Color Management Fundamentals Wide Format Series
|
|
- Arleen Thomas
- 6 years ago
- Views:
Transcription
1 Color Management Fundamentals Wide Format Series Kerry Moloney Field & Channel Marketing Manager Fiery Wide Format John Nate WW Technical Product Training Manager Fiery Wide Format
2 Session overview Color management fundamentals, including basic color theory and management terms Get the best out of all of color technologies, regardless of the technology type Focus today on printing, with an emphasis on some wide format printing considerations Take a quick poll 2
3 Topics to be covered Color management defined Color space Color accuracy and Delta-E (ΔΕ or de) Device dependent and device independent color Gamut Rendering intents & black point compensation Color transforms Calibration & profiling Spot colors 3
4 What is color management? And why do we need it? 4
5 Color management is A process, not a task Ensures color fidelity between devices Limited by each device 5
6 Color management is A process, not a task Ensures color fidelity between devices Limited by each device 6
7 Color management is A process, not a task Ensures color fidelity between devices Limited by each device 7
8 Color management is like making toast by Steve Upton 8
9 Color management is like making toast by Steve Upton 9
10 Color management is like making toast 10
11 Color management is like making toast
12 Color management fundamentals Basic terms 12
13 Color space (L*a*b*) L* 0 13
14 Color space (L*a*b*) a*
15 Color space (L*a*b*) b*
16 Color space (L*a*b*) L* b* a* 16
17 Color space (L*a*b*) L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 17
18 Color space (L*a*b*) L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 18
19 Color inaccuracy Hue - color Chroma - saturation Luminance - brightness 19
20 Hue Cooler Actual Color Warmer 20
21 Where is your color? L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 21
22 Hue L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 22
23 Hue L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 23
24 Chroma - Saturation Less Saturation Actual Color More Saturation 24
25 Chroma or Saturation L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 25
26 Chroma or Saturation L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 26
27 Chroma or Saturation L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 27
28 Luminance Darker Actual Color Lighter 28
29 Where is your color? L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 29
30 Where is your color? L* = 100 White b* Yellow -a* Green Gray a* Red -b* Blue L* = 0 Black 30
31 Delta-E or ΔΕ or De Original Color Delta-E 3 Delta-E 7 31
32 Device dependent color 32
33 Device dependent color R = 201 G = 5 B = 2 R = 206 G = 3 B = 7 33
34 Device dependent color CMYK = 1/84/95/2 5/93/88/0 0/97/90/8 34
35 Device dependent color CMYK = 1/84/95/2 5/93/88/0 0/97/90/8 L*a*b* = 56/95/54 35
36 Gamut 36
37 Gamut 37
38 Gamut 38
39 Gamut 39
40 Gamut 40
41 Gamut 41
42 Gamut 42
43 Gamut 43
44 Color space SWOP 44
45 Color space SWOP vs. GRACoL 45
46 Color space SWOP vs. GRACoL vs. Inkjet 46
47 Color space SWOP vs. GRACoL vs. Inkjet vs. Adobe RGB 47
48 Color space SWOP vs. Toner vs. Inkjet 48
49 Gamut Larger Smaller 49
50 Gamut? Larger Smaller 50
51 Spot colors 51
52 Spot colors Pantone Bridge 52
53 Color management application Decision time 53
54 Rendering intent Larger Gamut Smaller Gamut In-Gamut Colors Out-Of-Gamut Colors 54
55 Perceptual
56 Perceptual
57 Perceptual
58 Perceptual
59 Perceptual
60 Perceptual
61 Perceptual
62 Colorimetric
63 Saturation
64 Colorimetric relative vs. absolute Newsprint Absolute Colorimetric Newsprint Relative Colorimetric 64
65 Banding Original Perceptual Colorimetric 65
66 Banding Original Perceptual Colorimetric 66
67 Banding Original Perceptual Colorimetric 67
68 Banding Original Perceptual Colorimetric 68
69 Black point compensation Newsprint 69
70 Black point compensation 70
71 Black point compensation 71
72 Black point compensation 72
73 Graphic program defaults 73
74 Graphic program defaults 74
75 Assigning vs. converting 75
76 Assigning vs. converting Assigning = Change the way the image looks/prints Converting = Keep the look the same 76
77 Assigning vs. converting Assign = Not the same taste 1 Tb. = 1 Tb. 77
78 Assigning vs. converting Convert = The same taste 1 Tb. = 4 Tb. 78
79 Assigning vs. converting Original Color in GRACoL 23/92/53/17 40/50/14 79
80 Assigning vs. converting Original Color in GRACoL 23/92/53/17 40/50/14 Assign SWOP 5 23/92/53/17 41/51/10 80
81 Assigning vs. converting Original Color in GRACoL 23/92/53/17 40/50/14 Assign SWOP 5 23/92/53/17 41/51/10 Convert SWOP 5 24/93/61/19 40/50/14 81
82 Converting GRACoL SWOP 82
83 Assigning vs. converting Assign Convert Assign 83
