Catalog. Bullseye glass. For Art and Architecture

Transcription

1 Catalog 8 Bullseye glass For Art and Architecture

2 As I write, this year s panel of EMERGE jurors artist Silvia Levenson, museum curator Laura Addison and kiln-glass icon Klaus Moje are casting their ballots for the third round of what has become arguably the world s premier competition of kiln-glass for emerging and early career artists and designers. Barely six months have passed since the closing party of BECon, our biennial conference that brought together over 250 participants from around the world to discuss the methods and ideas behind the glassworking process most readily identified with Bullseye: kilnforming. Photo: Jason Quigley. Each year these two projects leapfrog each other, creating such a buzz that we risk forgetting who we are at heart. First and foremost, Bullseye is a maker of colored glass, a company started 38 years ago by three art school graduates with one homebrewed recipe for a single color a transparent copper red catspaw and the dream to make glass for other artists. Photo: Heather Zinger. I need this catalog with its eye-dazzling array of 550+ different colors, color combinations and textures to remind me of our roots and our passion: turning sand into color into light. The rest of what we do helps to incubate the creativity behind this making. It is the culture that supports the color*. I hope that these colors and these glasses help to support your creativity. I hope you enjoy the catalog as much as I do. Now back to making glass! Lani McGregor Co-owner, Bullseye Glass Co. Photo: Heather Zinger. * Maybe we ll call our next conference: Chroma-Culture! Maybe you ll join us for it? June 20 22, 2013, Portland, Oregon! 2 Photo: Heather Zinger.

3 Get more than GLASS. Join the Bullseye community and get opportunities. Learn by taking our in-house classes or online video lessons, attending demos and working with our technical articles. Be inspired by meeting artists and viewing their work at artist talks and our fine arts gallery. Develop professionally by attending BECon, our biennial kiln-glass conference for professionals, or applying for Emerge, our international exhibition for early-career artists. Get support by working with our glass-savvy sales associates, many of whom are kiln-glass practitioners. Meet other kilnformers through our blogs and forums, where you ll find dedicated and helpful people from all over who are just as passionate about kiln-glass as you are. Clockwise from top: Emerge, our biennial exhibition for early-career artists, opens at Bullseye Gallery with a festive reception. Beginning students enjoy a First Glass Fusing Class led by instructors Jim Weiler and Louise Krampien in the Portland Resource Center. Participants at BECon, our biennial kiln-glass conference, in a moment of serious reflection. Marc Petrovic and Ted Sawyer on the Lehr-B-Q factory tour, BECon As soon as this red-hot sheet of glass is flat, the caster will grab it and send it down our 100- foot-long, continuous-belt annealer. On the cover: Klaus Moje, The Portland Panels: Choreographed Geometry (detail), Kilnformed and diamond polished glass. Four panels: each 74.5 x 47.5 inches. GLASS What to Expect, 5 Solid Color Opalescent Sheet Glass, 6 Black and White Sheet Glass, 9 Solid Color Transparent Sheet Glass, 10 Irid and Textured Sheet Glass, 14 Collage Sheet Glass (Fracture-Streamers, Chopstix, Mardi Gras, Streamers), 20 Streaky Sheet Glass, 22 Tekta Sheet Glass, 24 Get a Reaction, 25 Billets, 26 Frit, 28 Confetti, 33 Dichroic Glasses, 33 Stringer, 34 Rods, 36 Glass Packs, 40 Sample Sets and Updates, 41 TOOLS & SUPPLIES Cutting Tools, 42 Bullseye Line, 44 Kilnwork Tools, 46 Torchwork Tools, 48 Safety, 49 Molds, 50 Kilns, 54 Bullseye Gear, 56 Display, 58 Books and Videos, 59 PRICES & ORDERING Bullseye Coding System, 64 Pricing and Specifications, 66 Volume Discount Guide, 66 Ordering Form, 78 Ordering Information, Bullseye Glass Co. All Rights Reserved 3722 SE 21st Avenue Portland, Oregon USA 3

4 Bullseye Glass Company is a manufacturer of colored glass for art and architecture with worldwide distribution and a strong commitment to research, education and promoting glass art. Since 1974, we ve collaborated with artists worldwide with whom we ve been instrumental in developing many of the materials and methods at the core of contemporary kiln-glass. We are based in Portland, Oregon. Photo: Jerome Hart. Bullseye Factory In our state-of-the-art Factory in southeast Portland, skilled Bullseye craftspeople pour, roll, and shape glass into sheets and other forms five days a week, providing more than 1,000 different glass products in a sophisticated color palette to artists worldwide. Bullseye Research & Education Studios Adjacent to the Factory in our R & E studios, staff instructors and guest artists offer lectures, demonstrations and short-term classes year round for students at all levels. Staff instructors and technicians conduct product tests, provide technical support to our customers, and assist visiting artists and architects who participate in our Artist Exchange Program. Bullseye Gallery Set in Portland s arts-rich Pearl District, Bullseye Gallery mounts a dozen or more exhibitions each year with a select group of international artists ranging from acknowledged masters to dynamic new visionaries and also presents glasswork at art and design fairs across the United States and abroad. Bullseye Resource Centers To these world-class glass stores in Portland, Santa Fe and Emeryville (San Francisco Bay Area), beginners and experts alike come to browse our complete line of products and supplies, ask questions of knowledgeable sales staff, take workshops and enjoy lectures and demonstrations. 4

5 Bullseye Glass: What to Expect COLOR VARIATION While Bullseye strives for consistent colors, our glass is a handmade product and colors may vary slightly between production runs (and from images in this catalog). Some colors may change slightly upon repeated firing or with extensive heatwork. We recommend that you test samples of glass using the same firing cycles and processes to be used in finished pieces. Bullseye glasses are formulated for fired color. Unfired glass color may vary. COLORS THAT STRIKE In order to provide the largest and most interesting palette of colors to kiln and torch workers, Bullseye produces some glasses that appear pale or colorless in the cold form but which strike or mature to target color upon firing. Light Pink Striker ( F) Unfired Orange ( F) Unfired Light Pink Striker ( F) Fired Orange ( F) Fired Unstruck colors on the left. Struck (mature) colors on the right. Bullseye striking glasses are labeled. Catalog illustrations indicate which styles differ in color from cold form to struck form. Keep in mind that struck color may vary depending on temperature, atmosphere and amount of heatwork. For example, heating Ruby Red Tint Striker ( F) too rapidly during the initial stages of a firing cycle can prevent the glass from striking correctly, resulting in a blue-brown cast (sapphirine effect) instead of a true ruby red color. COMPATIBILITY Bullseye glasses are well known for reliable compatibility. But understanding the conditions of our factory testing is important, especially if you are firing glass under unusual or extreme conditions. At Bullseye, glasses known to be fairly stable are tested by firing to a top temperature of 1500 F (815 C) and soaking for 15 minutes before annealing. Once cooled, these tests are viewed for stress through polarized light and graded accordingly. Other glasses known to be less stable are fired three times with this cycle to insure good performance under typical multiple fusing and slumping conditions, such as those used in making a simple plate. If you are using a heat process that involves an extra-high temperature or an unusually long firing time, we recommend that you test the glass again, under the conditions specific to your project. For instance, imagine that you want to include some flameworked elements in a kilnformed project. Consider that flameworking takes glass to temperatures exceeding factory compatibility tests; also, the compatibility of some glasses is more sensitive than others to extensive work in the flame. Therefore, it will be important not to overwork your glass during flameworking and to test the flameworked components for compatibility using the full range of kilnforming processes planned for the finished project. Some processes that may not immediately appear to exceed the parameters of the test for compatibility actually do. Holding some glasses for long times at temperatures around 1400 F (760 C), which is in the devitrification range, can cause the glass to change dramatically. Many artists (Klaus Moje, for example) are able to push Bullseye glass to high temperatures for long times with exceptionally good results, but their success is insured by their own testing before making large or complex pieces. Testing is a wise practice with whatever glass you use. No manufacturer can guarantee glass to perform as expected under all imaginable working conditions. MORE QUESTIONS? See the About Our Glass section of bullseyeglass.com for performance characteristics of specific glasses. Champagne bubbles are a typical feature of kilnformed art glass. For information on encouraging or minimizing bubbles in your work, see TechNotes 5: Volume & Bubble Control at bullseyeglass.com. 5

6 Solid Color Sheet Glass Bullseye is widely recognized for this sophisticated palette of harmonious hues. Most styles are available in double-rolled 3 mm and Thin 2 mm sheets for kilnforming. SHeet Glass Size & Thickness: Opalescent Full Sheet -FULL 20 x 35 in (508 x 889 mm) Light Peach Cream Petal Pink Pink a Sheet Glass Opale s c e n t Half Sheet -HALF 20 x 17 in (508 x 432 mm) Almond Striker a Salmon Pink a Pumpkin Orange a 10x Canary Yellow a Sunflower Yellow a Marigold Yellow a 10 x 10 in (254 x 254 mm) Dimensions are approximate. All colored sheets have at least one rolled edge, due to the handcrafted nature of the product. Sheet glass available in these thicknesses: Marzipan Striker a Golden Green a Butterscotch a 2 mm (thin) 3 mm (regular) Unfired glass color. Color after a full fuse firing. The top row approximates the double-rolled, unfired glass color (for stained glass). The bottom row shows the same glass after firing to a full fuse temperature (for kilnformed glass). Cold sheet color may vary greatly. Actual width of glass samples represented here is about 2 inches (5 cm). 6 a This style may not reveal (or strike to) its target color until fired. For more information, see page 5.

7 Photo: Morgan Madison. Pimento Red a Tomato Red a Morgan Van Madison pen and pencil and kilnformed glass Red a Tangerine Orange a Deep Red a Orange a Every day at Bullseye, rugged men scoop molten glass from whitehot furnaces and roll it into glowing flat sheets. This art form is called casting glass and Morgan Madison practiced it for several years after graduating from Lewis & Clark College with a degree in studio art and drawing. Manipulating hot Bullseye glass fueled Madison s curiosity about kilnforming, and soon he began fooling around with factory scraps after hours. Then he found himself taking workshops, including international ones, which fired his imagination and developed his skills. Today Madison operates his own kiln-glass studio in Portland and thrives as an artist, influenced by urban and natural landscapes of the Pacific Northwest. His functional pieces, fine art works and architectural commissions can be found in galleries and private spaces as well as collections throughout the Americas. (Above) Morgan Madison, Survey #2, Kilnformed and coldworked glass wall panel, 14 x 33 x 1 inch. More about Morgan Madison at morganvanmadison.com. Sheet Glass Opale s c e n t Photo: Rachel Bailey Madison. Burnt Orange a Cinnabar a Umber a Woodland Brown a 7

8 Mint Green Spring Green a Pea Pod Green Opal Olive Green Dark Forest Green Light Cyan Turquoise Blue Teal Green Mineral Green Jade Green Sheet Glass Opale s c e n t Powder Blue Steel Blue Egyptian Blue Cobalt Blue Deep Cobalt Blue Neo-Lavender \ Dusty Lilac Periwinkle Plum Striker a Gold Purple a Driftwood Gray Deco Gray This piece was made using the pattern bar technique, in which glass flow and multiple firings result in complex, dimensional patterns. To learn about our Basic Kilnformed Pattern Bars class, visit the Education section of bullseyeglass.com. Slate Gray Opal Deep Gray Opal a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

9 Black & White French Vanilla For kilnforming and stained glass. Warm with amber tones. Upon firing, may strike to a bright dense white, depending on the kiln conditions. Great for experimenting. Use on edge to produce an organic striped pattern. Opaline Striker a Even more ethereal than Translucent White (000243). Paradoxically, transmitted light is both softened and made more fiery, viewed through Opaline. Try layering with itself or with colors. Reactive Cloud Reacts under kiln heat with some copper-bearing glasses and silver leaf and foil. Fired on its own, its whiteness is slightly bluer and more translucent than White (000113). Start getting reactions by reviewing the tips on page 25. Clear & White Streaky For kilnforming and stained glass. Layer over any color to add pale wisps and tones while retaining some transparency. White For kilnforming and stained glass. Transmits light in stained glass applications. More opaque after firing, but still transmits light. Translucent White a For kilnforming. Perfect for fused lamp shades. Fires to an even white, more translucent than Not suitable for stained glass: cold sheet may have irregular white markings. White Opaque For kilnforming and stained glass. Completely opaque before and after firing. Our brightest white. Lacy White a For stained glass. Choose single rolled for pattern and maximum light transmission. Not designed for kilnforming: when fired, strikes to an even white with unpredictable density. Sheet Glass Bl a c k a n d Wh i t e Black For kilnforming and stained glass. Opaque, glossy, classic black. Melts to a uniform surface. Stiff Black For roll-ups and kilnforming. Holds shape well at blowing temperatures. Not as soft as Black (000100), and may behave differently in slumping than Black. Robert Leatherbarrow, Mount Harris, Kilnformed glass, 13.5 x 12 x 7 inches (installed). Photo: Robert Leatherbarrow. Volume Discounts apply to all sheet glasses. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 9

10 Tint Light Amber Tint Medium Amber Tint Dark Amber Tint Lemon Tint Pale Yellow Tint Burnt Scarlet Tint, Striker a Erbium Pink Tint Ruby Pink Tint, Striker a Ruby Red Tint, Striker a Brown Topaz Tint Sheet Glass Tr a n sp a r e n t Copper Tint Coral Orange Tint Green Tea Tint Olive Smoke Tint Light Rhubarb Shift Tint \ Pine Green Tint Grass Green Tint Spruce Green Tint Rhubarb Shift Tint \ Olivine Tint Juniper Blue Tint Aqua Blue Tint Indigo Tint Purple Blue Tint Fuchsia Tint mm unfired color 3 mm color fired to full fuse Lavender Gray Tint Lavender Green Shift Tint \ Gray Tint Gray Blue Tint a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

11 Transparent Sea Blue Light Sky Blue Steel Blue Aquamarine Blue True Blue Light Aquamarine Blue Light Turquoise Blue Emerald Green Turquoise Blue Deep Royal Blue Midnight Blue Aventurine Blue thin unfired color thin color fired to full fuse 3 mm unfired color 3 mm color fired to full fuse The top row approximates the double-rolled, unfired glass color (for stained glass). The bottom row shows the same glass after firing to a full fuse temperature (for kilnformed glass). Cold sheet color may vary greatly. Actual width of glass samples represented here is about 2 inches (5 cm). Sheet Glass Tr a n sp a r e n t Catherine Woods, Green Lav Rose, Kilncast glass, coldworked and laminated, with custom-designed steel mounting system, 9.25 x x 5 inches. Volume Discounts apply to all sheet glasses. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. Photo: Catherine Woods. 11

12 Crystal clear Reactive Ice Clear Clear Khaki Oregon Gray Light Pink Striker a Light Plum Light Neo-Lavender Shift Tint \ Light Violet Gold Purple a Sheet Glass Tr a n sp a r e n t Fuchsia a Deep Plum Neo-Lavender Shift \ Violet Striker a Deep Royal Purple Cranberry Pink a Light Orange Striker a Orange a Sunset Coral a Garnet Red a Yellow a Light Amber Light Coral Striker a Marigold Yellow a Medium Amber Spring Green Pine Green a Light Green Kelly Green Olive Green a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

13 Light Silver Gray Charcoal Gray Light Bronze Sienna a Tan Red a Dark Rose Brown Carnelian a Joseph Harrington Turning one thing into another Photo: Stephen Brayne. Many of Joseph Harrington s kilncast sculptures aim to represent landscapes of northeastern Scotland and southwestern England the rugged coastlines, the colorings of sky and rock, the energies at work. Harrington accomplishes these pieces in his London studio by eroding and sculpting ice with salt and then casting the ice as it s melting. Using the lost ice technique, he transforms liquids into solids, fleeting moments into permanent forms. We first learned of Harrington in 2006 when he became a finalist for the Bombay Sapphire Prize and a shortlisted finalist at the 2006 International Festival of Glass curated by Dan Klein. He had just completed the MA in glass at the Royal College of Art. Since then his work has been broadly published and shown internationally, and he has produced some large-scale public and private commissions using technical innovations that promise to influence future gallery work. Sheet Glass Tr a n sp a r e n t Chartreuse a Fern Green a (Above) Joseph Harrington, Chideock Falls iii (detail), Cast glass, lost ice process, 8.25 x x inches. More about Joseph Harrington at bullseyegallery.com and josephharrington.co.uk Light Aventurine Green Aventurine Green Photo:Heidi Harrington. 13

14 Irid & Textured Sheet Glass Iridescent sheets with our signature matte surface and textured styles. Most are available in both Thin and 3 mm thicknesses. The iridescent surfaces are food safe and permanent at full fuse temperatures. About Irid coatings Iridescent coatings may vary in appearance from edge to edge and from sheet to sheet. For example, a black sheet with gold iridescent coating may only appear gold on two-thirds of the sheet or more, while the remaining area may show silver or magenta iridescent hues. Rainbow IRID Yellow a Fern Green a Light Green Sheet Glass I r i d Light Amber Spring Green Emerald Green Medium Amber Pine Green a Sea Blue Full sheet shown. Approximately 20 x 35 in (508 x 889 mm). Marigold Yellow a Light Aventurine Green Kelly Green Chartreuse a Olive Green Aventurine Green a This style may not reveal (or strike to) its target color until fired. For more information, see page 5.

