2007 Advanced Imaging Conference
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1 Color Filtering October 26-28, 2007 San Jose, California by R. Jay GaBany
2 The role of color This is a personal view R. Jay GaBany, 2
3 The purpose of color data Provides tint for a more natural appearance as a metaphor for chemical composition Stimulates an emotional response from the viewer Provides additional luminance data when summed Contains rich structural information when used as a filter R. Jay GaBany, 3
4 The challenges of color data Time consuming to collect Complex to process Significant source of noise R. Jay GaBany, 4
5 Collecting color data Binning color exposures Reduces data collection time Results in lower initial noise Relatively easy to saturate Produces very satisfying results R. Jay GaBany, 5
6 Collecting color data Unbinned color exposures Increases exposure efficiency Can be summed to create additional luminance data Can be saturated with multiple techniques Can be used as a filter to surface structural information lost during binning R. Jay GaBany, 6
7 5 ways to overcome color saturation Blurred saturation layering reference: Rob Gendler Shadow/highlight tool reference: Adam Block Screen/soft light/luminance layering Color dodge layering Match Color tool R. Jay GaBany, 7
8 Blurred saturation layering R. Jay GaBany, 8
9 Method 1: Blurred saturation layering 1. Select Luminosity layer (upper layer) and duplicate 2. Select Layer 1 copy (the new upper layer) 3. Select middle layer and change to Color mode R. Jay GaBany, 9
10 Method 1: Blurred saturation layering 1. Select Gaussian Blur tool 2. Set Gaussian Blur tool between.5 and 1.0 R. Jay GaBany, 10
11 Method 1: Blurred saturation layering 1. Change Opacity of Layer 1 to 50% R. Jay GaBany, 11
12 Method 1: Blurred saturation layering 1. Merge Down Layer 1 onto Background Layer R. Jay GaBany, 12
13 Method 1: Blurred saturation layering 1. Select Saturation tool 2. Set tool to between 15 and 35 based on the quality of the color data. Setting the saturation tool too high may introduce color noise 3. Re-select the Luminosity layer (top layer) to view the result R. Jay GaBany, 13
14 Shadow/Highlight tool R. Jay GaBany, 14
15 Method 2: Shadow/Highlight tool 1. Select Background Layer and copy 2. Select Background copy layer 3. Select Shadow/Highlight tool R. Jay GaBany, 15
16 Method 2: Shadow/Highlight tool 1. Set Shadows Amount, Tonal Width and Radius to zero percent 2. Set Highlights Amount and Tonal width to 50% and Radius to 100 px 3. Set Adjustments Midtone Contrast to zero 4. Set color Correction to a positive number Avoid high Correction values to avoid adding color noise. Best results are obtained if this method is used when stretching RGB data. R. Jay GaBany, 16
17 Screen/soft light/luminance layering R. Jay GaBany, 17
18 Method 3: Screen/soft light/luminance layering (first pass) 1. De-select Luminosity layer (top layer) 2. Select Background layer (bottom layer) 3. Right mouse-click on image and select duplicate layer 4. Repeat duplicate layer This results in four layers: 1. Layer 1 2. Background copy 2 3. Background copy 4. Background R. Jay GaBany, 18
19 Method 3: Screen/soft light/luminance layering (first pass) 1. Select Background copy 2 layer 2. Change property to Luminosity R. Jay GaBany, 19
20 Method 3: Screen/soft light/luminance layering (first pass) 1. Select Background copy layer 2. Change property to Soft Light R. Jay GaBany, 20
21 Method 3: Screen/soft light/luminance layering (first pass) 1. Select Background copy 2 layer 2. Merge Down Background copy 2 layer onto Background copy layer The image will appear dark, so 3. Re-select the Luminosity layer R. Jay GaBany, 21
22 One pass using Layered Saturation may be insufficient Repeat but use a Screen Layer R. Jay GaBany, 22