84 Calibration and profiling Controlling your color 84
85 Calibration Calibration is active 85
86 Calibration Calibration is active Match a device to itself over time 86
87 Calibration Calibration is active Match a device to itself over time Bring to a repeatable state 87
88 Calibration Calibration is active Match a device to itself over time Bring to a repeatable state Tuning the guitar 88
89 Calibration Sometimes called linearization Linearization is only one part of calibration 89
90 Calibration cameras Shutter speed Aperture White/gray balance 90
91 Calibration monitors Brightness Contrast White point 91
92 Calibration output devices 92
93 Calibration output devices Per channel ink/toner limits Per channel linearity Total ink/toner limit Ink gray balance Usually through the use of a RIP 93
94 Calibration output devices Per channel ink limits 94
95 Calibration output devices Per channel ink limits Wet No additional saturation No additional saturation Wet 95
96 Calibration output devices Per channel ink limits Wet 92% No additional saturation 89% No additional saturation 96% Wet 81% 96
97 Calibration output devices Per channel linearity (ink or toner) 75% 97
98 Calibration output devices Per channel linearity (ink or toner) 75% 25% 98
99 Calibration output devices Per channel linearity (ink or toner) Non-Linear 75% 25% Non-Linear 99
100 Calibration output devices Per channel linearity (ink or toner) Non-Linear 75% 25% Non-Linear 25% 50% 75% Linear 100
101 Calibration output devices Total ink limit No darker 280% 290% 300% 310% 320% 330% 340% 350% 360% 370% 380% 390% 400% 101
102 Calibration output devices Total ink limit No darker 280% 290% 300% 310% 320% 330% 340% 350% 360% 370% 380% 390% 400% TIL 102
103 Calibration output devices Total ink limit No darker 280% 290% 300% 310% 320% 330% 340% 350% 360% 370% 380% 390% 400% TIL Wet 280% 290% 300% 310% 320% 330% 340% 350% 360% 370% 380% 390% 400% 103
104 Calibration output devices Total ink limit No darker 280% 290% 300% 310% 320% 330% 340% 350% 360% 370% 380% 390% 400% TIL Wet 280% 290% 300% 310% 320% 330% 340% 350% 360% 370% 380% 390% 400% TIL 104
105 Calibration output devices Ink gray balance Poor gray balance Questionable Gray Balance Good Gray Balance 105
106 Calibration output devices Ink gray balance Poor gray balance Questionable gray balance Good Gray Balance 106
107 Calibration output devices Ink gray balance Poor gray balance Questionable gray balance Good gray balance 107
108 Profiling Profiling is passive ICC Profile International Color Consortium 108
109 Profiling Profiling is passive A snapshot of the device characteristics 109
110 Profiling CMYK 0/100/66/0 0/51/24/0 66/36/24/0 92/0/81/23 0/0/0/30 L*a*b* 61/127/105 73/36/13 55/-10/-18 46/-55/16 78/0/0 110
111 Profiling CMYK = 0/100/66/0 CMYK = 1/84/95/2 0/100/66/0 0/97/90/8 L*a*b* = 61/127/105 L*a*b* = 61/127/
112 Color management is like making toast
113 Session summary What we learned Basic color management concepts apply to getting the most out of all types of color technologies Take charge of your color management setting and options Color management is not a single task, rather a complete process To learn more, we have some resources for you 113
114 Additional resources ABCs of Color Rendering Intent Black Point Compensation articles Glossary of color terms Complete Guide to Color Management A Guide to Understanding Color Communication The Color Guide and Glossary 114
115 Additional World of Fiery sessions May 27 Color Management Fundamentals Learn the foundations of color theory and management to get the most from your design software and color technologies. June 17 Color Standards & Specifications Gain knowledge of the latest industry standards and how they apply to wide and superwide format printing and proofing. July 8 Color Management Inside Fiery XF & Fiery proserver Put your knowledge into practice and understand RIP-level color controls. Production Series for wide format printing starting this September, you can register your interest for these on the World of Fiery Webinars home page 115
116 Color management fundamentals Questions? 116
117 Color management fundamentals Thank you! 117
Profiling & Optimization in Fiery proserver and Fiery XF
Profiling & Optimization in Fiery proserver and Fiery XF Wide Format Series Kerry Moloney Product Marketing Manager Fiery Wide Format John Nate Educational Architect and Trainer Fiery Wide Format Session
More informationDigital Technology Group, Inc. Tampa Ft. Lauderdale Carolinas
Digital Technology Group, Inc. Tampa Ft. Lauderdale Carolinas www.dtgweb.com Color Management Defined by Digital Technology Group Absolute Colorimetric One of the four Rendering Intents of the ICC specification.