15 Light Aquamarine Blue Light Turquoise Blue Photo: Don Riddle. Aquamarine Blue Steel Blue Turquoise Blue Light Sky Blue Judy Gorsuch Collins For the love of making things Judy Collins of Lakewood, Colorado, started her career as a graphic designer, but then she took a class in stained glass and got hooked on making things. In 1976 she opened a leaded glass studio and, on the side, began experimenting with fusing Bullseye glasses several years before Bullseye started manufacturing tested-compatible products. That was an expensive hobby, Collins says. Many things broke, but she kept trying anyway, and at the same time she also began practicing a variety of glassworking methods. Today Collins and her husband, Dale, own and operate Collins Architectural Glass, offering an exquisite range of options to their residential, commercial and public art clients. Sheet Glass I r i d (Above) Collins kiln-glass installed at the Park Hyatt Resort and Spa, Beaver Creek, Colorado. More about Judy Collins and Collins Architectural Glass at collinsarchitecturalglass.com. True Blue Deep Royal Blue Photo: Heather Collins Roe. Aventurine Blue Midnight Blue Actual width of glass samples represented here is about 20 inches (51 cm). 15

16 Clear Reactive Ice Clear Neo-Lavender Shift \ Deep Royal Purple Gold Purple a White Light Plum Light Violet Deep Plum Violet Striker a Sheet Glass I r i d Light Coral Striker a Sunset Coral a Light Orange Striker a Orange a Red a Light Pink Striker a Cranberry Pink a Fuchsia a Garnet Red a Carnelian a Khaki Light Bronze Tan Sienna a Dark Rose Brown Light Silver Gray Oregon Gray Charcoal Gray Black a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

17 Lucy Alexandra Batt, kilnformed and engraved plate. Photo: Sarah Murphy. Sheet Glass I r i d Silver, Gold, and Patterned Irid Actual width of glass samples represented here is about 20 inches (51 cm). Clear, Silver , Clear, Gold , Clear, Patterned * Black, Silver , Black, Gold , Black, Patterned * Volume Discounts apply to all sheet glasses. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. * These styles come in 3 mm only. 17

18 Rainbow Irid Textures Actual width of glass samples represented here is about 4 inches (10 cm). Clear Accordion , Clear Prismatic * Clear Herringbone Ripple * Clear Reed , All four textures are produced on Clear and Black in rainbow iridescent. Other base glass colors and irid coatings can be made to order. Minimum quantities may apply. Black Accordion , Black Prismatic * Black Herringbone Ripple * Black Reed , Sheet Glass I r i d Rainbow Irid Clear-on-Clear Clear with Clear Fractures * Actual width of glass samples represented here is about 8 inches (20 cm). Clear Chopstix * Clear with Clear Frit * Rainbow Irid Collage Rainbow Irid streaky Black Chopstix * Actual width of glass samples represented here is about 20 inches (51 cm). Aventurine Blue, Clear * 18 * These styles come in 3 mm only.

19 Clear & Black Textures Clear Reed , Clear Accordion , Clear Prismatic * Clear Herringbone Ripple * Clear Soft Ripple * Black Reed , Black Accordion , Black Prismatic * Black Herringbone Ripple * Black Soft Ripple * All five textures are available on Clear and Black. Other colors may be special ordered. Minimum quantities may apply. Reed and accordion textures are available in both standard (3mm) and Thin (2 mm) variations. Actual width of glass samples represented here is about 4 inches (10 cm). Soft Ripples Sheet Glass Textures Cranberry Pink, Gold Purple, White * Cranberry Pink, Emerald Green, White * Cranberry Pink, Azure Blue, White * Cranberry, Royal Blue, Spring Green * Woodland Brown Opal, Ivory, Black * Soft ripples available as P grade (nonfusible) only. Actual width of glass samples represented here is about 8 inches (20 cm). Cranberry Pink, Royal Blue, Spring Green, White * Azure Blue Opal, Jade Green Opal, Neo-Lavender * To create regular bubble patterns the easy way, just fuse sheets of reeded, prismatic or accordion glass together at right angles with textured sides facing. To learn more see the article, TechNotes 5: Volume & Bubble Control, in the Education section of bullseyeglass.com. 19

20 Collage Sheet Glass Random patterns of stringers, confetti, and/or frits, arranged on the casting table and rolled over with molten glass. All clear-based styles can be ordered as Bullseye Compatible for kilnforming or for stained glass and mosaics. Mardi Gras Vanilla and White Frit, Vanilla and White Streamers Gray and Black Frit, White Streamers Gray and Bronze Frit, Gray and Vanilla Streamers Black Frit, Black Streamers Yellow, Blue, and Red Frit, Blue Streamers Sheet Glass C o l l a g e Dark Green, Spring Green, and Yellow Frit, Spring Green Streamers Cobalt Blue, Gray Blue, and Aqua Frit, Blue Streamers Royal Blue and Turquoise Frit, Cobalt Blue and Turquoise Streamers Neo-Lavender and Purple Frit, Cobalt Blue and Purple Streamers Cranberry and Purple Frit, Cranberry and Purple Streamers Canary and Sunflower Yellow Frit, Sunflower Yellow Streamers Dark Green and Jade Green Frit, Dark Green Streamers Red, Orange and Yellow Frit, Orange Streamers Red Frit, Red Streamers Pink and Cranberry Frit, Pink Streamers Streamers Black & White Forest Green White Pink, Green & Blue Black Actual width of glass samples represented here is about 6 inches (15 cm). Blue & White Royal Blue

21 Fracture-Streamers Spring: Blue, Green, Aqua, and Pink on Lacy White Summer: Green and Yellow on Lacy White Autumn: Orange, Yellow, and Red on Lacy White Spring Green and Deep Pink on Lacy White Light Pink, Plum, and White Spring: Blue, Green, Aqua, and Pink Summer: Green and Yellow Autumn: Orange, Yellow, and Red White (with Black Streamers) Winter: White (with Clear Streamers) Light Pink and White Green and White Light Pink, Green, and White Spring Green and Deep Pink Fracture-streamers are Tiffany reproduction glasses. Actual width of glass samples represented here is about 6 inches (15 cm). Streamers are black unless otherwise noted. Deep Pink, Plum, Spring Green, and Aqua (with Pink Streamers) Sheet Glass C o l l a g e Blue and White Light Pink, Blue, and White Deep Pink, Light Pink, and White Chopstix Actual width of glass samples represented here is about 8 inches (20 cm). White Chopstix Black Chopstix Blue Chopstix Red Chopstix Volume Discounts apply to all sheet glasses. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 21

22 Streaky Sheet Glass Hand-rolled and controlled for mix consistency, with the unique patterning of true art glass. Most streakies can be ordered as Bullseye Compatible for kilnforming or for stained glass and mosaics. Aqua Blue Tint, White Clear, Turquoise Blue, White Clear, Egyptian Blue Opal Powder Blue Opal, Marine Blue Aventurine Blue, Clear Sheet Glass St r e a k y Light Turquoise Blue, True Blue Turquoise Blue, Deep Royal Blue Caribbean Blue, White Clear, Deep Cobalt Blue Opal Blue Opal, Plum Clear, Spring Green Opal a White, Light Green Mint Opal, Deep Forest Green Olive Green Opal, Forest Green Azure Blue Opal, Jade Green Opal, Neo-Lavender * Yellow Opal, Deep Forest Green White, Deep Forest Green, Caramel Opal Cranberry Pink, Emerald Green, White * White, Orange Opal, Deep Forest Green Olive Green Opal, Forest Green, Deep Brown White, Dark Brown Dark Brown, White Woodland Brown Opal, Ivory, Black a Clear, Black , Charcoal Gray, White a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. * Available as P grade only. (Not available as Bullseye Compatible.)

23 White, Lavender Blue Opal Cranberry Pink, Gold Purple, White White, Deep Royal Purple, Cranberry Pink Royal Purple, Powder Blue Opal Cranberry, Royal Blue, Spring Green White, Salmon Pink Opal White, Pink Opal White, Cranberry Pink Cranberry Pink, Royal Blue, Spring Green, White * Cranberry Pink, Azure Blue, White * White, Orange Opal Yellow, Red Striker a Clear, Red Opal Red Opal, White Cranberry Pink, White Sheet Glass St r e a k y Clear, White , Clear, French Vanilla Opal Clear, Sunflower Yellow Opal a Medium Amber, White Soft Yellow Opal, Deep Red * Actual width of glass samples represented here is about 10 inches (25 cm). All samples are unfired except Yellow, Red Striker (002125). Each style s color content is listed from greatest amount to least. White, Ivory, Black and colors described as opal are opalescent. All other colors are transparent. See page 19 for Streaky Soft Ripples. Strips of streaky glass, fused on edge. To learn more about this method, see our On-edge Strip Construction video in the Education section of bullseyeglass.com. Volume Discounts apply to all sheet glasses. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 23

24 Tekta Sheet Glass Economical, lead-free, Clear and Crystal Clear sheets. As large as 40 x 80 and as thick as 6 mm. Clear Tekta Crystal Clear Tekta choose Tekta Because it s: Tekta Size & Thickness: Sheet Glass Te k t a Affordable Flatter and more uniform Trimmed on all sides (no waste) Available in a range of thicknesses 3 mm, 4 mm, and 6 mm Offered in a variety of larger sizes, including 6 mm 40 x 80 sheets x 80 (102 x 203 cm) x 72 (61 x 183 cm) Bullseye Compatible x 48 (61 x 122 cm) x 24 (61 x 61 cm) Tekta Clear, left, for cost savings. Tekta Crystal Clear, right, for crystal clarity, especially in thicker kilnwork. Blocks shown here are 8 x 8 x 1.75 (203 x 203 x 44 mm), fused from fourteen layers of 3 mm Tekta sheet. All Tekta available in these thicknesses: 3 mm 4 mm 6 mm 24 Volume Discounts apply to all sheet glasses. Color, form, grade, and size codes and pricing information starts on page 64. Some Tekta sizes must be ordered in case quantities. See page 75.

25 Get a Reaction Reactive Ice Clear Reactive Ice Clear Reactive Cloud Opal Reactive Cloud Opal Reactive Cloud Opal = Turquoise Frit (Coarse) = Silver Foil + = Turquoise Stringer (2 mm) = Light Cyan Opal Frit (Coarse) = Steel Blue Opal Frit (Powder) Try fusing samples of Reactive Cloud Opal and Reactive Ice Clear with our copper-bearing glasses or copper leaf or silver foil. Their chemistries may react at the interface, resulting in special colors and effects. Reactions range from subtle to dramatic and can prove quite versatile in art and design. Identify Bullseye s copper-bearing styles by reading the article, Get a Reaction: Bullseye Copper-Bearing Glasses, in the Education section of bullseyeglass.com. To learn more about glass reactions, see our online video kilnforming lesson, Color Reactions and Special Effects. Layups: 6mm stacks (3 mm clear base + 3 mm reactive sheet), frit, 2 mm stringer, powder, silver foil. Process temp: 1490 F (810 C). Brainstorm Get a Reaction Light Cyan Opal Light Cyan Opal Light Aquamarine Blue = Reactive Cloud Opal Frit (Coarse) = Reactive Cloud Opal Stringer (2 mm) = Reactive Ice Frit (Coarse)

26 Billets Easy to ship, easy to use, Bullseye Compatible glass for casting. Dark Amber Tint Light Amber Tint Medium Amber Tint Why Choose Bullseye for Casting? Casting glass Bil l e t s Bullseye billets can be an excellent choice for anyone concerned about safety and working with lead crystal. Our billets are also significantly lighter than lead crystal and may be more economical to use. (In comparing costs, remember that full lead crystal glasses weigh as much as 45% more. The specific gravity of Bullseye glass is about 2.5.) Bullseye offers sheet glasses, frits and powders that can be combined with billets to achieve highly individual results. And our ever-expanding color selection is simply unsurpassed. Each Bullseye billet measures approximately 5 x 10 x 0.75 (127 x 254 x 19 mm) and weighs about 3.4 lb (1.54 kg). For projects requiring billets to have exactly matching colors, we suggest you request glasses produced from the same melt/date. Copper Tint Lemon Tint Brown Topaz Tint Pale Yellow Tint Pine Green Tint Green Tea Tint Aqua Blue Tint Gray Blue Tint These cast and coldworked wedges show how the tint colors appear in thin and thick sections. Dimensions: x 6 x 2.75 inches (each). Crystal Clear Clear a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

27 Erbium Pink Tint Fuchsia Tint Burnt Scarlet Tint Striker a Ruby Red Tint Striker a Coral Orange Tint Ruby Pink Tint Striker a Dante Marioni, Furnace Door, Kilncast glass, 13.5 x 11.5 x 4.5 inches. Photo: Russell Johnson. Light Rhubarb Shift Tint \ Rhubarb Shift \ Casting glass Bil l e t s Olive Smoke Tint Olivine Tint Juniper Blue Tint Grass Green Tint Spruce Green Tint Indigo Tint Lavender Green Shift Tint \ Lt Neo-Lavender Shift Tint \ Purple Blue Tint Lavender Gray Tint /4 (19 mm) 1 1/2 (38 mm) 2 1/4 (57 mm) Gray Tint Black White Three stacked billets demonstrate the increase in color saturation with thickness. Volume Discounts apply to all billets. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 27

28 Frit Made from crushed, screened and magnetically cleaned Bullseye Compatible sheet glass. Opalescent Bullseye frits are versatile! Use them for: Kilncasting and pâte de verre Kilnforming, drawing with glass and painting with glass techniques Torchworking and blowing, to create surface color and pattern. Translucent White a White Opaque White Frits and powders are always sold as Bullseye Compatible and are packaged in wide-mouth 5 lb (2.27 kg), 1 lb (.45 kg) and 5 oz (.14 kg) jars. All colors are available in Powder, Fine, Medium and Coarse mesh sizes. French Vanilla Marzipan Striker a Cinnabar a Accessory glass Frit Color saturation may vary depending on application. Thin layers may be lighter in color, and thick layers may be darker and more saturated in color. Learn more about working with frits and powders in our online video kilnforming lessons at bullseyeglass.com. Gold Purple a Neo-Lavender \ Dusty Lilac (-0008) Powder: 0.2 mm and finer Deep Cobalt Blue Cobalt Blue Egyptian Blue (-0001) Fine: ranges from 0.2 to 1.2 mm (-0002) Medium: ranges from 1.2 to 2.7 mm Dark Forest Green Jade Green Teal Green (-0003) Coarse: ranges from 2.7 to 5.2 mm (-0005) Extra Large: ranges from 5.2 to 30 mm (Clear only) Pea Pod Spring Green a Frit samples shown here are of the Medium mesh size. Mint Green a 28 a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

29 Opaline Striker a Reactive Cloud Light Peach Cream Petal Pink Pink a Steel Blue Salmon Pink a Powder Blue Lisa Becker exploring the territory, paving the way Photo: Lisa Becker. Five years ago when Lisa Becker wanted to move beyond the basics of kilnforming, she couldn t find advanced classes in the St. Louis, Missouri, area. So she studied on her own using books and Bullseye technical publications, kept careful records, and traveled out of the region to take workshops when she could. Today Becker is a fulltime award-winning artist with her own kiln-glass center, Art Glass Array, where she provides a wide range of classes for beginning to advanced students from throughout Missouri, Kansas and Arkansas. Recently she expanded her studio to include a second-story gallery and her teaching practice to include a college-level course in collaboration with nearby Lindenwood University. Accessory glass Fr i t Turquoise Blue Light Cyan (Above) Lisa Becker, To Capture Her This Way II, Kilncast frit, 14 x 16 x 1 inch. More about Lisa Becker at lisabeckerdesign.com and artglassarray.com. Olive Green Golden Green a Photo: Teresa Holt. 29

30 Photo: Paul Foster. Carmen Vetter, Swale, Kilnformed glass, x 1.75 inches. Accessory glass Fr i t Deep Red a Red a Tomato Red a Pimento Red a Orange a Sunflower Yellow a Marigold Yellow a Pumpkin Orange a Tangerine Orange a Burnt Orange Canary Yellow a Butterscotch a Umber a Woodland Brown a Black Driftwood Gray Deco Gray Slate Gray Deep Gray Stiff Black a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

31 Transparent Pale Yellow Tint Yellow a Marigold Yellow a Green Tea Tint Olive Smoke Tint Light Amber Tint Light Amber Medium Amber Tint Dark Amber Tint Medium Amber Coral Orange Tint Sunset Coral a Orange a Carnelian a Red a Burnt Scarlet Tint Striker a Ruby Pink Tint Striker a Ruby Red Tint Striker a Light Pink Striker a Garnet Red a Accessory glass Fr i t Erbium Pink Tint Fuchsia a Cranberry Pink a Light Plum Deep Plum Rhubarb Shift Tint \ Khaki Light Bronze Sienna a Dark Rose Brown Gray Blue Tint Gray Tint Light Silver Gray Charcoal Gray Oregon Gray Volume Discounts apply to all frit. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 31

32 For more on using reactive glasses, see page 25. Clear Crystal Clear Reactive Ice Spruce Green Tint Grass Green Tint Chartreuse a Pine Green a Olive Green Spring Green Light Green Kelly Green Light Aventurine Green Aventurine Green Accessory glass Fr i t Emerald Green Aqua Blue Tint Light Aquamarine Blue Light Turquoise Blue Turquoise Blue Aquamarine Blue Steel Blue Deep Royal Blue Midnight Blue Aventurine Blue Juniper Blue Tint Indigo Tint Light Sky Blue True Blue Deep Royal Purple Lt Neo-Lavender Shift Tint \ Neo-Lavender Shift \ Light Violet Violet Striker a Gold Purple a 32 a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

33 Confetti Minimix Eggshell-thin shards of Bullseye glass. For creating random patterns, shading and color blending in kilnformed work. Crystal Clear White Opal Canary Yellow Opal Orange Opal Red Opal Pink Opal Cranberry Pink Mineral Green Opal Aventurine Green Light Aventurine Green Single colors available in 4 oz (113 g) and 1 lb (454 g) jars. MiniMix Confetti includes an assortment of tiny-sized colors and comes in 8 oz (227 g) and 2 lb (907 g) jars. Sizzle Stix Sizzle Stix are 16 long (406 mm) strips of dichroic glass cut from Thin (2 mm) Bullseye Compatible clear and black glass, pre-fired to round the edges and minimize thermal shock in the flame. Wide Sizzle Stix are 1/4 (6 mm) wide and sold in tubes of twelve. Narrow Sizzle Stix are 1/8 (3 mm) wide and sold in tubes of eighteen. Aquamarine Blue Cobalt Blue Opal Deep Royal Purple Black Opal Dichroic Glasses Bullseye styles with applied dichroic Coatings by Sandberg Accessory glass C o n f e t t i a n d D i c h r o Wide Black rainbow RN F-TUBE $ Wide Clear rainbow RN F-TUBE $ (not shown) Narrow Black rainbow RN F-TUBE $ Narrow Clear rainbow RN F-TUBE $ (not shown) Wide Black mixed MX F-TUBE $ Wide Clear mixed MX F-TUBE $ Narrow Black mixed MX F-TUBE $ Narrow Clear mixed MX F-TUBE $ Sheet Glass 3 x 3 sheets of Bullseye Compatible glass with CBS dichroic coatings in dozens of dazzling styles. To view and order, visit bullseyeglass.com. Dichroic Stringer Rainbow. Tube of 1 mm = 25 stringers. Tube of 2 mm = 12 stringers. Black, 1 mm RN $39.45 Black, 2 mm RN $33.50 Clear, 1 mm RN $39.45 Clear, 2 mm RN $33.50 Volume Discounts apply to this item and to all Confetti. 33

