HONG KONG EXAMINATIONS AND ASSESSMENT AUTHORITY HONG KONG DIPLOMA OF SECONDARY EDUCATION EXAMINATION VISUAL ARTS VISUAL PRESENTATION OF A THEME
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1 HONG KONG EXAMINATIONS AND ASSESSMENT AUTHORITY HONG KONG DIPLOMA OF SECONDARY EDUCATION EXAMINATION VISUAL ARTS PAPER 1 VISUAL PRESENTATION OF A THEME (Sample Paper) The total duration of Part A and Part B is 4 hours Part A must be answered in English. The paper consists of five questions. Attempt ONE question. Complete the following two parts of the question: Part (A): Art appreciation and Criticism (45 minutes) Write a critical appreciation of the works of art provided. This section carries a 20% weighting of the total marks for the paper. Part (B): Visual Arts making (3 hours and 15 minutes) Create a piece of two-dimensional artwork using any media, form, style and technique to present a theme in response to the critical appreciation in Part A. Using the answer sheet given, in no less than 50 works, provide your artist s statement and explain how your work is related to your art appreciation. This Section carries an 80% weighting of the total marks for the paper. 香港考試及評核局保留版權 Hong Kong Examinations and Assessment Authority All Rights Reserved 2008 Not to be taken away before the end of the examination session 1
2 Attempt ONE of the following: 1. (A) Analyse and compare the stylistic features of plates (1) and (2); interpret and evaluate the meanings of these works. (B) Create a painting based on the theme A Mind for Scenery. 2. (A) Analyse and compare the spatial expressions of plates (3) and (4); interpret and evaluate the meanings of these works. (B) Create a painting based on the theme The Space of Life. 3. (A) Analyse and compare the expressions of the figures of plates (5) and (6); interpret and evaluate the meanings of these works. (B) Create a painting based on the theme The Expression of Humanity. 4. (A) Analyse and compare the artistic expressions of plates (7) and (8); interpret and evaluate the meanings of these works. (B) Create a painting based on the theme Re-deduction. 5. (A) Analyse and compare the artistic expressions of plates (9) and (10); interpret and evaluate the meanings of these works. (B) Create a painting based on the theme Love for Hong Kong. 2
3 Plate (1) Chou Lu Gun ( 周綠雲 ). Midsummer ( 仲夏 ) Ink and colour on paper, 165 x 86 cm. Source: Hong Kong Museum of Art (2005) Plate (2) Piet Mondrian. Broadway Boogie Woogie Oil on canvas, 127 x 127 cm. Source: Martin, F. D., & Jacobus, L. A. (2004). The humanities through the arts (6 th ed.). New York: McGraw Hill. (P. 83) 3 Go on to the next page
4 Plate (3) M. C. Escher. Concave and Convex Lithograph, 28 x 33.5 cm. Source: Escher, M. C. (1995). M. C. Escher. Germany: Benedikt Taschen. (Plate 56) Plate (4) René Magritte. Carte Blanche Oil on canvas, 81 x 65 cm. Source: 曾長生 (2000): 世界美術全集: 超現實主義藝術, 台北, 藝術家出版社, 頁 145 4
5 Plate (5) Michelangelo Bounarroti. Pietà Marble, 174 x 195 cm. Source: Wilkins, D. G. (Ed.). (2005). Big book of art: From cave art to pop art. New York, NY: Harper Collins Publishers. (P. 130) Plate (6) Artist unknown ( 無名氏 ). Painted Pottery Performing Figure ( 說唱俑 ). 100 B. C. 100 (Eastern Han Dynasty). Gray potter y, 55 cm high. Source: 郎紹君等編 (1996): 中國造型藝術辭典, 北京, 中國青年出版社, 頁 41 5 Go on to the next page
6 Plate (7) Edouard Manet. Olympia Oil on canvas, x 100 cm. Source: Martin, F. D., & Jacobus, L. A. (2004). The humanities through the arts (6 th ed.). New York: McGraw Hill. (P. 48) Plate (8) Larry River. I Like Olympia in Black Face Mixed media, construction, 104 x 198 x 86 cm. Source: Livingstone, M. (2000). Pop art: A continuing history. New York: Thames & Hudson. (P. 212) 6
7 Plate (9) Wu Guan Zhong ( 吳冠中 ). A Journey to Hong Kong ( 香港紀行 ) Color and ink on paper, unknown size Source: 儒墨堂全球藝術社群 線上藝廊 (2006) Galleryhttp:// HPSESSID=9bb8f2d ebb668d2ef78c58f Plate (10) Kong Kai Ming ( 江啓明 ). Tonnochy Road, Wan Chai ( 灣仔杜老誌道 ) Watercolor on paper, x 77.5 cm Source: 江啓明 (1991): 香港畫史: 江啓明, 香港, 浸會校外進修學院, 頁 120 END OF PAPER 7
8 List of plates Plate (1) Wassily Kandinsky. Sketch I for Composition VII Oil on canvas, 78 x 100 cm. Source: Janson, H. W., & Janson, A. F. (2001). History of art (6 th ed.). London: Thames & Hudson. (P. 776) Plate (2) Source: Piet Mondrian. Broadway Boogie Woogie Oil on canvas, 127 x 127 cm. Martin, F. D., & Jacobus, L. A. (2004). The humanities through the arts (6 th ed.). New York: McGraw Hill. (P. 83) Plate (3) M. C. Escher. Concave and Convex Lithograph, 28 x 33.5 cm. Source: Escher, M. C. (1995). M. C. Escher. Germany: Benedikt Taschen. (Plate 56) Plate (4) René Magritte. Carte Blanche Oil on canvas, 81 x 65 cm. Source: 曾長生 (2000): 世界美術全集: 超現實主義藝術, 台北, 藝術家出版社, 頁 145 Plate (5) Source: Michelangelo Bounarroti. Pietà Marble, 174 x 195 cm. Wilkins, D. G. (Ed.). (2005). Big book of art: From cave art to pop art. New York, NY: Harper Collins Publishers. (P. 130) Plate (6) Artist unknown ( 無名氏 ). Painted Pottery Performing Figure ( 說唱俑 ). 