More informationColor Management and Your Workflow. monaco
Color Management and Your Workflow Problem in Matching Colors > THE RESULTS Wasted Time and Money Frustration Color Managed > THE RESULTS Save Time Money and Paper Get Great Prints Every Time The Cost
More informationGetting Your Gray Balance in Check With G7
Getting Your Gray Balance in Check With G7 Wide Format Series Elli Cloots Senior Product Marketing Manager Fiery Wide Format John Nate Senior Educational Architect and Trainer Fiery Wide Format Why all
More informationHow G7 Makes Inkjet Color Management Better. Jim Raffel Some slides have been adapted from and are used with permission of SGIA and MeasureColor.
How G7 Makes Inkjet Color Management Better Jim Raffel Some slides have been adapted from and are used with permission of SGIA and MeasureColor. About G7 G7 is a known good print condition based upon gray
More informationHow G7 Makes Inkjet Color Management Better
#COLOR19 How G7 Makes Inkjet Color Management Better Jim Raffel Some slides have been adapted from others and are used with permission. About G7 G7 is a known good print condition based upon gray balance
More informationSoft Proofing Page: 1
Page: 1 The following instructions will help you understand the concept and practice of soft proofing as well as step you through how to soft proof through different applications. General Philosophy &
More information19 Setting Up Your Monitor for Color Management
19 Setting Up Your Monitor for Color Management The most basic requirement for color management is to calibrate your monitor and create an ICC profile for it. Applications that support color management
More informationCalibration. Kent Messamore 7/23/2013. JKM 7/23/2013 Enhanced Images 1
Calibration Kent Messamore 7/23/2013 JKM 7/23/2013 Enhanced Images 1 Predictable Consistent Results? How do you calibrate your camera? Auto White Balance in camera is inconsistent Amateur takes a single
More informationColor Matching with ICC Profiles Take One
Color Matching with ICC Profiles Take One Robert Chung and Shih-Lung Kuo RIT Rochester, New York Abstract The introduction of ICC-based color management solutions promises a multitude of solutions to graphic
More informationA GUIDE TO SOFT PROOFING
A GUIDE TO SOFT PROOFING soft proofing information Definition: Soft proofing is a representation or simulation on a computer monitor of what an image is going to look like on an output device, such as
More informationColor Management For A Sign Maker. An introduction to a very deep subject.
Color Management For A Sign Maker An introduction to a very deep subject. So Many Terms to remember Color Space Gamut ICC Color Profile RIP Software Preset Files/Media Settings Files Rendering Intents
More informationEFI Fiery Printer Profiler The impact of the black separation settings. Oliver Schorn, Senior Color Management & Research Engineer
EFI Fiery Printer Profiler The impact of the black separation settings Oliver Schorn, Senior Color Management & Research Engineer Table of contents EFI Fiery Printer Profiler - The impact of the black
More informationWhat Is Color Profiling?
Why are accurate ICC profiles needed? What Is Color Profiling? In the chain of capture or scan > view > edit > proof > reproduce, there may be restrictions due to equipment capability, i.e. limitations
More informationColour Management Workflow
Colour Management Workflow The Eye as a Sensor The eye has three types of receptor called 'cones' that can pick up blue (S), green (M) and red (L) wavelengths. The sensitivity overlaps slightly enabling
More informationQuick Start Guide to Printing on the EPSON 9800
Quick Start Guide to Printing on the EPSON 9800 Website: http://www.arts.rpi.edu/pl/iear-studios-facilities/advanced-graphicsproduction-studio. 1) After finishing working on the file, make sure reminds
More informationColor Management For Photographers
Color Management For Photographers Getting the Color You Expect 2006 Kevin Connery 1 Goals Enable the photographer to establish an effective their workflow of digital photographic color. 2006 Kevin Connery
More informationColor Management. R. Mac Holbert
Color Management R. Mac Holbert Color Management Is Important! It s Relatively Inexpensive! It s Not Difficult To Understand! What is Color Management? Color Management is the name given to processes and
More informationICC Reference Manual
5 Reference Manual Contents 1. Preface...5 1.1 Licensing... 5 2. Basic Functions...7 3. Profile Settings...10 3.1 Name, Format and Size...10 3.2 Further processing... 11 3.3 Preview Profiles...12 3.3.1
More informationWorld of Fiery Webinar FAQ Advanced color management for digital print systems
Thank you for your interest in our World of Fiery Webinar, this FAQ answers the questions from the session. If you would like to view it again or share it, please access the recording of the webinar here.
