Image Permanence Institute Photographic Identification Webinar #4
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1 Methods of Looking and A Vocabulary for Identification Image Permanence Institute Photographic Identification Webinar #4
2 Process Identification These are 4 different processes!
3 Key ID Features Each process has a unique fingerprint, called its key identifying features. These features are a result of the materials and technologies used to make the object.
4 Key ID Features Image color/tone Surface characteristics: sheen and texture Image structure Layer structure
5 Methods of Looking Object View Surface View Magnification View
6 Object View Characteristics visible with even illumination and no magnification.
7 Object View Image Clues Clothing Vehicles Hairstyles Buildings Gelatin POP
8 Object View Format Cased (1840s-1860s) Carte de visite (1860s-1870s) Cabinet card (1870s-1900) Stereograph (1860s-1930s) Folder ( s) Postcard (1900s-1930s) Mounted Unmounted Albumen print, CDV
9 Object View
10 Object View Information written or printed on the object Back print Back stamp Dates Inscriptions 3 4
11 Object View: Info
12 Object View Primary Support Paper Plastic Glass Metal Ceramic Fabric Leather
13 Object View: Support Paper support Most common support Pre-photographic prints Photographic prints Photomechanical prints Digital prints
14 Object View: Support Glass Ambrotype Wet plate collodion negative/transparency Gelatin Dry Plate negative/transparency Metal Daguerreotype Tintype Fabric Salted paper Cyanotype
15 Object View Image Color/Tone Black Purple/Red Brown Yellow Other Color Full Color Hand Colored
16 Object View: Image Color Image formation + Image material = Image color Metal Pigment Dye
17 Object View: Image Color The color of silver Printed Out
18 Object View: Image Color The color of silver Printed Out
19 Object View: Image Color The color of silver Printed Out Developed Out
20 Object View: Image Color The colors of platinum
21 Object View: Image Color The colors of pigment Pigment Processes: Carbon, Carbro, Woodburytpe, Direct Carbon (Fresson), Gum Dichromate, Bromoil, Bromoil Transfer
22 Object View: Image Color The colors of dye
23 Object View: Image Color 3
24 Object View: Image Color Daylight Fluorescent Tungsten
25 Object View: Image Color
26 Object View: Image Color
27 Object View Deterioration Color shifting Highlight yellowing Image ghosting Image fading
28 Object View: Deterioration 1 Image Fading Highlight Yellowing
29 Object View Key Identifying Features Primary Support Image Color Image Deterioration Other Clues Image Clues Format Back print/back stamp Other information printed/written on the object
30 Surface View Characteristics visible with directional illumination and no magnification. Single light source from above
31 Surface View
32 Surface View
33 Surface View
34 19 th Century The surface characteristics (texture and sheen) are related to the layer structure of the print.
35 20 th Century
36 Surface View
37 Surface View Semi-Matte 2
38 Surface View 1 Glossy 3
39 Surface View 4 Glossy Differential Gloss
40 Surface View Key Identifying Feature Surface Sheen
41 Magnification View Characteristics visible with even or directional illumination and the use of magnification. Image Structure Layer Structure
42 Magnification View Magnification Tools 10x loupe Pocket microscope Microscope
43 Magnification View Magnification Tools 10x loupe Pocket microscope Microscope 10x loupe
44 Magnification View Magnification Tools 10x loupe Pocket microscope Microscope 10x loupe 30x pocket microscope
45 Magnification View Magnification Tools 10x loupe Pocket microscope Microscope 10x loupe 30x pocket microscope 50x microscope
46 Magnification View Loupe with flashlight Pocket Microscope
47 Magnification View Image Structure Continuous in tone Pigment particles (Continuous in tone) Patterned Image grain (high mag)
48 Magnification View: Image Structure Photographic Continuous in tone Photomechanical or Digital Patterned 50x magnification
49 Magnification View: Image Structure
50 Magnification View: Image Structure
51 Magnification View: Image Structure
52 Magnification View: Image Structure Continuous in tone
53 Magnification View: Image Structure Continuous in tone Pigment particles 4
54 Raking Light: directional light from the side Magnification View
55 Raking Light: directional light from the side Magnification View
56 Magnification View Layer Structure Image in/on paper fibers (paper fibers visible) Image above paper fibers, in binder/on coating (paper fibers visible) Image in binder/on coating (paper fibers obscured)
57 Magnification View Image in paper fibers, paper fibers visible Image above paper fibers in binder, paper fibers visible Image in binder, paper fibers obscured
58 Magnification View Image on paper fibers, paper fibers visible Image above paper fibers on coating, paper fibers visible Image on coating, paper fibers obscured
59 Magnification View Layer Structure Image in/on paper fibers (paper fibers visible) Image above paper fibers, in binder/on coating (paper fibers visible) Image in binder/on coating (paper fibers obscured)
60 Magnification View: Layer Structure
61 Magnification View: Layer Structure 1 4
62 Magnification View: Layer Structure 1
63 Magnification View: Layer Structure 2 3
64 Magnification View: Layer Structure
65 Key Identifying Features Image Structure Layer Structure Magnification View
66 Methods of Looking
67 Survey & Thank You Thank you! National Endowment for the Humanities Division of Preservation and Access The Andrew W. Mellon Foundation Next Webinar Wednesday, January 10, 2:00pm EST A Methodology for Process Identification, Part 2 Survey! A brief survey will appear at the end, please give us feedback!
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