Lesson Title: Visualizing City Life: Artists William Johnson and Jacob Lawrence
|
|
- Theodore Norton
- 5 years ago
- Views:
Transcription
1 Lesson 28 Museum Connection: Art and Intellect Lesson Title: Visualizing City Life: Artists William Johnson and Jacob Lawrence Purpose: In this lesson students will examine the artistic and social factors that dominated African American life in major northern cities during and following the Harlem Renaissance. They will view the works of Jacob Lawrence and William Johnson and identify the artists views of people and cities during this period. Using the techniques of Johnson and Lawrence, students will create a mural of modern city life in order to demonstrate their understanding of visual art as an expression of history and human experience. Grade Level and Content Area: Elementary, Fine Arts Time Frame: 5-8 class periods Visual Arts ELO: II.A.2 Inspired by selected artworks from different times and places, the student will create images and forms that express ideas about self, other people, places, and events. Visual Arts State Standards: 2.1.b (Grade 5) Select ideas, images, and forms to express personal meaning about life experiences in a visual composition 3.2.a (Grade 4) 3.2.a (Grade 5) 4.2.b (Grade 4) Describe sources for ideas and compare the processes used to create artworks Describe how artists use the elements of art and principles of design to organize visual compositions Interpret artworks to establish criteria for making judgments Reading and English Language Arts State Standards: 1.D.3.d (Grade 4) Use new vocabulary in speaking and writing to gain and extend content knowledge and clarify expression 1.D.2.b (Grade 5) Explain relationships between and among words Objectives: Students will identify the artistic and social characteristics of artwork created by William Johnson and Jacob Lawrence. Students will identify those elements of city life in the work of Johnson and Lawrence that are similar to those of today and those that are different. 29-1
2 Using the artistic styles of Johnson and Lawrence, students will produce a mural representing their own views of life in the city. Vocabulary and Concepts: Accessible art Works of art can be accessible in two ways. First they can be readily available for viewing in public places for little or no charge (e.g., in a park or in a museum). Or they can be easily read, meaning that the story or message can be quickly understood. Some of the artworks mentioned in this lesson may be accessible in both meanings, especially since the Internet has made seldom-seen art available to wider audiences than ever before. City life City life refers to the daily activities and interactions of people at work and play in the city and the structures and institutions that support them. Mural A mural is a large-scale painting. Materials For the teachers: Prints of artworks by William Johnson and Jacob Lawrence Art and Life of William H. Johnson: A Guide for Teachers, Smithsonian American Art Museum (available online at For the student: Cardstock, watercolor paper, or stiff paper on which to paint (9 x12 format recommended for this project) Small scissors for cutting out paintings Crayons and tempera paint Glue sticks and/or white glue Medium-size paint brushes Large piece of colored paper for mounting mural Resources: Dans, Peter E. Perry s Baltimore Adventure: A Bird s-eye View of Charm City. Centreville, Maryland: Tidewater Publishers, Driskell, David, David Levering Lewis and Deborah Willis Ryan. Harlem Renaissance: The Art of Black America. New York: Harry N. Abrams, Inc., Howard, Nancy Shroyer. Jacob Lawrence: American Scenes, American Struggles. Worcester, Massachusetts: Davis Publications, Huggins, Nathan Irvin. Harlem Renaissance. New York: Oxford University Press,
3 Lawrence, Jacob. Harriet and the Promised Land. New York: Simon & Schuster, Ringgold, Faith. Tar Beach. Los Angeles: Dragonfly Books, Schoener, Allon. ed. Harlem on Mv Mind: Cultural Capital of Black America New York: Random House, Siskind, Aaron. Harlem Photographs, Washington, DC: National Museum of American Art, Smithsonian Institution, Web site: Mural Arts Program http//: Teacher Background The Harlem Renaissance: The United States experienced a period of change and mobility during and after World War I. Dissatisfied with the severe limitations of Jim Crow laws and the poor, often isolated, living conditions in the Deep South, many African Americans moved to large northern cities hoping for better job opportunities and good schools. As their populations swelled, urban communities in New York, Detroit, and Chicago teemed with talented African Americans. Artists, musicians, writers, actors, and dancers came together and developed vibrant new art forms that derived from African heritage, the spiritual values and gospel music of churches, and the dominant European culture. This rebirth of arts and culture in the 1920s known at the time as the New Negro Movement was most pronounced in Harlem, New York, which pulsated with the excitement of achievement. The photographs of James VanDerZee document this excitement, as well as the glamorous lives of the period s entertainers in the city s ballrooms and theaters. Other migrants to the cities, however, did not find satisfying jobs or good living conditions. Churches moved uptown to Harlem in order to serve their needs, and cultural centers were established. At the same time many people involved in the Harlem Renaissance, as this movement is now known, also began to express their hopes for civil liberties and true equality; out of this environment came the NAACP and the modern civil rights movement. Artists too began to take a new look at the benefits and constraints of urban life and use their work in order to examine the society in which they lived. Artists such as Romare Bearden, William Johnson, and Jacob Lawrence created visual images of the harsher aspects of life in the city, while musicians like Bessie Smith used the blues to express the sorrows and trials of the period. Featuring real people contending with the realities of urban life, the paintings of William Johnson and Jacob Lawrence capture the emotions of those who migrated from the South to large industrial cities in the North. They both adopted a direct and simple style of painting so that their works resemble poster prints rather than the other types of 29-3
