Rockehistorien. MUS Jazz, pop og rock
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- Agnes Iris Dalton
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1 MUS Jazz, pop og rock Rockehistorien Foreleser: Hans T. Zeiner-Henriksen h.t.zeiner-henriksen@imv.uio.no Tlf.: Mob.: Kontor:
2 Katherine Charlton Rock Music Styles: a history (6th Edition) Katherine Charlton Rock Music Styles: a history (4th Edition)
3 !"#$%&'()*(+,&'-.#/(01$23#'(425-.(6&71'&(81.9(#/:(8133(!"#$%&'()*(+,"&(-&. /0(.1#&,)23$4. 53&)6070,)8'#)!#' 50()9'():,,&; <'=10>&) /".0-',)53&'1&# 240(=)E'(-&)?'(F.)
4 !"#$%&'(;*(<"&(632&5(811%5(17(81.9(425-.( 6$"(1#;)?,"&. 6,'..0-)?,"&. H#I'()?,"&.) 630-'=$)?,"&.)
5 !"#$%&'(;*(<"&(632&5(811%5(17(81.9(425-.( 6$"(1#;)?,"&. 6,'..0-)?,"&. H#I'()?,"&.) 630-'=$)?,"&.) Cross Road Blues (ca.1936) Robert Johnson
6 !"#$%&'(;*(<"&(632&5(811%5(17(81.9(425-.( 6$"(1#;)?,"&. 6,'..0-)?,"&. H#I'()?,"&.) 630-'=$)?,"&.) Three O Clock Blues (1951) B. B. King
7 !"#$%&'(;*(<"&(632&5(811%5(17(81.9(425-.( 6$"(1#;)?,"&. 6,'..0-)?,"&. H#I'()?,"&.) 630-'=$)?,"&.) Hoochie Coochie Man (1954) Muddy Waters
8 2%0#01"',.) J$.%&,)/".0-) E$$K8$%) <3;13>)'(F)?,"&. L$,G)/".0-6$"(1#;)/".0-)
9 2%0#01"',.) J$.%&,)/".0-) E$$K8$%) <3;13>)'(F)?,"&. L$,G)/".0-6$"(1#;)/".0-) Swing Low, Sweet Chariot The Soul Stirrers with Sam Cooke
10 2%0#01"',.) J$.%&,)/".0-) E$$K8$%) <3;13>)'(F)?,"&. L$,G)/".0-6$"(1#;)/".0-) Sh-Boom (1954) The Chords
11 2%0#01"',.) J$.%&,)/".0-) E$$K8$%) <3;13>)'(F)?,"&. L$,G)/".0-6$"(1#;)/".0-) Sh-Boom (1954) The Crew-Cuts
12 2%0#01"',.) J$.%&,)/".0-) E$$K8$%) <3;13>)'(F)?,"&. L$,G)/".0-6$"(1#;)/".0-) I ll Never Get Out of This World Alive (1952) Hank Williams
13 The 1950 s
14 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F
15 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Bill Haley and his Comets Shake, Rattle and Roll (1954)
16 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Willie Mae «Big Mama» Thornton Hound Dog (1952)
17 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Elvis Presley Hound Dog (1956)
18 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Eddie Cochran Summertime Blues (1958)
19 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Buddy Holly Peggy Sue (1957)
20 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Fats Domino I m Walkin (1956)
21 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Chuck Berry School Day (1957)
