ques tion is whe ther youcan make words mean so ma ny diff' rent things, less. The p mf 112 ques tion is, which is to be the mas ter- that's all. That's all. f 112 HUMPTY DUMPTY They've a tem per, some of them. Par ti cu lar ly verbs; they're the 110 proud est. Ad jec tives, you can do a ny thing with, but not with verbs.

83 0 Alice - Through the Looking-Glass 112 rit. How e ver, I can ma nage the whole lot of them. Im pe ne tra bi li ty! subito pp 11 You seem ve ry cle ver at ex plain ing words, sir. That's what I say! That's what I say! 11 Would you tell me the mean ing of the poem called "Jab ber wock y?" 11 HUMPTY DUMPTY 12 let's hear it! 12 f ff 12

84 X. "Jabberwocky" Explained Andante Alice - Through the Looking-Glass 1 'Twas bril lig and the pp 11 sli thy toves did gyre and gim ble in the 11 wabe: All mim sy were the bo ro goves and the mome raths out 119 grabe. HUMPTY DUMPTY That's e nough to be gin with. There are plen ty of hard words in there. pp

85 2 112 Alice - Through the Looking-Glass Bril lig... "Bril lig" means "four o' clock in the af ter noon." "Sli thy" means Sli thy "lithe" and"sli my." It's like a port man teau- there are two mean ings packed in to one word Bad gers? 12 "Toves?" "Toves?" "Toves" are some thing like bad gers, some thing like li zards, some thing like cork screws. They make their nests un der sun dials; they

86 110 Alice - Through the Looking-Glass Cheese? Cheese? Cheese? live on cheese. Cheese. Cheese. To "gyre" is to go round like a gy ro scope. To 112 "gim ble" is to make holes like a gim let. "Mim sey" is"flim sy" and mi ser a 11 ble, and a "bo ro gove" is a thin and shab by look ing bird, some thing like a 11 and "mome rath?" live mop. A "rath" is a sort of green pig, but "mome" I'm not mf

87 119 Alice - Through the Looking-Glass rit. And what does "out grabe" mean? cer tain a bout. To "out grabe?" "out 1171 Lento grib ing" is some thing be tween bel low ing, bel low ing and whist l' ing, bel low ing and mf 117 whist ling, bel low ing and whist ling. With a kind of sneeze in the 117 mid dle. In the mid dle. "Out grib ing" is some thing be tween bel low ing,

88 1177 poco accel. Alice - Through the Looking-Glass whist l' ing and a sneeze. "Out grib ing..." Who'se been re peat ing all that hard stuff to you? ff pp 110 I read it in a book. But I had some po e try re- peat ed to me much eas ier than that. 112 poco accel. molto rit. I can re peat po e try as well as o ther folk, if it comes to 11 poco accel. It need n't come to that. that. It comes to that.

89 XI. Huty Duty's Song 117 Adagio molto rit. A teo molto rit. Alice - Through the Looking-Glass HUMPTY DUMPTY For your en ter tain ment... In 1190 A teo win ter, when the fields are white, I sing this song for your de light- In spring,when woods are get ting green, I'll 119 molto rit. A teo try to tell you whati mean. For your en ter tain ment... In sum mer when the days are long, per 119 haps you'll un der stand this song; In au tumn, when the leaves are brown, take pen and ink and write it down.

90 Alice - Through the Looking-Glass I will if I can re mem ber it. molto rit. For your en ter tain ment... You need n't go on mak ing re marks like A teo 9 9 that; they're not sen si ble and they put me out! I sent a mes sage to the fish: I mf 120 told them"this is what I wish." The lit tle fish es in the sea, they sent an an swer back to me, 1207 molto rit. A teo I'm a For your en ter tain ment... The lit tle fish es;an swer was "We can not do it,sir, be cause..." subito pp

91 1210 molto rit. Alice - Through the Looking-Glass A teo fraid I don't quite un der stand. HUMPTY DUMPTY Itgets ea si er fur ther on. I sent to them a gain to say "It mf 121 molto rit. will be bet ter to o bey." The fish es an swered with a grin, For your en ter tain ment... Why, 121 A teo what a tem per you are in!" "My! Whata tem per you are in!" I told them once, I told them twice: They 1219 would not lis ten to ad vice. They would not lis ten to ad vice. Not once, not twice!