4 representational art of the period. As a result, their works which use vibrant colors to bring the city to life were accessible to a wider audience. Born in Florence, South Carolina, William Johnson moved to New York City in There he attended the National Academy of Design, where he prepared for his career as an artist by studying traditional painting techniques. Although Johnson left New York after only five years, for the rest of his career he infused his works with the energy and spirit of the Harlem Renaissance. After leaving New York, Johnson spent several years in North Africa and Europe before he settled in Paris. When he returned to South Carolina 14 years after he had first left, he began creating paintings that reflected the religion and customs of rural life. As his work progressed, Johnson s style, once representational, became flat and simplified in form. Yet his goal always remained the same: to tell the true story of the African and African American experience through art. Born in Atlantic City, New Jersey, Jacob Lawrence lived for a short time in Easton, Pennsylvania, before he moved with his mother to New York City in During the 1930s, Lawrence studied art in Harlem, and soon he began creating his own painted visions of life in the city. The Migration of the Negro and Life in Harlem, for example, depict New York as seen through the eyes of African Americans recently arrived from the agricultural South. Later, Johnston illustrated Langston Hughes book of poetry, One-Way Ticket, and a children s book about Harriet Tubman and the Underground Railroad. He also spent some time in Nigeria and taught at colleges and universities in the United States until the end of his career. Characterized by vibrant and contrasting colors, bold geometric forms and patterns, and symbolic intensity, Johnson s works stress social and historical themes, as well as his belief that human beings had the ability to overcome any obstacle. Lesson Development: Day One 1. Motivation: Display prints of artwork by William Johnson and Jacob Lawrence that show life in city streets and in homes. Use as many prints as possible. Ask students what they see in the pictures: What are people doing? How are they dressed (fancy city clothes)? Where are they? Are they interacting? Discuss the way the bright colors and patterns in the pictures make the work lively and interesting. 2. A range of activities to assist students in conceptualizing a cityscape could include community investigation and documentation, field trips, visits to museum Web sites, and nature walks in the community. Take photos using a digital or Polaroid camera in order to document the unique aspects of the community. 3. Discuss the African American migration from farm to city in the 1920s and 1930s and the Harlem Renaissance that resulted from it. Throughout the discussion emphasize that: Both Lawrence and Johnson show viewpoints of the city held by African Americans who migrated from farm to city. 29-4
5 Coming to a strange new city after living in the country was not easy. People had to find ways to amuse themselves in town. We see a lot of color and crowded buildings in the artwork of Lawrence and Johnson. 4. Conclude this initial session with comments about how we may all take the same bus ride or the same trip in a car and see very different things, owing to selective observation. Ask students to observe the world around them on their trips to and from school and to remember what appears to be significant or important on a personal basis. Ask them to remember a street or building that is really busy and interesting to them. Day Two: 1. Begin with brainstorming the final design including specific portions of the mural. 2. Assign groups of three or four students to complete these portions, such as buildings, streets, sidewalks, cars, people, etc. Encourage students to include objects from their own personal observation and experience. 3. Revisit the artistic habits and creative processes used by Johnson and Lawrence as demonstrated in selected works and documented history. (Make a list of the objects required and which group will be responsible for rendering each object.) 4. Suggest that a composite picture of the city of Baltimore (or another city) might contain numerous buildings and elements of the harbor as well as the city streets. Just as Johnson and Lawrence depicted the city, library, parade, pool hall, and welldressed couples, this can be incorporated in a composite mural of the city with everyone contributing a favorite item. 5. Options for variation: Use books, prints and photographs of the city as you ask students to recall city sights and events. Tell them that Baltimore has long been known for its doorways, stone stoops, and row houses. Since the city is really a collection, put the prints and photographs together as a composite collection. Make a list of buildings, shops, theaters, museums, schools, office buildings, bridges, hotels, sports arenas, railway stations, and so forth that can exist in a city. Discuss the wide variety of people who live and work there (ethnicity, age, gender, occupation, etc.). 6. Start students working with paper and dark crayon to outline the figure of a person or the outline of a building. 7. Discuss the use of bright color and distribute fairly thick tempera paint so that students can color in their outlined figures. Use medium brushes. They will not be able to define features with fine lines and should achieve some of the flat poster-like quality of the original artworks. When most students are finished painting their work, 29-5