100 B. C. 100 (Eastern Han Dynasty). Gray pottery, 55 cm high. Source: 郎紹君等編 (1996): 中國造型藝術辭典, 北京, 中國青年出版社, 頁 41 Plate (7) Source: Edouard Manet. Olympia Oil on canvas, x 100 cm. Martin, F. D., & Jacobus, L. A. (2004). The humanities through the arts (6 th ed.). New York: McGraw Hill. (P. 48) Plate (8) Larry River. I Like Olympia in Black Face Mixed media, construction, 104 x 198 x 86 cm. Source: Livingstone, M. (2000). Pop art: A continuing history. New York: Thames & Hudson. (P. 212) Plate (9) Wu Guan Zhong ( 吳冠中 ). A Journey to Hong Kong ( 香港紀行 ) Color and ink on paper, unknown size Source: 儒墨堂全球藝術社群 線上藝廊 (2006) Galleryhttp:// HPSESSID=9bb8f2d ebb668d2ef78c58f Plate (10) Kong Kai Ming ( 江啓明 ). Tonnochy Road, Wan Chai ( 灣仔杜老誌道 ) Watercolor on paper, x 77.5 cm. Source: 江啓明 (1991): 香港畫史 : 江啓明, 香港, 浸會校外進修學院, 頁 120 8
9 HONG KONG EXAMINATIONS AND ASSESSMENT AUTHORITY HONG KONG DIPLOMA OF SECONDARY EDUCATION EXAMINATION VISUAL ARTS PAPER 2 DESIGN (Sample Paper) The total duration of Part A and Part B is 4 hours Part A must be answered in English. The paper consists of five questions. Attempt ONE question. Complete the following two parts of the question: Part (A): Design appreciation and Criticism (45 minutes) Write a critical appreciation of the works of design provided. This section carries a 20% weighting of the total marks for the paper. Part (B): Design (3 hours and 15 minutes) Create a piece of design using any media, form, style and technique to present a theme in response to the critical appreciation in Part A. Explain in the separate answer sheet provided in no less than 50 words, your design statement and include preliminary sketches. Explain how your design is related to your critical appreciation. This Section carries an 80% weighting of the total marks for the paper. 香港考試及評核局保留版權 Hong Kong Examinations and Assessment Authority All Rights Reserved 2008 Not to be taken away before the end of the examination session 1
10 1. (A) Compare, contrast and analyze the design concepts, use of colour and typography of the two logos below. (Designer:Landor Associate) (Designer:Kan Tai Keung) (B) Design a logo for a popular flower store called Floral Inn ( 花軒 ). Your design should include the Chinese and English names and be able to reflect the characteristics and identity of the store. (You may refer to the photographic images provided below.) 2
11 2. (A) Compare, contrast and analyze the design concepts, functions and visual effects of the two food-package designs below. (a) Packaging for Chinese cakes (b) Packaging for pie (B) Design the packaging for three swallow nest custard tarts which have a normal size and shape appeared in the market for Ngong Ping Cake Shop ( 昂平餅店 ). Your design should include the Chinese and/or English names of the cake shop, and indicate the form and size of the packaging. At least two 3- dimensional renderings should be presented. 3 Go on to the next page
12 3. (A) Compare, contrast and analyze the design concepts, layout and visual effects of the two posters below. (a) Building Hong Kong redwhiteblue Hong Kong Design Series 4 organized by Hong Kong Heritage Museum Designer: Stanley Wong (b) Hong Kong Dong Xi Exhibition of Graphic and Advertising Design in Hong Kong organized by Wiggins Teape (HK) Ltd.1996 Designer: Alan Chan 4
13 (B) Design a poster to promote a Hong Kong culture tour to tourists visiting Hong Kong. The poster should be A2 (420mm x 590mm). Candidates should incorporate any appropriate caption, slogan and images into the poster. You may refer to the photographic images provided below. Tai Hang Fire Dragon Dance Wong Tai Sin Temple Giant Seated Buddha 5 Go on to the next page
14 4. (A) Compare, contrast and analyze the silhouettes, use of colours, surface pattern and visual effects of the two fashion outfits below. (a) Hubert de Givenchy 2004 Spring Collection (b) Yohji Yamamoto 2004 Spring Collection partial surface pattern partial surface pattern (B) Design a spring outfit for young people by blending traditional and fashionable styles. Both the front and back views of the outfit should be presented. 6
15 5. (A) Compare, contrast and analyze the design concepts, use of colour, layout and visual effects of the two designs below: (a) Label design for Watson s distilled water bottle Designer: Freeman Lau 7 Go on to the next page
16 (b) Bag design for G.O.D Designer: Douglas Young (B) With reference to the picture given below, design a sign for the main entrance of the Hong Kong Creative Arts Centre ( 香港創意藝術中心 ) which aims to promote visual arts in Hong Kong. There are no limitations on the shape and form of the signage. Your design should include the Chinese and English names of the Centre, and reflect the characteristics of local culture. END OF PAPER 8
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