Nature Photography. Why Bother With Nature Photography?

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1 Nature Photography Why Bother With Nature Photography? Today Some Fundamentals Birds and Wildlife Insects: Butterflies, Dragonflies, Bugs Landscapes Flowers and Plants Fundamentals: Tech Stuff Underlying Objectives: 1. Get best image quality practical 2. Increase the percentage of keeper shots Tradeoffs, tradeoffs, tradeoffs 1

2 Tech Stuff Exposure Usually manual or Av MUST adjust speed/aperture or exposure compensation Set histogram always on for display Autofocus Single point or single + surrounding pts Back button focusing with continuous focusing (AF Servo) RAW (vs. JPG) RAW vs JPG 2

3 Light Quality Direction Fundamentals Birds and Wildlife Composition Critical but we ll only touch on today in some of the genre sections 3

4 Birds and Wildlife A Key Problem Getting close enough 4

5 Two Ways to Get Closer Stalking Use a blind Use your car as a blind when convenient 5

6 A Key Way to Get Closer: Equipment Camera/Lens Sweet Spots: Super zoom compacts Crop DSLR using 400mm f5.6 lens Canon mm L Tamron mm (newer) Sigma mm (newer) DSLR using 600mm/500mm f4 lens + teleconverter Effective Focal Length 400mm on a Canon 7D crop DSLR 400mm x 1.6 = 640mm full frame equivalent Canon 7D using 600mm f4 lens teleconverter (making it f5.6) 600mm x 1.4 x 1.6 = 1,344mm The Well- Equipped Bird Photographer Geek 6

7 Default Set-Up For Birds Turn on camera and start with: Manual, esp. for birds in flight (sometimes Av) 1/1000 f/8 ISO depending on amt of light High speed continuous drive (unless using fill flash) Handheld; occasionally tripod (with loose head for moving birds) Have binoculars and field guide Consider using Better Beamer and fill flash set to -1 to -1.7 flash exposure compensation Take test shot and adjust from there Quality of light Direction of light Light Fill flash For catchlight To supplement low light Quality of Light Early morning or evening 7

8 Harsher midday light Direction of Light Indigo Bunting harsh light -Side -Front -Back Lighting P.S. Get Low 8

9 Fill Flash Fill light + catchlights 1/320 F6.3 ISO 1250 Deep woods: Let your fill flash be your fast shutter 340mm Flash 600RT With Better Beamer Exposure can be critical - check your histogram Wildlife Photography Rule of Thumb When you get a good shot, shoot. When you get another good shot, shoot again. 9

10 10

11 11

12 What you didn t see 12

13 Best Place To Start? Your backyard And your pictures gradually get better 13

14 Then add some tricks Create backyard blinds 14

15 Or use an actual blind (~$60) How close to crop? Filling the frame 15

16 Next Places To Try Adopt a local forest preserve, state and county park(s) Best time early morning Go on local led field trips ENSBC (Evanston North Shore Bird Club) Lake-Cook Audubon Volo Bog Others: Chicago Audubon, DuPage Audubon, Chicago Ornithological Society, Illinois Ornithological Society Check IBET for current activity Web only IBET like LCCC Yahoo group IL Birders Forum - for more discussions Another place to try: The zoo Don t forget post-processing (for legal changes) Rarity or degree of difficulty is not a factor in CACCA competitions White overcast sky problem - Original capture 16

17 You almost always want a different background Key Factors Get out - create more opportunities Have camera with you Be patient Relax and enjoy nature let photography be a plus Be ethical 17

18 Bugs: Butterflies, Dragonflies, Damselflies, Insects Bugs: Butterflies, Dragonflies, Damselflies, Insects Getting close up: Macro lens Closer focusing telephoto lens Canon 500D close up diopter (for any DSLR make) Extension tubes Working Distance and Magnification Extension Tubes vs. Diopters with with Extension Tubes Close-up Lenses Telephoto only Lens Focal Length Native Magnification 12 mm 25 mm +2 Diopters +4 Diopters 50 mm 0.15X 0.39X 0.65X 0.25X 0.45X 100 mm 0.14X 0.26X 0.39X 0.34X 0.54X 200 mm 0.16X 0.22X 0.29X 0.56X 0.96X PhotoNaturalist free ebook: Lenses used for above comparison: Canon EF 50 mm f/1.4 USM, Canon EF 100 mm f/2.0 USM, Canon EF 200 mm f/2.8 II USM From Cambridge in Color Canon 500D 18

19 Telephoto + 500D diopter 19

20 Some Considerations Best months: June-August (when birding is poorer) Narrow depth of field a key issue Be very conscious of the background Handheld or tripod Shoot in a flat plane parallel to your sensor Not parallel to sensor Parallel to sensor Ditto with butterflies 20

21 Look for ways to make it interesting 21

22 Landscapes Landscapes Light: Best light 30 mins before sunrise through early morning golden hour AND same in reverse for sunset Side lighting best - front lighting can be flat looking Flat front lighting Better side lighting 22

23 Why Is Light Around Sunrise or Sunset So Prized? Let s see. A Sunrise Sequence 10 sec.-2.5 sec-30 sec HDR f22 ISO

24 .4 sec.-.1 sec-1.6 sec HDR ISO

25 1/5 sec.-1/60 sec-1/4 sec HDR f14 ISO

26 Alpenglow before sunrise/after sunset 1/20 sec-1/80 sec-1/5 sec HDR ISO 100 Default Set-Up Av mode (aperture priority) F11 (or f22 if you need it) ISO 100 (or 200) Wide-angle lens On a tripod Use a circular polarizing filter With a remote shutter release (or 2 sec timer) Consider using mirror lockup if shooting in ¼ - 1 sec range Use exposure compensation to get best first image exposure you can If The Sky Is In The Picture You MUST use either: HDR (or equivalent) Graduated Neutral Density Filter Take HDR - Use exposure bracketing +- 2 stops with three exposures or Graduated Neutral Density filter 26

27 27

28 For night shots, use: Shutter speed under 30 secs ISO 400 or more Fast lens f2.8 or better if available Composition: Landscapes Try for foreground, mid ground, and background Horizon line not in the center (ok for reflections) Have a clear subject Adjust your shooting position Background Midground Foreground 28

29 Example of a Centered Reflection Lovely Colors But What s the Subject??? Adjust Your Shooting Position Up and down, side to side Don t always shoot at eye level Some other considerations Leading lines 29

30 Moving water 1/15 to 1/5 th sec shutter (HDR too) Don t Forget to Shoot Panoramas Black and White 30

31 Flowers Flowers Bright but overcast days best Avoids harsh shadows Gives saturated colors Use diffuser or light box when sunny Wind is your enemy Flowers Photonaturalist ebook: Close up equipment as with bugs Depth of field often crucial Need high f stop to keep all of subject in focus Results in slow shutter speeds so need tripod although some shoot handheld Want out-of-focus background Consider focus stacking or high/low f stop for post-processing 31

32 f22 f2.8 Morning dew mm lens with 500D diopter Two layers using layer mask 32

33 The End 33

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