22 !"#$%&'(B*(!3#55-.(81.9&'5?0,,)M',&;!,70.)9#&.,&; 6'#,)9&#G0(. A&##;)N&&)N&40. <$;)D#I0.$(!FF0&)6$-3#'( J&(&)O0(-&(1?"FF;)M$,,; 53&)!7&#,;)?#$13&#. L'1.)E$>0($ 63"-G)?&##; N011,&)<0-3'#F Little Richard Long Tall Sally (1956)
23 The 1960 s
24 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%)
25 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) Ritchie Valens La Bamba (1958)
26 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) The Shirelles Will You Love Me Tomorrow (1960)
27 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) Ike and Tine Turner Phil Spector River Deep Mountain High (1966)
28 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) The Beach Boys Surfin U.S.A. (1963)
29 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) Chuck Berry Sweet Little Sixteen (1958)
30 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) The Beach Boys Pet Sounds (1966) Good Vibration (1966)
31 53&)9';$,')2-'(F',) 5&&()*F$,)9$%)?#0,,)?"0,F0(=)9$%) The Archies Sugar Sugar (1969)
32 630-'=$)2$", /&>%30.)2$",) :1,'(10-)<&-$#F.) /$1$4( 930,'F&,%30')2$", What d I Say (1959) Ray Charles
33 630-'=$)2$", /&>%30.)2$",) :1,'(10-)<&-$#F.) /$1$4( 930,'F&,%30')2$", In the Midnight Hour (1965) Wilson Pickett
34 630-'=$)2$", /&>%30.)2$",) :1,'(10-)<&-$#F.) /$1$4( 930,'F&,%30')2$", Respect (1967) Aretha Franklin
35 630-'=$)2$", /&>%30.)2$",) :1,'(10-)<&-$#F.) /$1$4( 930,'F&,%30')2$", My Girl (1965) The Temptations
36 630-'=$)2$", /&>%30.)2$",) :1,'(10-)<&-$#F.) /$1$4( 930,'F&,%30')2$", Love Train (1973) The O Jays
37 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.)
38 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.) I Want to Hold Your Hand (1964) The Beatles
39 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.) Norwegian Wood (1965) The Beatles
40 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.) George Martin A Day in the Life (1967) The Beatles
41 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.) Not Fade Away (1964) The Rolling Stones
42 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.) Buddy Holly Not Fade Away (1957) The Rolling Stones
43 !"#$%&'(G*(<"&(6'-%-5"(H/I#5-1/J( <"&(6&#%3&5(I&'525(%"&(E%1/&5 53&)?&'1,&. <$,,0(=)21$(&.) Miss You (1978) The Rolling Stones
44 !"#$%&'(K*(<"&(E&.1/:(L#I&(17(%"&(6'-%-5"(H/I#5-1/( #/:(%"&(+,&'-.#/(8&#.%-1/) 53&)/&#.&;)2$"(F) 53&)/$F.)?#010.3)?,"&.)<&707',)?'(F.)
45 !"#$%&'(K*(<"&(E&.1/:(L#I&(17(%"&(6'-%-5"(H/I#5-1/( #/:(%"&(+,&'-.#/(8&#.%-1/) 53&)/&#.&;)2$"(F) 53&)/$F.)?#010.3)?,"&.)<&707',)?'(F.) You Really Got Me (1964) The Kinks