More informationTable of Contents. Importing ICC Profiles...2. Exporting ICC Profiles...2. Creating an ICC Profile...2. Understanding Ink limits...
Table of Contents Importing ICC Profiles...2 Exporting ICC Profiles...2 Creating an ICC Profile...2 Understanding Ink limits...2 Understanding GCR...3 GCR Options...3 Understanding Advanced Options...4
More informationColor Management Concepts
Color Management Concepts ARNAB MAITI Regional Manager Prepress Solutions & Packaging Segment Graphic Communications Group What is Color Management What is Management What is Color A Little Understanding
More information1. Transfer original JPEG (.jpg ) or RAW camera file to hard drive of your choice via USB or Firewire directly from the camera or with a card reader.
Processing a Digital Image Revision 4.17.13 1. Transfer original JPEG (.jpg ) or RAW camera file to hard drive of your choice via USB or Firewire directly from the camera or with a card reader. 2. Sort,
More informationColour Theory Basics. Your guide to understanding colour in our industry
Colour heory Basics Your guide to understanding colour in our industry Colour heory F.indd 1 Contents Additive Colours... 2 Subtractive Colours... 3 RGB and CMYK... 4 10219 C 10297 C 10327C Pantone PMS
More informationColor Management Fundamentals
#Color2018 Color Management Fundamentals Don Hutcheson HutchColor.com Content What is color management? Light, color and vision Measuring color Color correction ICC color management Display profiling Input
More informationPHOTOTUTOR.com.au Share the Knowledge
ESTABLISHING A COLOUR MANAGED WORKFLOW by MICHAEL SMYTH WHAT IS COLOUR MANAGEMENT AND WHY DO WE NEED IT? The goal of any photographer in the Digital age is to capture, process and print images with consistent
More informationGeneral PRINTER LINEARIZATION
PRINTER LINEARIZATION 1 PRINTER LINEARIZATION The color properties of all printers alter over a period of time. This document describes the different ways of returning a printer to its original state using
More informationThe Epson RGB Printing Guide Adobe Photoshop CS4 Lightroom 2 NX Capture 2 Version. Tuesday, 25 August 2009
The Epson RGB Printing Guide Adobe Photoshop CS4 Lightroom 2 NX Capture 2 Version 1.2 1 Contents Introduction Colour Management Nikon Capture NX 2 Lightroom 2 Resolution Workflow Steps Setting up Photoshop
More informationRendering Intents and Black Point Compensation
ONYX White Paper Rendering Intents and Black Point Compensation June 2010 Introduction The ability to apply Black Point Compensation (BPC) when applying ICC profiles was added as a new feature with the
More informationFrequently Asked Questions (FAQs) Pertaining to G7,GRACoL and ISO
Frequently Asked Questions (FAQs) Pertaining to G7,GRACoL and ISO 12647-2 What is G7? Developed by IDEAlliance, and the GRACoL committee, G7 is a calibration and process control methodology used to align
More informationKIP Certified AutoCAD Driver KIP SPOT COLOR USER GUIDE
KIP Certified AutoCAD Driver KIP SPOT COLOR USER GUIDE Contents Overview... 2 KIP Color Printer Spot Color Guide... 4 Print the Spot Color Chart... 4 Reading the Spot Color Chart... 5 Using the Spot Color
More informationAndrew Rodney aka The Digital Dog
What is Color Management Why do we need it? Andrew Rodney aka The Digital Dog www.digitaldog.net andrew@digitaldog.net What is Color Management? The ability to accurately and predictably control the reproduction
More informationWhat You See vs. What You Get Part 2 (Color Management) Howard Fingerhut
What You See vs What You Get Part 2 (Color Management) Howard Fingerhut Color Management (Terms) Complicated Confusing Frustrating What to Expect Tonight Color Management Overview Minimal math Minimal
More informationPerceptual Rendering Intent Use Case Issues
White Paper #2 Level: Advanced Date: Jan 2005 Perceptual Rendering Intent Use Case Issues The perceptual rendering intent is used when a pleasing pictorial color output is desired. [A colorimetric rendering
More informationYearbook Color Management. Matthew Bernius. Rochester Institute of Technology School of Print Media
Yearbook Color Management Matthew Bernius Rochester Institute of Technology School of Print Media Topic Overview Color in Theory Color in Production Color Management Image Editing (best practices) 1 Color
More informationSettings Preview The paper illustration shows how the original will be laid out on a sheet of paper.
