Building a Real Camera. Slides Credit: Svetlana Lazebnik
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1 Building a Real Camera Slides Credit: Svetlana Lazebnik
2 Home-made pinhole camera Slide by A. Efros
3 Shrinking the aperture Why not make the aperture as small as possible? Less light gets through Diffraction effects Slide by Steve Seitz
4 Shrinking the aperture
5 Adding a lens
6 Adding a lens A lens focuses light onto the film Thin lens model: Rays passing through the center are not deviated (pinhole projection model still holds) Slide by Steve Seitz
7 Adding a lens focal point f A lens focuses light onto the film Thin lens model: Rays passing through the center are not deviated (pinhole projection model still holds) All parallel rays converge to one point on a plane located at the focal length f Slide by Steve Seitz
8 Adding a lens circle of confusion A lens focuses light onto the film There is a specific distance at which objects are in focus other points project to a circle of confusion in the image Slide by Steve Seitz
9 Thin lens formula What is the relation between the focal length ( f ), the distance of the object from the optical center (D), and the distance at which the object will be in focus (D )? D f D image plane lens object Slide by Frédo Durand
10 Thin lens formula Similar triangles everywhere! D f D image plane lens object Slide by Frédo Durand
11 Thin lens formula Similar triangles everywhere! y /y = D /D D D f y y image plane lens object Slide by Frédo Durand
12 Thin lens formula Similar triangles everywhere! D D f y y /y = D /D y /y = (D f )/f y image plane lens object Slide by Frédo Durand
13 Thin lens formula = 1 D D f Any point satisfying the thin lens equation is in focus. D f D image plane lens object Slide by Frédo Durand
14 Depth of Field Slide by A. Efros
15 Controlling depth of field Changing the aperture size affects depth of field A smaller aperture increases the range in which the object is approximately in focus But small aperture reduces amount of light need to increase exposure
16 Motion blur Long exposure can result motion blur esp. in scenes with moving object
17 Varying the aperture Large aperture = small DOF Small aperture = large DOF
18 Varying the aperture Large aperture = small DOF Small aperture = large DOF Slide by A. Efros
19 Varying the aperture
20 Field of View Slide by A. Efros
21 Field of View Slide by A. Efros
22 Field of View f f FOV depends on focal length and size of the camera retina Larger focal length = smaller FOV Slide by A. Efros
23 Field of View / Focal Length Large FOV, small f Camera close to car Small FOV, large f Camera far from the car Sources: A. Efros, F. Durand
24 Same effect for faces wide-angle standard telephoto Source: F. Durand
25 Approximating an orthographic camera Source: Hartley & Zisserman
26 Orthographic vs. Perspective Projection Camera is moved to infinity... Image credits:
27 The dolly zoom Continuously adjusting the focal length while the camera moves away from (or towards) the subject
28 The dolly zoom Continuously adjusting the focal length while the camera moves away from (or towards) the subject The Vertigo shot Example of dolly zoom from Goodfellas (YouTube) Example of dolly zoom from La Haine (YouTube)
29 Real lenses
30 Lens Flaws: Vignetting
31 Radial Distortion Caused by imperfect lenses Deviations are most noticeable near the edge of the lens No distortion Pin cushion Barrel
32 Lens flaws: Spherical aberration Spherical lenses don t focus light perfectly Rays farther from the optical axis focus closer
33 Lens Flaws: Chromatic Aberration Lens has different refractive indices for different wavelengths: causes color fringing Near Lens Center Near Lens Outer Edge
34 Lens Flaws: Chromatic Aberration Samples...
35 Digital camera A digital camera replaces film with a sensor array Each cell in the array is light-sensitive diode that converts photons to electrons Two common types Charge Coupled Device (CCD) Complementary metal oxide semiconductor (CMOS) Slide by Steve Seitz
36 Color sensing in camera: Color filter array Bayer grid Estimate missing components from neighboring values (demosaicing) Why more green? Human Luminance Sensitivity Function Source: Steve Seitz
37 Problem with demosaicing: color moire Slide by F. Durand
38 The cause of color moire detector Fine black and white detail in image misinterpreted as color information Slide by F. Durand
39 Digital camera artifacts Noise low light is where you most notice noise light sensitivity (ISO) / noise tradeoff stuck pixels In-camera processing oversharpening can produce halos Compression JPEG artifacts, blocking Blooming charge overflowing into neighboring pixels Color artifacts purple fringing from microlenses, white balance Slide by Steve Seitz
40 Historic milestones Pinhole model: Mozi ( BCE), Aristotle ( BCE) Principles of optics (including lenses): Alhacen (Ibn al-haytham) ( CE) Camera obscura: Leonardo da Vinci ( ), Johann Zahn ( ) First photo: Joseph Nicephore Niepce (1822) Daguerréotypes (1839) Photographic film (Eastman, 1889) Cinema (Lumière Brothers, 1895) Color Photography (Lumière Brothers, 1908) Television (Baird, Farnsworth, Zworykin, 1920s) First consumer camera with CCD Sony Mavica (1981) First fully digital camera: Kodak DCS100 (1990) Alhacen s notes Niepce, La Table Servie, 1822 Old television camera
41 First digitally scanned photograph 1957, 176x176 pixels
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