46 !"#$%&'(K*(<"&(E&.1/:(L#I&(17(%"&(6'-%-5"(H/I#5-1/( #/:(%"&(+,&'-.#/(8&#.%-1/) 53&)/&#.&;)2$"(F) 53&)/$F.)?#010.3)?,"&.)<&707',)?'(F.) My Generation (1965) The Who
47 !"#$%&'(K*(<"&(E&.1/:(L#I&(17(%"&(6'-%-5"(H/I#5-1/( #/:(%"&(+,&'-.#/(8&#.%-1/) 53&)/&#.&;)2$"(F) 53&)/$F.)?#010.3)?,"&.)<&707',)?'(F.) Crossroads (1968) Cream
48 !"#$%&'(K*(<"&(E&.1/:(L#I&(17(%"&(6'-%-5"(H/I#5-1/( #/:(%"&(+,&'-.#/(8&#.%-1/) 53&)/&#.&;)2$"(F) 53&)/$F.)?#010.3)?,"&.)<&707',)?'(F.) Red House (1967) Jimi Hendrix
49 !"#$%&'(M*(A139D81.9)?$I)E;,'() L$,GK<$-G)/".0- L$,GK<$-G)/".0-)0()?#01'0()
50 !"#$%&'(M*(A139D81.9)?$I)E;,'() L$,GK<$-G)/".0- L$,GK<$-G)/".0-)0()?#01'0() Mr. Tambourine Man (1965) Bob Dylan
51 !"#$%&'(M*(A139D81.9)?$I)E;,'() L$,GK<$-G)/".0- L$,GK<$-G)/".0-)0()?#01'0() Mr. Tambourine Man (1965) The Byrds
52 !"#$%&'(M*(A139D81.9)?$I)E;,'() L$,GK<$-G)/".0- L$,GK<$-G)/".0-)0()?#01'0() Eve of Destruction (1965) Barry McGuire
53 !"#$%&'(M*(A139D81.9)?$I)E;,'() L$,GK<$-G)/".0- L$,GK<$-G)/".0-)0()?#01'0() Ohio (1970) Crosby, Stills, Nash and Young
54 53&)2'()L#'(-0.-$)2$"(F) 9.;-3&F&,0-)<$-G)I&;$(F)2'()L#'(-0.-$
55 53&)2'()L#'(-0.-$)2$"(F) 9.;-3&F&,0-)<$-G)I&;$(F)2'()L#'(-0.-$ Uncle John s Band (1970) Grateful Dead
56 53&)2'()L#'(-0.-$)2$"(F) 9.;-3&F&,0-)<$-G)I&;$(F)2'()L#'(-0.-$ Black Magic Woman (1970) Santana
57 53&)2'()L#'(-0.-$)2$"(F) 9.;-3&F&,0-)<$-G)I&;$(F)2'()L#'(-0.-$ Light My Fire (1967) The Doors
58 53&)2'()L#'(-0.-$)2$"(F) 9.;-3&F&,0-)<$-G)I&;$(F)2'()L#'(-0.-$ All Along the Watchtower (1968) Jimi Hendrix
59 53&)2'()L#'(-0.-$)2$"(F) 9.;-3&F&,0-)<$-G)I&;$(F)2'()L#'(-0.-$ Bob Dylan All Along the Watchtower (1968) Jimi Hendrix
60 The 1970 s
61 !"#$%&'())*(E-/O&'PE1/OQ'-%&'5) A'>&.)5';,$# 6'#,;)20>$( O'()/$##0.$( A$(0)/01-3&,, 6'#$,&)Q0(= A'-G.$()?#$4(&?0,,;)A$&,?#"-&)2%#0(=.1&&( A$3()/&,,&(-'>% 2"B'((&)O&=' 5#'-;)63'%>'(
62 !"#$%&'())*(E-/O&'PE1/OQ'-%&'5) A'>&.)5';,$# 6'#,;)20>$( O'()/$##0.$( A$(0)/01-3&,, 6'#$,&)Q0(= A'-G.$()?#$4(&?0,,;)A$&,?#"-&)2%#0(=.1&&( A$3()/&,,&(-'>% 2"B'((&)O&=' 5#'-;)63'%>'( Domino (1970)
63 !"#$%&'())*(E-/O&'PE1/OQ'-%&'5) A'>&.)5';,$# 6'#,;)20>$( O'()/$##0.$( A$(0)/01-3&,, 6'#$,&)Q0(= A'-G.$()?#$4(&?0,,;)A$&,?#"-&)2%#0(=.1&&( A$3()/&,,&(-'>% 2"B'((&)O&=' 5#'-;)63'%>'( Help Me (1974)
64 !"#$%&'())*(E-/O&'PE1/OQ'-%&'5) A'>&.)5';,$# 6'#,;)20>$( O'()/$##0.$( A$(0)/01-3&,, 6'#$,&)Q0(= A'-G.$()?#$4(&?0,,;)A$&,?#"-&)2%#0(=.1&&( A$3()/&,,&(-'>% 2"B'((&)O&=' 5#'-;)63'%>'( We Didn t Start the Fire (1989)