6 lay out a large piece of colored paper to provide a background for the mural. Draw a line to indicate the place from which the city will rise. 8. Explain to students that they will cut out their buildings and figures when they are dry and place them on the paper to make a mural. When the paintings are dry, distribute scissors for students to cut out their figures or buildings. Place the dry cutouts on the paper in order to begin making decisions concerning the mural. 9. Call the class together to decide whether other items are needed, such as vehicles, pets, street lamps, doorways, or more buildings or people. Assign students to produce the needed items. 10. When all of the paintings are finished, arrange them in a composition with all students assisting. Buildings may overlap and people may crowd together to indicate the bustling atmosphere of the city. Some painting may be needed on the mural itself. When the mural is arranged, it can be pasted down carefully and given a title determined by the group. 11. Assessment: Students look at their final product to determine whether it conveys the idea of a city with people living in it and whether they have used a style in producing the mural that reflects the work of Johnson and Lawrence. Are there flat geometric shapes? Are bright colors used? Are the people dressed like people in a city? Are they doing something? Does the title really suit the picture or could they suggest a better one? What does it tell us about the city it portrays? To aid viewers understanding, students will write a brief explanation of their mural and list the people, activity, and buildings that are included. They should also make reference to the artist(s) who inspired their work. 12. Closure: Discussion after completion of the mural should include: What did you learn about the artists? About life in Harlem? About life in Baltimore or other cities? How did this knowledge influence your work of art? Thoughtful Application: Examine visual portrayals of cities in the media (television, magazines, movies, etc.). How do those images shape our perceptions of city life? Lesson Extensions: Visit the Reginald F. Lewis Museum of Maryland African American History and for evidence of the Renaissance spirit in Baltimore. Who were some of Baltimore s musicians and performers who were among the period s greatest performers? Students may use the composite technique to put together several images in one painting. They may make a painting of the mural that they have created through group contributions as a follow-up activity. 29-6
7 Language Arts Read Tar Beach and Harriet Tubman and the Promised Land. Complete a Venn diagram comparing the content, genre, styles of artists, social message, etc., of the two books. 29-7
Describe how cultures have developed and changed. Describe how individuals and groups have contributed to the development of cultures.
Lesson 26 History of the Harlem Renaissance Museum Connection: Art and Intellect Purpose: In this lesson students will be introduced to the Harlem Renaissance. They will read about this historical period,
More information701 CCA Summer Workshop
Unit Theme: Re-Imagining My World Lesson Plan Title: My Community Map Lesson Length: One workshop day Teacher: Katielynn O'Toole Grade Level: Ages 6-10 701 CCA Summer Workshop Lesson Overview: Students
More informationFaith Ringgold Paints Crown Heights
Faith Ringgold Paints Crown Heights Time: 15 minutes INTRODUCTION Study Guide Faith Ringgold Paints Crown Heights is a film about an important work by the famous African-American woman artist that sends
More informationThe Harlem Renaissance of the 1920s
The Harlem Renaissance of the 1920s The Harlem Renaissance was a flowering of African American social thought which was expressed through Paintings Music Dance Theater Literature Where is Harlem? The island
More informationLearning Plan. Title: Neighborhood collage. Artist: Romare Bearden
Learning Plan Title: Neighborhood collage Artist: Romare Bearden - 1911-1988 Romare Bearden was an African-American internationally recognized for his lifelong work as a collage artist. His work told many
More informationTEACHER RESOURCE PACKET Grade Level: 4th Grade
TEACHER RESOURCE PACKET A lesson about Romare Bearden, the Harlem Renaissance, and the Great Migration. Bloom where you are transplanted: Most artists take some place and like a flower they sink their
More informationFAITH RINGGOLD (1930- )
FAITH RINGGOLD (1930- ) Born in 1930 in Harlem, New York, Faith Ringgold (Faith Willi Jones) enterd the world during the Great Depression. Her mother was a dressmaker who later became a fashion designer
More informationObjective What impact did the Harlem Renaissance have on American society in the 1920s and today?
