Effect Types and Parameters (Ver.2)

Transcription

1 (Ver.2) 2017 ZOOM CORPORATION Copying or reproduction of this document in whole or in part without permission is prohibited. Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation.

2 Effect explanation overview Additional effects Parameter Parameter range Effect type Effect explanation SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah. Step 2 8 PTTRN 1 8 Speed 1 50 Adjusts number of sequence steps. Sets effect pattern. Sets modulation speed. Shape 0 10 Reso 0 10 Level Sets effect sound envelope. Sets effect resonance. Effect screen Parameter explanation Tempo synchronization possible icon Effect Types and Parameters [DYN/FLTR] RackComp D Comp M Comp OptComp This compressor allows more detailed adjustment than Comp. THRSH 0 50 Ratio 1 10 Level Sets the level that activates the Adjusts the compression ratio. compressor. ATTCK 1 10 Adjusts the compressor attack rate. This compressor in the style of the MXR Dyna Comp. Sense 0 10 Tone 0 10 Level Adjusts the effect sensitivity. ATTCK Slow, Fast Sets compressor attack speed to Fast or Slow. This compressor provides a more natural THRSH 0 50 Ratio 1 10 Level Sets the level that activates the Adjusts the compression ratio. compressor. ATTCK 1 10 Adjusts the compressor attack rate. This compressor is in the style of an APHEX Punch FACTORY. Drive 0 10 Tone Level Adjusts the depth of the compression. 160 Comp This compressor is in the style of the dbx 160A. THRSH Ratio Gain 0 20 Adjusts the threshold that determines Adjusts the compression ratio. when the effect is activated. Adjusts the gain after compression. Knee Hard, Soft Level Sets the type of knee. 2

3 Limiter SlowATTCK This is a limiter that suppresses signal peaks above a certain reference level. THRSH 0 50 Ratio 1 10 Level Adjusts the reference signal level for the limiter action. Adjusts the compression ratio of the limiter. REL 1 10 Adjusts the delay between the point where the signal level falls below the threshold level and the limiter release. This effect slows the attack of each note, resulting in a violin-like performance. Time 1 50 Curve 0 10 Level Set the curve of volume change during Adjusts the attack time. attack. ZNR ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone. THRSH 1 25 DETCT GtrIn, EfxIn Level Adjusts the threshold that determines Sets control signal detected. when the effect is activated. NoiseGate This is a noise gate that cuts the sound during playing pauses. THRSH 1 25 Level Adjusts the effect sensitivity. DirtyGate This vintage style gate features a characteristic way of closing. THRSH 1 25 Level Adjusts the effect sensitivity. OrangeLim This models an ORANGE SQUEEZER. GrayComp This models a ROSS Compressor. SUSTN OUT Adjusts the sustain. DualComp This is a compressor which allows separate settings for the low frequency and high frequency range. Hi 0 50 Lo 0 50 Freq 300Hz 1.5kHz Adjusts the compression depth in the high frequency range. Adjusts the compression depth in the low frequency range. Level Tone 0 10 Adjusts the tonal quality of the Adjusts the crossover point between the high frequency and low frequency range. 3

4 LineSel Sound input into the LineSel effect is sent directly to the OUTPUT jacks when OFF and to the next effect in order when ON. EFX_L OUT_L Adjusts level sent directly to the Adjusts level sent to next effect. outputs. Ba GEQ Ba PEQ Splitter Bottom B This 7-band graphic equalizer is suitable for the bass frequency range. 50Hz Hz Hz Adjusts the amount of boost/cut at 50 Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at Hz. 120 Hz. 400 Hz. 500Hz Hz kHz Adjusts the amount of boost/cut at 500 Hz. Adjusts the amount of boost/cut at 800 Hz. Adjusts the amount of boost/cut at 4.5 khz. 10kHz Level Adjusts the amount of boost/cut at 10 khz. This 2-band parametric equalizer is suitable for the bass frequency range. Freq1 20Hz 20kHz Q1 0.5, 1, 2, 4, 8, 16 Gain Adjusts center frequency of EQ1. Adjusts EQ1 Q. Adjusts EQ1 gain. Freq2 20Hz 20kHz Q2 0.5, 1, 2, 4, 8, 16 Gain Adjusts center frequency of EQ2. Adjusts EQ2 Q. Adjusts EQ2 gain. Level This effect divides the signal into two bands (high/low) and lets you freely adjust the mix ratio of the two bands. Hi Lo Freq 80Hz 2.5kHz Adjusts the mix ratio of the high Adjusts the mix ratio of the low Adjusts the crossover point between the frequency band. frequency band. high frequency and low frequency band. Level Emphasizes the low and high frequencies. Bass 0 10 Trebl 0 10 Level Adjusts the amount of low-frequency boost. Adjusts the amount of high-frequency boost. Exciter This exciter is in the style of the BBE Sonic Maximizer. Bass Trebl Level Adjusts the amount of low-frequency Adjusts the amount of high-frequency phase correction. phase correction. BaAutoWah You can adjust the mix of this bass guitar auto-wah with the original signal. Sense -10-1, 1 10 Reso 0 10 Dry Adjusts the intensity of the resonance Adjusts the sensitivity of the effect. Adjusts level of original Level

