"RAW" Conversion Options Too Much of a Good Thing? Dr. Tony Kaye ASIS FRPS 12 December 2009
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1 "RAW" Conversion Options Too Much of a Good Thing? Dr. Tony Kaye ASIS FRPS 12 December 2009
2 RAW" Conversion Options Too Much of a Good Thing? Growth in options Making sense of the options How to evaluate them Colour balance Tone scale Colour reproduction Recommendations
3 Growth in Options D200 NX 1.2 CS3 D300 NX 2.2 CS4 Mode I Mode I ACR 3.3 Standard Standard Standard Mode II Mode II Neutral Neutral Neutral Mode III Mode III Portrait Portrait Portrait Mode Ia Vivid Vivid Vivid Mode IIIa Landscape Landscape Landscape D2X Mode I* D2X Mode I D2X Mode I D2X Mode II* D2X Mode II D2X Mode II D2X Mode III* D2X Mode III D2X Mode III ACR 4.3 ACR 4.4 Adobe Std. Total 3 Total 5 Total 3 Total 8 Total 8 Total 11
4 Growth in Options D200 NX 1.2 CS3 D300 NX 2.2 CS4 Mode I Mode I ACR 3.3 Standard Standard Standard Mode II Mode II Neutral Neutral Neutral Mode III Mode III Portrait Portrait Portrait Mode Ia Vivid Vivid Vivid Mode IIIa Landscape Landscape Landscape D2X Mode I* D2X Mode I D2X Mode I D2X Mode II* D2X Mode II D2X Mode II D2X Mode III* D2X Mode III D2X Mode III ACR 4.3 ACR 4.4 Adobe Std. Total 3 Total 5 Total 3 Total 8 Total 8 Total 11 * Downloadable optional extra profiles
5 Growth in Options D200/D300 Nikon Software Adobe Photoshop
6 Understanding The Options How can we make sense of all these options? Do a structured test Use the Macbeth Color Checker Chart Evaluate results Compare D300 (Camera) Nikon NX Software Adobe Photoshop CS4 ACR 5.3
7 Colour & Tone Scale Macbeth Color Checker Dark Light Blue Foliage Purplish Bluish Skin Skin Sky Blue Green Orange Purplish Moderate Purple Yellow Orange Blue Red Green Yellow Blue Green Red Yellow Magenta Cyan White Neutral Neutral Neutral Neutral Black
8 Colour & Tone Scale Exposures The Macbeth Color Checker test chart was photographed with a Nikon D300 camera RAW & High Quality ISO 200 Custom White Balance Adobe 1998 colour space All 8 looks selected Standard Neutral Portrait Vivid Landscape D2X Mode I D2X Mode II D2X Mode III
9 Image Generation Nikon NX Software All 8 raw files were opened and saved as 8 bit R, G, B, TIF files Embedded colour profiles used All conversion settings were set to default Appropriate looks/profiles are selected automatically as NX reads the metadata and chooses the selected Picture Control Option
10 Image Generation Adobe Photoshop CS4 All 8 raw files were opened and saved as 8 bit R, G, B, TIF files Adobe 1998 colour space used All conversion settings were set to default Appropriate looks/profiles were selected manually as CS4 does not read the relevant Picture Control metadata
11 Data Analysis TIFS and JPEGS opened using Photoshop CS4 Extended Macros were run To collect R, G, B code values from individual Macbeth patches Convert R, G, B code values to L* a* b* (Lightness, R-G, Y-B) Compare the L* a* b* values of the data from the image files with the reference values of the Macbeth Chart Calculate CIE 2000 colour differences Data plotted Colour Balance Lightness Colour Accuracy Colour Saturation
12 Colour Balance vs. Code Value
13 Colour Balance - 2 a*/b* shift
14 Colour Balance - D300 JPEGS Yellow b* Green Red a* Blue
15 Colour Balance NX TIFS Yellow b* Green Red a* Blue
16 Colour Balance CS4 TIFS Yellow b* Green Red a* Blue
17 Tone Scale L*out vs. L*in Nikon D300
18 Tone Scale L*out vs. L*in Nikon NX
19 Tone Scale L*out vs. L*in Adobe CS4 ACR 5.3 Nikon Profiles