Objective What impact did the Harlem Renaissance have on American society in the 1920s and today? Quick Write What does music, literature, art, dance, poetry, and/or theater mean to you in your life? What
More informationSponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Stenciling With Collage
Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Stenciling With Collage Luis Gonzalez, 18, Boston Celebrate arts in education and self-expression by encouraging your students to
More informationArt Instructional Units
Art Instructional Units ART INSTRUCTIONAL UNITS TASK FORCE MEMBERS JANEEN LINDSAY SHARON COSLOP JILL CUCCI SMITH SABINA MULLER, CURRICULUM AND INSTRUCTION SUPERVISOR SEPTEMBER 2013 Unit 1 The Element of
More informationCommunity Study: City Mural By Gr. 1&2
Community Study: City Mural By Gr. 1&2 Overview of the inquiry process for City Mural First the students went on a tour of the city, took photographs and made sketches for future reference viewed and discussed
More informationLESSON TWO: Modern Movements
LESSON TWO: Modern Movements 12 IMAGE FIVE: Gustav Klucis. Latvian, 1895 1944. The Development of Transportation, The Five-Year Plan. 1929. Gravure, 28 7 8 x 19 7 8" (73.3 x 50.5 cm). Purchase Fund, Jan
More informationCut out magazine body parts, animals, sports, flowers, games, any item to help the students create their collage.
Masterpiece: Summertime & She-Ba Artist: Romare Bearden (Roh-mare Beer-den) 1911-1988 Concept: Collage Lesson: Magazine portrait collage Objectives: To make a collage To show students different ways to
More informationTERRA Teacher Lab. Lesson Plan. Title of Lesson: Identity. Topic or Theme of Unit that Lesson is Part of: Who Am I?
TERRA Teacher Lab Name: Loza, Martha Ivette, Labombard, Kathryn Stauter, Jeffrey School: Little Village Academy Lesson Plan th Grade(s): 7 /8 th Title of Lesson: Identity Topic or Theme of Unit that Lesson
More informationThe Art and Life of William H. Johnson Brinille E. Ellis. Johannes Larsen Museum Kerteminde, Denmark September 26, 2014
The Art and Life of William H. Johnson Brinille E. Ellis Johannes Larsen Museum Kerteminde, Denmark September 26, 2014 What is African American Visual Art? A broad term describing the visual arts created
More informationThird Grade Visual Arts Curriculum Overview
Third Grade Visual Arts Curriculum Overview Students will continue to build on, expand and apply the above through the creation of original artworks. Using their powers of observation, abstraction, invention,
More informationTeacher facilitates the discussion but should not be an expert on what should be seen, or how the painting should be interpreted!
Learning to Look: Introduce the painting to the students, guiding their looking and using open-ended questions to elicit their personal responses. Teacher Guide: This is not the time to focus on the background
More informationJudith Campanaro Art educator, art therapist, and author
Judith Campanaro Art educator, art therapist, and author Y11 ADVANCED: CREATING IN COLOR The project in this lesson (inspired by the life and work of Romare Bearden) provides you with an opportunity for
More informationWilliam H. Johnson Modernism, Primitivism/Folk Art
William H. Johnson 1901-1970 Modernism, Primitivism/Folk Art In the vertical art storage rack you will find the following reproductions and posters: Reproductions: Going to Church (1932) (Genre Painting)
More informationMeet the Masters February Program
Meet the Masters February Program Grade 3 How Artists Portray Women Mary Cassatt "The Child's Bath" Leonardo Da Vinci "Ginevra De' Bend" About the Artist: (See the following pages.) About the Artwork:
More informationNative American Heritage Day: Friday, November 25, 2016 Printmaking Honoring history and story through symbolism
A Partnership Between: Lesson 3 Native American Heritage Day: Friday, November 25, 2016 Printmaking Honoring history and story through symbolism What do traditions, symbolism and ritual tell about a specific
More informationArt Masterpiece: The Sunflower Quilting Bee at Arles, 1991 by Faith Ringgold
Art Masterpiece: The Sunflower Quilting Bee at Arles, 1991 by Faith Ringgold Pronounced: Faith RING-gold Keywords: Quilting, Repetition Grade: 3 rd 4th Activity: Flower Quilt Block Meet the Artist: Faith