5 Z Tron M-Filter A-Filter Ba Cry SeqFLTR RndmFLTR fcycle This is like a Q-Tron Envelope Filter in LP mode. Sense -10-1, 1 10 Reso 0 10 Dry Adjusts the intensity of the resonance Adjusts the sensitivity of the effect. Adjusts level of original Level This envelope filter with Moog MF-101 Low Pass Filter favor can be set in a wide range. Freq Sense 0 10 Reso 0 10 Sets minimum frequency of envelope Sets effect sensitivity. filter. Sets effect resonance. Type HPF, BPF, LPF Chara 2Pole, 4Pole VLCTY Fast, Slow Sets filter type. Adjusts amount of filter applied. Sets speed of filter action. Bal Level Adjusts the balance between original and effect sounds. This is a resonance filter with a sharp envelope. Sense 1 10 Peak 0 10 Mode Up, Down Selects whether the direction of Adjusts the effect sensitivity. Adjusts the Q value of the filter. filter change is up or down. Dry Level Adjusts level of original This talking modulator is suitable for the bass frequency range. Range 1 10 Reso 0 10 Sense -10-1, 1 10 Adjusts the frequency range processed Adjusts the intensity of the modulation Adjusts the sensitivity of the effect. by the effect. resonance Bal Level Adjusts the balance between original and effect sounds. The sequence filter has the flavor of a Z.Vex Seek-Wah. Step 2 8 PTTRN 1 8 Speed 1 50 Adjusts number of sequence steps. Sets effect pattern. Sets modulation speed. Shape 0 10 Reso 0 10 Level Sets effect sound envelope. Sets effect resonance. This filter effect changes character randomly. Speed 1 50 Range Reso 0 10 Adjusts the intensity of the Sets modulation speed. Adjusts frequency range affected. resonance Type HPF, BPF, LPF Chara 2Pole, 4Pole Bal Adjusts the balance between original Sets filter type. Adjusts amount of filter applied. and effect sounds. Level This filter effect changes tone characteristics cyclically. Rate 1 50 Wave SawDn Sine, Tri, SawUp, Level Sets the speed of the modulation. Sets the modulation waveform. Depth Reso 0 10 Adjusts the intensity of the Sets the depth of the modulation. resonance 5

6 St Bs GEQ This stereo graphic equalizer has 7 bands that suit bass guitar frequencies. 50Hz Hz Hz Adjusts the amount of boost/cut at 50 Hz. Adjusts the amount of boost/cut at 120 Hz. Adjusts the amount of boost/cut at 400 Hz. 500Hz Hz kHz Adjusts the amount of boost/cut at 500 Hz. Adjusts the amount of boost/cut at 800 Hz. 10kHz Level Adjusts the amount of boost/cut at 10 khz. Adjusts the amount of boost/cut at 4.5 khz. [OD/DIST] Ba Boost Bass OD Bass Muff Ba Dist 1 Ba Metal This is a simulation of the Xotic EP Booster, which is warm and firm. Gain Bass Trebl Adjusts the gain. Adjusts the low frequency level. Adjusts the high frequency level. Level Simulates the ODB-3 overdrive bass machine from BOSS. Gain Tone Level Adjusts the gain. Bal Adjusts the balance between the original sound and the effected This is a simulation of the Electro-Harmonix Bass Big Muff. Gain Tone Level Adjusts the gain. Mode NORM, BsBST Bal Adjusts the balance between the Selects the distortion mode. original sound and the effected This BOSS DS-1 emulation has an added parameter that allows you to adjust the volume balance between the original and distorted sounds. Gain Tone Level Adjusts the gain. Bal Adjusts the balance between the original sound and the effected This BOSS Metal Zone emulation has an added parameter that allows you to adjust the volume balance between the original and distorted sounds. Gain Tone Level Adjusts the gain. Bal Adjusts the balance between the original sound and the effected 6

7 TS+DRY Ba Squeak BaFzSmile BassDrive D.I Plus Bass BB This Ibanez TS808 emulation has an added parameter that allows you to adjust the volume balance between the original and distorted sounds. Gain Tone Level Adjusts the gain. Bal Adjusts the balance between the original sound and the effected This ProCo RAT emulation has an added parameter that allows you to adjust the volume balance between the original and distorted sounds. Gain Tone Level Adjusts the gain. Bal Adjusts the balance between the original sound and the effected This FUZZ FACE emulation has an added parameter that allows you to adjust the volume balance between the original and distorted sounds. Gain Tone Level Adjusts the gain. Bal Adjusts the balance between the original sound and the effected Simulation of the SansAmp BASS DRIVER DI, highly popular among bass players. Bass Trebl Prese Adjusts the low frequency level. Adjusts the high frequency level. Adjusts the super-high frequency level. Gain Blend Level Adjusts the balance between the Adjusts the gain. original sound and the effected Mid Adjusts the middle frequency level. This is a simulation of the MXR Bass D.I.+, which has both clean and distortion channels. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Gain Blend Level Adjusts the balance between the Adjusts the gain. original sound and the effected Color OFF, ON CHAN CLN, DIST Switches between clean and distortion Turns preset EQ OFF or ON. channels. This is a simulation of the Xotic Bass BB Preamp, which has a tube-like, thick Gain Bass Trebl Adjusts the gain. Adjusts the low frequency level. Adjusts the high frequency level. Blend Level Adjusts the balance between the original sound and the effected 7

