SYNTAX AND PICTORIAL SYNTAX
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1 SYNTAX AND PICTORIAL SYNTAX
2 Albrecht Dürer, c 1500 s
3 Andrea Mantegna
4 Albrecht Dürer, c 1500 s
5 Andrea Mantegna
6 Albrecht Dürer, c 1500 s
7 Andrea Mantegna
8 Albrecht Dürer, Mother, 1514
9
10
11 Daguerreotype versus Ambrotype
12
13
14 Daguerreotype Camera
15 William Henry Jackson in the field
16 Photographic Syntax
17 Daguerreotype Camera
18 photographic syntax
19 Photographic Syntax, equipment, limitations.
20 The photographic syntax
21 The photographic syntax
22 Photographic Syntax
23 Photographic Syntax
24
25 Film, video, and television: descendants of photography.
26 Pioneers and first attempts
27 William Henry Fox Talbot
28 Camera Lucida
29 William Hyde Wollaston, Inventor of Camera Lucida
30 Camera Lucida
31 Camera Lucida
32 Camera Lucida eyepiece
33 Camera Lucida, simulated view.
34 Camera lucida in use
35 Camera Obscura
36 How light works in a camera
37 How light works
38 Camera Obscura
39
40 Camera Obscura
41 Joseph Nicephore Niepce
42 Niepces process: Bitumen of Judea
43 Niepce s camera
44 Joseph Nicéphore Niépce, View from the Window at Le Gras, 1826, Heliograph
45 Digital simulation of Niepce s view from Le Gras, France.
46 Photograph of a 1650 Portrait of Georges d Amboise by Niepce, 1826
47 Johan Heinrich Schulze, experiments with the effects of light on silver nitrate, 1725
48 Silver nitrate
49 Carl Wilhelm Scheele, Swedish chemist, researching silver chloride, 1777
50 Silver chloride
51 Mined silver chloride
52 Thomas Wedgewood, experiments with silver nitrate, early 19 th century
53 Talbot
54 William Henry Fox Talbot, Photogenic Drawing, 1830 s
55 Photogram in the making
56 Photogram in the making
57 Photogram in the making
58 William Henry Fox Talbot, Photogenic Drawing, 1836
59 William Henry Fox Talbot, Photogenic Drawing, 1830 s
60 William Henry Fox Talbot, Photogenic Drawing, 1830 s
61 William Henry Fox Talbot, Photogenic Drawing, 1830 s
62 William Henry Fox Talbot, Photogenic Drawing, 1830 s
63 William Henry Fox Talbot, Photogenic Drawing, 1830 s
64 William Henry Fox Talbot, Photogenic Drawing, 1830 s
65 William Henry Fox Talbot, Photogenic Drawing, 1830 s
66 William Henry Fox Talbot, Photogenic Drawing, 1830 s
67 William Henry Fox Talbot, Photogenic Drawing, 1830 s
68 William Henry Fox Talbot, Photogenic Drawing, 1830 s
69 William Henry Fox Talbot, Photogenic Drawing, 1830 s
70 William Henry Fox Talbot, Photogenic Drawing, 1830 s
71 Daguerre s process
72 Daguerre s process
73 Daguerre s process
74 Talbot s process
75 William Henry Fox Talbot, Latticed Window at Lacock Abbey, 1835
76 Talbot s process
77 William Henry Fox Talbot, Latticed Window at Lacock Abbey, negative and positive print, 1835
78 Sir John Herschel, astronomer. Suggested the varnishing the paper to improve its translucency. Also discovers how to best fix the prints.
79 Example of Hypo
80 Talbot s Calotype
81 Louis-Jacques-Mandé Daguerre (18 November July 1851)
82 Dioramma
83 The broken thermometer story
84 First successful Daguerreotype, 1837
85 Louis-Jacques-Mandé Daguerre, early daguerreotype, Boulevard du Temple, Paris, 1839
86 Daguerreotype
87 John Brown, Abolitionist, Daguerreotype, 1856
88 Daguerreotype
89 Daguerreotype
90 Abraham Lincoln, Daguerreotype, 1846
91 Daguerreotype
92 Daguerreotype
93 Daguerreotype
94 Samual Morse, Daguerreotype
95 San Francisco, Daguerreotype
96 The Mad Hatter, madness ensued by mercury vapors.
97 Daguerreotype
98 William Henry Fox Talbot
99 Hippolyte Bayard, direct positive print
100 Hippolyte Bayard, Plaster Casts, direct positive print, 1839
101 Hippolyte Bayard, Portrait of a Drowned Man, direct positive print, 1840
102 The body you see is that of Monsieur Bayard The Academy, the King, and all who have seen his pictures admired them, just as you do. Admiration brought him prestige, but not a sou. The Government, which gave M. Daguerre so much, said it could do nothing for M. Bayard at all, and the wretch drowned himself.
103 Hippolyte Bayard, Paris, Montmartre, direct positive print
104 Hippolyte Bayard, direct positive print
105 Paul DeLarouche, Romantic painter, From today, painting is dead! 1839, (following the public release of the Daguerreotype).
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