34 Stringer Threads of glass pulled from re-melted Bullseye Compatible sheet. For use in kilnforming and torchworking. Opalescent Canary Yellow Sunflower Yellow Pumpkin Orange Orange Butterscotch Burnt Orange Opaque White White Reactive Cloud French Vanilla Green Gold Olive Green Accessory glass Stringer Spring Green Turquoise Blue Mint Green Powder Blue Teal Green Egyptian Blue Jade Green Cobalt Blue Dark Forest Green Deep Cobalt Blue Light Cyan Gold Purple * Mixed Stringer Assortments of transparent and opalescent styles. 1 mm Mixed $ mm Mixed $ mm Transparent Only $ mm Transparent Only $ mm Opalescent Only $ mm Opalescent Only $26.30 Neo-Lavender Petal Pink Pink Stringers come in 1 mm and 2 mm thicknesses and are approximately (451 mm) long. They are packed in clear plastic tubes that are 18 (457 mm) long and 0.75 (19 mm) in diameter. Tubes are packaged by volume. A tube of 1 mm stringers contains approximately 123 pieces. A tube of 2 mm stringer contains approximately 50 pieces. Tomato Red Red Deep Red Tubes of colors made with gold contain fewer stringers, to reduce unit price. For example, a tube of gold-bearing 1 mm Cranberry Pink (001311) contains approximately 87 pieces; a tube of 2 mm contains approximately 33 pieces. Stringers are available in bulk quantities of ten pounds (4.5 kg) per box. Woodland Brown Deco Gray Black * Tubes of colors made with gold contain fewer stringers, to equalize pricing. a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

35 Find an article about this Make It: Inline Plate project in the Education section of bullseyeglass.com. TRANSPARENT Pale Yellow Tint Rhubarb Shift Tint \ Yellow a Medium Amber Orange a Carnelian a Clear Reactive Ice Spruce Green Tint Spring Green Chartreuse a Olive Green Grass Green Tint Aqua Blue Tint Light Green Light Aquamarine Blue Emerald Green Turquoise Blue Kelly Green Deep Royal Blue Light Aventurine Green Aquamarine Blue Aventurine Green Midnight Blue Accessory glass Stringer Light Sky Blue Steel Blue Light Neo-Lavender Shift Tint \ Neo-Lavender Shift Tint \ Violet Striker a* Deep Royal Purple Erbium Pink Tint Sunset Coral * Coral Orange Tint Red a Cranberry Pink * Sienna a Light Bronze Dark Rose Brown Light Silver Gray Charcoal Gray mm 2 mm Stringer samples shown here are the 2 mm size. Volume Discounts apply to all stringer on these two pages. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 35

36 Rods For your work at torch or kiln, drawn from Bullseye Compatible glass. Reading the color swatches Opaque Rounded ends have been flameworked to indicate rods that strike. Some colors are shown on cores of French Vanilla wrapped in Clear. Darker transparent colors are presented on cores of Dense White. Rod Grades Cobalt Blue Opaque * Turquoise Opaque * Periwinkle Opaque * White Opaque * Torchwork R o d s Bullseye rods are graded as either F (recommended for both kilnwork and torchwork) or T (recommended for torchwork only). Since all Bullseye rods are recommended for torchwork, the F and T grades are relevant only to kilnworkers. On these pages, only T grade rods are marked *. Unmarked rods are F grade. Ordering Rods may be purchased individually or by the pound or half pound (approximately eighteen to twenty rods per pound; fourteen per pound for lustres). For rod assortment packs see page 40. Mineral Green Opaque * Opal Translucent White a Sterling Blue Opaque * Dense White * Bluestone Opaque * Light Peach Cream Presentation on black core beads shows the density of these opaque styles. Not intended for kilnforming. Nougat French Vanilla Rhubarb Pastel Shift \ Driftwood Gray Deco Gray Black Stiff Black Pumpkin Orange Orange Tomato Red Red Butterscotch Burnt Orange * This (T grade) rod is not recommended for kilnforming. a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

37 Amy Johnson, Chevron Pendants. Flameworked glass, sterling silver, and stainless steel cable. Photo: John Drajewicz. Petal Pink Pink * Neo-Lavender Shift \ Dusty Lilac Gold Purple * Deep Cobalt Blue Egyptian Blue Cobalt Blue Torchwork R o d s Mineral Green Mint Green Powder Blue Turquoise Blue Light Cyan Steel Blue Teal Green Jade Green Olive Green Dark Forest Green Spring Green Pea Pod Cinnabar Woodland Brown a Canary Yellow Sunflower Yellow a Golden Green Volume Discounts apply to all rod. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 37

38 Transparent Pale Yellow Tint Coral Orange Tint Erbium Pink Tint Lt Neo-Lavender Shift \ Juniper Blue Tint Aqua Blue Tint Grass Green Tint Spruce Green Tint Rhubarb Shift Tint \ Crystal Clear Clear Light Bronze Khaki Light Amber Yellow a Medium Amber Orange a Red Orange a Torchwork R o d s Sunset Coral a Red a Garnet a Light Pink Striker a Cranberry Pink a Cranberry Sapphirine a Pale Amethyst Light Plum Light Violet Deep Plum Deep Royal Purple Light Fuchsia a Lt Aquamarine Blue Turquoise Blue Pale Steel Blue Steel Blue Pale Sky Blue Neo-Lavender Shift \ Light Sky Blue Deep Royal Blue Midnight Blue Caribbean Blue * This (T grade) rod is not recommended for kilnforming. a This style may not reveal (or strike to) its target color until fired. For more information, see page 5. \ In this shift style, the hues of colors change, depending on thickness and/or lighting.

39 Most Bullseye rods can be fired in the kiln, and doing so can produce unique textures and patterns and even lenses and optical effects. Kilnforming with rod methods are being pioneered and taught in Bullseye s Research & Education Studios. To learn more see the FAQ, What Can I Expect from Bullseye Rods, in the Education section of bullseyeglass.com. Aquamarine Blue Light Green Pale Emerald Emerald Green Aventurine Green Kelly Green Chartreuse a Spring Green Seaweed Aventurine Lt Aventurine Green Olive Green Torchwork R o d s Sienna a Dark Rose Brown Light Silver Gray Charcoal Gray Clear, 7-9 mm Lustre Amber Lustre a * Copper Green Lustre a * Green Lustre a * Blue Lustre a * Coax a metallic sheen to the surface of these luxurious rods by finishing with a reduction flame. Due to the precious metal content, lustres are heavier and more costly than most rod styles. Not intended for kilnforming. Find tips on using lustres within each style s product notes in the About Our Glass section of bullseyeglass.com. Volume Discounts apply to all rod. Color, form, grade, and size codes and pricing information starts on page 64. Learn about the performance characteristics of specific glasses in the About Our Glass section of bullseyeglass.com. 39

40 Glass Packs Maximum variety at minimal expense. For outfitting a class or expanding your own palette. One-of-Each Rod Pack Ideal for designer prototyping. Contains one rod of every standard style we make, as listed in our catalog. That s about 110 rods in all, including lustres and 8mm Clear, but no SizzleStix. (Rarely, substitutions may be included.) Each rod is labeled with its style number. Shipping weight: 7 lb (3.2 kg) $ Hot Rods Starter Pack Great for teachers. An excellent 5-pound assortment of opalescent and transparent rods in 17 (432 mm) lengths, and two dichroic Sizzle Stix in 3 mm and 6 mm widths and lengths ( mm). Does not include lustres. Style numbers not labeled. Shipping weight: 7 lb (3.2 kg) $ Studio Fuser Pack A sampler of time-tested favorites: approximately twenty colors of 3 mm and 2 mm fusible sheet glass (9 sq ft/0.84 m 2 ), ten tubes of colorful frits, five bags of confetti and four tubes of assorted stringers. Ideal for beginners, experimentation, or jewelry projects. May include some fusible Curious styles. Shipping dimensions: 16 x 8 x 11 in (406 x 203 x 279 mm). Shipping weight: 20 lb (9.1 kg) $ Assortments Gl a s s Pa c k s Class Pack A colorful assortment of Bullseye Compatible transparent, opal, irid, and clear glasses, individually marked for easy reference. May include some fusible Curious styles. Approximately forty-five pieces of 10 x 10 (254 x 254 mm); or thirty-eight pieces measuring 5 x 10 (127 x 254 mm) plus twenty-five pieces of 10 x 10 (254 x 254 mm). About 45 lbs (20.4 kg)/30 sq ft (2.78 m 2 ) of glass. Shipping dimensions: 13 x 14 x 14 in (330 x 356 x 356 mm). Shipping weight: approximately 60 lb (27.2 kg) $ Tekta Pack Clear 10 x 10 (254 x 254 mm) pieces of Bullseye Compatible glass in thicknesses for every need. Thirty pieces of 3 mm, eight pieces of 4 mm, and four pieces of 6 mm. Trimmed on four sides, uniform and lead free. About 45 lbs (20.4 kg)/30 sq ft (2.78 m 2 ) of glass. Shipping dimensions: 13 x 14 x 14 in (330 x 356 x 356 mm). Shipping weight: approximately 60 lb (27.2 kg) $ Painting with Glass Pack Nine 1 lb jars of colored powders, three jars of clear frits in fine, medium and coarse grains and an assortment of colored stringers are the basics. Four stencils, two powder sifters, a frit sifter, sgraffito tool, GlasTac and our TipSheet 4: Designing Your Own Art Glass, and you re on your way to kilnforming with a fresh and flexible touch. (Order sheet glass blanks separately.) Shipping dimensions: 12 x 12 x 5 in (305 x 305 x 127 mm). Shipping weight: 15 lb (6.8 kg) $ Disco Pack Precut circles of Bullseye Compatible Clear 3 mm sheets. Reduce preparation time for plate-making classes. Includes a handout with helpful tips and firing schedules. 7.5 (191 mm) circles 30 discs. Shipping dimensions: 12 x 12 x 8.5 in (305 x 305 x 216 mm). Shipping weight: 17 lb (7.7 kg) $ (229 mm) circles 30 discs. Shipping dimensions: 13 x 13 x 9 in (330 x 330 x 229 mm). Shipping weight: 24 lb (10.9 kg) $ (305 mm) circles 20 discs. Shipping dimensions: 16 x 16 x 7.5 in (406 x 406 x 191 mm). Shipping weight: 32 lb (14.5 kg) $ Volume Discounts apply to this item.

41 Sample Sets & Updates For when catalog images won t do, and you need to see our actual glass in your own light. Color Consistency While Bullseye glass is widely known for consistency, it is a handmade product and slight variations from run to run are normal and expected. Our samples are selected to represent our middle range of surface color, texture and transmitted light qualities. Glasses ordered may vary slightly. In the case of glass styles that change appearance after firing, we choose samples as close as possible to the color achieved with a full fuse firing at the Bullseye Factory. Fired color may vary with firing cycles and kilns. This is especially true for striking glasses, which change color dramatically upon firing. (Striking glasses are prefired and labeled in our sheet glass sample sets.) How to Use Samples Samples are selected strictly for visual reference. They may or may not be Bullseye Compatible. Modular Kilnforming Sample Sets Our modular kilnforming sample sets are designed to provide small groups of samples that meet users specific needs, at lower prices than are possible with our full Master Kilnforming Sample Sets and the Master Stained Glass Sample Sets. Individual samples measure 2 x 2 (51 x 51 mm). Billet Sample Set Over 30 cut billet rectangles show Bullseye s thirty tinted colors for casting, plus standard Clear, lead-free Crystal Clear, and opalescent styles Black and White. To predict color, view the sample through the side with the dimension that most closely matches the thickness of your planned project. Samples measure approximately 1.5 x 2.5 x 0.75 (38 x 64 x 19 mm) $45.00 Frit Kilnforming Sample Set Over 105 tidy samples of all Bullseye frit colors in Medium (-0002) mesh size. Samples are neatly packaged in durable zip lock bags, mounted on labeled cards for quick reference and organized in a Bullseye binder for easy storage. Each sample bag measures 2 x $40.00 Transparent 3mm Sheet Glass 8112 Over 90 samples $68.00 Transparent Thin Sheet 8113 Over 50 samples $43.00 Opalescent 3mm Sheet Glass 8110 Over 60 samples $48.00 Opalescent Thin Sheet Glass 8111 Over 55 samples $45.00 Iridescent 3mm Sheet Glass 8114 Over 70 samples $60.00 Iridescent Thin Sheet Glass 8115 Over 60 samples $47.00 Streaky Sheet Glass 8117 Over 35 samples $35.00 Collage Sheet Glass 8116 Over 40 samples $44.00 Assortments Sa m p l e Se t s Master Kilnforming Sample Set Includes every standard glass color and shape that Bullseye makes for kilnwork. Six volumes in sturdy shelf cases. Includes: Thins and double-rolled sheets, frits, stringers, confetti, rod, iridescents and textures. Over 700 separate samples a range that is unsurpassed in the market $ Rod, Confetti and Stringer Sample Set Bullseye s full line of rod, confetti, and stringer styles for kiln and torch work, plus four Sizzle Stix. Over 200 samples, 1-2 (25-50 mm) long, are glued onto sturdy cards, labeled and organized in a glossy red binder $68.00 Individual Samples and Updates To view and order, visit bullseyeglass.com. 41

42 Cutting Tools The best tools available for cutting glass with ease. Bohle Silberschnitt Self-Oiling Cutter High quality carbide wheel, transparent oil tank, heavy-duty brass grip piece. Plus, the black plastic upper grip works as a fulcrum for breaking long cuts or pressing down lead flanges. A versatile and well-made cutter at a great price $53.15 Replacement Head For Bohle Silberschnitt Self-Oiling Cutter $26.90 Bohle Silberschnitt Repetitive Small Circle Cutter Cut circles from.5 to 7.5 (13 to 191 mm) diameter easily, accurately, quickly. Comes with a special 155 cutting head for self-opening scores. Sturdy construction, built for production $ Replacement Cutter Head For Small Circle Cutter $26.90 Tools & Supplies C u t t in g Toyo Self-Oiling Cutter Our most popular cutter at a great price. Random colors. For the rainbow assortment, order six! Cutting oil sold separately Toyo Self-Oiling Cutter $ Toyo Cutters, Set of 6 $ Replacement Cutter Head For Toyo Self-Oiling Cutter $16.55 Bohle Silberschnitt Professional Circle Cutter If you do production dinnerware, you ll wonder why you didn t find this cutter sooner. Ball bearing tracking head insures peak performance for circles up to 23 (58 cm). Mount to cutting table or base plate $ Bohle Silberschnitt 2000 Cutter for Thin Glass Smooth-running, extremely light (25 grams), comfortable pencil-slim handle. (Be sure to use with lubricant.) 7156 $26.15 Bohle Silberschnitt Studio Circle Cutter Top quality by Silberschnitt. For circles up to 24 (61 cm). Trailing ball bearing cutting head for improved quality and less cutting pressure. Grooved measurements on bar are permanent and easy to read $ Toyo Pistol-Grip Cutter Exceptionally comfortable grip $32.35 Replacement Ball Bearing Cutter Head with Handle For Studio Circle Cutter $78.60 Replacement Cutter Head Only For Studio Circle Cutter. Also fits the Professional Circle Cutter $26.90 Bohle Hand-Held Strip Cutter Cuts strips from 3 mm to 20 mm Right-Handed $ Left-Handed $44.40 Bohle Silberschnitt Cutting Fluid Penetrates quickly into the score, binds annoying glass particles, promotes a clean break, and helps insure a smooth run and long life of the wheel fl oz (.05 L) $ One-liter refill container $

43 Running Pliers An invaluable tool for glass cutting. Running pliers act like a fulcrum to open score lines using even pressure. Adjustable screw accommodates different glass thicknesses $11.25 Replacement Pads for 7008 Running Pliers Clear pliable tip covers make your running pliers work like new again. If metal s showing through on your current pads, treat your glass to this replacement pair $1.10 Bohle Running Pliers Adjustable rotating jaw allows running of score from interior of glass. Indispensable for inside curves and thin strips. Lightweight but strong aluminum is very comfortable in the hand. Replacement pads available $73.05 Leponitt Heavy Duty Running Pliers An indispensable tool for running scores in 6 mm to 12 mm thick glass. It makes running fused glass a snap $64.20 Breaking/Grozing Pliers A glass studio basic, great for breaking strips of sheet glass and nibbling away at rough edges $8.65 Rudy Gritsch s Favorite Grozing Pliers Rudi s own pair of these pliers is older than his adult kids. Carbide steel means a lifetime of use. Narrow (4 mm) jaws are great for fine detail work. By Bohle $ Bohle Portable Workstation Includes 24 x 24 (61 x 61 cm) pad with combination strip and circle cutter. Ideal for students and on-site work. Roll it up and take it along! Angle Cutting System (circled) is sold separately $91.35 Replacement Head For Bohle Portable Workstation $26.80 Bohle Geomaster Angle Cutting System (Circled) Attach to the Portable Workstation for precise angles every time $ Bullseye Straightedge It s simple and straightforward. That s why we use it in our studios for making straight scores. The 0.25 (6 mm) thickness guides hand-held glass cutters nicely. It s lightweight and durable. Made of clear acrylic with a nonskid backing. Now available in three lengths: 11 (28 cm) for small projects; 22 (56 cm) for cutting the width of and 36 (91 cm) for cutting the length of a standard Bullseye glass sheet x 11 in (6.4 x 28 cm) $ x 22 in (6.4 x 56 cm) $ x 36 in (6.4 x 91 cm) $24.00 Tools & Supplies C u t t i n g Bohle Glass Nippers with Carbide Jaws Great tool for recycling scrap into coarse frit. Blades are designed to force cracks to run toward edge of glass $52.50 NEO GC Cutter The Neo GC uses two high-grade carbide blades in a scissor-like motion to cut small pieces quickly and easily. Especially useful for mosaic work or turning scrap into largersized frit $59.00 Bohle L-Square Square your glass while cutting with the precision tool we ve used for years in our teaching studios. Manufactured from durable, high-quality material with an integrated brace that guarantees the true angle. Length: 24 in (60 cm). Short Side: 12 in (30 cm) $25.65 For glass cutting tips see the article, Improve Your Glass Cutting, in the Education section of bullseyeglass.com. 43

44 Bullseye Line Products we use daily in both our Factory and Research & Education Studios. To learn how to create multi-layered imagery in thick kilnformed blocks see the article, TipSheet 3: Working Deep, in the Education section of bullseyeglass.com. Tools & Supplies B u l l s e y e L ine Our mullite dams are straight and true with crisp edges that make excellent contact with kiln shelves. Bullseye ThinFire Shelf Paper For the smoothest finish on the bottom of your kiln-fired projects. Quicker and easier than frequent re-priming. Bullseye logo printed on the back side. Instructions included. Each piece good for one firing only Single sheet, 20.5 x 20.5 in (52 x 52 cm) $ sheet pack, 20.5 x 20.5 in (52 x 52 cm) $ sheets, 20.5 x 20.5 in (52 x 52 cm) $ Roll, 10 ft x 41 in (305 x 104 cm) $ Roll, 250 ft x 41 in (76.2 x 1.04 m) $ Kiln Dams & Bricks Mullite clay dams and hard brick bracers make containing thicker fused slabs a breeze. Three sizes of bricks and two sizes of dams. Combine and conquer. Tolerance on bricks dimensions is 1/8 (3.18 mm) Dams, 10 x 1.5 x.625 in (25.4 x 3.8 x 1.6 cm) $ Dams, 20 x 1.5 x.625 in (51 x 3.8 x 1.6 cm) $ Bricks, 9 x 2.25 x 2.5 in (22.9 x 5.7 x 6.4) $ Bricks, 4.5 x 2.25 x 2.5 in (11.4 x 5.7 x 6.4) $ Bricks, 4.5 x x 2.5 in (11.4 x 2.9 x 6.4) $6.70 Bullseye GlasTac Lightly tacks glass pieces in place prior to firing. Slow drying and pliability allow readjustments as you work. Organic colorant lets you see where you ve put it on clear glass, but it burns out in the kiln. Use sparingly. Water soluble fl oz (.12 L) applicator bottle $ fl oz (.95 L) bottle $29.05 Bullseye Vermiculite Board A high-density vermiculite board that can withstand temperatures up to 2012 F (1100 C). This board is stronger than most fiberboard and can be cut and tooled just like wood. However, it is not recommended for use as a kiln shelf. While it is certified asbestosfree, please use a NIOSH-approved respirator when cutting or creating dust. Prefire to 1580 F (860 C) for a half hour before initial use. Est. weight: 19 lbs (8.6 kg). 1 x 24 x 36 in (25 x 610 x 914 mm) $52.60 Bullseye Kilnforming Notes Pad Get organized. Keep valuable records on your kilnforming projects, using forms designed by Bullseye technicians. The three-hole-punch format fits standard binders as well as the Bullseye Techbook $ Volume Discounts apply to this item.