8 DI5 Bass Pre AC Bs Pre This simulates the AVALON DESIGN U5 preamp. Gain Tone OFF, 1 6 Level Adjusts the gain. HiCut OFF, ON Cuts high frequencies when ON. This is a preamp model with a semi-parametric equalizer for the mid-range. Bass 0 10 Trebl 0 10 Level Adjusts the low frequency level. Adjusts the high frequency level. Mid Freq 100Hz 4.5kHz Adjusts the center frequency of the Adjusts the middle frequency level. mid-range. This is a preamp model with a graphic equalizer. Gain Depth 0 10 Level Adjusts the gain. Adjusts the low frequency level. Bass L-Mid LM_F 32Hz 6.3kHz Adjusts the low frequency level. Adjusts the low mid frequency level. Adjusts the L-Mid center frequency. Mid H-Mid Trebl Adjusts the middle frequency level. Adjusts the high mid frequency level. Adjusts the high frequency level. [AMP] SVT Simulation of the ultimate rock bass amp, the Ampeg SVT. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. OFF, Low, Hi, Ultra CAB See Table 1 Mix Both, Cut Adjusts the mix balance of the signal after Emphasizes high and low frequencies. Selects the cabinet. the pre-amp and the signal after the cabinet. B-Man Simulation of the Fender BASSMAN 100. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Deep OFF, ON CAB See Table 1 Mix Adjusts the mix balance of the signal after Adjusts the low-frequency character. Selects the cabinet. the pre-amp and the signal after the cabinet. HRT3500 Simulation of the Hartke HA3500 famous for its aluminum cone. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Tube Level Adjusts the center frequency of the Adjusts the mix of tube and transistor mid-range. type sounds. Comp OFF,1 10 CAB See Table 1 Mix Adjusts the mix balance of the signal after Adjusts the amount of compression. Selects the cabinet. the pre-amp and the signal after the cabinet. 8

9 acoustic Ag Amp Mark B SMR Simulation of the acoustic 360 well known for its gutsy midrange. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Bright OFF, ON CAB See Table 1 Mix Emphasizes high frequencies when ON. Selects the cabinet. Adjusts the mix balance of the signal after the pre-amp and the signal after the cabinet. Simulation of the Aguilar DB750 famous for its powerful Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. OFF, Deep, Char CAB See Table 1 Mix Brght, Both Adjusts the mix balance of the signal after Selects one of 4 types of preset tones. Selects the cabinet. the pre-amp and the signal after the cabinet. This simulates the Italian Markbass Little Mark III. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Color 0 6 CAB See Table 1 Mix Adjusts the mix balance of the signal after Adjusts low and high frequencies. Selects the cabinet. the pre-amp and the signal after the cabinet. Simulation of the SWR SM-900, famous for its hi-fi Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. ENHNC 0 10 CAB See Table 1 Mix This tone control changes the frequency and level according to the Selects the cabinet. knob position. Adjusts the mix balance of the signal after the pre-amp and the signal after the cabinet. Flip Top Simulation of the Ampeg B-15 made famous by the Motown sound of the 1960s. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Ultra Off, Low, Hi, Both CAB See Table 1 Mix Emphasizes high and low frequencies. Selects the cabinet. Adjusts the mix balance of the signal after the pre-amp and the signal after the cabinet. 9

10 Monotone SuperB G-Krueger Heaven Simulation of the POLYTONE MINI-BRUTE III with its distinct midrange, often used by Jazz musicians. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Char Dark, Brght, Flat CAB See Table 1 Mix Selects one of 3 types of preset tones. Selects the cabinet. Adjusts the mix balance of the signal after the pre-amp and the signal after the cabinet. Simulation of the Marshall Super Bass that made rock history. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Prese 0 10 CAB See Table 1 Mix Adjusts the super-high frequency level. Selects the cabinet. Adjusts the mix balance of the signal after the pre-amp and the signal after the cabinet. Simulation of the famous metal bass amp Gallien-Krueger 800RB from the eighties. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. Color Off, Low, Mid, Hi CAB See Table 1 Mix Adjusts the mix balance of the signal Adjusts the preset tone. Selects the cabinet. after the pre-amp and the signal after the cabinet. This simulation of the Eden WT-800 can be used with a wide variety of playing styles. Bass Mid Trebl Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the high frequency level. Mid_F 32Hz 6.3kHz Gain Level Adjusts the center frequency of the Adjusts the gain. mid-range. ENHNC 0 10 CAB See Table 1 Mix This tone control changes the frequency and level according to the Selects the cabinet. knob position. Adjusts the mix balance of the signal after the pre-amp and the signal after the cabinet. 10

11 [MOD/SFX] Tremolo DuoTrem Phaser This effect varies the volume at a regular rate. Depth Rate 0 50 Level Adjust the depth of the modulation. Adjusts the rate of the modulation. UP 0 UP 9, Wave DWN 0 DWN 9, TRI 0 TRI 9 Sets the modulation waveform. This effect combines two tremolos. RateA 0 50 RateB 0 50 Level Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. DPT_A DPT_B Link Seri, Para, STR Sets how the two tremolos are connected. Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation. WaveA UP 0 UP 9, DWN 0 DWN 9, TRI 0 TRI 9 Sets the modulation waveform of LFO A. WaveB UP 0 UP 9, DWN 0 DWN 9, TRI 0 TRI 9 Sets the modulation waveform of LFO B. This effect adds a phasing variation to the Rate 1 50 Color 4 STG, 8 STG, Level inv 4, inv 8 Sets the speed of the modulation. Sets the tone of the effect type. DuoPhase WarpPhase TheVibe This effect combines 2 phasers. RateA 1 50 RateB SyncA, RvrsA 1 50, Level Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. ResoA 0 10 ResoB 0 10 Link Seri, Para, STR Adjusts resonance of LFO A modulation. Adjusts resonance of LFO B modulation. Sets how 2 phasers are connected. DPT_A DPT_B Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation. This phaser has a one way effect. Speed 1 50 Reso 0 10 Level Sets modulation speed. Sets effect resonance. DRCTN Go, Back Sets direction of warping. This vibe sound features unique undulations. Speed 0 50 Depth Bias Sets modulation speed. Sets the depth of the modulation. Adjusts bias of waveform modulation. Wave Mode VIBRT, CHORS Level Adjusts modulation waveform. Sets effect to vibrato or chorus. 11