92 Alice - Through the Looking-Glass molto rit. A teo I took a ket tle large and new, 122 fit for the deed I had to do. My heart went hop, my heart went thu: I mf 122 filled the ket tle at the pu. Thu! Then some one came to me and said "The 121 lit tle fish es are in bed." I said to hm, I said it plain, "Then you must wake them up a agin." "Then

93 90 12 Alice - Through the Looking-Glass you must wake them up a agin." I said it ve ry loud and clear: I went and shout ed inhis ear. But 127 he was ve ry stiff and proud: He said,"you need n't shout so mf subito p 120 loud." And he was ve ry proud and stiff: he said,"i'd go and wake them if-" I mf 12 took a cork screw from a shelf: I went to wake them up my self. (For your en ter tain ment...) And

94 12 Alice - Through the Looking-Glass 91 when I'd found the door was locked, I pulled and pushed and kicked and knocked. And 12 when I found the door was shut, I tried to turn the han dle, but- I tried to turn the han dle, butmolto rit. 121 Adagio Is that all? That's all. Good bye. 12 [ Huty Duty falls backwards, off the wall. ] segue Well, good bye, then. ( The word turns into a scream.) f mf f

95 92 XII. The Lion and the Unicorn Con moto [ A loud nouse is heard from the forest, and soldiers come running through, falling over q.= 92 themselves. As the stage clears, the White King enters, writing in his memorandum book. ] 12 SNARE DRUM Alice - Through the Looking-Glass f 120 simile molto rit. mf Adagio 129 Andante WHITE KING I've sent them all! Four thou sand two hun dred and se ven! I could n't send all the hor ses;

96 Alice - Through the Looking-Glass Two are want ed in the game. Just look a long the road, my dear, and tell me if you can 127 I see no bo dy on the road. see ei ther of them. Such eyes! To be a ble to see f 127 I beg your par don. No bo dy! And at that dis tance too! It is n't re spec ta ble to 121 Moderato [ A Rabbit Messenger arrives. ] 1 beg. 1 f 1

97 9 Alice - Through the Looking-Glass 12 Adagio WHITE KING p I feel faint-- give me a ham sand wich! 12 WHITE KING MESSENGER Hay, then. There's no thing but hay left now. 129 WHITE KING Hay. There's no thing like eat ing hay, pp 1291 I should think throw ing cold wa ter o ver you would be bet ter. when you're faint.

98 129 WHITE KING Alice - Through the Looking-Glass 9 I did n't say there was no thing bet ter. I said there was no thing like it. 129 Who did you pass on the road? Quite right, this young la dy saw him too. MESSENGER No bo dy Tell us what's hap pened in the town. MESSENGER I'll whis per it. They're at it a gain! f

99 9 Alice - Through the Looking-Glass 102 Poco più mosso Allegro Who? WHITE KING MESSENGER Fight ing for the The Li on and the U ni corn, of course. 107 crown? The best of the joke is, it's my crown all the 111 molto rit. Presto while! MESSENGER The Li on and the p

100 Alice - Through the Looking-Glass U ni corn were fight ing for the crown: The Li on beat the u ni mf pp mf 127 corn all round the town. Round the town. Some gave them white bread, some gave them pp mf 1 brown: Some gave them plum cake and plum cake and plum cake and drummed them and 11 drummed them, drummed them and drummed them, drummed them right out of the town.

101 9 Alice - Through the Looking-Glass 17 WHITE KING The Li on and the U ni corn! The Li on and the U ni corn! The Li on and the U ni corn! The Li on and the U ni corn! mf p Moderato 1 WHITE KING 1 It's my crown all the while! f 1

102 Alice - Through the Looking-Glass 99 1 Adagio Does the one that wins get the crown? WHITE KING Dear me, no!what an i de a! p 17 How are they get ting a long? 19 MESSENGER Each of them has been down eigh ty se ven times. mf 172 WHITE KING Ten min utes al lowed for re fresh ments.