45 Photo: Greg Staley. Bullseye Shelf Primer Bullseye s popular pink formula. Each batch is kiln-tested to ensure consistency from run to run. Illustrated instructions discuss application, drying, mixing, precautions and storage. One 5 lb bucket will coat about a hundred and fifty 20 sq (129 cm 2 ) shelves lb bucket $ lb bucket $ Bullseye Hydrogel N A flexible mold compound used to make mother molds for casting multiple copies. Mix with water to a creamy consistency. Sets in about five minutes to a rubbery gel that yields an excellent mold impression. Molds can be kept several days in sealed, airtight containers. Because it sets quickly, this product is ideal for demonstrations and workshops lbs (.68 kg) $ gals (18.93 L) $ Judith Finn Conway At home in the world of art making In 2009, Judith Conway joined nineteen fellow artists for a kilnforming residency at Pilchuck Glass School and their work resulted in the Act 2 exhibition, currently traveling to museums and kiln-glass centers in the western United States. This is just one example of the many ways Conway has continually enriched and extended her studio practice since glass kilnforming became her fulltime focus in That s when, with artist Kevin O Toole, she co-created Vitrum Studio in suburban Washington DC, now one of the best privately owned teaching programs for kiln-glass in the country. Today Conway teaches extensively, hosts respected visiting artists of national and international stature, refreshes her curriculum with considerable research into new methods and products and applies these influences and more to her own work at the kiln. (Above) Judith Conway, Marsh at Daybreak, Kilnformed glass, silver, x 22 x.75 inch. More about Judith Conway at judithconwayglass.com and vitrumstudio.com. Tools & Supplies B u l l s e y e L ine Bullseye Investment (Plaster-Silica) A simple mixture of #1 Casting Plaster and silica flour which releases easily from Bullseye glass lbs (2.27 kg) $ lbs (18.14 kg) $80.40 Bullseye Casting Refill Supplies are best used to create open-face castings with the assembled mold techniques described in the article, TipSheet 5: Bullseye Box Casting, in the Education section of bullseyeglass.com. Photo: William Ralph. 45

46 Kilnwork Tools Tools and supplies we ve found to be essential, tried and true. Diamond Point Scribe One tiny diamond in the tip lets you put a permanent signature on your glass. Portable and lasts for years $18.40 Spartan Glass Cleaner Concentrate The glass cleaner we use in our Research & Education studios $6.45 Be sure to read the article, Glass Cleaning Basics, in the Education section of bullseyeglass.com. Sickle Stone As simple as it gets. An aluminum oxide abrasive stone for hand smoothing of sharp glass edges $8.95 Hake Brush This soft 5.5 wide (140 mm) brush is one of the best tools for applying shelf primer quickly and easily to your mold or kiln shelf $15.75 Tools & Supplies Kilnwork Half-Round Diamond File For filing harder-to-reach surfaces. About the size of a toothbrush, but don t try it on your teeth! The diamond mesh size is 120#. The diamond pad measures about.375 x 1.75 (10 x 44 mm) $10.35 Suction Lifter These durable rubber lifters ensure the exact placement of glass on your mold or shelf. Reduce the risk of finger marks or scratched primer as you try to slide a mis-positioned glass piece. Virtually surgical Large. Diameter, 3.25 in (83 mm) $ Small. Diameter, 2 in (51 mm) $18.25 Frit Sifter The same ones we use in Painting With Glass and Drawing With Glass classes. Invaluable tools for working with frits and powders. Just the right mesh sizes for achieving an even dispersal in powders and fine size frit Powder (-0008) Frit $ Fine (-0001) Frit $4.30 3M Diamond Hand Lap Top-quality 3M pads with a precision dot pattern of 100% diamond. Perfect for fast, uniform grinding and smoothing of rough surfaces, sharp edges and flashing. The lightweight foam base fits the palm of the hand. Microngraded diamonds are anchored to the backing with a superior metal-plated bond, more durable that resin bonding. Good for wet or dry applications. Use the set sequentially from coarsest to finest for best results. Numbers refer to diamond mesh size Coarse, green, #60 $ Medium-coarse, black, #120 $ Medium-fine, red, #200 $ Fine, yellow, #400 $ Set of 4 $ Painting with Glass Tool Kit Four stencils, three sifters, graining comb, GlasTac the tools for designing your own art glass! 8362 $ Volume Discounts apply to this item.

47 Triangular Kiln Posts The less surface area of post in contact with your shelf, the more uniform the shelf temperature. That s why we like these triangular posts. Stable enough to stack in (25mm) $ in (51mm) $2.25 Dykem Brite-Mark Marker Draw and fire. Simple, direct. These are the pens we use to number hot glass at the Factory. Choose a wide or a narrow line. White marks stay on even at full fusing temperatures Wide $ Narrow $4.45 Fiber Paper A kiln studio standard. As a shelf separator, it helps prevent bubbles between the shelf and the glass. As a perimeter dam, it insulates against thermal shock and improves annealing. Cut and construct with it for bas relief design. We use and handle only quality Lytherm paper because we like its tight weave and durability /16 in thick x 24 in wide (1.59 mm x 610 mm) $4.25 /linear ft /8 in thick x 24 in wide (3.2 mm x 610 mm) $6.70 /linear ft Kiln Shelf We went all the way to Europe to find the absolutely flattest shelves for our kilns. Composite cordierite and mullite For Clamshell-16, 14 x 14 x.625 in (356 x 356 x 16 mm) $ For Pearl-22, 20 x 20 x.625 in (508 x 508 x 16 mm) $ For GL24, x x.625 in (549 x 549 x 16 mm) $98.75 Cordierite shelf from Paragon Industries For Caldera, 7 x 7 x.625 in (178 x 178 x 16 mm) $15.50 Sepp Copper Leaf Booklet Add decorative elements to your fused works. Sepp Copper Leaf, 25 sheets, 5.5 x 5.5 in (140 x 140 mm) each, 100% copper, 1.0 micron thick For pricing check bullseyeglass.com. Metal Foil Add decorative elements to your fused works. For pricing check bullseyeglass.com Gold, 8 x 8 in (203 x 203 mm) 94.43% gold, karat, 3.05 microns thick Silver, 9.5 x 9.5 in (241 x 241 mm) 98% silver, 3.5 microns thick Copper, 1 to 10 ft (.3 to 3.1 m) 100% copper, 25.4 microns thick Copper, Boxed roll. 1 x 64 ft (.3 x 19.5 m) 100% copper, 25.4 microns thick. When silver foil is fired with sulfur-bearing glasses, special effects can occur. Here the chemical reaction appears as the dark edge around the silver. The topic of firing metal leaf and foil on glass is covered in some detail in our class, Special Effects in Kiln-glass. Learn more in the Education section of bullseyeglass.com. Tools & Supplies Kilnwork Polarizing Film Test for annealing stress using the methods described in Glass Fusing Book One (page 62) x 5.75 in (210 x 146 mm) $10.75 /sheet x in (210 x 298 mm) $20.50 /sheet 47

48 Torchwork Tools The finest tools available, to help you succeed with our glass. Shurlite Three Flint Striker Safe, quick, and simple. The flint makes a spark, the spark ignites the torch. Rotate head for new flint $4.20 Graphite Paddle Smooth, high quality, with a high temperature rubber-coated handle. A basic shaping tool for flameworking. 2 x 3 in (51 x 76 mm) 7076 $17.65 Nortel Minor Bench Burner Great surface mix torch for soft glass torchwork $ Tools & Supplies Torchwork Tweezers, Serrated Tip Indispensable tool for flameworkers. Serrated tip ensures good grip. 8 in (203 mm) 7211 $7.00 Tweezers, Pointed Manipulate glass on a small scale. Good for delicate work with subtle tool marks. 7 in (178 mm) 7212 $4.50 Graphite Stump Shaper Several angles to marver with. A great tool for sculptural or murrine work. Designed for Loren Stump. 2 x in (51 x 60 mm) 7206 $33.70 Marble Mold This six-in-one marble mold is a graphite paddle with six half-spheres machined into it: three on one side, three on the other for.375,.5,.625,.75,.875, and 1.0 inch (10, 13, 16, 19, 22, and 25 mm) diameters $40.00 Top Mount Graphite Marver For hands-free shaping. Surface mounted to the top of the minor burner. Comes with all mounting hardware $27.85 Diamond Bead Reamer Set Great for cleaning bead release and dressing bead holes. Comes with four diamond-coated bits $9.50 Tweezer Mashers Great to flatten and shape small beads. Square mashing surfaces,.75 in (19 mm) $13.50 Knife Shaping Tool Shape hot glass with this versatile pointed tool with straight and curved edges $7.80 Groovy Aluminum Marver Roll a warm bead across the ridges diagonally to create spiral grooves or straight across for straight ones. Surface area: 2 x 4 in (51 x 102 mm) 7202 $11.90 Tungsten Probe Pointed rods with approximately 5.5 (140 mm) wood handle. Good for raking and induced bubble techniques. Tungsten won t stick to glass unless both are hot /16 in (1.6 mm) $ /32 in (2.4 mm) $ /8 in (3.2 mm) $12.60 Sludge Plus Our favorite bead release. Good holding power in the flame but releases easily once cooled. 4 oz 7087 $8.25 Stainless Steel Mandrels 12-pack. Length, 12 in (305 mm) Mandrel diameter determines the size of the bead hole. The basis of flameworked bead making /16 in (1.6 mm) $ /32 in (2.4 mm) $ /8 in (3.1 mm) $

49 Safety Products we use at Bullseye for our own protection. Uvex Safety Glasses Essential for cutting, grinding, and sifting in the glass studio. Nerd-guard wraparound frames for added protection from flying bits. Tiny yet distinctive Bullseye logo $8.00 ACE Oversize Safety Glasses Lenses filter the damaging sodium flare associated with flameworking soda-lime glass. Wear these over your prescription glasses when torchworking $65.00 ACE Safety Glasses Lenses filter the damaging sodium flare associated with flameworking soda-lime glass $45.00 ACE Uptown Tortoise Safety Glasses Lenses filter the damaging sodium flare associated with flameworking soda-lime glass $80.00 Zetex Heat Protective Gloves, Regular Zetex Plus treated fiberglass. Length, 23 in (584 mm). We use these with or without the cover mitts while working Vitrigraph stringers or reaching into kilns during hot manipulations. Use for short duration up to 2000 F (1093 C). Sold as a pair. 35 oz (992 g) 8265 $79.80 Fein Turbo I Dust-Free Vacuum Free your studio of dust with this quiet, portable vacuum. The Turbo I runs on standard household voltage and comes with a HEPA Filter & Bag kit. The HEPA filter (0.3 micron) is 99.9% dust-free and generally lasts months with regular use. Vacuum measures 16 x 17 x 21 (41 x 43 x 53 cm); 16 hose, 16 cable, 6 gallon capacity $ Fein HEPA Replacement Filter for Fein Turbo I 7251 $ Fein Dust Bags (3-pack) for Fein Turbo I 7252 $17.35 Disposable Particulate Respirator (N95) Provides at least 95% filter efficiency. Recommended for routine dusty studio operations such as mixing shelf primer, cleaning shelves, applying powders and frits. NIOSH-approved pack $ pack $26.00 Tools & Supplies Safet y Zetex Cover Mitts Closed top cover protects gloves that are 23 (584 mm) long. Saves wear and more economical to replace. Sold as a pair. 9 in (229 mm) 8266 $29.25 Disposable Particulate Respirator (N100) 99.7% filter efficiency. Cool Flow valve for cool, dry comfort, easy exhalation. Ideal for working with lead and arsenic or cadmiumbearing materials. NIOSH approved $11.90 Kevlar Terry Protective Gloves For working temps up to 600 F (316 C). Perfect for removing hot shelves from kilns. Sold as a pair. Length, 12 in (305 mm); weight, 22 oz (624 g) 8267 $56.20 Duster Brush Safety begins with a clean work table. Save your hands and elbows from pesky, blood-letting bits of glass. Soft bristles decrease the spray of glass particles $

50 Molds From Creative Ceramics in Europe, the finest commercial slumping molds on the market. Slipcast from a specially formulated clay body, these molds have an exceptionally smooth surface, accept kilnwash uniformly, and do not crack under repeated usage if handled properly. Soup Bowl 9.75 x 1.75 in (248 x 44 mm) 8665 $56.25 Pasta Bowl x in (295 x 48 mm); rim, 2 in (51 mm) 8909 $73.05 Plain Plate x 1.5 in (375 x 38 mm) 8721 $92.35 Saturn Dessert Plate 11.5 x.75 in (292 x 19 mm); inside, 5 in (127 mm) 8939 $64.50 Round Plate x.875 in (337 x 22 mm) 8928 $ x 2 in (343 x 51 mm); rim, in (60 mm) 8910 $ x 2.25 in (457 x 57 mm) 8722 $ Tools & Supplies M o l d s Cone Bowl 7.75 x 2.25 in (197 x 57 mm) 8943 $30.45 Classic 6.25 x 1 in (159 x 25 mm) 8748 $21.45 Classic x.625 in (156 x 16 mm) 8749 $21.45 Classic 12.5 x 3 in (318 x 76 mm) 8723 $83.35 Large Round Slumper 15 x 2.75 in (381 x 70 mm) 8628 $ x.875 in (222 x 22 mm) 8747 $ x 3.5 in (413 x 89 mm) 8724 $ Ball Surface 6 x 1.75 in (152 x 44 mm) 8746 $33.25 Ball Surface x 2 in (257 x 51 mm) 8735 $58.50 Ball Surface 8 x 1.25 in (203 x 32 mm) 8736 $39.20 Round Slumper 7.75 x 1 in (197 x 25 mm) 8630 $33.90 Bowl 16 x 2.5 in (406 x 64 mm) 8651 $ x in (298 x 79 mm) 8734 $ x 2.5 in (378 x 64 mm) 8733 $ x 1.75 in (324 x 44 mm) 8629 $ x in (416 x 92 mm) 8652 $ x in (432 x 86 mm) 8738 $ x in (508 x 98 mm) 8737 $ x 4.5 in (559 x 114 mm) 8745 $ Volume Discounts apply to all molds.

51 Jaqueline Cooley, Leaf Bowl 3. Waterjet cut, kilnformed and coldworked glass, inches. Photo: Marshall Hyde. Seder Plate 13 in (330 mm); indentations, 2.75 in (70 mm) 8959 $89.95 Oval x 9.75 x 1.75 in (400 x 248 x 44 mm) 8744 $67.30 Short Oval 11.5 x x 1.25 in (292 x 124 x 32 mm) 8919 $ x x in (391 x 175 x 48 mm) 8952 $56.20 Long Oval x 4.75 x.625 in (286 x 121 x 16 mm) 8920 $ x x 1.25 in (476 x 175 x 32 mm) 8951 $71.55 Snack Tray 9.5 x 6.5 in (241 x 165 mm); rim, in (30 mm) 8961 $44.00 Tools & Supplies M o l d s CASTING Drop outs Pyramid Casting Mold 6.75 x 6.75 x in (171 x 171 x 117 mm) 8948 $89.10 Square Drop Out x in (257 x 257 mm); inside, x in (143 x 143 mm) 8957 $80.10 Rectangular Drop Out x 9.25 x 1 in (410 x 235 x 25 mm); inside, 11 x in (279 x 105 mm) 8923 $77.50 Ellipse Drop Out x in (460 x 283 mm); inside, x 6.75 in (346 x 171 mm) 8955 $ Drop Out Ring Diameter, 7.25 in (184 mm); inside, in (79 mm) 8633 $23.10 Diameter, in (232 mm); inside, 5 in (127 mm) 8632 $28.80 Diameter, in (273 mm); inside, 6.75 in (171 mm) 8631 $34.30 Do not cut your glass to fit the mold dimensions shown here. Instead, measure your glass to fit your actual mold. The dimensions of individual molds may vary. 51

52 Mini Soft Edged Plate 6.25 x 6.25 x.75 in (159 x 159 x 19 mm) 8963 $22.30 Small Dish 8.75 x 8.75 x in (222 x 222 x 35 mm) 8926 $40.05 Four-Square Dish 7.25 x 7.25 x 1 in (184 x 184 x 25 mm) 8935 $44.10 Soft Edge Four Square Platter 14 x 14 x 1.25 in (355 x 355 x 31 mm) 8342 $91.80 Yin-Yang Plate x x 1 in (298 x 298 x 25 mm) 8341 $72.65 Tools & Supplies M o l d s One-Square Dish 3.75 x 3.75 x 1 in (95 x 95 x 25 mm) 8934 $19.80 Square Bowl, Simple Curve x x in (314 x 314 x 67 mm) 8647 $88.05 Square Bowl, Double Curve x x in (311 x 311 x 54 mm) 8648 $79.05 Retro Party Bowl x x 4 in (441 x 441 x 102 mm) 8936 $ Soft Edged Platter 9.5 x 9.5 in (241 x 241 mm); inside, 3.5 x 3.5 in (89 x 89 mm) 8985 $55.45 Very Gentle Curve 18 x 18 in (457 x 457 mm) 8982 $ Square Slumper A x x 1 in (117 x 117 x 25 mm) 8636 $ x x 1.5 in (225 x 225 x 38 mm) 8635 $ x 10.5 x 2 in (267 x 267 mm x 51 mm) 8634 $59.65 Square Slumper B 3.5 x 3.5 x.75 in (89 x 89 x 19 mm) 8998 $ x x in (137 x 137 x 35 mm) 8997 $ x 6.25 x 1.25 in (159 x 159 x 32 mm) 8996 $22.25 Square Plate x x.625 in (86 x 86 x 16 mm) 8901 $ x 5.5 x 1 in (140 x 140 x 25 mm) 8900 $ x 6.5 x 1 in (165 x 165 x 25 mm) 8899 $22.25 Square Platter x in (251 x 251 mm); inside, x x.625 in (130 x 130 x 16 mm) 8638 $ x in (314 x 314 mm); inside, 6.25 x 6.25 x.625 in (159 x 159 x 16 mm) 8641 $ x x 2.25 in (311 x 311 x 57 mm) 8637 $ x 16 x 3 in (406 x 406 x 76 mm) 8739 $ x 7.25 x 1.75 in (184 x 184 x 44 mm) 8995 $ x 15 in (381 x 381 mm); inside, x x.375 in (200 x 200 x 10 mm) 8646 $89.10 For mold preparation instructions see the article, Tips for Using Bullseye Slumping Molds, in the Education section of bullseyeglass.com. 52 Volume Discounts apply to all molds.