65 !"#$%&'())*(E-/O&'PE1/OQ'-%&'5) A'>&.)5';,$# 6'#,;)20>$( O'()/$##0.$( A$(0)/01-3&,, 6'#$,&)Q0(= A'-G.$()?#$4(&?0,,;)A$&,?#"-&)2%#0(=.1&&( A$3()/&,,&(-'>% 2"B'((&)O&=' 5#'-;)63'%>'( Born in the U.S.A. (1984)
66 !"#$%&'())*(E-/O&'PE1/OQ'-%&'5) A'>&.)5';,$# 6'#,;)20>$( O'()/$##0.$( A$(0)/01-3&,, 6'#$,&)Q0(= A'-G.$()?#$4(&?0,,;)A$&,?#"-&)2%#0(=.1&&( A$3()/&,,&(-'>% 2"B'((&)O&=' 5#'-;)63'%>'( Give Me One Reason (1995)
67 6$"(1#;)<$-G) 2$"13&#()<$-G)
68 6$"(1#;)<$-G) 2$"13&#()<$-G) Lyin Eyes (1975) The Eagles
69 6$"(1#;)<$-G) 2$"13&#()<$-G) The Weight (1968) The Band
70 6$"(1#;)<$-G) 2$"13&#()<$-G) Ramblin Man (1973) The Allman Brothers Band
71 6$"(1#;)<$-G) 2$"13&#()<$-G) Sweet Home Alabama (1974) Lynyrd Skynyrd
72 !"#$%&'()=*(R#SSD81.9(#/:(A25-1/ A'BB)<$-G) L".0$() D13&#)A'BB)*(+,"&(-&.)$()<$-G)
73 !"#$%&'()=*(R#SSD81.9(#/:(A25-1/ A'BB)<$-G) L".0$() D13&#)A'BB)*(+,"&(-&.)$()<$-G) Spinning Wheel (1968) Blood, Sweat and Tears
74 !"#$%&'()B*(+'%(81.9 :#1)<$-G)6$>I0(0(=)<$-G)'(F)6,'..0-',)*(.1#">&(1'10$() :#1)<$-G)*(+,"&(-&F)I;):7'(1KJ'#F&)5#&(F.)
75 !"#$%&'()B*(+'%(81.9 :#1)<$-G)6$>I0(0(=)<$-G)'(F)6,'..0-',)*(.1#">&(1'10$() :#1)<$-G)*(+,"&(-&F)I;):7'(1KJ'#F&)5#&(F.) Nights in White Satin (1967) Moody Blues
76 !"#$%&'()B*(+'%(81.9 :#1)<$-G)6$>I0(0(=)<$-G)'(F)6,'..0-',)*(.1#">&(1'10$() :#1)<$-G)*(+,"&(-&F)I;):7'(1KJ'#F&)5#&(F.) Roundabout (1971) Yes
77 !"#$%&'()B*(+'%(81.9 :#1)<$-G)6$>I0(0(=)<$-G)'(F)6,'..0-',)*(.1#">&(1'10$() :#1)<$-G)*(+,"&(-&F)I;):7'(1KJ'#F&)5#&(F.) Money (1973) Pink Floyd
78 !"#$%&'()B*(+'%(81.9 :#1)<$-G)6$>I0(0(=)<$-G)'(F)6,'..0-',)*(.1#">&(1'10$() :#1)<$-G)*(+,"&(-&F)I;):7'(1KJ'#F&)5#&(F.) Don t Eat the Yellow Snow (1974) Frank Zappa
79 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',)
80 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',) Sunshine Of Your Love (1967) Cream
81 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',) More Than a Feeling (1976) Boston
82 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',) Livin on a Prayer (1986) Bon Jovi
83 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',) Dazed and Confused (1976) Led Zeppelin
84 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',) Paranoid (1971) Black Sabbath
85 M'#F)<$-G)?#010.3)M&'7;)/&1',) 2%&&F)/&1',)'(F)5#'.3 E&'13)/&1',) Master of Puppets (1986)
86 !"#$%&'()F*(>3-%%&'(#/:(>3#,) J,011&#)<$-G
87 !"#$%&'()F*(>3-%%&'(#/:(>3#,) J,011&#)<$-G Space Oddity (1968) David Bowie
88 !"#$%&'()F*(>3-%%&'(#/:(>3#,) J,011&#)<$-G Bohemian Rhapsody (1975) Queen