Main tab The Main tab allows you to create a basic print setup in accordance with the media type. Unless special printing is required, normal printing can be performed just by setting the items on this
More informationSprinterB Quality printing Color Management
Application Note: #10 Date: June. 07, 2005 SprinterB Quality printing Color Management Table of Contents Introduction...2 SprinterB ICC Profiles...2 PPS RIP, Color Management Settings...3 ICC Profile Creator...5
More informationONYX Color Science Understanding Named Color Matching January 2013
ONYX Color Science Understanding Named Color Matching January 2013 Named colors in Postscript and PDF workflows (sometimes referred to as spot colors) can be an important part of a printing workflow. Named
More informationThe Technology of Duotone Color Transformations in a Color Managed Workflow
The Technology of Duotone Color Transformations in a Color Managed Workflow Stephen Herron, Xerox Corporation, Rochester, NY 14580 ABSTRACT Duotone refers to an image with various shades of a hue mapped
More informationSpectro-Densitometers: Versatile Color Measurement Instruments for Printers
By Hapet Berberian observations of typical proofing and press room Through operations, there would be general consensus that the use of color measurement instruments to measure and control the color reproduction
More informationHow to check Print Standards
How to check Print Standards Launch the checking process 1 Simulate the verification 5 Procedure 5 Results interpretation 7 Standard constraints 8 Color code 8 Available actions 8 Swatches 10 Failed test:
More informationSpectral data communication from prepress to press
Spectral data communication from prepress to press Veronika Lovell 29 June 2017 What s printing Process color CMYK Extended Color Gamut ECG Spot Colors, Pantone or Brand Colors 2 Color in Process Ink Sets
More informationOcé Color Control Suite A NEW PATH TO CONSISTENT COLOR
Océ Color Control Suite A NEW PATH TO CONSISTENT COLOR The solution for reproducible color output across media, print processes, and geographies COLOR MANAGEMENT FOR THE REAL WORLD The Color Challenge
More informationAs an ENERGY STAR Program Participant, the manufacturer has determined that this product meets the ENERGY STAR guidelines for energy efficiency.
C5150/C5200ne/C5200n Technical Reference, Macintosh 59351301 Rev 1.2 August 2005 Every effort has been made to ensure that the information in this document is complete, accurate, and up-to-date. The manufacturer
More informationColor is the factory default setting. The printer driver is capable of overriding this setting. Adjust the color output on the printed page.
Page 1 of 6 Color quality guide The Color quality guide helps users understand how operations available on the printer can be used to adjust and customize color output. Quality menu Use Print Mode Color
More informationContent. Because it simply works! 1. Preface Quick Start...7
User Manual Manual Content 1. Preface...5 3. Quick Start...7 3. Advanced Settings...11 3.1 Special parameters (all color models)...12 3.1.1 Gamut Mapping - perceptual Rendering Intent...12 3.1.2 Correction
More informationColor Workflow. Taking the Mystery Out of Production
Color Workflow Taking the Mystery Out of Production Consistent Color for Photography Capture Edit Output Some Capture Tips If shooting jpegs do not use Auto White Balance; use a Preset Pay attention to
More informationA Crash Course in Printing. PACC Program Wednesday, January 25, 2012 Ira Greenberg Judy Kramer Laurie Naiman
A Crash Course in Printing PACC Program Wednesday, January 25, 2012 Ira Greenberg Judy Kramer Laurie Naiman Goal Intro to printing focused on the essentials Take an image from camera to physical display
More informationPRESS FOR SUCCESS. Meeting the G7 Color Challenge
PRESS FOR SUCCESS Meeting the Color Challenge PRINTER CHALLENGE CONSISTENTLY MEETING CLIENTS COLOR EXPECTATIONS Print providers today face many challenges. These include faster turnaround times and shorter,
More informationBlack point compensation and its influence on image appearance
riginal scientific paper UDK: 070. Black point compensation and its influence on image appearance Authors: Dragoljub Novaković, Igor Karlović, Ivana Tomić Faculty of Technical Sciences, Graphic Engineering
More informationAccurate Color in AutoCAD 2004
Course VI33-2 Accurate Color in AutoCAD 2004 Peter Sheerin Dec 4, 2003 03:00 PM 04:30 PM 1 2 Color Models RGB Primary model for computer graphics and lightemitting displays (CRT, LCD, LED, etc.) CMYK Primary
More informationChapter 2 Fundamentals of Digital Imaging
Chapter 2 Fundamentals of Digital Imaging Part 4 Color Representation 1 In this lecture, you will find answers to these questions What is RGB color model and how does it represent colors? What is CMY color
More informationFAQ: World of Fiery Webinar - 3 Key Steps to Getting the Right Color the First Try
FAQ: World of Fiery Webinar - 3 Key Steps to Getting the Right Color the First Try Isn't RGB device independent? Is it not locked to a specific device and colors will print to the gamut of the device?
