Cinematography Film Study 1 Ms. Jones. From Looking at Movies by Barsam and Monahan
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1 Cinematography Film Study 1 Ms. Jones From Looking at Movies by Barsam and Monahan
2 What is cinematography? Cinematography is the process of capturing moving images on film or a digital storage device. The word comes to us from three Greek roots kinesis, meaning movement ; photo, meaning light ; and graphia, meaning writing but the word was coined only after motion pictures themselves were invented.
3 The Director of Photography representing the mise-en-scene on film or video. the director of photography is the primary person responsible for transforming the other aspects of moviemaking into moving images. Story/screenplay Director Cinematographer (DP)
4 Shot, Take, Setup The three key terms used in shooting a movie are shot, take, and setup. Shot one uninterrupted run of the camera Take refers to the number of times a particular shot is taken Setup one camera position and everything associated with it
5 Production Process The cinematographer s responsibilities for each shot and setup (as well as for each take) fall into four broad categories: Cinemagraphic properties of the shot (film stock, lighting, lenses) Framing the shot (proximity to the camera, depth, camera angle and height, scale, camera movement) Speed and length of the shot Special effects
6 Lighting (Review) Source Natural and/or Artificial Quality Hard or Soft Direction Three-point Lighting (key, fill, back) Color The human eye is different than a camera
7 Back Light picks out subject from its background Fill Light from the opposite side ensures the key light only casts faint shadows Key Light highlights the object
8 Lenses Short-focal-length lens (aka wide-angle lens, starting at 12.5mm) Makes objects look further away than they actually are Movement from background to foreground may appear faster Long-focal-length lens (aka telephoto lens, range from 85mm-500mm) Makes objects look closer (or flatter) than they actually are Middle-focal-length lens (aka normal lens, range from 35mm-50mm) Zoom Lens (aka variable focal-length lens)
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10 Lenses Depth of Field Cinematography must decide what planes or areas of the image will be in focus Short-focal-length lens permit many or all planes to be in focus Rack Focus (shift focus, select focus, pull focus) Shifting focus from one plane to another
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13 Aspect Ratios 1.33:1 Academy (35mm flat) 1.85 American Widescreen (35mm flat) 2.2:1 Superpanovision (70mm flat) 2.35:1 Panavision and CinemaScope (35mm anamorphic) 2.75:1 Ultra Panavision (70mm anamorphic) Framing the Shot
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15 Framing the Shot Shot Types Extreme long shot (XLS or ELS), long shot (LS), medium long shot (MLS), medium shot (MS), medium close-up (MCU), close-up (CU), extreme close-up (XCU or ECU) Two-shot or three-shot Draw an example of each shot on a separate sheet of paper
16 Long Shot Medium Long Shot Medium Shot Extreme Long Shot
17 Medium Close-Up Close-Up Extreme Close-Up
18 Extreme Close-Up Medium Long Shot Medium Close-Up Extreme Long Shot Long Shot Close-Up Medium Shot
19 Rule of Thirds
20 180 Degree Rule
21 Eye Level High-angle shot Low-angle shot Dutch-angle shot Aerial-view shot bird s-eye-view shot Camera Angle and Height
22 Pan shot Tilt shot Dolly or Tracking shot Crane or Boom Shot Zoom vertigo shot Handheld camera Steadicam Camera Movement
23 Omniscient Single Character Group POV
24 Speed Slow motion Fast motion
25 Length of a Shot Long take Short take An average shot is about seconds. A long take is anywhere from 1 10 mins.
26 Special Effects (SPFX or FX) Until the 1960s: In-camera effects Mechanical effects Laboratory effects Post 1960s: All old effects plus Computer-Generated Imagery (CGI)
27 Movie Trailer How much do you see??
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