53 Small Rectangle 9.75 x 5.5 x 1.5 in (248 x 140 x 38 mm) 8945 $36.60 Medium Rectangle x 9.5 x 1.5 in (298 x 241 x 38 mm) 8949 $73.20 Party Platter 21 x 13.5 x 1.75 in (533 x 342 x 44 mm) 8539 $ Serving Tray x x.75 in (387 x 238 x 19 mm) 8947 $65.95 Simple Curve 16.5 x 13.5 x 2 in (419 x 343 x 51 mm) 8642 $ Concave Dish 14.5 x 10 x 1.75 in (370 x 250 x 40 mm) 8933 $75.25 Convex Dish x x 1.5 (360 x 260 x 38 mm); inside, 11 x in (279 x 105 mm) 8932 $71.80 Channel Plate 13 x 4.25 x 1.5 in (330 x 107 x 38 mm) 8456 $ x 5 x 1.75 in (451 x 127 x 44 mm) 8944 $ x 7.25 x 2.5 in (603 x 184 x 63 mm) 8257 $ Rectangular Slumper x x in (321 x 194 x 48 mm) 8924 $ x 7.75 x 1.75 in (391 x 197 x 44 mm) 8925 $ x x 2.25 in (438 x 311 x 57 mm) 8929 $85.05 Double Curve 9.75 x 8.25 x 1.75 in (248 x 210 x 40 mm) 8960 $ x 14 x 3 in (416 x 356 x 76 mm) 8643 $ Tools & Supplies M o l d s Soft-Edged Platter Long x 9.75 in (362 x 210 mm); inside, x 5.5 in (260 x 140 mm) 8962 $81.10 Lamp Benders Candle bridges Lamp Bender 6.25 x 5 x 2.25 in (159 x 127 x 57 mm) 8964 $33.90 Lamp Bender Conic 11 x x 4 in (279 x 324 x 102 mm) 8740 $79.75 One Candle Bridge 7.25 x 5.25 x 1.50 in (184 x 133 x 38 mm) 8903 $32.80 Four Candle Bridge x x in (308 x 149 x 41 mm) 8902 $ x 10.5 x in (225 x 267 x 98 mm) 8725 $65.45 See page 58 for lighting hardware. Do not cut your glass to fit the mold dimensions shown here. Instead, measure your glass to fit your actual mold. The dimensions of individual molds may vary slightly. 53

54 Kilns Kilns and supplies we use day after day, year after year, in our Research & Education Studios. Kiln-glass Starter Kit All of the basic tools, supplies and educational resources you need to get started kilnforming glass at home. Includes a kiln that works in a 20-amp outlet and glass for two complete Make It projects. Actual retail value = $1,410. Kit price = $1,185. Savings to you = $225. Tools & Supplies K i l n s Paragon Clamshell 16 Kiln A great starter kiln that plugs in to any 20-amp household outlet. Good for flat fusing and shallow slumping. Features: Top heating elements mounted in pinless grooves. 3-key Sentry Xpress digital controller. Heavy-duty, O.D. sheathed, type-k thermocouple. Counterweight springs under the base to help with lifting the lid. Heavy-duty wiring. Power on and off switch. Built-in stand. Wooden handle $ Kiln-glass Starter Kit Contents: Paragon Clamshell-16 Kiln Kiln Shelf 14 x 14 Triangle Kiln Posts (3) Bullseye Shelf Primer Spartan Glass Cleaner GlasTac, 4 fl oz Toyo Self-Oiling Cutter Bohle Cutting Fluid, 1.7 fl oz Running Pliers Volume discounts do not apply. Shipping weight: 212 lbs $ Turn the Caldera into a Vitrigraph Kiln! Breaking/Grozing Pliers Hake Brush Uvex Safety Glasses Sickle Stone Bullseye 11 Straightedge Bullseye TechBook Square Slumper Mold Plus, all the glass you need to make a Make It: Inline Plate and the Make It: Tint Tones Plates Vitrigraph Conversion Supplies To turn your Caldera into a Vitrigraph kiln, just add a pot, four supports and a vermiculite board with a center hole. Then get busy hand-pulling your own stringer for kilnforming or drawing and painting with glass techniques. A Paragon Caldera Kiln This versatile kiln can be used in three ways: for test firing, annealing lampworked beads, and hand-pulling Vitrigraph stringer. Order bead collar and Vitrigraph conversion supplies separately. Bullseye Edition Special Feature: Sentry Xpress 3-key controller with a ramp-hold mode. Other Features: Rapid firing to 2350 F (1287 C). Top and bottom separate for complete portability $ Paragon Caldera Bead Collar Add a bead collar from Paragon to your Caldera for annealing lampworked beads. With a hinged 7.5 x 2.25 (191 x 57 mm) door, it adds 4.5 (114 mm) of height to the kiln. Measures 13 x 13 x 4.5 (330 x 330 x 114 mm) $ (A) Vitrigraph Pot Made especially to fit the Caldera. Height is 4.5 (114 mm) and diameter is 5.5 (140 mm) $10.00 (B) Vitrigraph Pot Supports (set of 4) They allow hot air to circulate beneath the pot while glass flows through it. Each measures 2 x x 0.5 (51 x 73 x 12.7 mm) $15.25 (C) Vitrigraph Base Board A piece of vermiculite board sized to replace the Caldera base. Measures 11.5 x 11.5 x 1 (292 x 292 x 25 mm). Features a 2.5 (64 mm) central hole through which glass can flow $15.00 B C To learn how to use the Vitrigraph kiln to handpull your own stringer, see TechNotes 2: The Vitrigraph Kiln and our online video kilnforming lessons at bullseyeglass.com. 54 Kiln shelves and furniture sold separately. See page 47.

55 Paragon Pearl 22 Bullseye Edition A good first kiln, appropriate for shallow slumping and fusing flat. Bullseye Edition Special Features: Wooden handle and spring latch. Relay indicator light. Other Features: Mercury relays Top heating elements mounted in pinless grooves. Side element. Heavy-duty, O.D. sheathed, type-k thermocouple. 12-key Sentry 2.0 digital controller. Safety switch. Air pistons to help with lifting the lid. Heavy-duty wiring. Built-in stand $1, Additional Bullseye Edition kiln specs Paragon GL24 Kiln A true workhorse, used by Bullseye studios for years. Versatile for flat fusing, slumping, smallto-midsized casting, and pâte de verre. Bullseye Edition Special Features: Fiber roof. Mercury relays. Other Features: Top, side, and door elements. 12-key Sentry 2.0 digital controller. Safety interlock to disable elements when door is open $2, Specs Caldera Clamshell 16 Pearl-22 GL24 Pearl-56 Interior Dimensions Exterior Dimensions 6.75 x 8 x 8 in (17 x 20 x 20 cm) x 14 x 19.5 in (30 x 36 x 50 cm) 6.5 x 16 x 16 in (17 x 41 x 41 cm) 15.5 x 27 x 28.5 in (39 x 69 x 72 cm) 13 x 22 x 22 in (33 x 56 x 56 cm 26 x 32 x 37 in (66 x 81 x 94 cm) 15 x 24 x 22.5 in (38 x 61 x 57 cm) 29.5 x 40.5 x 32 in (75 x 103 x 81 cm) Electrical 120 V / 15 A 120 V / 20 A 240 V / 30 A 240 V / 45 A 16 x 56 x 30 in (38 x 142 x 76 in) 48 x 76 x 48 in (122 x 193 x 122 cm) 240 V / 67 A; 208 V / 77 A single phase.* Power Use 1.68 kw 2.4 kw 7.2 kw 10.8 kw 16 kw Plug UL Approved Shipping Dimensions Shipping Weight Standard (NEMA 5-15p) NEMA 5-20p NEMA 6-30p NEMA 6-50p Direct Wire No Yes No Yes No 16 x 18 x 24 in (41 x 46 x 61 cm) 46 lb (21 kg) 24 x 33 x 33 in (61 x 84 x 84 cm) 167 lb (76 kg) 33 x 36 x 42 in (84 x 91 x 107 cm) 321 lb (146 kg) 42 x 37 x 46 in (107 x 94 x 117 cm) 397 lb (181 kg) 59 x 89 x 52 in (150 x 226 x 132 cm) 1,270 lb (576 kg) Ships Via UPS Truck Truck Truck Truck Paragon Pearl 56 Bullseye Edition The largest kiln we offer, entirely custom designed for us by Paragon Kilns. An optional extruded ceramic shelf is available. (Shelf ships with the kiln. Sold only at the time of kiln purchase.) Bullseye Edition Features: Hinged, clamshell-style opening with hydraulic lift helpers and rope-gasket seal. Elements in the top, bottom, and sides for uniform heating. Separate top and bottom zone control. Mercury relays. 3 thick fiber top. 12-key Sentry 2.0 digital controller. Welded 2 tube-steel frame with bottom storage shelf. Casters and leveling feet. Wooden handle. 2 lid vents and 2 front-view ports / vents. Height with Top Open: 66 in (168 cm) 8836 $9, IPS Shelf (not shown) 1.5 x 27 x 52 in (3.8 x 69 x 132 cm) Optional extruded ceramic kiln shelf for the Pearl 56. Sold only at the time of kiln purchase. Ships with the kiln. Includes four extruded ceramic shelf supports, 1.5 x 2 x 24 (3.8 x 5 x 61 cm) each $ Tools & Supplies K i l n s Product Number Price $ $ $1, $2, $9, Dimensions: height x width x length (depth) * Available in 3 phase. 55

56 Bullseye Gear Comfortable and practical for studio and street. Back detail: Back detail: Tools & Supplies Bullseye Gear Bullseye Logo Cotton Hoodie Go stylish and cozy in this long-sleeved zip hoodie with kangaroo pockets. The stretchy 100% cotton fabric is combed to soft fleece on the inside. Subtle stitched target on the drawstring hood. Company name up front. Double-sewn cuffs and hem. Black Unisex. Specify S, M, L, XL, XXL $35.00 Men s Bullseye Logo T-shirt Short-sleeve, classic men s t-shirt style. 100% cotton. Black. Specify M, L, XL, XXL $18.00 Women s Bullseye Logo T-shirt Shorter waist and sleeves than on classic men s t-shirts. 100% cotton. Black. Specify S, M, L, XL, XXL $18.00 Bullseye Made in Oregon T-shirt Bullseye marks the spot on this short-sleeved tee. But only those who search your back will decipher the mysterious map. Fine 100% cotton jersey, combed for softness and comfort. Black Unisex. Specify S, M, L, XL, XXL $13.00 To see even more Bullseye T-shirt styles, visit bullseyeglass.com. Bullseye Logo Apron High quality two-pocket apron in black twill with adjustable neck strap. One size fits all $20.00 Bullseye Logo Waist Apron You ll look and work smart in this quality waist apron made of a stain resistant, poly-cotton blend. Features a sturdy, two-section pocket and extra-long ties. Black only $12.00 Bullseye Logo GI Cap Bullseye meets the street in this unstructured military-style cap. The 100% cotton chino-twill fabric is enzyme washed for that worn, relaxed feel. Embroidered Bullseye Compatible in back; Bullseye logo in front, above the pre-curved bill. Adjustable Velcro closure. Black Unisex $

57 Men s Bullseye Heritage T-shirt A replica of the first-ever Bullseye t-shirt, designed by the company founders to celebrate surviving their first year in business. Short sleeves, classic men s t-shirt style. 100% cotton. Navy blue. Specify S, M, L, XL, XXL $13.00 Women s Bullseye Heritage T-shirt Shorter waist and sleeves than on men s version. 100% cotton. Navy blue. Specify S, M, L, XL, XXL $13.00 The First Bullseye T-shirt Bear market > Bull fashion Photo: David Ruth. If you think it s hard to start a business in today s economy, just talk to the three art school graduates who founded Bullseye in Dan Schwoerer, Ray Ahlgren, and Boyce Lundstrom almost couldn t have picked a worse time to set up a factory. The U.S. was in a deep recession. Stagflation was 11 percent and the prime lending rate was a whopping 21 percent. Now-CEO Schwoerer says, Times were so tough that being in business even for a year or two was something to celebrate. And that s exactly what the founders did by designing a shirt for themselves in 1975 that boasted Bullseye Hand Cast Glass, since The joke still gets grins every time Schwoerer comes to work wearing his original company tee. (Above) Dan Schwoerer and Bullseye casters, circa , testing a new device designed to distribute gobs of hot glass uniformly across the length of the roller to produce rectangular sheets. Replicas of the first Bullseye t-shirt are now available for the first time ever. See this page. Tools & Supplies Bullseye Gear Bullseye Annealing Chart T-shirt Be ready to cool your kiln in controlled fashion when you wear the Annealing Chart for Thick Slabs. And relish the smooth, stretchy comfort of finely combed, 100% cotton jersey. Short sleeves with discreet Bullseye logo. Gray Unisex. Specify S, M, L, XL, XXL $

58 Display Hardware that s understated, yet secure. Lighting Hardware Fuse it, slump it, turn it on with sconce hardware. Stainless steel with a brushed finish and UL-listed for wiring into the wall by an electrician. Hardware comes with a diagram that shows the size and shape to cut your glass. L-Hooks Stainless steel L-hooks with special features especially for glass. Vinylcovered tips and vinyl grommets can be used to hold the glass firmly parallel to the wall, allowing light to move freely behind the piece. Use four hooks (two on top, two on bottom) for panels up to 6 mm thick and up to 10 lbs (4.5 kg). Or use one or two L-hooks to secure a shelf-supported panel at the top. We recommend screwing into studs or a wooden board for strength $4.75 each Hardware to fit our #8725 Lamp Bender mold. Hardware measures high x 6.25 wide (225 x 159 mm). Maximum wattage: $ Tools & Supplies Display Gallery Shelf Used at Bullseye Gallery. Made of natural, unfinished steel, these can be screwed into wall studs or wood board (hardware not included). Glass panels up to 6 mm thick lean against the wall and are held in place by the small lip at the front of the shelf. The 10 wide by 2 deep (254 x 51 mm) shelf supports work up to 12 high (305 mm) and 7 lb (3 kg). The 18 wide by 2.5 deep (457 x 635 mm) shelf displays glass pieces up to 18 (457 mm) tall and 10 lb (4.5 kg) in (254 mm) $ in (457 mm) $24.00 See page 53 for mold information. Hardware to fit our #8740 Lamp Bender Conic mold. Hardware measures high x 7.5 wide (298 x 191 mm). Maximum wattage: $ See page 53 for mold information. Versatile Stand Display your flat or gently curved work with confidence on this simple wrought-iron base. True to its name, this versatile support stand accommodates ovals, circles and irregular shapes as well as straight edges x 6 in (13.7 x 15 cm $ x 8 in (18.7 x 20 cm) $ x in (23 x 26 cm $ x 13 in (28 x 33 cm) $ x in (33.7 x 40 cm) $34.60 Dimensions shown are width by height. Museum Gel Security for your art. Place little balls of Museum Gel under your glass art and a secure, invisible bond protects from breakage and theft. Nontoxic, safe for all glass, removable and reusable. Instructions included. 4 fl oz (.12 L) 8040 $