12 Ba Chorus Ba Detune VintageCE StereoCho Ba Ensmbl SuperCho VinFLNGR You can cut the low frequencies of this bass chorus effect Depth Rate 1 50 Mix Sets the depth of the modulation. Sets the speed of the modulation. LoCut OFF 800Hz Level PreD OFF, ON Specifies the low-range cutoff point for the effect Turns pre-delay OFF or ON. By mixing a small amount of the pitch-shifted effect sound with the original sound, a natural bass chorus effect is achieved. Cent PreD 0 50 Mix Adjusts the detuning in cents, which Sets the pre-delay time of the effect are fine increments of 1/100-semitone. Tone 0 10 Level LoCut OFF 800Hz Sets the cut frequency in the low range of the effect This is a simulation of the BOSS CE-1. Comp 0 9 Rate 1 50 Mix Sets the sensitivity of the compressor. Sets the speed of the modulation. Level This is a stereo chorus with a clear tone. Depth Rate 1 50 Mix Sets the depth of the modulation. Sets the speed of the modulation. Tone 0 10 Level This bass chorus ensemble features a sense of three-dimensional movement. Depth Rate 1 50 Mix Sets the depth of the modulation. Sets the speed of the modulation. Tone 0 10 Level This models the sound of a BOSS CH-1 SUPER CHORUS. E.LVL Rate Depth Adjusts amount of effect sound Sets the speed of the modulation. mixed with original Adjust the depth of the modulation. EQ Mode MONO, STR Sets output to mono or stereo (STR). When stereo, effect sound is output Adjusts effect tone. from L channel and unchanged input sound is output from R channel. This analog flanger sound is similar to an MXR M-117R. Depth Rate 0 50 Reso Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the intensity of the modulation resonance. PreD 0 50 Mix Level Sets pre-delay time of effect 12

13 BaFlanger DynaFLNGR Vibrato Ba Octave PitchSHFT Ba Pitch Modeled after the ADA Flanger, this effect has an added parameter that allows you to adjust the volume balance between the original and effected sounds. Depth Rate 0 50 Reso Adjusts the intensity of the modulation Sets the depth of the modulation. Sets the speed of the modulation. resonance. PreD 0 50 Mix Level Sets pre-delay time of effect LoCut OFF 800Hz Sets the cut-off frequency in the low range of the effect The volume of the effect sound changes according to the input signal level with this dynamic flanger. Depth Rate 0 50 Sense -10-1, 1 10 Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the sensitivity of the effect. Reso Level Adjusts the intensity of the modulation resonance. This effect automatically adds vibrato. Depth Rate 0 50 Bal Adjusts the balance between original Sets the depth of the modulation. Sets the speed of the modulation. and effect sounds. Tone 0 10 Level This effect adds sound one octave below the original Oct Dry Tone 0 10 Adjusts the level of the one-octave lower sound component. Adjusts the level of the original Adjusts the tonal quality of the oneoctave lower sound component. Low 0 10 Mid 0 10 Level Adjusts the low frequency level. Adjusts the middle frequency level. This effect shifts the pitch up or down. Shift , 24 Tone 0 10 Bal Adjusts the pitch shift amount in semitones. Adjusts the balance between original Selecting "0" gives a detuning effect. and effect sounds. Fine Level Allows fine adjustment of pitch shift amount in cent (1/100 semitone) steps. This pitch shifter was designed specifically for playing single notes in the bass frequency range. Shift , 24 Tone 0 10 Bal Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. Fine Level Allows fine adjustment of pitch shift amount in cent (1/100 semitone) steps. Adjusts the balance between original and effect sounds. 13

14 RingMod CE-Cho5 CloneCho This effect produces a metallic ringing Adjusting the Freq parameter results in a drastic change of sound character. Freq 1 50 Tone 0 10 Bal Adjusts the balance between original Sets the frequency of the modulation. and effect sounds. Level This chorus is a model of the BOSS CE-5. E.LVL RATE DEPTH Adjusts amount of effect sound Sets the speed of the modulation. mixed with original Adjust the depth of the modulation. LOW HIGH MODE MONO, STR Sets output to mono or stereo (STR). When stereo, effect sound is output Adjusts volume of low frequencies. Adjusts volume of high frequencies. from L channel and unchanged input sound is output from R channel. This analog chorus sound models the Electro-Harmonix SmallClone. DEPTH 1, 2 RATE Sets the depth of the modulation. Sets the speed of the modulation. StonePha This phaser sound models the Electro-Harmonix SmallStone. COLOR 1, 2 RATE Sets the depth of the modulation. Sets the speed of the modulation. BF FLG 2 This models a BOSS BF-2 Flanger. MNL DEPTH RATE Sets the depth of the modulation. Sets the speed of the modulation. RES CoronaCho This is a model of tc electronic s CORONA CHORUS. SPEED DEPTH FxLVL Sets modulation speed. Sets the depth of the modulation. Adjusts the volume of the effect. TONE DRY OFF/ON When ON, the original sound and the effect sound are mixed and output together. When OFF, only the effect sound is output. ANA234Cho This analog chorus sound models the MXR M234. LEVEL RATE DEPTH Adjusts amount of effect sound Sets the speed of the modulation. mixed with original Sets the depth of the modulation. LOW HIGH Mode MONO, STR Sets output to mono or stereo (STR). When stereo, effect sound is output Adjusts volume of low frequencies. Adjusts volume of high frequencies. from L channel and unchanged input sound is output from R channel. 14