89 !"#$%&'()F*(>3-%%&'(#/:(>3#,) J,011&#)<$-G School s Out (1972) Alice Cooper
90 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7&)
91 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7&) Heroin (1966) Velvet Underground
92 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7&) Personality Crisis (1973) The New York Dolls
93 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7&) God Save the Queen (1977) Sex Pistols
94 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7&) Kill the Poor (1980)
95 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7&) Jocko Homo (1976) Devo
96 C&4)S$#G)9"(G)?#010.3)9"(G) M'#FK-$#&)9"(G)$()13&)8&.1)6$'.1) :>�-'()C&4)8'7&)?#010.3)C&4)8'7& Radio Radio (1978) Elvis Costello
97 !"#$%&'()K*(E9#(#/:(8&OO#&( 2G') <&=='&) 2G')'(F)<&=='&)*(+,"&(-&.)$()<$-G) 2G')<&707',)'(F)D0X E"IV)E'(-&3',,V)'(F)<'=='
98 !"#$%&'()K*(E9#(#/:(8&OO#&( 2G') <&=='&) 2G')'(F)<&=='&)*(+,"&(-&.)$()<$-G) 2G')<&707',)'(F)D0X E"IV)E'(-&3',,V)'(F)<'==' 007 (Shanty Town) (1967) Desmond Dekker
99 !"#$%&'()K*(E9#(#/:(8&OO#&( 2G') <&=='&) 2G')'(F)<&=='&)*(+,"&(-&.)$()<$-G) 2G')<&707',)'(F)D0X E"IV)E'(-&3',,V)'(F)<'==' I Shot the Sheriff (1973) Bob Marley
100 !"#$%&'()K*(E9#(#/:(8&OO#&( 2G') <&=='&) 2G')'(F)<&=='&)*(+,"&(-&.)$()<$-G) 2G')<&707',)'(F)D0X E"IV)E'(-&3',,V)'(F)<'==' Concrete Jungle (1979) The Specials
101 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$)
102 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$) Papa s Got a Brand New Bag (1965) James Brown
103 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$) Thank You (Falettinme Be Mice Elf Again) (1970) Sly and the Family Stone
104 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$) Funky Stuff (1973) Kool and the Gang
105 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$) Flash Light (1978) Parliament
106 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$) Hot Stuff (1979) Donna Summer
107 !"#$%&'()M*(A2/9(#/:(V-5.1( L"(G) E0.-$) Good Times (1979) Chic
108 The 1980 s
109 !"#$%&'(;N*(T-$(T1$(#/:(8#$( M0%KM$%)6",1"#&)'(F)!'.1)6$'.1)<'%) 8&.1)6$'.1)<'%) N'10($)<'% <'%)6$>I0(&F)4013)D13&#)21;,&.
110 !"#$%&'(;N*(T-$(T1$(#/:(8#$( M0%KM$%)6",1"#&)'(F)!'.1)6$'.1)<'%) 8&.1)6$'.1)<'%) N'10($)<'% <'%)6$>I0(&F)4013)D13&#)21;,&. 911 Is a Joke (1990) Public Enemy
111 !"#$%&'(;N*(T-$(T1$(#/:(8#$( M0%KM$%)6",1"#&)'(F)!'.1)6$'.1)<'%) 8&.1)6$'.1)<'%) N'10($)<'% <'%)6$>I0(&F)4013)D13&#)21;,&. Express Yourself (1988) N.W.A.