103 100 Alice - Through the Looking-Glass Presto ff 1 Adagio Look! There's the White Queen! 1 Presto How fast those Queens can run! ff 190 Andante UNICORN What is this? LION Are you a ni mal-- or

104 19 veg' ta ble-- or min e ral? Alice - Through the Looking-Glass 101 rit. WHITE KING It's a child. mf Adagio 19 UNICORN I al ways thought they were fa bu lous mon sters! mf I al ways thought U ni corns were fa bu lous mon sters too. UNICORN 7 If 7 7

105 102 Alice - Through the Looking-Glass UNICORN you be lieve in me, I'll be lieve in you. It's a bar gain, if you like. LION Then 102 poco accel. UNICORN Andante What a fight we might have for the hand round the plum cake, Mon ster! 10 crown, now! LION I'm not so sure of that. I should win ea sy.

106 10 LION Alice - Through the Looking-Glass 10 Why, I beat you all a round the town, you chick en! What a time that 111 I cut sev' ral sli ces al rea dy Mon ster is hav ing cut ting up the cake. 11 but they al ways join on a gain. LION You don't know how to han dle a 11 Look ing Glass cake. Hand it round first and cut it af ter wards.

107 Alice - Through the Looking-Glass LION Now cut it up. 122 Andante UNICORN I say, this is n't fair! TheMon ster has gi ven the Li on twice as much as me! mf 12 Adagio LION She kept none for her self a ny way. Do you like plum cake, Mon ster? p 12 poco accel. mf 129 segue mf ff pp

108 XIII. Ahoy! Ahoy! Check! 12 Allegro assai RED KNIGHT Alice - Through the Looking-Glass 10 [ The Red Knight enters, followed by the White Knight. ] A hoy! A hoy! Check! You're my pri son er! WHITE KNIGHT (Lewis Carroll) A hoy! A hoy! Check! sfz mf 17 She's my pri son er, you know! Well, Yes, but then I came and res cued her. 1 [ As the Red Knight approaches, the White Knight backs away cautiously. ] we must fight for her then. WHITE KNIGHT You will ob

109 10 19 RED KNIGHT Alice - Through the Looking-Glass rit. I al ways do. I al ways do. serve the rules of bat tle, of course. A hoy! A hoy! Check! 1 RED KNIGHT Moderato [ A clumsy and silly battle between the Red Knight and White Knight. ] Ha! f [ At the end of the battle the Red Knight exits, after ceremoniously shaking hands with the White Knight. ] 1 rit. Andante p 1 WHITE KNIGHT I don't know. I don't It was a glo rious vic to ry, was n't it?

110 1 Alice - Through the Looking-Glass 107 want to be a ny one's pri son er. I want to be a Queen. WHITE KNIGHT So you will. 19 [ They walk together for awhile. ] rit. I'll see you safe to the end of the wood. 17 Adagio 17 WHITE KNIGHT Dum dee dum Dum dee dum dee dum... p

111 10 1 Poco più mosso A lice... You are sad, let me p Alice - Through the Looking-Glass [ The White Knight stops Alice, and turns to face her. ] pp 17 Is it ve ry long? sing you a song to com fort you. It's ve ry, ve ry 190 beau ti ful. Ev' ry one that hears me sing it-- ei ther it brings tears in to their eyes, or else... Or 19 else what? WHITE KNIGHT Or else it does n't. the tune's my own in ven tion. Dum

112 19 dee dum dee dum dee dum dum dee Alice - Through the Looking-Glass 109 dum... XIV. A-Sitting on a Gate [ Alice sits at his feet as the White Knight sings his song. ] Andante f mf 102 I'll tell thee ev' ry thing I can: there's lit tle to re late. mf 110 I saw an a ged a ged man a sit ting on a gate. mf 11 "Who are you, a ged man? And how is it you live?" His an swer

113 Alice - Through the Looking-Glass rit. A teo trick led through my brain like wa ter through a sieve. "I 17 look for but ter flies,"he said,"that sleep a mong the wheat: I make them in to mut ton 17 rit. Poco meno mosso pies, and sell them in the street. I sell them un to men," he said,"who sail on 17 Poco più mosso molto rit. storm y seas; and that's the way I get my bread-- a tri fle, if you please. f

114 17 Andante Alice - Through the Looking-Glass 111 But I was think ing of a plan to dye one's whis ker's green, and al ways mf 177 use so large a fan that they they could not be seen. So, hav ing no re 17 ply to give to what the old man said, I cried, "Come, tell me how you live!" And mf p 197 thued him on his head. "I hunt for had dock's eyes," he said, "a mong the hea ther pp