15 CoronaTri BitCrush Bomber Ba Synth Z-Organ AutoPan This is a model of tc electronic s CORONA Tri-Chorus. SPEED DEPTH FxLVL Sets modulation speed. Sets the depth of the modulation. Adjusts the volume of the effect. TONE DRY OFF/ON When ON, the original sound and the effect sound are mixed and output together. When OFF, only the effect sound is output. This effect creates a lo-fi Bit 4 16 SMPL 0 50 Bal Adjusts the balance between original Sets bit depth. Sets sampling rate. and effect sounds. Tone 0 10 Level This effect produces an explosive sound when picking. HndGn, Arm, PTTRN Decay Bal Bomb, Thndr Adjusts the balance between original Sets type of effect Sets length of reverberations. and effect sounds. THRSH 0 50 Power 0 30 Tone 0 10 Adjusts effect threshold. Adjusts strength of explosive Level This effect produces the sound of a monophonic (single-note playing) bass synthesizer that detects the pitch of the input signal. Decay Wave Saw, Pulse, PWM Reso 0 10 Sets the waveform type to "Saw" Adjusts the rate of sound change. (sawtooth), "Pulse" (square wave), Adjusts the intensity of the effect or PWM (pulse width modulation character. resulting in fatter sound). Synth Dry Level Adjusts level of synthesizer Adjusts level of original This effect simulates an organ Upper Lower Dry Adjusts volume of high frequencies. Adjusts volume of low frequencies. Adjusts level of original HPF 0 10 LPF 0 10 Level Adjusts high-pass filter cutoff frequency. Adjusts low-pass filter cutoff frequency. This effect cyclically moves the panning position of the Rate 0 50 Width L50 R50 Level Sets the speed of the modulation. Sets the width of the panning. Depth 0 10 Clip 0 10 Adjusts the amount of waveform Sets the depth of the modulation. clipping. Higher values emphasize the auto-panning effect more. 15

16 Rt Closet StdSyn SynTlk Z-Syn Defret V-Syn 4VoiceSyn Simulates a rotary speaker. Bal Mode Slow,Fast Level Adjusts the balance between the horn (high frequencies) and the drum Sets the rotary mode. (low frequencies). Drive Adjusts the amount of amplification from the preamp. ZOOM original bass synthesizer Sense Sound 1 4 Tone 0 10 Adjusts the sensitivity for trigger Selects a synthesizer variation. detection. Adjusts the tonal quality of the Synth Dry Level Adjusts level of synthesizer Adjusts level of original This effect produces a synthesizer sound similar to a talking modulator producing vowels. Decay Type ia, UE, UA, oa Tone 0 10 Adjusts the rate of sound change. Selects a vowel variation. Adjusts the tonal quality of the Synth Dry Level Adjusts level of synthesizer Adjusts level of original This bass synthesizer sound adds analog synth fatness. Wave Saw, Sqr Decay Tone 0 10 Selects the waveform. Adjusts the speed of tone modulation. Freq 0 10 Range 0 20 Reso 0 20 Sets the cut-off frequency of the lowpass filter. Adjusts the amount of cut-off frequency modulation. Adjusts the intensity of the filter resonance. Synth Dry Level Adjusts level of synthesizer Adjusts level of original Turns the sound from any bass guitar into a fretless bass Sense 0 30 Color 1 10 Level Adjusts the harmonics contents of Adjusts the effect sensitivity. the Higher setting values result in stronger effect character. Tone 1 50 Adjusts the tonal quality of the This effect produces a vintage bass synthesizer Decay Sense 0 30 Range Adjusts the sensitivity for trigger Adjusts the rate of sound change. Adjusts the filter shift range. detection. Synth Dry Level Adjusts level of synthesizer Adjusts level of original This effect type adds synthesizer harmony components to single notes played on the bass. The harmony components are determined by the Mode and Scale parameters. ATTCK 0 10 Mode 1 9 Scale 1, 2 Adjusts the attack rate of the synthesizer Selects a harmony type from 1-9. (See Table 2) Selects a harmony variation. Two variations are available for each of the 1-9 modes. (See Table 2) Synth Dry Level Adjusts level of synthesizer Adjusts level of original 16

17 [DLY/REV] Delay TapeEcho ModDelay ModDelay2 AnalogDly This long delay has a maximum length of 4000 ms. Time F.B Mix HiDMP 0 10 P-P MONO, P-P Level Adjusts the treble attenuation of the delay Sets delay output to mono or pingpong. Tail OFF/ON even after When This effect simulates a tape echo. Changing the Time parameter changes the pitch of the echoes. Time F.B Mix HiDMP 0 10 Level Tail OFF/ON Adjusts the treble attenuation of the delay even after When This delay effect allows the use of modulation. Time F.B Mix Rate 1 50 Level Tail OFF/ON even after When Sets the speed of the modulation. You can adjust the depth of this modulation delay effect. Time F.B Mix Rate 1 50 Level Depth Sets the speed of the modulation. Adjust the depth of the modulation. Tail OFF, ON even after When This analog delay simulation has a long delay with a maximum length of 4000 ms. Time F.B Mix HiDMP 0 10 P-P MONO, P-P Level Adjusts the treble attenuation of the Sets delay output to mono or pingpong. delay Tail OFF/ON even after When 17