112 !"#$%&'(;N*(T-$(T1$(#/:(8#$( M0%KM$%)6",1"#&)'(F)!'.1)6$'.1)<'%) 8&.1)6$'.1)<'%) N'10($)<'% <'%)6$>I0(&F)4013)D13&#)21;,&. La Raza (1988) Kid Frost
113 !"#$%&'(;)*(4<W(#/:(E2$&'5%#'5(17(%"&(X-O"%-&5) /0-3'&,)A'-G.$() 9#0(-&) /'F$((')
114 !"#$%&'(;)*(4<W(#/:(E2$&'5%#'5(17(%"&(X-O"%-&5) /0-3'&,)A'-G.$() 9#0(-&) /'F$((') Little Red Corvette (1982) Prince
115 !"#$%&'(;)*(4<W(#/:(E2$&'5%#'5(17(%"&(X-O"%-&5) /0-3'&,)A'-G.$() 9#0(-&) /'F$((') Papa Don t Preach (1986)
116 The 1990 s
117 !"#$%&'(;;*(4#Y1'(<'&/:5(17(%"&(X-O"%-&5(#/:(%"&(U-/&%-&5) J$130-)<$-G) 9$.1%"(G)0()13&)H(01&F)21'1&.) *(F".1#0',)<$-G <$-G)0()13&)C0(&10&.)'(F)!'#,;)54$K53$".'(F. <0$1)J###,.)'(F)D13&)L&>0(0.1)5#&(F. 5&-3($)/".0-)'(F)<'7&)6",1"#& 53&)EA)'.):#10.1 Radio Free Europe (1983) R.E.M
118 !"#$%&'(;;*(4#Y1'(<'&/:5(17(%"&(X-O"%-&5(#/:(%"&(U-/&%-&5) J$130-)<$-G) 9$.1%"(G)0()13&)H(01&F)21'1&.) *(F".1#0',)<$-G <$-G)0()13&)C0(&10&.)'(F)!'#,;)54$K53$".'(F. <0$1)J###,.)'(F)D13&)L&>0(0.1)5#&(F. 5&-3($)/".0-)'(F)<'7&)6",1"#& 53&)EA)'.):#10.1 With or Without You (1987) U2
119 !"#$%&'(;;*(4#Y1'(<'&/:5(17(%"&(X-O"%-&5(#/:(%"&(U-/&%-&5) J$130-)<$-G) 9$.1%"(G)0()13&)H(01&F)21'1&.) *(F".1#0',)<$-G <$-G)0()13&)C0(&10&.)'(F)!'#,;)54$K53$".'(F. <0$1)J###,.)'(F)D13&)L&>0(0.1)5#&(F. 5&-3($)/".0-)'(F)<'7&)6",1"#& 53&)EA)'.):#10.1 Everyday Is Like Sunday (1988) Morrissey
120 !"#$%&'(;;*(4#Y1'(<'&/:5(17(%"&(X-O"%-&5(#/:(%"&(U-/&%-&5) J$130-)<$-G) 9$.1%"(G)0()13&)H(01&F)21'1&.) *(F".1#0',)<$-G <$-G)0()13&)C0(&10&.)'(F)!'#,;)54$K53$".'(F. <0$1)J###,.)'(F)D13&)L&>0(0.1)5#&(F. 5&-3($)/".0-)'(F)<'7&)6",1"#& 53&)EA)'.):#10.1 Wasteland (1986)
121 !"#$%&'(;;*(4#Y1'(<'&/:5(17(%"&(X-O"%-&5(#/:(%"&(U-/&%-&5) J$130-)<$-G) 9$.1%"(G)0()13&)H(01&F)21'1&.) *(F".1#0',)<$-G <$-G)0()13&)C0(&10&.)'(F)!'#,;)54$K53$".'(F. <0$1)J###,.)'(F)D13&)L&>0(0.1)5#&(F. 5&-3($)/".0-)'(F)<'7&)6",1"#& 53&)EA)'.):#10.1 Stigmata (1988)
122 !"#$%&'(;;*(4#Y1'(<'&/:5(17(%"&(X-O"%-&5(#/:(%"&(U-/&%-&5) J$130-)<$-G) 9$.1%"(G)0()13&)H(01&F)21'1&.) *(F".1#0',)<$-G <$-G)0()13&)C0(&10&.)'(F)!'#,;)54$K53$".'(F. <0$1)J###,.)'(F)D13&)L&>0(0.1)5#&(F. 5&-3($)/".0-)'(F)<'7&)6",1"#& 53&)EA)'.):#10.1 Doll Parts (1994) Hole
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