115 Alice - Through the Looking-Glass bright, and work them in to waist coat but tons in the si lent night. 11 And these I do not sell for gold or coin of sil ver y shine. but for a mf 127 cop per half pen ny, and that will pur chase nine. I some times 1 dig for but tered rolls, or set limed twigs for crabs; I some times search the grass y mf

116 Alice - Through the Looking-Glass 11 1 knolls for wheels of Han som cabs. And that's the way" (he gave a wink) "by which I get 1 my wealth-- my wealth-- And ve ry glad ly mf 12 molto rit. Grave will I drink Your Hon our's no ble health." And now, if e'er by 19 chance I put my fin gers in to glue, or mad ly squeeze a right handfoot in to a left hand shoe.

117 11 Alice - Through the Looking-Glass 177 I weep, for it re minds me so of that old man I used to know-- that old man 1 Andante whose look was mild, whose speech was slow, whose hair was whi ter than the snow, 19 whose face was ve ry like a crow, with eyes like cin ders, all a glow, p 1701 Who seemed dis tract ed with his woe, dis tract ed so, and mut tered mf

118 1711 Alice - Through the Looking-Glass 11 mum bling ly and low, that sum mer ev' ning long a go... That old man... I 1721 saw an a ged, a ged man a sit ting on a gate....a sit ting on a gate....a sit ting on a gate. 17 XV. The Eighth Square, At Last! [ The White Knight raises Alice to her feet. ] Grave WHITE KNIGHT You've on ly a few yards to mf

119 Alice - Through the Looking-Glass go, and then you'll be a Queen. But you'll stay to see me off first? 172 Wait and wave your hand ker chief, wave your hand ker chief when I get to the 17 turn in the road, I think it 'll en cou rage me, you see. 17 rit. Of course, I'll wait. Adagio [ The White Knight slowly exits... ]

120 Alice - Through the Looking-Glass [...and is gone. ] rit. Andante The eighth square at last! 17 [ Alice crosses the last brook, spies a golden crown, and tries it on. ] Well, this is grand! I ne ver ex pect ed I should be a Queen so soon. If I 17 [ She practices walking with the crown on her head, but stiffly, as it tends to fall off. Unseen by her, the Red and White Queens enter. ] real ly am a Queen, I shall be a ble to man age it in time. mf Presto 171 RED QUEEN rit. Speak when you're spo ken to. If

121 11 17 Andante Alice - Through the Looking-Glass ev' ry one o beyed that rule, no bo dy would e ver say a ny thing. RED QUEEN accel. Ri f 1770 Allegro WHITE QUEEN Ri di cu lous! Ri di cu lous! The pro per ex di cu lous! Ri di cu lous! You can't be a Queen un til you've passed the pro per ex mf 177 am in a tion. Ri di cu lous! Ri di cu lous! Ri di cu lous! am in a tion, Ri di cu lous! Ri di cu lous! Ri di cu lous!

122 170 Andante Alice - Through the Looking-Glass 119 Poco più mosso The pro per ex am in a tion. Can you do ad The pro per ex am in a tion. p f f 17 di tion? What's one and one and one and one and one and one and one and one and one and one? mf 179 RED QUEEN She can't so ad di tion. Sub trac tion? Take I lost count. f p f mf

123 Alice - Through the Looking-Glass WHITE QUEEN She nine from eight. Nine from eight? I can't. f f 179 can't do sub strac tion. Di vi sion? Di vide a loaf by a knife? RED QUEEN Try a mf 102 no ther? Take a bone from a dog; What re mains?

124 10 Alice - Through the Looking-Glass 121 WHITE QUEEN I can do ad di tion, if you give me time- but I Can you do sums? 110 can't do Sub strac tion un der a ny cir cum stan ces. RED QUEEN Of course, you know your A B C? Can you 11 WHITE QUEEN How is bread made? an swer use ful ques tions? How is bread made? You take some flour...