More informationColor Management. A ShortCourse in. D e n n i s P. C u r t i n. Cover AA30470C. h t t p : / / w w w. ShortCourses. c o m
AA30470C Cover Cover A ShortCourse in Color Management AA30470C D e n n i s P. C u r t i n h t t p : / / w w w. ShortCourses. c o m h t t p : / / w w w. P h o t o C o u r s e. c o m 1 Color Management
More informationCIE TC 8-16 Consistent Colour Appearance (CCA) in a Single Reproduction Medium. Informal Workshop at RIT 1 st June 2017 W Craig Revie
CIE TC 8-16 Consistent Colour Appearance (CCA) in a Single Reproduction Medium Informal Workshop at RIT 1 st June 2017 W Craig Revie Overview A Increasing gamut size B Q1: why do images in set B have a
More informationWhat is Color Management? Color Management Fundamentals. PIA Color 19 conference: 1/14/19. Agenda. Pointers to related sessions
#COLOR19 Color Management Fundamentals Don Hutcheson HutchColor.com co-staring Dawn Nye, KonicaMinolta (as herself) Steve Smiley, SmileyColor (as someone else) Agenda 12:00 13:30 Basic stuff 13:30 13:45
More informationReduction of Process-Color Ink Consumption in Commercial Printing by Color Separation with Gray Component Replacement
Reduction of Process-Color Ink Consumption in Commercial Printing by Color Separation with Gray Component Replacement Suchapa Netpradit*, Wittaya Kaewsubsak, Peerawith Ruvijitpong and Thanita Worawutthumrong
More informationProfiling Procedures The following pages show the basic steps for making printer, scanner, and monitor profiles.
Color Management Profiling for the HP DesignJet 0/20ps Draft. 4/8/02 Introduction The HP DesignJet 0/20ps comes with standard profiles for CMYK and RGB working spaces and with profiles for HP media. However,
More informationRicoh SG 3110DN - MacProfile
Ricoh SG 30DN - MacProfile.install the icc profile if you system is old than 0.6 please copy the icc profile to "Library-ColorSync-Profiles" if you system is 0.6-0. you need do some setting Wedding menu
More informationZePrA 3.5 Spot Color Processing
ZePrA 3.5 Spot Color Processing Starting with ZePrA 3.5, we have integrated a new module for the highquality conversion of spot colors to the target color space. Our spot color solution is aimed at printers
More informationPrint Production From Design to Print for Packaging
#COLOR19 Print Production From Design to Print for Packaging Birgit Plautz Eric Dalton GMG Americas About the Presenters Birgit Plautz Manager of Technical Services GMG Americas 20 years experience in
More informationTwelve significant photographs in any one year is a good crop. - Ansel Adams. Color. Introduc)on to Digital Photography
Twelve significant photographs in any one year is a good crop. - Ansel Adams Color Introduc)on to Digital Photography Lecture outline How we see color Addi)ve (RGB) / Subtrac)ve (CMYK) HSB Hue Satura)on
More informationColor Management Secrets. Mark Rugen, MUTOH
Color Management Secrets Mark Rugen, MUTOH Color management seems like such a secret to many. In fact it is just a set of basic steps and a little practice. 1 Why Color Management Predictability Soft Proofing
More informationIntroduction to Color Theory
Introduction to Color Theory This overview will give you an essential primer on the definition of color, from its origins to current day definitions. It provides a deeper understanding of the printing
More informationINFLUENCE OF THE RENDERING METHODS ON DEVIATIONS IN PROOF PRINTING
30. September 2. October 2009, Senj, Croatia Technical paper INFLUENCE OF THE RENDERING METHODS ON DEVIATIONS IN PROOF PRINTING Puškarić M., Jurić N., Majnarić I. University of Zagreb, Faculty of Graphic
More informationColours and Control for Designers. This article is supported by...