23 Method 3: Screen/soft light/luminance layering (second pass) 1. De-select Luminosity layer (top layer) 2. Select Background layer (bottom layer) 3. Right mouse-click on image and select duplicate layer 4. Repeat duplicate layer This results in four layers: 1. Layer 1 2. Background copy 2 3. Background copy 4. Background R. Jay GaBany, 23
24 Method 3: Screen/soft light/luminance layering (second pass) 1. Select Background copy 2 layer 2. Change property to Screen R. Jay GaBany, 24
25 Method 3: Screen/soft light/luminance layering (second pass) 1. Select Background copy layer 2. Change property to Soft Light R. Jay GaBany, 25
26 Method 3: Screen/soft light/luminance layering (second pass) 1. Select Background copy 2 layer 2. Merge Down Background copy 2 layer onto Background copy layer The image will appear dark, so 3. Re-select the Luminosity layer R. Jay GaBany, 26
27 Color dodge layering R. Jay GaBany, 27
28 Method 4: Color dodge layering 1. Select Background and make two copies R. Jay GaBany, 28
29 Method 4: Color dodge layering 1. Set upper layer mode to Color Dodge 2. Insure middle layer is set to Normal R. Jay GaBany, 29
30 Method 4: Color dodge layering 1. Deselect Background layer 2. Merge Visible (Menu Layer Merge Visible) R. Jay GaBany, 30
31 Method 4: Color dodge layering 1. Select upper layer and set opacity to 50% (more or less) 2. Change top layer mode to Color 3. Re-select bottom layer R. Jay GaBany, 31
32 Method 4: Color dodge layering before after R. Jay GaBany, 32
33 Match Color tool R. Jay GaBany, 33
34 Method 5: Match Color tool 1. Duplicate image as a new layer 2. Set upper layer mode to Color R. Jay GaBany, 34
35 Method 5: Match Color tool 1. Select upper layer 2. Open Match Color tool ( Menu Image Adjustments Match Color ) R. Jay GaBany, 35
36 Method 5: Match Color tool 1. Set Image Source to None 2. Set Luminance control to Set Color Intensity control to Click OK R. Jay GaBany, 36
37 Method 5: Match Color tool 1. Repeat with alternate Luminance and Color Intensity values 2. Flatten image R. Jay GaBany, 37
38 Method 5: Match Color tool before after R. Jay GaBany, 38
39 Filtering with color Surfaces structural variances based on color Leverages Layered Contrast Stretching R. Jay GaBany, 39
40 Filtering with color 1. Duplicate background layer 2. Set upper layer mode to Color R. Jay GaBany, 40
41 Filtering with color 1. Alter color characteristic of upper layer- very small amounts will have an impact 1. Adjust Hue/Saturation tool 1. Hue 2. Saturation 3. Lightness 2. Change color balance 3. Apply Photo filter 4. Curves tool R. Jay GaBany, 41
42 1. Cover upper layer with layer mask- Hide All Filtering with color R. Jay GaBany, 42
43 Filtering with color 1. Set the foreground color picker to white 2. Select the paintbrush tool Paintbrush tool Foreground color picker R. Jay GaBany, 43
44 Filtering with color 1. Set the paintbrush Mode to Lighten 2. Set the paintbrush Opacity and Flow to 15% or some other low percentage Paintbrush Mode Paintbrush Opacity Paintbrush Flow R. Jay GaBany, 44
45 Filtering with color 1. Select the image and right mouse-click to open the paintbrush preference tool 2. Select a small diameter brush, zero hardness and soft airbrush behavior R. Jay GaBany, 45
46 Filtering with color 1. Click on a Layer mask then on the image and begin painting R. Jay GaBany, 46
47 R. Jay GaBany, 47
48 R. Jay GaBany, 48
49 R. Jay GaBany, 49
50 R. Jay GaBany, 50
51 Groping in the Dark Something very special can only be seen and experienced when looking through an eyepiece or gazing directly up at the heavens. Our eyes allow us to touch the stars and no picture can reproduce that. So, this is my attempt to offer the best alternative I can muster without having you standing with me and my instrument while we share a dark night sky together. Each of us are searching for a spark of truth but without one another, (I believe,) we are simply groping in the dark. R. Jay GaBany, 51
52 NGC 891 R. Jay GaBany, 52
53 R. Jay GaBany, 53
54 R. Jay GaBany, 54
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