59 Books Supporting your success at kiln and torch with inspiration and all kinds of information. Artists, Exhibition Catalogs and Surveys e-merge 2010: A Showcase of Rising Talents in Kiln-glass Full-color catalog documenting Bullseye s sixth international exhibition for early-career artists, which attracted applicants from 25 countries and academic glass programs worldwide. Photos of artists and their works. Artist statements and bios. Essays by jurors Kate Elliott, Michael Rogers and Jeff Wallin. Introduction by Lani McGregor. 2010, soft cover, 48 pages, color $25.00 e-merge 2008: A Showcase of Rising Talents in Kiln-glass Showcases achievements in kiln-glass by emerging artists selected into Bullseye s fifth biennial, juried exhibition. Photos of artists and their works. Artist statements and bios. Statements by jurors Jane Bruce, Dante Marioni, and Richard Speer. Introduction by Lani McGregor. 2008, soft cover, 48 pages, color $25.00 e-merge 2006: A Showcase of Rising Talents in Kiln-glass Bullseye s fourth biennial, juried exhibition for early-career kilnformers, elegantly captured. Photos of artists and their works. Artist statements and bios. Statements by jurors Jeremy Lepisto, Kirstie Rea, and Dena Rigby. Introduction by Lani McGregor. 2006, soft cover, 48 pages, color $25.00 e-merge 2004: A Showcase of Rising Talents in Kiln-glass Documents Bullseye s third juried, international kiln-glass exhibition for emerging artists. Photos of artists and their works. Artist statements and bios. Statements by jurors David Cohen, Lloyd Herman, Steve Klein, Catharine Newell, and Martha Pfanschmidt. Introduction by Lani McGregor. 2004, soft cover, 48 pages, color $25.00 Publications Art 25 Years of New Glass Review Richard W. Price, ed. This wondrous inventory of more than 200 artists representing 29 countries is ordered in five categories: vessels, sculpture, flat/ painted glass, installations/architectural glass, and design. Includes an overview and chapter introductions by Tina Oldknow. 2005, hard cover, 247 pgs, richly illustrated $29.95 Australian Glass Today Margot Osborne. Features 45 outstanding contemporary artists of Australia. High-quality images of works in both blown and kilnformed glass. Essays by Grace Cochrane, Geoffrey Edwards, Susanne K. Frantz and Richard Whiteley. 2005, hard cover, 154 pgs, color $ Glass Beads: Innovation & Imagination in Contemporary Glass Beadmaking Valerie Van Arsdale Shrader, ed. This inspiring book presents large color photos of these tiny masterpieces literally glowing with creativity, reflecting the diversity and innovation of glass beadmaking around the world. 2005, soft cover, 408 pgs $24.95 Bertil Vallien at Bullseye Glass A documentation of the Swedish glass master s hot cast process, elemental imagery, and twentyfive finished works created while in residency at Bullseye Glass Co. Essay by Suzanne Greening, former director and CEO of the International Glass Museum. 1997, hard cover, spiral bound, 44 pages, color $

60 Betweenness: A Collaboration Between Design and Industry Bullseye Glass Co. and Columbia Wire and Iron Works collaborated with a group of architects, designers, and fabricators to create sculptural room dividers. Essay by architecture writer and project curator Randy Gragg. 2003, soft cover, 48 pages, color $40.00 Giles Bettison: Proximity Innovative use of fused strips of sheet glass cut into pattern tiles and incorporated into blown-glass vessels and slumped bowls. Essays by Ian Were of the Queensland Art Gallery in Brisbane, Lani McGregor of Bullseye Gallery, and the artist. 2003, soft cover, 32 pages, color $30.00 Bullseye: The Kaneko Project Representing over three years of collaboration between Jun Kaneko and Bullseye, this project resulted in the creation of a body of works in glass that are both monumental in scale and groundbreaking in their material approach. Essay by Richard Speer. Commentary by Lani McGregor. 2007, soft cover, 48 pages, color $20.00 Jane Bruce: Contained Abstraction Refined, formalist glass sculptures from the artist s first solo exhibition at Bullseye Gallery. Photos of the works, which were fabricated in collaboration with Portland s Studio Ramp, are accompanied by drawings and paintings, made by Bruce as studies. Essays by Dan Klein and Robert Morgan. 2008, soft cover, 20 pages, color $20.00 Publications Art Contemporary Glass Profiles over sixty artists working in glass today and examines how the technical and conceptual boundaries of design are both departing from and building upon the conventions of the medium. An inspiring collection of international artists from emerging to established. Essays by Andrew Page, Michael Petry, and Heike Brachlow. 2008, soft cover, 192 pages, color $45.00 Currency: Contemporary Studio Glass Jewelry and Beads Selected works from an invitational exhibition at Bullseye Gallery in 2004 features cutting-edge work by 28 artists from ten countries. Essay by Lani McGregor, Director of Bullseye Gallery. 2004, soft cover, 32 pages, color $25.00 Jessica Loughlin at Bullseye Glass, Landscape: Mindspace Elegant and minimalist shallow vessels and wall panels from Jessica Loughlin s Bullseye residency. Essays by Dr. Grace Cochrane of the Powerhouse Museum and Susanne K. Frantz, former curator at the Corning Museum $25.00 Jessica Loughlin: Shifting Views In these abstract kilnformed, wheel-cut, and coldworked pieces, Loughlin wrestles with expressing the sense of limitlessness in the immensity of nature. Essay by Portland Art Museum curator Bruce Guenther. 2005, soft cover, 24 pages, color $15.00 Flux: Edols & Elliott Bullseye factory residency and superb finished works of Australian artists Ben Edols and Kathy Elliott. Essay by Grace Cochrane, Curator of Decorative Arts and Design, Powerhouse Museum, Sydney, Australia $25.00 Jiří Harcuba + April Surgent: Traces of Ourselves Catalog commemorating the exhibition of work by emerging American artist April Surgent and Czech engraving master Ji_í Harcuba. The new cameo-engraved glass works developed out of their side-by-side exploratory exchange project at the Bullseye Research & Education Department. 2008, soft cover, 48 pages, color $40.00 Found in Translation: NW Painters and Printmakers Transition to Kiln-glass Selected pieces from the exhibition by painters and printmakers Judy Cooke, Martha Pfanschmidt, Eric Stotik, and Mark Zirpel, created during a residency at Bullseye. Introduction by project technical director Ted Sawyer. 2004, soft cover, 12 pages, color $10.00 Klaus Moje This thirty-year Moje retrospective traces the progression of the master s work from early carved crystal, to layered patterned vessels, to multipanel pieces and his unparalleled contributions to expression and technique. Essays by Dan Klein and Bruce Guenther. Technical perspective on the Portland Panels by Ted Sawyer. 2008, soft cover, 100 pages, color $

61 Klaus Moje 2 Book Bundle Currently the only two volumes devoted exclusively to the life and career of Klaus Moje, bundled together in a slipcase at a bargain price. Value: $ $55.00 Narcissus Quagliata: Light Fusions Traces the conception and production of the masterwork in kilnformed glass Gateway into Night and takes the reader through the basic concepts of the process of painting with light. Text by Eliseo de Pablos y Viejo, Roberto Vallarino, Lani McGregor, Narcissus Quagliata exhibition catalog in Spanish and English, soft cover, 51 pgs, color photos $15.00 Klaus Moje: Glass Megan Bottari. A rare volume devoted to the life and career of Klaus Moje, a founding father of the contemporary kiln-glass movement. Follows the artist through his pioneering work on three continents over 50 years. Many color plates and personal anecdotes by artists, curators, dealers, and collectors. 2006, soft cover, 144 pgs, full color $40.00 Richard Marquis at Bullseye Documents works from the artist s exhibition at Bullseye Gallery, including such techniques as hot slab construction, kilnforming, blowing, coldworking, and mixed media. Essay by Tina Oldknow, Curator of Modern Glass, Corning Museum of Glass. 2004, soft cover, 32 pages, color $25.00 Lino Tagliapietra at Bullseye Glass: Masterworks from Furnace and Kiln A visual record of La Carta dei Sogni (Dream Sketchbook), created in Bullseye s studios with handpulled filigrana and zanfirico canes and a team of glassworkers. Essay by glass author and journalist Silvano Tagliapietra; interview with Tina Oldknow of the Corning Museum of Glass. 1999, soft cover, 64 pages, color $40.00 Mark Zirpel: Celestial/Terrestrial Works and ideas for Zirpel s exhibition at the Bullseye Gallery were developed during his residency at North Lands in the Scottish Highlands. Zirpel explores his response to time, nature and landscape in kilnformed and blown glass and photography. 2005, soft cover, 16 pages, color $15.00 Silvia Levenson 2005: I See You re A Bit Nervous Argentina-born Levenson uses cast glass and mixed media to create a domestic setting with explosive undercurrents. This recipe book catalog includes essays by Tina Oldknow, Curator of Modern Glass at the Corning Museum of Glass, and Lani McGregor, Director of Bullseye Gallery. 2005, soft cover, spiral bound, 20 pages, color $20.00 Stephen Proctor: Lines Through Light Elegantly portrays a major contemporary artist at the peak of his powers. Combines a selection of the artist s most innovative and groundbreaking glass sculptures with his philosophical writings, as well as a range of works in other mediums. Provides definitive reference, as well as creative inspiration. Essay by Dan Klein. 2008, hard cover, color $95.00 Publications Art Maurizio Donzelli: On the Verge of Becoming Italian artist Donzelli started his Bullseye residency by beguiling spectators with performances as the Macchina dei Disegni (Drawing Machine), creating spontaneous watercolor paintings later transformed into monumental glass panels. Essay by curator Annette Dixon, Portland Art Museum. 2005, soft cover, 16 pages, color $15.00 Sculpture, Glass, and American Museums Martha Drexler Lynn. Over 100 artists and 26 American museums are featured in this visual tour of glass sculpture held in museum collections, with lavish illustrations and a selected reading list in back. An excellent reference and coffee table addition. 2005, hard cover, 223 pgs, color $49.95 Multiplied Light: The Bullseye Chandelier Project Architects and Bullseye s research and education team created innovative kiln-glass chandeliers. Essay by Randy Gragg, architecture writer for The Oregonian. 2002, hard cover, spiral bound, 30 pages, 15 in color $30.00 Ten Circles: Dante Marioni, Sam Andreakos, Bullseye Glass Commemorates ten years of Dante and friends Janusz Pozniak and Paul Cunningham coming to Bullseye to blow cups for an awestruck audience, using a different, specially formulated glass by glass technologist Sam Andreakos every year. 2004, soft cover, 34 pages, color $

62 TECHNICAL Bullseye TechBook A complete collection of our technical and inspirational articles for the practitioner of kilnformed glass. As the world s first manufacturer of glass formulated specifically for kilnwork, Bullseye has always been an educator, developing materials about processes and techniques to support kilnformers success. Instead of publishing a textbook, we developed this three-ring binder format, which allows us to add new information as our knowledge grows. New and updated articles can be downloaded for free on our website. About 60 pages, many illustrations $15.00 Publications Technical Artist s Complete Health and Safety Guide Monona Rossol. Designed for artists, art teachers, students, and general readers. Information about regulations governing hazardous materials, use of protective gear, and precautions for specific media (ceramics, glass, stained glass, enameling, and more). Rossol has years of experience in visual arts safety and spoke at BECon 2003 on this important topic. 2001, soft cover, 405 pgs $24.95 Contemporary Fused Glass Brad Walker. An updated, expanded edition of the author s Contemporary Warm Glass. Information on dozens of fusing and slumping techniques, including sections on inclusions, surface techniques, pattern bars, high temperature firing and more. Numerous photos of contemporary work. 2010, soft cover. 208 pages $47.95 Glass Fusing Book One: Kiln Firing Glass Boyce Lundstrom. This classic reference, originally co-written with Daniel Schwoerer at Bullseye in 1983, set the standards. Explanations of compatibility, firing, equipment and method are still unchallenged as the foundations of kilnwork Phoenix ed, soft cover, 143 pgs, color and b&w illustrations $38.50 Glass Fusing Book Two: Advanced Fusing Techniques: Boyce Lundstrom. Techniques for bas relief, working glass in a glory hole, and various design methods including adding enamels and luster, slumping, and sagging. 1989, soft cover, 143 pgs, b&w photos and illustrations, color photos of completed works $38.50 Contemporary Lampworking: A Practical Guide to Shaping Glass in the Flame Bandhu Dunham. Encyclopedic in scope, comprehensive explanations include photo illustrations of processes. Informally rated by lampworkers as best reference. Hard cover, 2002, 3rd ed, 2 vol (256 pgs, 512 pgs) including an inspirational 16-pg color photo survey in each volume $59.95 Glass Fusing Book Three: Glass Casting and Moldmaking Boyce Lundstrom. Tested techniques for pâte de verre, lost wax and crucible casting. Chapters on castable mold materials, mold formulas, metal, clay, sand and fiber molds. 1989, soft cover, 143 pgs, b&w photos and illustrations, color photos of completed works $38.50 Glass Notes: A Reference for the Glass Artist Henry Halem. Building your dream hot glass studio just got easier: information on code requirements, efficient furnaces, safe annealers, and, in this most recent edition, extensive additions from experts in the field. Excellent reference manual for set-up and maintenance of a studio; primarily for hot glass but also useful for kilnformers. 2006, 4th ed, soft cover, 352 pgs, many illustrations, b&w photos $

63 Glass and Print Kevin Petrie. A survey of glass printing techniques. Explores the range of aesthetic expression made possible by combining various print methods with the unique qualities of glass. Discusses the history as well as basic technologies and the works of many artists. 2006, soft cover, 128 pages, color illustrations $26.50 Making & Marketing Better Artwork Milton Townsend. Information you may not have learned in art school. Checklists supplement the text and range from details to big picture considerations: artist statements, CVs and bios, teaching, managing a studio, working with galleries, packing artwork, and much more. 2001, soft cover, 150 pgs $25.00 Glass Technology for the Studio Frank Woolley. Intermediate to advanced technical information for glass studio artists collected from lecture notes presented at The Studio at the Corning Museum of Glass: glass compositions and properties, breakage, annealing, compatibility, defects, safety, filling and melting. 1999, soft cover, spiral bound, 90 pgs, b&w illustrations, tables and figures $12.00 Pâte de Verre and Kiln Casting of Glass James Kervin, Daniel Fenton. A how-to guide to sculpture, vessels, modeling, mold construction, kiln procedures. Glass casting content includes charts, formulas, and figures. 2000, soft cover, 192 pgs, b&w photo illustrations and 16 pgs of color photos of finished work $40.00 Videos The Joy of Coldworking Johnathon Schmuck. The first extensive publication on coldworking techniques for artists who work with glass. Covers everything from history and aesthetic approaches to major pieces of equipment, safety principles, and techniques for hand finishing, fire polishing, drilling, and working with acid. Over 250 color photos include finished artworks. 2009, soft cover, 208 pages $49.95 Klaus Moje: Process + Reflection Follow Australian kiln-glass master Klaus Moje as he makes a single kilnformed piece, from selecting the glass colors to finishing the work. Filmed over many days in Moje s studio, this DVD is narrated by the artist himself. 2010, DVD, 24 minutes $19.95 Techniques of Kiln-formed Glass Keith Cummings. Good overview of historical to contemporary work in kiln-glass. Technical information varies, but overall an essential text for kilnformers. Revised reprint 2001, hard cover, 176 pgs, many color and b&w photos of finished work and processes $59.95 Kiln-Formed Glass with Rudi Gritsch, DVD Follow kilnforming expert Rudi Gritsch as he takes several of his works from design phase through set-up, firings, and finishing processes, sharing his thoughts and feelings as he works. DVD includes a tour of historical kilnworking in The Corning Museum of Glass. 2003, DVD, 30 minutes $19.95 Publications Technical Engraving on Glass with Jiří Harcuba, DVD The Czech master demonstrates how he creates portraits in glass by engraving with diamond, stone, and copper wheels. In addition the artist discusses his life and work, interest in philosophy and psychology, and some of the engraved and carved glass pieces in The Corning Museum of Glass collection. 2002, DVD, 30 minutes $19.95 Pâte de Verre with Shin-ichi and Kimiake Higuchi The pieces created by this wife-and-husband team are considered to be some of the finest examples of pâte de verre ever made. This DVD captures each artist demonstrating a process at the Studio at the Corning Museum of Glass. Running time 30 minutes. 2001, DVD, 30 minutes $

64 Bullseye Coding System Each Bullseye glass product bears: F P005 Item code for Black Opal, Powder, Fusible, 5 lb/2.3 kg jar. a six-digit style code a four-digit suffix a grade code and a size code Bullseye Coding system THE 6-DIGIT Style CODE always indicates the base glass color: 000xxx Solid color opal 001xxx Solid color transparent 002xxx 2-color streaky 003xxx 3-color streaky 004xxx Collage glass THE 4-DIGIT SUFFIX, sheet glass indicates surface treatment, texture, and/or thickness: Single-rolled, 3 mm Soft ripple Herringbone ripple Herringbone ripple irid Double-rolled, 3 mm with rainbow irid, 3 mm with patterned irid, 3 mm with silver irid, 3 mm with gold irid, 3 mm Reed texture, 3 mm Reed irid, 3 mm Accordion texture, 3 mm Accordion irid, 3 mm Prismatic texture, 3 mm Prismatic irid, 3 mm THE 4-DIGIT SUFFIX, Non-sheet indicates glass form or shape: Billet: Billets Confetti: Confetti Cullet: Casting & blowing cullet Frit: Fine Medium Coarse Extra large Powder Rod: Rod, 4 6 mm Rod, 7 9 mm Thin-rolled, 2 mm with rainbow irid, 2 mm Thin reed, 2 mm Thin reed irid, 2 mm Thin accordion, 2 mm Thin accordion irid, 2 mm Thin silver irid, 2 mm Thin gold irid, 2 mm Sizzle Stix: Sizzle Stix, mixed colors, 3 mm Sizzle Stix, mixed colors, 6 mm Sizzle Stix, rainbow, 3 mm Sizzle Stix, rainbow, 6 mm Stringer: Stringer, 1 mm Stringer, 2 mm Single-rolled, 6 mm Tekta Sheet, 3 mm Tekta Sheet, 4 mm Tekta Sheet, 6 mm 64

65 Orange Label: F grade, fusible Yellow Label: B grade, fusible curious White Label: P grade, non-fusible Green Label: C grade, non-fusible curious GRADE CODES Glass is assigned one of six grades at the factory: F: Often called Fusible, a glass that has passed factory testing for color and compatibility in kilnwork. Also called Tested Compatible or Bullseye Compatible. Recommended for kilnwork, flamework, stained glass or mosaic. P: First-quality non-fusible glasses are called Standard Production. Not recommended for kilnwork but good for stained glass or mosaic use. B: Fusible-curious glasses. Compatible, but fired color or appearance falls outside of target range. Sometimes called Furious. Discounted. Recommended for kilnwork, flamework, stained glass or mosaic. C: Non-fusible, nonstandard glasses are graded and marked Curious. These may not fall within the accepted color range or may have minor flaws. Discounted. Not recommended for kilnwork, but good for stained glass or mosaic use. SIZE CODES All metric conversions are approximate. Some sheet glass dimensions are approximate due to rolled edges on this handcrafted product. See illustration, page 6. Sheet Glass: x 10 (254 x 254 mm) -FULL 35 x 20 (889 x 508 mm) -HALF 17 x 20 (432 x 508 mm) Confetti: -OZ04 Single color 4 oz (113 g) jar -P001 Single color 1 lb (454 g) jar -OZ08 MiniMix 8 oz (227 g) jar -P002 MiniMix 2 lb (907 g) jar Cullet: -P lb (18 kg) bucket -P lb (113 kg) drum Frit: -0Z05 5 oz (142 g) jar -P001 1 lb (454 g) jar -P005 5 lb (2.27 kg) jar -P lb (18 kg) bucket Rod: -EACH Single rod -08OZ 0.5 lb (227g) -P001 1 lb (454 g) -P lb (4.5 kg) Stringer: -TUBE Single tube -P lb (4.5 kg) Tekta: x 10 (254 x 254 mm) x 20 (432 x 508 mm) x 24 (61 x 61 cm) x 48 (61 x 122 cm) x 72 (61 x 183 cm) x 80 (102 x 203 cm) Bullseye Coding system F Rod: Recommended for both kilnwork and torchwork. T Rod: Recommended for torchwork only. 65