Wild Format Technology Guides Series 3 The Wild Format guides are intended to expand awareness and understanding of the craziness that can be created on wide format digital printing devices, from floors
More informationPredictability of Spot Color Overprints
Predictability of Spot Color Overprints Robert Chung, Michael Riordan, and Sri Prakhya Rochester Institute of Technology School of Print Media 69 Lomb Memorial Drive, Rochester, NY 14623, USA emails: rycppr@rit.edu,
More informationDisplay Profiling. How to Calibrate a. Introduction. 4 C s of Color Management. Step 1: Consistency. Step 2: Calibration
Introduction Monitor previews that match the print can save a considerable amount of time and money for anyone in the photo and printing industry. Photographers and designers who need to adjust images
More informationTitle goes Shadows and here Highlights
Shadows Title goes and Highlights here The new Shadows and Highlights command in Photoshop CS (8) is a great new tool that will allow you to adjust the shadow areas of an image while leaving the highlights
More informationFT-S5500 OUTPUT PROFILE FOR RGB OUTPUT MODE
FT-S5500 OUTPUT PROFILE FOR RGB OUTPUT MODE Nov 2004 Recently, the digital camera has been spread and the color management system has evolved. And in additionally, the scanned image data is used in many
More informationColor Management, Profiles, and Spot Colors. Not Everything There is to Know, but Enough to Get You Started
Color Management, Profiles, and Spot Colors Not Everything There is to Know, but Enough to Get You Started John Hendron johnhendron.net April, 2005 Color, Photoshop, and the Mac, 2 Introduction Color on
More informationGernot Hoffmann Edit in Lab and Proof Colors
Gernot Hoffmann Edit in Lab and Proof Colors Contents 1. Introduction 2 2. Background Neutralization 3 3. Proof Colors, Gamut Warning and Correction in Lab 6 4. Sharpening 9 5. Orange Grass 10 6. Blue
More informationHP Designjet Z2100 and Z3100 Printers Deliver Professional Quality, Durable Prints
HP Designjet Z2100 and Z3100 Printers Deliver Professional Quality, Durable Prints The HP Designjet Z2100 and Z3100 printers use new HP 70 Vivera Pigment Inks to deliver superb imaging performance, fade
More informationStep 2 Use the Proper Printer Profile or Create a Custom Printer Profile (Page 4)
Color Management 101 Purpose: Proper Color Management will allow you to print with a great degree of consistency and repeatability, whether it is on your home inkjet printer or through a custom print lab.
More informationbasiccolor cockpit Manual
Manual Inhalt 1. Preface...5 2. ICC Profiles... 8 3. Rendering Intents... 12 4. Starting cockpit...14 4.1. The Collection Window...15 4.2. Viewer... 16 4.3. Image Controls...17 4.3.1. Information...17
More informationColor Management - Part II Implementing Color Management Michael J. Glagola
6-9-07 Michael J. Glagola 2007 2 Color Management - Part II Implementing Color Management Michael J. Glagola mglagola@cox.net 703-830-6860 6-9-07 Michael J. Glagola 2007 3 Session Goals To provide an practical
More informationG7 Master & G7 Process Control Master Pass/Fail Requirements
Pass / Fail Effective June 2015 G7 Master & G7 Process Control Master Pass/Fail Requirements 1600 Duke Street, Suite 420, Alexandria, VA 22314 703.837.1070 registrar@idealliance.org www.idealliance.org
More informationHP Advanced Profiling Solution Quick Start Guide
HP Advanced Profiling Solution Quick Start Guide Welcome to the! You have just successfully installed HP APS on your computer and clicked on the Quick Start Guide button in your HP APS Control Center.
More informationPart I: Color Foundations The Basic Principles of COLOUR theory
Part I: Color Foundations The Basic Principles of COLOUR theory Colour Systems Available colour systems are dependent on the medium with which a designer is working. When painting, an artist has a variety
More informationThe Missed Opportunity of Soft Proofing
#COLOR19 The Missed Opportunity of Soft Proofing Don Hutcheson HutchColor.com Based on slides by Dave Dezzutti & Joe Marin, PIA Content Soft proofing basics Basic LCD/LED display concepts Why should you
More informationMonaco ColorWorks User Guide
Monaco ColorWorks User Guide Monaco ColorWorks User Guide Printed in the U.S.A. 2003 Monaco Systems, Inc. All rights reserved. This document contains proprietary information of Monaco Systems, Inc. No
More informationWorld of Fiery Webinar FAQ G7 calibration with Fiery Color Profiler Suite
Thank you for your interest in our World of Fiery Webinar. This FAQ answers the questions from the session. If you would like to view the session again or share it, please access the recording of the webinar
More informationHow to compare the deltae of two matching ColorLists. Creating pixel files in Photoshop for ColorThink.