18 ReverseDL MultiTapD DynaDelay FilterDly PitchDly This reverse delay is a long delay with a maximum length of 2000 ms. Time F.B Bal Adjusts the balance between original and effect sounds. HiDMP 0 10 Level Tail OFF/ON Adjusts the treble attenuation of the delay even after When This effect produces several delay sounds with different delay times. Time PTTRN 1 8 Mix Sets the tap pattern, which varies from rhythmical to random patterns. Tone 0 10 Level Tail OFF/ON even after When This dynamic delay adjusts the volume of the effect sound according to the input signal level. Time Sense -10-1, 1 10 Mix Adjusts the effect sensitivity. F.B Level Tail OFF/ON even after When This effect filters a delayed Time F.B Mix Rate 1 50 Depth Reso 0 10 Adjusts the intensity of the modulation Sets the speed of the modulation. Sets the depth of the modulation. resonance. Level Tail OFF/ON even after When This effect applies pitch shift to a delayed Time Pitch Mix Sets volume of pitch shift applied to delayed F.B Tone 0 10 Level Tail OFF/ON even after When 18

19 StereoDly PhaseDly StompDly TapeEcho3 DualDigiD This stereo delay allows the left and right delay times to be set separately. TimeL TimeR Mix Adjusts delay time of left channel delay. Adjusts delay time of right channel delay. 19 LchFB RchFB Level Adjusts delay feedback of left channel. Adjusts delay feedback of right channel. LchLv RchLv Tail OFF/ON even after When Adjusts delay output of left channel. Adjusts delay output of right channel. This effect applies a phaser to a delayed Time F.B Mix Rate 1 50 Color inv 4, inv 8 4 STG, 8 STG, Level Sets the speed of the modulation. Sets the tone of the effect type. Tail OFF/ON even after When By turning the feedback up on this stomp-style delay, you can make it self-oscillate. E.LVL F.B Time Adjusts amount of effect sound mixed with original Sync OFF, x8 Mode MONO, STR Tail OFF, ON Sets output to mono or stereo (STR). When stereo, effect sound is output even after When Activates tempo sync. from L channel and unchanged input sound is output from R channel. HiDMP 0 10 Adjusts the treble attenuation of the delay This tape echo effect models the MAESTRO ECHOPLEX EP-3. F.B MIX TIME sound that is mixed with the original RecLv SYNC OFF, x8 P-Amp OFF, ON Adjusts the volume recorded to the tape. Activates tempo sync. Sets whether the TapeEcho3 preamp affects the tone when the echo effect is off. When OFF, the input sound is output without being changed. When ON, the preamp affects the tone. This effect combines 2 delays and is based on the Eventide TimeFactor DigitalDelay. TimeA TimeB FdbkA Adjusts the Delay A feedback Adjusts the delay time of Delay A. Adjusts the delay time of Delay B. amount. FdbkB Depth M-0 50, S-0 50 Speed 0 50 Adjusts the modulation depth. Also Adjusts the Delay B feedback sets the output to mono (M0 M50) Sets modulation speed. amount. or stereo (S0 S50). FLTR DlyMx Mix Adjust the mix of the Delay A and B effect sounds. sound that is mixed with the original

20 CarbonDly DriveEcho SlapBackD SmoothDly This analog delay sound is a model of the MXR Carbon Copy. DELAY REGEN MIX sound that is mixed with the original MOD OFF/ON WIDTH 0 50 SPEED 0 50 Turns modulation ON or OFF. Adjusts the width of the modulation. Sets modulation speed. Tail OFF/ON Sync OFF, x8 even after When Activates tempo sync. This echo effect that can be driven is modeled on the LINE6 M9 TubeEcho. DRIVE MIX TIME Adjusts the amount of distortion. sound that is mixed with the original F.B WOW DRY DRIV/THRU Sets whether the DriveEcho DRIVE parameter affects the tone of the dry signal. Set to DRIVE, the DRIVE Adjusts the wow and flutter effect. setting affects the "dry" Set to THRU, the dry sound is output without being changed. Tail OFF/ON Mode MONO, STR even after The dry sound also continues to have the same Sets output to mono or stereo (STR). tone as when the effect was on. When OFF, effect sound stops right when This delay, which features a short delay time that is good for muted rhythm playing and rockabilly, is modeled on a tc electronic FLASHBACK set for SLAP delay.,, TIME SubDv F.B ping-pong panning Set the note length of the delay FxLVL DRY OFF/ON Tail OFF/ON When ON, the original sound and the effect sound are mixed and output even after When Adjusts the volume of the effect. together. When OFF, only the effect sound is output. Mode MONO, STR Sets output to mono or stereo (STR). This wide delay is modeled on the BOSS DD-20 in SMOOTH mode. TIME F.B E.LVL Adjusts amount of effect sound mixed with original TONE Tail OFF/ON even after When 20