66 Pricing & Specifications VOLUME DISCOUNT We offer a generous discount structure based on the dollar amount of each order. Discounted items include all sheet glasses, billets, frits, rods, stringers, Confetti, molds and items marked with the symbol. Many Bullseye Glass dealers also offer discount programs. Volume Discount Guide Order Amount Discount $ % $ % $ % $ % $ 1, % NOTES & RESTRICTIONS Prices listed are retail. Sheet glass is sold by the piece. Some listed sheet glass dimensions are approximate, due to the handcrafted nature of the product. Discounts apply to single orders only, not a combination of orders. Your order can include any combination of items (glass, tools, etc.) to qualify for a greater discount, but the discount will only be applied to qualifying items. STANDARD PRODUCTION (P) SHEET GLASS See page 74 for codes and pricing. UNDERSTANDING COLOR ON THESE PAGES Colors representing fusible glasses approximate how glasses will appear after firing. Cold sheet colors will vary. Pricing Sol i d C o l o r Opale s c e n t Solid Color Opalescent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Reactive Cloud, Dbl-rol D Reactive Cloud, Thin D Opaque White, Dbl-rol D Opaque White, Thin D Cobalt Blue Opaque Rod Turquoise Opaque Rod Mineral Green Opaque Rod Periwinkle Opaque Rod Tomato Red, Dbl-rol C Tomato Red, Thin C Tangerine Orange, Dbl-rol C Tangerine Orange, Thin C Light Peach Cream, Dbl-rol C Light Peach Cream, Thin C Bluestone Opaque Rod Sterling Blue Opaque Rod Black, Sgl-rol C Black, Soft Ripple C Black, Herringbone Ripple C Black, Herringbone Ripple, Irid, Rbow C Black, Dbl-rol C Black, Dbl-rol, Irid, Rbow C Black, Dbl-rol, Irid, Patterned C Black, Dbl-rol, Irid, Silver C Black, Dbl-rol, Irid, Gold C Black, Reed C Black, Reed, Irid, Rbow C Black, Accordion C Black, Accordion, Irid, Rbow C Black, Prismatic C Black, Prismatic, Irid, Rbow C Black, Thin C Black, Thin, Irid, Rbow C Black, Thin, Reed C Black, Thin, Reed, Irid, Rbow C Black, Thin, Accordion C Black, Thin, Accordion, Irid, Rbow C Black, Thin, Irid, Silver C Black, Thin, Irid, Gold C Black, Sgl-rol, 6 mm C Stiff Black, Dbl-rol C Stiff Black, Thin C Volume Discounts apply. *Base price codes refer only to sheet glass and frit.

67 Solid Color Opalescent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Powder Blue, Dbl-rol B Powder Blue, Thin B Mint Green, Dbl-rol B Mint Green, Thin B White, Sgl-rol B White, Dbl-rol B White, Dbl-rol, Irid, Rbow B White, Thin B White, Thin, Irid, Rbow B Cobalt Blue, Dbl-rol B Cobalt Blue, Thin B Turquoise Blue, Dbl-rol B Turquoise Blue, Thin B Mineral Green, Dbl-rol B Mineral Green, Thin B Periwinkle, Dbl-rol C Periwinkle, Thin C Canary Yellow, Dbl-rol C Canary Yellow, Thin C Red, Dbl-rol C Red, Thin C Orange, Dbl-rol C Orange, Thin C Spring Green, Dbl-rol C Spring Green, Thin C Nougat Rod Driftwood Gray, Dbl-rol B Driftwood Gray, Thin B Deco Gray, Dbl-rol B Deco Gray, Thin B French Vanilla, Sgl-rol B French Vanilla, Dbl-rol B French Vanilla, Thin B Marzipan Striker, Dbl-rol D Marzipan Striker, Thin D Almond Striker, Dbl-rol D Almond Striker, Thin D Dark Forest Green, Dbl-rol B Dark Forest Green, Thin B Neo-lavender, Dbl-rol E Neo-lavender, Thin E Lacy White, Sgl-rol B Lacy White, Dbl-rol B Lacy White, Thin B Teal Green, Dbl-rol B Teal Green, Thin B Jade Green, Dbl-rol B Jade Green, Thin B Steel Blue, Dbl-rol B Steel Blue, Thin B Deep Cobalt Blue, Dbl-rol C Deep Cobalt Blue, Thin C Egyptian Blue, Dbl-rol B Egyptian Blue, Thin B Woodland Brown, Dbl-rol C Woodland Brown, Thin C Olive Green, Dbl-rol B Olive Green, Thin B Light Cyan, Dbl-rol B Light Cyan, Thin B Green Gold Stringer Sunflower Yellow, Dbl-rol C Sunflower Yellow, Thin C Deep Red, Dbl-rol C Deep Red, Thin C Pimento Red, Dbl-rol C Pimento Red, Thin C Golden Green, Dbl-rol C Golden Green, Thin C Slate Gray, Dbl-rol B Slate Gray, Thin B Pricing Sol i d C o l o r Opale s c e n t Individual rods (-0576) are $2.15; (-0876) are $4.05 each. Individual lustre rods are $5.95 each. 67

68 Pricing Sol i d C o l o r Opale s c e n t Solid Color Opalescent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Translucent White, Dbl-rol C Translucent White, Thin C Pink, Dbl-rol F Pink, Thin F Dusty Lilac, Dbl-rol C Dusty Lilac, Thin C Salmon Pink, Dbl-rol F Salmon Pink, Thin F Cinnabar, Dbl-rol D Cinnabar, Thin D Umber, Dbl-rol D Umber, Thin D Pea Pod Green, Dbl-rol B Pea Pod Green, Thin B Dense White Rod Marigold Yellow, Dbl-rol C Marigold Yellow, Thin C Pumpkin Orange, Dbl-rol C Pumpkin Orange, Thin C Burnt Orange, Dbl-rol C Burnt Orange, Thin C Plum Striker, Dbl-rol F Plum Striker, Thin F Gold Purple, Dbl-rol F Gold Purple, Thin F Deep Gray, Dbl-rol B Deep Gray, Thin B Butterscotch, Dbl-rol C Butterscotch, Thin C Opaline Striker, Dbl-rol D Opaline Striker, Thin D Petal Pink, Dbl-rol E Petal Pink, Thin E Rhubarb Pastel Rod All of our glass sheets glow red-orange during the casting process. Photo: Heather Zinger. 68 Volume Discounts apply. *Base price codes refer only to sheet glass and frit.

69 Solid Color Transparent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Reactive Ice Clear, Dbl-rol D Reactive Ice Clear, Dbl-rol, Irid, Rbow D Reactive Ice Clear, Thin D Reactive Ice Clear, Thin, Irid, Rbow D Red Orange Rod Light Orange Striker, Dbl-rol C Light Orange Striker, Dbl-rol, Irid, Rbow C Light Orange Striker, Thin C Light Orange Striker, Thin, Irid, Rbow C Clear, Sgl-rol A Clear Extra Large Frit A Clear, Soft Ripple A Clear, Herringbone Ripple A Clear, Herringbone Ripple, Irid, Rbow A Clear, Dbl-rol A Clear, Dbl-rol, Irid, Rbow A Clear, Dbl-rol, Irid, Patterned A Clear, Dbl-rol, Irid, Silver A Clear, Dbl-rol, Irid, Gold A Clear, Reed A Clear, Reed, Irid, Rbow A Clear, Accordion A Clear, Accordion, Irid, Rbow A Clear, Prismatic A Clear, Prismatic, Irid, Rbow A Clear, Thin A Clear, Thin, Irid, Rbow A Clear, Thin, Reed A Clear, Thin, Reed, Irid, Rbow A Clear, Thin, Accordion A Clear, Thin, Accordion, Irid, Rbow A Clear, Thin, Irid, Silver A Clear, Thin, Irid, Gold A Clear, Sgl-rol, 6 mm A Clear, 7-9 mm Rod Deep Plum, Dbl-rol B Deep Plum, Dbl-rol, Irid, Rbow B Deep Plum, Thin B Deep Plum, Thin, Irid, Rbow B Light Green, Dbl-rol B Light Green, Dbl-rol, Irid, Rbow B Light Green, Thin B Light Green, Thin, Irid, Rbow B Aquamarine Blue, Dbl-rol B Aquamarine Blue, Dbl-rol, Irid, Rbow B Aquamarine Blue, Thin B Aquamarine Blue, Thin, Irid, Rbow B Dark Rose Brown, Dbl-rol B Dark Rose Brown, Dbl-rol, Irid, Rbow B Dark Rose Brown, Thin B Dark Rose Brown, Thin, Irid, Rbow B Aventurine Green, Dbl-rol B Aventurine Green, Dbl-rol, Irid, Rbow B Aventurine Green, Thin B Aventurine Green, Thin, Irid, Rbow B Deep Royal Blue, Dbl-rol B Deep Royal Blue, Dbl-rol, Irid, Rbow B Deep Royal Blue, Thin B Deep Royal Blue, Thin, Irid, Rbow B Turquoise Blue, Dbl-rol B Turquoise Blue, Dbl-rol, Irid, Rbow B Turquoise Blue, Thin B Turquoise Blue, Thin, Irid, Rbow B Midnight Blue, Dbl-rol B Midnight Blue, Dbl-rol, Irid, Rbow B Midnight Blue, Thin B Midnight Blue, Thin, Irid, Rbow B Pricing Solid Color Transparent Individual rods (-0576) are $2.15; (-0876) are $4.05 each. Individual lustre rods are $5.95 each. 69

70 Pricing Solid Color Transparent Solid Color Transparent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Sienna, Dbl-rol C Sienna, Dbl-rol, Irid, Rbow C Sienna, Thin C Sienna, Thin, Irid, Rbow C Yellow, Dbl-rol C Yellow, Dbl-rol, Irid, Rbow C Yellow, Thin C Yellow, Thin, Irid, Rbow C Red, Dbl-rol C Red, Dbl-rol, Irid, Rbow C Red, Thin C Red, Thin, Irid, Rbow C Orange, Dbl-rol C Orange, Dbl-rol, Irid, Rbow C Orange, Thin C Orange, Thin, Irid, Rbow C Chartreuse, Dbl-rol C Chartreuse, Dbl-rol, Irid, Rbow C Chartreuse, Thin C Chartreuse, Thin, Irid, Rbow C Deep Royal Purple, Dbl-rol B Deep Royal Purple, Dbl-rol, Irid, Rbow B Deep Royal Purple, Thin B Deep Royal Purple, Thin, Irid, Rbow B Charcoal Gray, Dbl-rol B Charcoal Gray, Dbl-rol, Irid, Rbow B Charcoal Gray, Thin B Charcoal Gray, Thin, Irid, Rbow B Medium Amber, Dbl-rol B Medium Amber, Dbl-rol, Irid, Rbow B Medium Amber, Thin B Medium Amber, Thin, Irid, Rbow B Aventurine Blue, Dbl-rol E Aventurine Blue, Dbl-rol, Irid, Rbow E Aventurine Blue, Thin E Aventurine Blue, Thin, Irid, Rbow E Olive Green, Dbl-rol B Olive Green, Dbl-rol, Irid, Rbow B Olive Green, Thin B Olive Green, Thin, Irid, Rbow B Kelly Green, Dbl-rol B Kelly Green, Dbl-rol, Irid, Rbow B Kelly Green, Thin B Kelly Green, Thin, Irid, Rbow B Caribbean Blue Rod Light Coral Striker, Dbl-rol F Light Coral Striker, Dbl-rol, Irid, Rbow F Light Coral Striker, Thin F Light Coral Striker, Thin, Irid, Rbow F Fern Green, Dbl-rol B Fern Green, Dbl-rol, Irid, Rbow B Fern Green, Thin B Fern Green, Thin, Irid, Rbow B Light Pink Striker, Dbl-rol F Light Pink Striker, Dbl-rol, Irid, Rbow F Light Pink Striker, Thin F Light Pink Striker, Thin, Irid, Rbow F Light Fuchsia Rod Violet Striker, Dbl-rol F Violet Striker, Dbl-rol, Irid, Rbow F Violet Striker, Thin F Violet Striker, Thin, Irid, Rbow F Pine Green, Dbl-rol B Pine Green, Dbl-rol, Irid, Rbow B Pine Green, Sgl-rol B Pine Green, Thin, Irid, Rbow B Sunset Coral, Dbl-rol F Sunset Coral, Dbl-rol, Irid, Rbow F Sunset Coral, Thin F Sunset Coral, Thin, Irid, Rbow F Volume Discounts apply. *Base price codes refer only to sheet glass and frit.

71 Solid Color Transparent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Cranberry Pink, Dbl-rol # # # # # # # # # # # # Cranberry Pink, Dbl-rol, Irid, Rbow # # # # Cranberry Pink, Thin # # # Cranberry Pink, Thin, Irid, Rbow # # # Marigold Yellow, Dbl-rol C Marigold Yellow, Dbl-rol, Irid, Rbow C Marigold Yellow, Thin C Marigold Yellow, Thin, Irid, Rbow C Carnelian, Dbl-rol F Carnelian, Dbl-rol, Irid, Rbow F Carnelian, Thin F Carnelian, Thin, Irid, Rbow F Garnet Red, Dbl-rol C Garnet Red, Dbl-rol, Irid, Rbow C Garnet Red, Thin C Garnet Red, Thin, Irid, Rbow C Fuchsia, Dbl-rol # # # # # # # # # # Fuchsia, Dbl-rol, Irid, Rbow # # # # Fuchsia, Thin # # # Fuchsia, Thin, Irid, Rbow # # # Gold Purple, Dbl-rol # # # # # # # # # # Gold Purple, Dbl-rol, Irid, Rbow # # # # Gold Purple, Thin # # # Gold Purple, Thin, Irid, Rbow # # # Cranberry Sapphirine Rod # Crystal Clear, Dbl-rol B Crystal Clear, Thin B Crystal Clear, Sgl-rol, 6 mm B Light Plum, Dbl-rol B Light Plum, Dbl-rol, Irid, Rbow B Light Plum, Thin B Light Plum, Thin, Irid, Rbow B Steel Blue, Dbl-rol B Steel Blue, Dbl-rol, Irid, Rbow B Steel Blue, Thin B Steel Blue, Thin, Irid, Rbow B Light Aquamarine Blue, Dbl-rol B Light Aqua. Blue, Dbl-rol, Irid, Rbow B Light Aquamarine Blue, Thin B Light Aqua. Blue, Thin, Irid, Rbow B Light Bronze, Dbl-rol B Light Bronze, Dbl-rol, Irid, Rbow B Light Bronze, Thin B Light Bronze, Thin, Irid, Rbow B Light Aventurine Green, Dbl-rol B Lt. Aventurine Green, Dbl-rol, Irid, Rbow B Light Aventurine Green, Thin B Light Aventurine Green, Thin, Irid, Rbow B Light Sky Blue, Dbl-rol B Light Sky Blue, Dbl-rol, Irid, Rbow B Light Sky Blue, Thin B Light Sky Blue, Thin, Irid, Rbow B Light Turquoise Blue, Dbl-rol B Lt. Turquoise Blue, Dbl-rol, Irid, Rbow B Light Turquoise Blue, Thin B Light Turquoise Blue, Thin, Irid, Rbow B Emerald Green, Dbl-rol B Emerald Green, Dbl-rol, Irid, Rbow B Emerald Green, Thin B Emerald Green, Thin, Irid, Rbow B Tan, Dbl-rol C Tan, Dbl-rol, Irid, Rbow C Tan, Thin C Tan, Thin, Irid, Rbow C Spring Green, Dbl-rol C Spring Green, Dbl-rol, Irid, Rbow C Spring Green, Thin C Spring Green, Thin, Irid, Rbow C Pricing Solid Color Transparent # For pricing check bullseyeglass.com. Individual rods (-0576) are $2.15; (-0876) are $4.05 each. Individual lustre rods are $5.95 each. 71

72 Pricing Solid Color Transparent Solid Color Transparent BASE PRICE CODE * (10 x 10 ) Sheet GLass FRIT STRINGER ROD -Half (17 x 20 ) -Full (35 x 20 ) Bullseye Compatible -P005 (5 lb jar) P001 (1 lb jar) OZ05 (5 oz jar) Tube Po01 (Per lb) Light Violet, Dbl-rol B Light Violet, Dbl-rol, Irid, Rbow B Light Violet, Thin B Light Violet, Thin, Irid, Rbow B Light Silver Gray, Dbl-rol B Light Silver Gray, Dbl-rol, Irid, Rbow B Light Silver Gray, Thin B Light Silver Gray, Thin, Irid, Rbow B Light Amber, Dbl-rol B Light Amber, Dbl-rol, Irid, Rbow B Light Amber, Thin B Light Amber, Thin, Irid, Rbow B Khaki, Dbl-rol B Khaki, Dbl-rol, Irid, Rbow B Khaki, Thin B Khaki, Thin, Irid, Rbow B Neo-lavender Shift, Dbl-rol E Neo-lavender Shift, Dbl-rol, Irid, Rbow E Neo-lavender Shift, Thin E Neo-lavender Shift, Thin, Irid, Rbow E Sea Blue, Dbl-rol B Sea Blue, Dbl-rol, Irid, Rbow B Sea Blue, Thin B Sea Blue, Thin, Irid, Rbow B Oregon Gray, Dbl-rol B Oregon Gray, Dbl-rol, Irid, Rbow B Oregon Gray, Thin B Oregon Gray, Thin, Irid, Rbow B True Blue, Dbl-rol B True Blue, Dbl-rol, Irid, Rbow B True Blue, Thin B True Blue, Thin, Irid, Rbow B Pale Steel Blue Rod Pale Sky Blue Rod Pale Emerald Rod Pale Amethyst Rod Amber Lustre Rod Green Lustre Rod Blue Lustre Rod Copper Green Lustre Rod Juniper Blue Tint, Dbl-rol B Grass Green Tint, Dbl-rol B Aqua Blue Tint, Dbl-rol C Seaweed Aventurine Rod Indigo Tint, Dbl-rol C Brown Topaz Tint, Dbl-rol B Pale Yellow Tint, Dbl-rol D Erbium Pink Tint, Dbl-rol F Burnt Scarlet Tint Striker, Dbl-rol F Ruby Red Tint Striker, Dbl-rol F Green Tea Tint, Dbl-rol C Light Amber Tint, Dbl-rol C Gray Tint, Dbl-rol C Ruby Pink Tint Striker, Dbl-rol F Coral Orange Tint, Dbl-rol D Medium Amber Tint, Dbl-rol C Dark Amber Tint, Dbl-rol C Spruce Green Tint, Dbl-rol B Light Neo-lavender Shift Tint, Dbl-rol E Lavender Green Shift Tint, Dbl-rol D Light Rhubarb Shift Tint, Dbl-rol D Rhubarb Shift Tint, Dbl-rol F Gray Blue Tint, Dbl-rol C Olive Smoke Tint, Dbl-rol C Olivine Tint, Dbl-rol B Lemont Tint, Dbl-rol D Fuchsia Tint, Dbl-rol F Copper Tint, Dbl-rol F Purple Blue Tint, Dbl-rol F Lavender Gray Tint, Dbl-rol D Pine Green Tint, Dbl-rol D Volume Discounts apply. *Base price codes refer only to sheet glass and frit. Individual rods (-0576) are $2.15; (-0876) are $4.05 each. Individual lustre rods are $5.95 each.