20 Tone Scale L*out vs. L*in Adobe CS4 ACR 5.3 Nikon & Adobe Profiles
21 NX vs. D300 In Camera Delta L* L* in
22 CS4 vs. D300 In Camera Delta L* L* in
23 Camera Standard
24 Camera Standard
25 Adobe Profiles Delta L* L* in
26 Adobe Standard vs. Nikon Standard Nikon NX Adobe CS4
27 Adobe Standard vs. Nikon Standard Nikon NX Adobe CS4
28 Average Colour Accuracy (Error)
29 Maximum Colour Accuracy (Error)
30 Colour Reproduction Vivid In Camera
31 Colour Reproduction Vivid Adobe CS4
32 Tone Scale - Choices Camera vs. NX vs. CS4 Tone Scale Small differences in tone scale mainly confined to shadows where Adobe is trying to replicate in-camera performance Big differences in preference between Nikon tone scales and Adobe tone scales (ACR 4.3/4.4 & Adobe Standard) Camera vs. NX vs. CS4 Impact on Colour Small differences in colour observed, influenced by tone scale differences What about real colour preferences? Nikon looks vs. Adobe looks
33 Overall Colour Accuracy (Error )
34 Overall Colour Saturation
35 Overall Hue Errors
36 Colour - Choices Nikon looks Overall colour becomes less accurate as the colour saturation increases Hue errors on average are small Adobe looks Overall accuracy similar to mid saturation Nikon looks for ACR 4.3 & 4.4 profiles Overall saturation similar to Nikon camera standard Adobe Standard very different in terms of hue error compared to all other profiles Worth investigating further!!
37 Nikon D300 Standard
38 Adobe ACR 4.4
39 Adobe Standard
40 Adobe Standard
41 Nikon D300 Standard
42 Adobe Standard
43 Nikon D300 Standard
44 Adobe Standard?? Average hue error Adobe Standard Can this error be reduced? Try Adobe DNG Profile Editor Optimise using Macbeth Color Checker Average hue error 0.55 Similar to other profiles! Does Adobe have a distinct preference for colour reproduction or is there a bug in ACR?
45 Conclusions Lots of choice!!! Similar to choosing a film! Adobe emulation of Nikon Profiles Broadly similar in overall saturation and colour reproduction Tone scale differences in shadows Not a true match but ACR 5.3 has a similar look to Nikon Adobe Standard Different preference to previous Adobe profiles Different to Nikon profiles Blues >> cyan Reds >> magenta Skin tones >> pinker
46 Final Thoughts/Recommendations Regard choosing a profile ( look ) as the same as choosing a film Depending upon scene content, lighting etc. choice of film may vary Fuji Velvia not too good for portraits but may be great for certain landscapes Kodak Portra 160 NC not too good for landscapes but great in the studio for portraits Get to know the looks Explore the differences on a variety of scenes Simple life, can I just use one? Yes of course, and tweak colour and contrast afterwards if you don t like the results on certain scenes
47 CS4 - Adobe Standard
48 CS4 - Camera Standard
49 CS4 - Camera Portrait
50 CS4 - Camera Vivid
51 CS4 - Adobe Standard
52 CS4 - Camera Standard
53 CS4 - Camera Portrait
54 CS4 - Camera Vivid
55 Thank You Questions?
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Calibration Kent Messamore 7/23/2013 JKM 7/23/2013 Enhanced Images 1 Predictable Consistent Results? How do you calibrate your camera? Auto White Balance in camera is inconsistent Amateur takes a single
Setting Up Your Camera Overview
Setting Up Your Camera Overview Lecture #1B LOUDEN 1 Digital Shooting: Setting up your Camera & Taking Photographs Watch this Video: Getting to Know Some Controls on Your Camera (DSLR CAMERAS): http://www.youtube.com/watch?v=1wu63fbg27o&feature=rel