How to compare the deltae of two matching ColorLists. What you do: Create two ColorLists, text files that have Lab values, that are compared using ColorThink Pro (reports de, Std Dev, max de etc). A ColorList
More informationAppendix A. Practical Color Management
Appendix A. Practical Color Management Printing a photograph can be time consuming, expensive, and frustrating without color management. I would typically print a photograph many times with different printer
More informationContent. ...because it simply works! 1. About This Manual Installation and Licensing Conventions: Basic Functions...
Reference Manual Content 1. About This Manual...5 1.1. Installation and Licensing... 5 2.2 Conventions:... 5 2. Basic Functions...7 3. DeviceLink Profiling...10 3.1. Button: DeviceLink Profiling...12 3.1.1.
More informationsrgb: A Standard for Color Management
srgb: A Standard for Color Management Introduction Over the years, magazines, newspapers, television, computers and, now, the Internet have all made the transition from black and white to color. With the
More informationFiery Color Server. Glossary
Fiery Color Server Glossary 2007 Electronics for Imaging, Inc. The information in this publication is covered under Legal Notices for this product. 45061765 02 January 2007 GLOSSARY 3 GLOSSARY This Glossary
More informationChapter 4. Incorporating Color Techniques
Chapter 4 Incorporating Color Techniques Color Modes Photoshop displays and prints images using specific color modes A mode is the amount of color data that can be stored in a given file format 2 Color
More informationBALANCING 'AUTOMATIC COLOR' AND ARTISTIC INTENT: A ROLE FOR COLOR STANDARDS
BALANCING 'AUTOMATIC COLOR' AND ARTISTIC INTENT: A ROLE FOR COLOR STANDARDS ANN L. MCCARTHY, LEXMARK INTERNATIONAL, INC. EDITOR, CIE DIVISION 8 CHAIR, ICC AUTOMATED WORKFLOW WG A PICTURE IS WORTH A THOUSAND
More informationMatching Proof and Print under the Influence of OBA
Presented at the 40th IARIGAI Research Conference, Chemnitz, Germany, September 8-11, 2013 Matching Proof and Print under the Influence of OBA Robert Chung School of Media Sciences Rochester Institute
More informationNovember 2, 2018 COLOR MANAGEMENT
Silly Dog Studios LLC Daniel J Gregory Photography November 2, 2018 COLOR MANAGEMENT The holy grail of photography might not be a great location or decisive moment, it might just be getting a color to
More informationColour Management. ICC profiles Understood. Fotospeed
Colour Management ICC profiles Understood What is Colour? What is Colour? Three types of colour space RGB srgb CMYK What is Colour? RGB & CMYK are known as device-dependent or device specific colour models.
More informationWhy soft proofing may not always work
Why soft proofing may not always work Why it is important to learn to manage your expectations when using soft proofing in Lightroom Soft proofing is an important new feature in Lightroom 4. While it is
More informationThis Color Quality guide helps users understand how operations available on the printer can be used to adjust and customize color output.
Page 1 of 7 Color quality guide This Color Quality guide helps users understand how operations available on the printer can be used to adjust and customize color output. Quality Menu Selections available
More informationDisplay profiling and Color Management
Display profiling and Color Management Andrew Rodney aka The Digital Dog www.digitaldog.net andrew@digitaldog.net Email me (andrew@digitaldog.net) if you need this presentation in PDF form. Most of the
More informationColor Models: RGB vs CMYK
Color Models: RGB vs CMYK RGB Color Model - Emitted Light 1. The RGB color space is used for screens and monitors Web, smart phone, tablets, video 2. RGB files have three color channels Red, Green, Blue
More informationH34: Putting Numbers to Colour: srgb
page 1 of 5 H34: Putting Numbers to Colour: srgb James H Nobbs Colour4Free.org Introduction The challenge of publishing multicoloured images is to capture a scene and then to display or to print the image
More information27 October Xerox 490/980 TM Color Continuous Feed Printing System Color Management Guide
27 October 2008 Xerox 490/980 TM Color Continuous Feed Printing System Color Management Guide Xerox 490/980 Color Continuous Feed Printing System Table of Contents Table of Contents 1 Color Management
More informationJim West & Phil Giordano
Jim West & Phil Giordano Good News Anyone can make a great print! Bad News It is NOT as easy and making a nice image on screen and just hitting the PRINT button! 1. I Don t make prints at all 2. I send
More informationDominic Gurney Epson Reseller Account Manager & ProPhoto / ProGraphics Specialist
Dominic Gurney Epson Reseller Account Manager & ProPhoto / ProGraphics Specialist Products History Questions 1. In Colour Management, when is it better or more appropriate to use Perceptual or Relative
More information