21 LO-FI Dly SlwAtkDly TremDelay FLTR PPD This delay, which is based on the LO-FI mode of the strymon TIMELINE, allows you to degrade the sound quality using the bit rate and sampling rate parameters. TIME F.B MIX sound that is mixed with the original SMPL 1/128 1/1 BITS 4 32 BLEND Adjusts the balance between the Sets sampling rate. Sets bit depth. original sound and the lo-fi DAMP 0 10 FLT OFF, 1 8 VINYL OFF, D:1 D:9, S:1 S:9 Adjusts how the feedback sound decays. Sets the character of the filter applied to the effect Adds noise that occurs randomly. With D:1-D:9, the noise occurs in time with the delay output. This effect, which gently brings on the delay, is modeled on the LINE6 M9 Auto-Volume Echo. TIME F.B MIX sound that is mixed with the original DEPTH SWELL 1 50 Mode MONO/STR Sets how the effect is applied. Set to Sets the depth of the modulation. Adjusts the attack time. MONO for a mono chorus effect. Set to STR for a stereo vibrato effect. Tail OFF/ON even after When This effect, which is based on the strymon TIMELINE TREM mode, adds a tremolo to the delay TIME F.B MIX sound that is mixed with the original TRI, SQR, SIN, LFO DEPTH SPEED 1/32 32/1 RAMP, SAW Selects the tremolo modulation Sets the depth of the modulation. Sets modulation speed. waveform. DAMP 0 10 HPF OFF, GRIT 0 10 Adjusts how the feedback sound Adjusts the maximum range of the Adjusts the distortion of the effect decays. frequencies in the effect Based on the Eventide TimeFactor FilterPong, this effect combines filter and delay effects. TimeA TimeB Mix Sets the delay time for Delay A. Adjusts the delay time of Delay B. sound that is mixed with the original DlyMx Fdbk Slur 0 10 Adjusts the mix of Delay A and Delay B effect sounds. FLTR Depth Adjusts the amount the filter is applied. M-0 10, S-0 10 Softens the attack of the feedback Sn1 16, Wave Tr1 16, Sq1 16 Adjusts the modulation depth. Also Sets the modulation wave type and sets the output to mono (M-0 10) or speed of modulation. stereo (S-0 10). 21

22 A-Pan DLY ICE Delay HD Hall HD Reverb Hall This combines auto pan and delay to create the effect of the stereo image moving cyclically. Time F.B Mix Rate 1/4, 1/2, 3/4, 1 50 Sets the speed of the sound movement. sound that is mixed with the original Width L50 R50 Depth 0 10 Sets the width of the sound movement. Sets the depth of the sound movement. Clip 0 10 Link P-D, D-P Level Adjusts the amount of waveform clipping. Sets the order that the auto pan and delay are connected. Based on the strymon TIMELINE ICE mode, this effect combines pitch shifting and delay. TIME F.B MIX sound that is mixed with the original INTVL -Oct 2Oct SLICE SHORT, LONG BLEND 0 20 Sets the pitch modulation amount for Adjusts the balance between the dry Adjusts the length of the slices. the audio slices. and ICE signals. SMEAR OFF, 1 20 DAMP 0 10 HPF OFF, Adjusts the amount that the attack of the feedback sound is softened. Adjusts how the feedback sound decays. Adjusts the maximum range of the frequencies in the effect This is a dense hall reverb. PreD Decay Mix Adjusts the delay between input of the original sound and start of the Sets the duration of the reverberations. reverb LoDMP HiDMP Tail OFF/ON Adjusts low frequency damping in reverb Adjusts high frequency damping in reverb even after When This is a high-definition reverb. Decay Tone 0 10 Mix Sets the duration of the reverberations. PreD HPF 0 10 Level Adjusts the delay between input of the Adjusts high-pass filter cutoff frequency. original sound and start of the reverb Tail OFF/ON even after When This reverb effect simulates the acoustics of a concert hall. Decay 1 30 Tone 0 10 Mix Sets the duration of the reverberations. PreD Level Tail OFF/ON Adjusts the delay between input of the original sound and start of the reverb even after When 22

23 Room TiledRoom Spring Arena EarlyRef Air This reverb effect simulates the acoustics of a room. Decay 1 30 Tone 0 10 Mix Sets the duration of the reverberations. PreD Level Tail OFF, ON Adjusts the delay between input of the original sound and start of the reverb even after When This reverb effect simulates the acoustics of a tiled room. Decay 1 30 Tone 0 10 Mix Sets the duration of the reverberations. PreD Level Tail OFF/ON Adjusts the delay between input of the original sound and start of the reverb even after When This reverb effect simulates a spring reverb. Decay 1 30 Tone 0 10 Mix Sets the duration of the reverberations. PreD Level Tail OFF/ON Adjusts the delay between input of the original sound and start of the reverb even after When This reverb effect simulates the acoustics of a large enclosure such as a sports arena. Decay 1 30 Tone 0 10 Mix Sets the duration of the reverberations. PreD Level Tail OFF/ON Adjusts the delay between input of the original sound and start of the reverb even after When This effect reproduces only the early reflections of reverb. Decay 1 30 Shape Mix Adjusts the duration of the reverb. Adjusts the effect envelope. Tone 0 10 Level Tail OFF/ON even after When This effect reproduces the ambience of a room, to create spatial depth. Size Tone 0 10 Mix Sets the size of the space. Ref 0 10 Level Tail OFF/ON Adjusts the amount of reflection from the wall. even after When 23

24 Plate ModReverb SlapBack Spring63 Chamber This simulates a plate reverb. PreD Decay Mix Adjusts the delay between input of the original sound and start of the Sets the duration of the reverberations. reverb Color LoDMP HiDMP Adjusts the reverb time of the low frequencies. Adjusts low frequency damping in reverb Adjusts high frequency damping in reverb Tail OFF, ON Level even after When This reverb generates fluctuating echoes. Depth Decay 1 30 Mix Sets the depth of the modulation. Adjusts the duration of the reverb. Rate 1 50 Tone 0 10 PreD Adjusts the delay between input of the Sets the speed of the modulation. original sound and start of the reverb Level Tail OFF, ON even after When This reverb creates a repeating echo effect. Time Decay 1 30 Mix Sets the duration of the reverberations. F.B Tone 0 10 DRBal Sets the ratio of delay and reverb. Level Tail OFF, ON even after When This spring reverb sound is modeled on a 63 Fender Reverb. DWELL MIXER TONE Adjusts the amount of level that input Adjusts the mix of volume the effect to reverb. Level This effect simulates the reverberations of a chamber-sized room. Decay Tone Mix Sets the duration of the reverberations. sound that is mixed with the original PreD Tail OFF/ON Adjusts the delay between input of even after When the original sound and start of the reverb 24

