The coming of Arthur: King Arthur in Text and Image

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1 The coming of Arthur: King Arthur in Text and Image Start date 10 April 2015 End date 12 April 2015 Venue Madingley Hall Madingley Cambridge Tutor Dr Victoria Condie Course code 1415NRX118 Director of Programmes For further information on this course, please contact Emma Jennings Clare Kerr, Public Programmes Co-ordinator on or To book See: or telephone Tutor biography Dr Victoria Condie is a lecturer, tutor, and chair of examiners for art history at the Department for Continuing Education, Oxford University. Dr Condie teaches regularly on Middle English language and literature and well as medieval art and architecture and Old English. She has also recently taught on text and image in 15th century Books of Hours and runs regular Old Norse and Old English reading groups. Her research focuses on exploring the connections between text and image in medieval art as well as the history of the book with a developing focus on colonial book production in India.

2 Course programme Friday Please plan to arrive between 16:30 and 18:30. You can meet other course members in the bar which opens at 18:15. Tea and coffee making facilities are available in the study bedrooms. 19:00 Dinner 20:30 22:00 Introduction to King Arthur in his historical and literary context and theories of text and image 22:00 Terrace bar open for informal discussion Saturday 07:30 Breakfast 09:00 10:30 The fourteenth-century alliterative Sir Gawain and the Green Knight and its illustrations. 10:30 Coffee 11:00 12:30 Sir Thomas Malory, Morte Darthur, The Tale of Sir Gareth 13:00 Lunch 14:00 16:00 Free 16:00 Tea 16:30 18:00 Sir Thomas Malory, Morte Darthur, and its illustrations. 18:00 18:30 Free 18:30 Dinner 20:00 21:30 Tennyson, The Idylls of the King and 19th century images of the Arthurian story. 21:30 Terrace bar open for informal discussion Sunday 07:30 Breakfast 09:00 10:30 Tennyson, The Idylls of the King and 19th century images of the Arthurian story, with particular reference to women in Arthurian legend. 10:30 Coffee 11:00 12:30 Arthurian text and image in the 20th and 21st centuries, with particular reference to women writers of Arthurian fiction.

3 12:45 Lunch The course will disperse after lunch

4 Course syllabus Aims: to provide an introduction to ideas about the connections between text and image to introduce and examine the cultural context of medieval texts and images associated with the Arthurian story to explore the treatment of the Arthurian story within the culture of the 19th century in text and images Content: The stories of King Arthur and his knights have long appealed to the imagination. This course follows the development of Arthurian literature from its beginnings in the Middle Ages through to its treatment in the nineteenth and twentieth centuries. We shall explore the manner in which authors often responded to the Arthurian story in ways dependent on the events and culture of their own times. We shall follow a roughly chronological progress, beginning with an introduction to King Arthur in his historical and literary context and theories of text and image. We shall then look more closely at what is arguably the most complex and disturbing of all medieval treatments of the Arthurian story, Sir Gawain and the Green Knight and the illustration of its manuscript Cotton Nero A.x. This will be followed by an in-depth look at selections of Malory s Morte Darthur and its illustrations, and this in turn will be complemented by Tennyson s and the Pre-Raphaelites nineteenth-century re-imagining of the Arthurian world. We shall conclude by exploring Mark Twain s A Connecticut Yankee in the Court of King Arthur and Arthurian text and image in the 20th century, with particular reference to women writers of Arthurian fiction. Presentation of the course: Teaching and learning will take place through a series of methods including exposition and mini lectures illustrated by powerpoint, handouts and books, discussion sessions in class, and continual encouragement to ask questions. Outcomes: As a result of the course, within the constraints of the time available, students should be able to: identify and formulate theories of text and image assess the importance of the Arthurian story to the literature of the Middle Ages and the 19th century interpret the cultural significance of the Arthurian story through a study of the imagery accrued by the stories

5 Reading and resources list Listed below are a number of texts that might be of interest for future reference, but do not need to be bought (or consulted) for the course. Author Title Publisher and date Armitage, S Sir Gawain and the Green Knight Faber, 2007 Tolkein, J.R.R. and E.V. Gordon Lupack, A and Barbara Tepa Lupack (eds) Sir Gawain and the Green Knight, 2 nd edition ed by Norman Davis Arthurian Literature by Women Oxford University Press, 1967 Garland Publishing, 1999 Pearsall, D Arthurian Romance. A Short Introduction Blackwell, 2003 Tennyson, A The Idylls of the King Penguin, 1983 Vinaver, E (ed) Malory Complete Works Oxford University Press, 1971 Whitaker, M The Legends of King Arthur in Art D.S. Brewer, 1990 Special offer: Students of the Institute of Continuing Education are entitled to 20% discount on books published by Cambridge University Press (CUP) which are purchased at the Press bookshop, 1 Trinity Street, Cambridge (Mon-Sat 9am 5:30pm, Sun 11am 5pm). A letter or confirming acceptance on to a current Institute course should be taken as evidence of enrolment. Information correct as of: 16 March 2015

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