125 WHITE QUEEN Alice - Through the Looking-Glass Where do you get the flower? In a gar den or in the hed ges? It is n't picked at all. It's 122 WHITE QUEEN How ma ny ac res of ground? RED QUEEN Fan her head! She'll be fe ver ish af ter so much ground. 12 [ During the following inquisition, the White Queen fans determinedly until Alice's hair is coletely windblown. ] think ing. Do you know lan gua ges? What's the French for fid dle de dee? If you

126 Alice - Through the Looking-Glass RED QUEEN Queens tell me what lan guage 'fid dle de dee'is, I'll tell you the French for it. 1 WHITE QUEEN Ne ver! Ne ver! What's the cause of ne ver make bar gains! Ne ver! p mf 1 light ning? Which re minds me, we had such a thun der storm last Tues day. mf

127 12 Alice - Through the Looking-Glass 11 I mean... I mean... I mean one of the last set of Tues days, you know. 1 I mean...you know...you can't think... And RED QUEEN She ne ver could, you know. p 19 molto rit. part of the roof came off, and e ver so much thun der got in-- and it f 12 Adagio poco accel. went roll ing, roll ing, roll ing, round the room in great lus

128 Alice - Through the Looking-Glass 12 1 till I was so fright ened, I could n't re mem ber my name. RED QUEEN She ne ver could, you 1 poco accel. I mean one of the last set of Tues days, you know. know. 10 I mean...you know...you know... There's on ly one day at a time. One day at a p

129 12 1 Alice - Through the Looking-Glass XVI. Hush-a-by, Lady [ The White Queen has become confused and weary. She sits Alice down next to her and readies herself for a nap leaning against Alice. ] Andante RED QUEEN Your Ma jes ty must ex cuse her. She time. 170 means well, but she can't help say ing fool ish things as a ge ne ral rule. But, it's a 17 maz ing how good tem pered she is! Pat her on her head, and see how pleased she'll be! 10 WHITE QUEEN I am so sleep y... A lit tle kind ness would do won ders for her. She's

130 Alice - Through the Looking-Glass [ The White Queen puts her head in Alice's lap and sleeps. ] tired, poor thing! Sing her a sooth ing lul la by. I don't know a ny sooth ing 191 RED QUEEN I must do it my self, then. Hus a by, la dy, in lul la bies. p pp 19 A li ce's lap! Till the feast's rea dy, we've time for a nap, when the feast's o ver, we'll

131 12 Alice - Through the Looking-Glass 190 go to a ball-- Red Queen, and White Queen, and A lice, and all! And now you know the 191 words. Just sing it through to me. I'm get ting sleep y too. [ The Red Queen puts her head in Alice's lap and sleeps. The White Queen and Red Queen snore more distinctly than before. ] 1921 Do wake up, you hea vy things. [ Gently, alice lays them quietly down against the bushes, and tip-toes away. ] rit. segue a piacere 192

132 XVII. Queen Alice 19 mf Allegro Alice - Through the Looking-Glass 129 [ Alice finds a doorway, over which is written, "QUEEN." A Frog in livery comes to his place on a stool beside the foor, and sits. ] f 192 rit. 19 A teo 190 Adagio 19 FROG [ Alice knocks again. ] No ad mit tance till the week af ter next! What is it now? mf

133 10 19 Alice - Through the Looking-Glass I've a scep ter in my hand, I've a crown on my head. Where's the What? 191 ser vant whose bus' ness it is to an swer the door? FROG To an swer the door? What's it been 19 Ask ing? No thing! I've been knock ing at it. ask ing? Knock ing at mf

134 Alice - Through the Looking-Glass it? I should n't do that. You let it a lone, and it 'll let you a lone. f pp 1970 rit. GUARD [ The door is thrown open, and all the Looking-Glass creatures are assembled for a party. ] Allegro assai C To the Look ing Glass world it was A lice that said "I've a C mf C p 197 scep ter in my hand, I've a crown on my head. Let thelook ing Glass crea tures, what ev er they be, come and 1977 And me! Me! Me! dine with the Red Queen, the White Queen..."

135 TUTTI (except Alice) h = h. Then fill up the glass es as quick as you can and sprin kle the ta ble with but tons and Alice - Through the Looking-Glass Then fill up the glass es as quick as you can and sprin kle the ta ble with but tons and 1990 bran: put cats in the cof fee and mice in the tea-- and wel come Queen A lice with thir ty times bran: put cats in the cof fee and mice in the tea-- and wel come Queen A lice with thir ty times 199 h. = h C C GUARD "O Look ing Glass crea tures,' quoth A lice,'draw near!'tis an three! three! C C C p

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