Crime Files Series Standing Order ISBN (hardback) (paperback) (outside North America only)
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1 Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Hans Bertens and Theo D haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Emelyne Godfrey MASCULINITY, CRIME AND SELF-DEFENCE IN VICTORIAN LITERATURE Christiana Gregoriou DEVIANCE IN CONTEMPORARY CRIME FICTION Lee Horsley THE NOIR THRILLER Merja Makinen AGATHA CHRISTIE Investigating Femininity
2 Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Fran Mason HOLLYWOOD S DETECTIVES Crime Series in the 1930s and 1940s from the Whodunnit to Hardboiled Noir Linden Peach MASQUERADE, CRIME AND FICTION Criminal Deceptions Alistair Rolls and Deborah Walker FRENCH AND AMERICAN NOIR Dark Crossings Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Lucy Sussex WOMEN WRITERS AND DETECTIVES IN NINETEENTH-CENTURY CRIME FICTION The Mothers of the Mystery Genre Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION R.A. York AGATHA CHRISTIE Power and Illusion Crime Files Series Standing Order ISBN (hardback) (paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England
3 Death in a Cold Climate A Guide to Scandinavian Crime Fiction Barry Forshaw
4 Barry Forshaw 2012 Softcover reprint of the hardcover 1st edition 2012 ISBN All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6 10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act First published 2012 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number , of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin s Press LLC, 175 Fifth Avenue, New York, NY Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave and Macmillan are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN DOI / ISBN (ebook) This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress
5 With customary depth and precision, Forshaw gets under the skin of this celebrated genre, uncovering many of its secrets and riches. Like its subjects, this book is hard to put down, and will undoubtedly be returned to time and again. Dr Steven Peacock, University of Hertfordshire, UK Not a stone is left unturned in Barry Forshaw s witty, encyclopedic investigation into the fictional crimes that have made Scandinavia the most talked about region in the world of books. Death in a Cold Climate is a unique and admirable personal testament to the writers, translators and publishers who have dedicated themselves to introducing Scandinavian crime fiction, its many languages and cultures, to the English speaking world. If upon turning the last page of Forshaw s book you are not immediately heading for the nearest bookstore to buy up every Scandinavian crime novel on its shelves, you were probably not meant to read this book in the first place. Jakob Stougaard-Nielsen, University College London, UK
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7 Contents Acknowledgements viii Introduction 1 1 Crime and the Left 16 2 The Cracks Appear: Henning Mankell 21 3 Sweden: The Dream Darkens 34 4 Sweden: Foreign Policy and Unreliable Narratives 49 5 Last Orders: The Larsson Phenomenon 64 6 The Fight Back: Anti-Larsson Writers 69 7 Criminals and Criminologists 81 8 Norway: Crime and Context 96 9 Norway and Nesbø Iceland: Crime and Context Fringe Benefits: Icelandic Woes Finland: Crime and Context Death in Denmark Danish Uncertainties Film and TV Adaptations 182 Bibliography 192 Index 198 vii
8 Acknowledgements When writing Death in a Cold Climate, I decided that it was important to call on more than my own resources. Writing about, reviewing and interviewing many Scandinavian authors for both print and broadcast media over the years has brought me into contact with most of the principal writers, publishers and translators of this astonishingly rich genre, but it was important for me to ensure that my impressions were as up-to-date as I could possibly manage. To that end, I contacted again every author I could with whom I had previously spoken, along with many with whom I had not been in touch before. In the entire field of Nordic crime fiction I found a welcome readiness (almost without exception) among novelists to discuss their own writing, and to answer the many questions I had about their individual countries and societies. Similarly, all of the doughty translators of my acquaintance (along with several I had not met) proved equally ready to give me their impressions this was particularly important to me, as it is an open secret to all cognoscenti of fiction in translation how crucial is the role of these talented people. I also called upon one of the key crime fiction journalists in Britain, Bob Cornwell, whose research work on international crime fiction for Tangled Web is prodigious (when editing Crime Time, I found his crime scene articles on a variety of countries invaluable in the sheer depth of their organisation), and he has made a great deal of material available for me for this book. Rather than thanking the many individual authors who have been helpful, I would simply direct the reader to the variety of entries that follow. But I would like to register a special mention for three of the most important translators in Britain: Sarah Death (who also edits Swedish Book Review, the files of which she generously opened for me); the immensely well-informed Tom Geddes; and the man who bids fair to be the doyen of Scandinavian translators in this country, Laurie Thompson (a man who avoids the Metropolis like the plague). A woman who doesn t mince her words, Sofia Odsberg of the Nordin Agency, has been an early warning system for me regarding new talent (and helpfully and patiently corrected my Swedish pronunciation, when we both worked for Publishing News). Several obliging people at London s various Scandinavian embassies have also been a highly useful resource, such as the cosmopolitan Stein Iversen of viii
9 Acknowledgements ix the Norwegian Embassy, as has Jakob Stougaard-Nielsen of University College London. And being invited to a Saint Lucia evening at the Swedish Ambassador s residence by Carl Otto Werkelid and Ann Nilsen helped put me in the right Nordic mindset. Without these individuals on my side, my task would have been considerably more difficult. Although not strictly accurate, the words Scandinavian and Nordic are used throughout this book to refer to the countries of Sweden, Norway, Iceland, Finland and Denmark. Where two dates are listed for novels, parentheses indicate the Englishlanguage publication date and square brackets the year of publication in the original language.
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