25 LOFI Rev Church Cave Ambience GateRev This rough in-your-face reverb is modeled on the LOFI setting of the tc electronic HALL OF FAME. DECAY TONE FxLVL Sets the duration of the reverberations. Adjusts the volume of the effect. PreD SHORT/LONG Tail OFF/ON Dry OFF/ON Adjusts the delay between input of the original sound and start of the reverb even after The dry sound also continues to have the same tone as when the effect was on. When OFF, effect sound stops right when When ON, the original sound and the effect sound are mixed and output together. When OFF, only the effect sound is output. This effect simulates the reverberations of a church. DECAY PreD MIX Adjusts the delay between input of Sets the duration of the reverberations. the original sound and start of the sound that is mixed with the original reverb TONE HiDMP Tail OFF/ON Adjusts high frequency damping in reverb even after The dry sound also continues to have the same tone as when the effect was on. When OFF, effect sound stops right when Dry OFF/ON When ON, the original sound and the effect sound are mixed and output together. When OFF, only the effect sound is output. This effect simulates the reverberations of a cave. Decay Tone Mix Sets the duration of the reverberations. sound that is mixed with the original PreD Tail OFF/ON Adjusts the delay between input of even after When the original sound and start of the reverb This effect adds a natural ambience (air) to the DECAY TONE MIX Sets the duration of the reverberations. sound that is mixed with the original PreD Tail OFF/ON Dry OFF/ON Adjusts the delay between input of the original sound and start of the reverb even after The dry sound also continues to have the same tone as when the effect was on. When OFF, effect sound stops right when When ON, the original sound and the effect sound are mixed and output together. When OFF, only the effect sound is output. This gate reverb, which is suited to percussive playing, is modeled on the DigiTech RV-7 (Lexicon) Gated setting. Level Tone Decay Adjusts amount of effect sound mixed with original Sets the duration of the reverberations. Tail OFF/ON Dry OFF/ON When ON, the original sound and the even after When effect sound are mixed and output together. When OFF, only the effect sound is output. 25

26 ReverseRv Echo TremoloRv HolyFLERB This effect, which is modeled on the DigiTech RV-7 (Lexicon) Reverse setting, sounds like reverb in reverse. Level Tone Decay Adjusts amount of effect sound mixed with original Sets the duration of the reverberations. Tail OFF/ON Dry OFF/ON When ON, the original sound and the even after When effect sound are mixed and output together. When OFF, only the effect sound is output. This effect can generate gorgeous echoes. DECAY TIME TONE Adjusts the delay between input of Sets the duration of the reverberations. the original sound and start of the reverb MIX Tail OFF/ON Mode MONO, STR even after The dry sound also continues to have the same Sets output to mono or stereo sound that is mixed with the original tone as when the effect was on. (STR). When OFF, effect sound stops right when This effect adds tremolo to reverb and is based on the TREMOLO VERB setting of an Eventide SPACE. Decay PDLY Mix Adjusts the delay between input of Sets the duration of the reverberations. the original sound and start of the sound that is mixed with the original reverb Speed Shape SINE, TRI, PEAK, RNDM, RAMP, SQR Depth MN0 MN99, ST0 ST99 Sets modulation speed. Sets the modulation waveform. Sets the depth of modulation. Also sets whether the modulation is mono (MN0 99) or stereo (ST0 99). Size Low High Adjusts the size of the reverb space. Adjusts volume of low frequencies. Adjusts volume of high frequencies. This effect combines reverb and flanger in a model of an Electro-Harmonix Holy Grail set to FLERB. RVRB Tail OFF/ON even after When sound that is mixed with the original DynaRev This reverb, which is modeled on the tc electronic NOVA REVERB, changes volume according to the dynamics of the input Decay PreD Color Adjusts the delay between input of Sets the duration of the reverberations. the original sound and start of the reverb Sense , OFF, Mix Tail OFF/ON even after When Adjusts the sensitivity of the effect. sound that is mixed with the original 26

27 Table 1 CAB Parameter Type Modeled cabinet and speakers AG 8x10 Ampeg 810E simulation. BM 4x12 Fender BASSMAN simulation. HA 4x10 Hartke 4.5XL simulation. AC 1x18 acoustic 301 simulation. AL 4X10 Aguilar GS410 simulation. MB 1x12 Markbass 12-inch combo amp cabinet simulation. SWR 4x10 SWR GOLIATH simulation. AG 1x15 AMPEG B-15 combo amp cabinet simulation. PT 1x15 POLYTONE MINI BRUTE III combo amp cabinet simulation. SB 4x12 MARSHALL 1935A simulation. GK 4x10 GALLIEN KRUEGER 410RBH simulation. E 4x10 EDEN D410XLT simulation. OFF No cabinet used. Table 2 [Mode Parameter and Scale Parameter] Note played on bass (Example : C) Scale1 Scale 2 Scale 1 Scale 2 Scale 1 Scale 2 Mode 1 Mode 4 Mode 7 C Cm FonC F onc C 7 F7 Mode 2 Mode 5 Mode 8 C 7 (omit 5) C m7 (omit 5) C C C MaJ7 FMaJ7 Mode 3 Mode 6 Mode 9 C MaJ7 (omit 5) C m MaJ7 (omit 5) C dim E dim C sus4 C add9 27 Z2I