73 Collage BASE PRICE CODE * Sheet GLass Half -Full (10 x 10 ) (17 x 20 ) (35 x 20 ) Bullseye Compatible FRACTURE-STREAMERS SPRING: Blue, Green, Aqua and Pink on White E AUTUMN: Orange, Yellow and Red on White E SUMMER: Green and Yellow on White E Spring Green and Deep Pink on White E SPRING: Blue, Green, Aqua and Pink on Clear E AUTUMN: Orange, Yellow and Red on Clear E SUMMER: Green and Yellow on Clear E WINTER: White (with Clear Streamers) on Clear E Spring Green and Deep Pink on Clear E Deep Pink, Light Pink, and White on Clear E Light Pink, Green, and White on Clear E Green and White on Clear E White (with Black Streamers) on Clear E Blue and White on Clear E Light Pink, Blue, and White on Clear E Light Pink and White on Clear E Light Pink, Plum, and White on Clear E Deep Pink, Plum, Spring Green, Aqua (with Pink Streamers) on Clear E STREAMERS Black D Royal Blue D Forest Green D White D Black and White D Blue and White D Pink, Green, and Blue D Chopstix Black Chopstix, Dbl-rol D Black Chopstix, Irid, Rbow D Blue Chopstix, Dbl-rol D Red Chopstix, Dbl-rol D White Chopstix, Dbl-rol D Clear-on-Clear Irids Clear with Clear Fractures, Irid, Rbow E Clear with Clear Frit, Irid, Rbow D Clear Chopstix, Irid, Rbow D Mardi gras Black Frit, Black Streamers E Red, Orange and Yellow Frit, Orange Streamers E Dark Green, Spring Green, and Yellow Frit, Spring Green Streamers E Pink and Cranberry Frit, Pink Streamers E Royal Blue and Turquoise Frit, Cobalt Blue and Turquoise Streamers E Dark Green, Jade Green Frit, Dark Green Streamers E Gray and Black Frit, White Streamers E Cobalt Blue, Gray Blue, and Aqua Frit, Blue Streamers E Canary and Sunflower Yellow Frit, Sunflower Yellow Streamers E Yellow, Blue, and Red Frit, Blue Streamers E Red Frit, Red Streamers E Gray and Bronze Frit, Gray and Vanilla Streamers E Cranberry and Purple Frit, Cranberry and Purple Streamers E Vanilla and White Frit, Vanilla and White Streamers E Neo-lavender and Purple Frit, Cobalt Blue and Purple Streamers E Pricing Collage 73

74 Standard Production Only (Top Grade Nonfusible) BASE PRICE CODE * Sheet Glass Half -Full (10 x 10 ) (17 x 20 ) (35 x 20 ) Standard Soft Yellow Opal, Deep Red C Cranberry Pink, Royal Blue, Spring Green, White, Ripple K Cranberry Pink, Royal Blue, Spring Green, White, Dbl-rol K Azure Blue Opal, Jade Green Opal, Neo-lavender, Ripple K Azure Blue Opal, Jade Green Opal, Neo-lavender, Dbl-rol K Cranberry, Royal Blue, Spring Green, Ripple K Woodland Brown Opal, Ivory, Black, Ripple C Cranberry Pink, Gold Purple, White, Ripple F Cranberry Pink, Emerald Green, White, Ripple K Cranberry Pink, Emerald Green, White, Dbl-rol K Cranberry Pink, Azure Blue, White, Ripple K Cranberry Pink, Azure Blue, White, Dbl-rol K Pricing Streaky & Standard Streaky BASE PRICE CODE * Sheet GLass Half -Full (10 x 10 ) (17 x 20 ) (35 x 20 ) Bullseye Compatible Clear, Sunflower Yellow Opal, Dbl-rol B Clear, Red Opal, Dbl-rol B Clear, Spring Green Opal, Dbl-rol B Clear, French Vanilla Opal, Dbl-rol B Clear, Deep Cobalt Blue Opal, Dbl-rol B Clear, Egyptian Blue Opal, Dbl-rol B Clear, Black B Clear, Black, Dbl-rol B Blue Opal, Plum B White, Light Green B Powder Blue Opal, Marine Blue B White, Dark Brown B Mint Opal, Deep Forest Green B Turquoise Blue, Deep Royal Blue, Dbl-rol B Yellow Opal, Deep Forest Green C White, Orange Opal C Red Opal, White C Yellow, Red Striker, Dbl-rol C Royal Purple, Powder Blue Opal B Charcoal Gray, White B Clear, White B Clear, White, Dbl-rol B Medium Amber, White, Dbl-rol B Aventurine Blue, Clear, Dbl-rol D Aventurine Blue, Clear, Dbl-rol, Irid, rainbow D Caribbean Blue, White, Dbl-rol C Dark Brown, White B Olive Green Opal, Forest Green, Dbl-rol B Aqua Blue Tint, White C White, Pink Opal C White, Lavender Blue Opal B White, Salmon Pink Opal C White, Cranberry Pink E Cranberry Pink, White, Dbl-rol F Light Turquoise Blue, True Blue B Clear, Turquoise Blue, White C White, Orange Opal, Deep Forest Green C Cranberry, Royal Blue, Spring Green, Dbl-rol K Woodland Brown Opal, Ivory, Black, Dbl-rol C Olive Green Opal, Forest Green, Deep Brown, Dbl-rol C White, Deep Royal Purple, Cranberry Pink E Cranberry Pink, Gold Purple, White, Dbl-rol F White, Deep Forest Green, Caramel Opal C Volume Discounts apply. *Base price codes refer only to sheet glass and frit. # For pricing check bullseyeglass.com.

75 Tekta, Sheet Thickness Individual Tekta Sheets 10 x x x 24 * 24 x 48 * 24 x 72 * 40 x 80 * F Clear 3 mm F Clear 4 mm F Clear 6 mm F Crystal Clear 3 mm F Crystal Clear 4 mm F Crystal Clear 6 mm x 10 and 17 x 20 sheets can be shipped. *Available as Will Call only. Can be shipped in full case quantities. See volume discounts below. Tekta, Case (Volume discount already reflected in price. No additional discount.) Thickness W x L Sheet SPecs SQ ft m 2 /sheet AVG SHEET Weight Sheet/ Case SQ ft m 2 /Case case Specs CASE Size (L x H x W) Case Weight Case PRICE F-2424 Clear 24 x 24 in 4 sq ft 6.4 lb 132 sq ft 29 x 32 x 9 in 255 lb mm F-2424 Crystal Clear 61 x 61 cm 0.37 m kg 12.3 m 2 74 x 81 x 23 cm 116 kg F-2448 Clear 24 x 48 in 8 sq ft 12.8 lb 528 sq ft 53 x 32 x 16 in 950 lb mm F-2448 Crystal Clear 61 x 122 cm 0.74 m kg 49.1 m x 81 x 41 cm 431 kg F-2472 Clear 24 x 72 in 12 sq ft 19.2 lb 792 sq ft 77 x 32 x 16 in 1425 lb mm F-2472 Crystal Clear 61 x 183 cm 1.12 m kg 73.7 m x 81 x 41 cm 647 kg F-4080 Clear 40 x 80 in 22.2 sq ft 35.2 lb 733 sq ft 86 x 48 x 9 in 1335 lb mm F-4080 Crystal Clear 101 x 203 cm 2.07 m kg 68.2 m x 122 x 23 cm 606 kg F-2424 Clear 24 x 24 in 4 sq ft 8.5 lb 100 sq ft 29 x 32 x 9 in 248 lb mm F-2424 Crystal Clear 61 x 61 cm 0.37 m kg 9.3 m 2 74 x 81 x 23 cm 113 kg F-2448 Clear 24 x 48 in 8 sq ft 17 lb 400 sq ft 53 x 32 x 16 in 890 lb mm F-2448 Crystal Clear 61 x 122 cm 0.74 m kg 37.2 m x 81 x 41 cm 404 kg F-2472 Clear 24 x 72 in 12 sq ft 25.6 lb 600 sq ft 77 x 32 x 16 in 1325 lb mm F-2472 Crystal Clear 61 x 183 cm 1.12 m kg 55.8 m x 81 x 41 cm 601 kg F-4080 Clear 40 x 80 in 22.2 sq ft 46.9 lb 556 sq ft 86 x 48 x 9 in 1295 lb mm F-4080 Crystal Clear 101 x 203 cm 2.07 m kg 51.7 m x 122 x 23 cm 588 kg F-2424 Clear 24 x 24 in 4 sq ft 12.8 lb 68 sq ft 29 x 32 x 9 in 244 lb mm F-2424 Crystal Clear 61 x 61 cm 0.37 m kg 6.3 m 2 74 x 81 x 23 cm 111 kg F-2448 Clear 24 x 48 in 8 sq ft 25.7 lb 264 sq ft 53 x 32 x 16 in 868 lb mm F-2448 Crystal Clear 61 x 122 cm 0.74 m kg 24.6 m x 81 x 41 cm 394 kg F-2472 Clear 24 x 72 in 12 sq ft 38.5 lb 396 sq ft 77 x 32 x 16 in 1275 lb mm F-2472 Crystal Clear 61 x 183 cm 1.12 m kg 36.8 m x 81 x 41 cm 579 kg F-4080 Clear 40 x 80 in 22.2 sq ft 71.3 lb 400 sq ft 86 x 48 x 9 in 1410 lb mm F-4080 Crystal Clear 101 x 203 cm 2.07 m kg 37.2 m x 122 x 23 cm 640 kg Pricing Tekta 75

76 Billets -EACH Pricing Billets, Confetti & Cullet Black White Clear Crystal Clear Juniper Blue Tint Grass Green Tint Aqua Blue Tint Indigo Tint Brown Topaz Tint Pale Yellow Tint Erbium Pink Tint Burnt Scarlet Tint Striker Ruby Red Tint Striker Green Tea Tint Light Amber Tint Gray Tint Ruby Pink Tint Striker Coral Orange Tint Medium Amber Tint Dark Amber Tint Spruce Green Tint Light Neo-lavender Shift Tint Lavender Green Shift Tint Light Rhubarb Shift Tint Rhubarb Shift Tint Gray Blue Tint Olive Smoke Tint Olivine Tint Lemon Tint Fuchsia Tint Copper Tint Purple Blue Tint Lavender Gray Tint Pine Green Tint Confetti -OZ04 (4 oz) -P001 (1 lb) Black White Cobalt Blue Mineral Green Canary Yellow Red Orange Pink Aquamarine Blue Aventurine Green Deep Royal Purple Cranberry Pink # # Crystal Clear Light Aventurine Green MiniMix -0Z08 (8 oz) P002 (2 lb) Bullseye Maintenance Team, Furnace Door, Steel and refractory materials, 14 x 12 x 2.5 inches, installed. Photo: Heather Zinger. # For pricing check bullseyeglass.com. Cullet -P040 (40 LB BUCKET) Crystal Clear For pricing on quantities of cullet of 250 lbs or more, please contact the Sales Department ( ). 76 Volume Discounts apply.

77 Casting floor manager Greg Gabel delivers a scoop of white-hot colored glass to add to the base of a streaky sheet in progress. Sheet Glass Suffix Thickness Maximum Dimensions Thin (-005x) Standard (-003x) Thick (-0060) * Minimum sheet length 33 (84 cm). Frit 3/32 (2 mm) 20 x 17 (51 x 43 cm) 1/8 (3 mm) 20 x 35 * (51 x 89 cm) 1/4 (6 mm) 20 x 35 * (51 x 89 cm) Suffix GRAIN SIZE SCREEN retention Extra large (-0005) Clear only Coarse (-0003) Medium (-0002) Fine (-0001) Powder (-0008) mm Retained on a 4 mesh screen mm mm mm 0.2 mm and finer Product Specifications Passes through a 4 mesh screen and is retained on an 8 mesh screen. Passes through an 8 mesh screen and is retained on a 16 mesh screen. Passes through a 16 mesh screen and is retained on an 80 mesh screen. Passes through an 80 mesh screen. Stringer suffix DIAMETER LENGTH 1 mm (-0107) 2 mm (-0272) Rod Ranges from 0.7 to 1.2 mm Ranges from 1.7 to 2.2 mm 17 (432 mm) 17 (432 mm) suffix DIAMETER Length Rod (-0576) 3/16 diameter (4 6 mm) 17 (432 mm) 7 9 mm Rod (-0876) Clear only Billet 5/16 (7.9 mm) 17 (432 mm) Approx. Size Approx. Weight Specific gravity 5 x 10 x 3/4 ea (127 x 254 x 19 mm) Confetti 3.4 lb (1.54 kg) ea Dimensions About 2.5 for most Bullseye glasses Paper-thin glass shards measure from 1/4 (or less) to 3 at their longest dimension (6 to 76 mm). Photo: Heather Zinger. Pricing Product Specifications Cullet Chunk size Specific gravity 1/2 to 6 (13 to 152 mm) About 2.5 for most Bullseye glasses 77

78 Ordering Use this form to list items. See the information on page 79 for placing your order. If you need help, just call one of our friendly sales associates. Ordered By: Ship To: if different from Ordered by NAME NAME COMPANY COMPANY STREET ADDRESS STREET ADDRESS CITY STATE POSTAL CODE CITY STATE POSTAL CODE COUNTRY COUNTRY TELEPHONE FAX TELEPHONE FAX ADDRESS ADDRESS Method Of Payment: Visa Mastercard American Express Check # Ordering Fo r m CARD NUMBER EXP DATE SIGNATURE DATE Style/Item Code P/F * Item Description Size Price Quantity Total Product total * For sheet glass choose either standard (P) or fusible (F) where applicable. ** To obtain a shipping total, call, fax, or your order and a representative will call you to discuss shipping. Sales Tax Shipping/handling ** Order total 78

79 TO PLACE AN ORDER Sales Department business hours: Monday Friday, 7am 5pm PST Order online: Call the Sales Department: or (toll free within the U.S.) (within the U.S. and Canada): (outside the U.S. and Canada): (On orders, please provide your name and daytime phone number so we can call to confirm availability and prices.) TO SHOP IN PERSON Bullseye Resource Center, Portland 3610 SE 21st Avenue, Portland, OR Monday Friday 10am 6pm; Saturday 10am 5pm; Sunday Noon 5pm PST Bullseye Resource Center, Santa Fe 805 Early Street, Building E, Santa Fe, NM Tuesday Saturday 9am 5pm MST Bullseye Resource Center, Bay Area 4514 Hollis Street, Emeryville, CA (Opening Spring 2012) TO LOCATE A BULLSEYE DEALER Contact: sales@bullseyeglass.com or (toll free in the U.S.) Search: under Find Our Glass in the Products section of bullseyeglass.com. AVAILABILITY We have immediate access to the largest selection of Bullseye glass in the world. If we do not have your specified glass in stock, we can usually obtain it within hours or else suggest a close substitute from our Curious stocks, at good savings. PRICES Bullseye offers a generous volume discount structure, which is described on page 66. To learn about wholesale pricing, please call our Sales Department. Prices are subject to change without notice. PAYMENT METHODS You may pay for purchases with Visa, MasterCard, and American Express. We also accept checks on phone and purchases. Checks must be received prior to shipping. We cannot ship C.O.D. PACKING We have specially designed boxes for shipping sheet glass in most Bullseye sizes. Box fees for 10 x 10s = $10.00; for half sheets = $18.00; for full sheets = $60.00 (return for a $50.00 credit). Each box can hold eight 3 mm sheets. Large-quantity sheet glass orders are packed into sturdy wooden crates, then banded together or palletized for safe transport. For orders of more than 30 sheets, please contact the Sales Department. SHIPPING Unless otherwise instructed, we ship via UPS ground. Most orders go out within hours of receipt. We must have a street address for UPS delivery. (No P.O. boxes.) RETURNS Call us for authorization and instructions before returning merchandise to the Resource Center or Factory. A credit will be issued for merchandise returned in good condition within thirty days of purchase. Restocking fees may apply. DAMAGED SHIPMENTS UPS: Save all packaging materials and damaged product and contact us immediately. We will file a claim with UPS on your behalf and replace or credit the damaged materials. Motor freight: Inspect all shipments immediately upon receipt. If you notice any external damage to the packaging, do not sign the delivery receipt until you have inspected the goods. If you discover damage upon unpacking the shipment, indicate it on the carrier s delivery receipt, file a claim immediately with the carrier, and notify us. GIFT OPTIONS We re happy to send gift cards and gift shipments. Just contact us to make arrangements at , (toll free in the U.S.) or sales@bullseyeglass.com. TECHNICAL QUESTIONS? Most people resolve technical questions by reading, taking classes and conducting tests. Visit our website to view technical articles and video lessons, discover the properties of specific glasses, buy books, and find classes at Bullseye and worldwide. Having a problem with Bullseye glass? Post your questions to the Bullseye Forum, which is monitored by Bullseye staff members. SHOPPING QUESTIONS? See the FAQ in our online store. Ordering I n f o r m a t i o n 79

80 3722 SE 21st Avenue Portland, Oregon Bullseye Kiln-glass Education Online Video lessons developed by Bullseye instructors to help you learn the same skills taught in Bullseye Glass Resource Centers. New lessons added year round. Study in the comfort of your own home or studio. Advance at your own pace. Review lessons as often as you like. Focus on topics that interest you most. Join discussions about the lessons in our Bullseye Forums.