More informationLesson 5 (March): Patterns in Art Grade: 1
Lesson Focus: Artists use patterns to create interest in their artwork. Patterns can be created by repeating elements in the painting like shapes and colors. There are different types of patterns: Planned
More informationMasterpiece: The Sunflower Quilting Bee at Arles, 1991 by Faith Ringgold
Masterpiece: The Sunflower Quilting Bee at Arles, 1991 by Faith Ringgold Keywords: Color, Shape, Repetition, Story quilts Grade: 1 st Grade Month: February Activity: Class Sunflower Quilt What is a Story
More informationThe Urban Environment About the Artist
The Urban Environment About the Artist Frederick Childe Hassam was born in 1859 in Dorchester, Massachusetts. In 1876 he was apprenticed to a local wood engraver and soon thereafter became a freelance
More informationMIDDLE SCHOOL COURSE OUTLINE
OFFICE OF CURRICULUM, INSTRUCTION & PROFESSIONAL DEVELOPMENT Department Art MIDDLE SCHOOL COURSE OUTLINE Course Title Intermediate Art 7/8 Course Code 1055 Abbreviation Art Intermed 7-8 Grade Level 7/8
More informationOverview. Grade Level
Title: Girl with Father Series: Gentleman Farmer - #4 of 5 Date: 1943, Poland Dimensions: 5 3/8 x 7 11/16 in (13.5 x 19.5 cm) Medium: Paper, watercolor, graphite pencil Location: Nelly Toll Collection
More informationSubject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010
Grade: 12 th Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010 Unit #5 /Title: The Art of Ancient Egypt Time Frame (calendar and # of weeks): 15 class meetings Standard(s): 1.1 (Aesthetics)
More informationVisual Self-Portraits in the Style of Jaune Quick-to-See Smith
Visual Self-Portraits in the Style of Jaune Quick-to-See Smith Jaune Quick-to-See-Smith is one of the most recognized American Indian artists today. Her artworks connect her heritage, her personal values,
More informationAS TIME PASSES OVER THE LAND: WHITE MOUNTAIN ART An Integrated Secondary Visual Arts Activity
AS TIME PASSES OVER THE LAND: WHITE MOUNTAIN ART An Integrated Secondary Visual Arts Activity Introduction: The White Mountain Painters The White Mountains have been a center of tourism, industry and artistic
More informationH u d s o n R i v e r S c h o o l
A r t S t y l e s I am Mr. Lanni, Art Teacher at Columbia Middle School. I will lead you through this presentation There are many different styles of art and many artists that worked in each style. This
More informationEngages in the creative process to generate and visualize ideas.
KINDERGARTEN VISUAL ARTS Children enter kindergarten with a wide variety of life experiences and abilities. A broad range of artistic experiences helps kindergarten students develop fine motor skills,
More informationAmerican Scene Painting
American Scene Painting Harlem Renaissance The Changing American Scene isolation Rebellion and Social Issues 1 American Art Forms _ Harlem Renaissance In his 1925 essay, "The New Negro", Howard University
More informationOffice of Curriculum, Instruction & Professional Development VISUAL ARTS (562) FAX (562) VISUAL ARTS
Office of Curriculum, Instruction & Professional Development VISUAL ARTS (562) 997-8316 FAX (562) 997-8301 VISUAL ARTS Content Standards Poster for the Classroom Grade Three Developed by the Visual Arts
More informationVisual Arts What Every Child Should Know
3rd Grade The arts have always served as the distinctive vehicle for discovering who we are. Providing ways of thinking as disciplined as science or math and as disparate as philosophy or literature, the
More informationArt Masterpiece Project Procedure Form
Art Masterpiece Project Procedure Form Artist: Name of Print: Project: Objective: Description: Diego Rivera Mother s Helper Mural of Moms Drawing from memory and depicting characteristic features Talk
More informationFinal Project Guidelines Artwork + Statement + E-portfolio Rubric
Final Project Guidelines Artwork + Statement + E-portfolio Rubric 15 points Project Description Your final project will utilize all of the techniques you learned in class. We will explore how to use these
More informationUnit Plan Outline. Teacher Candidate: Katielynn O Toole. School: Brookland Cayce Grammar School #1. Grade Level for Unit: 3 rd
Unit Plan Outline Teacher Candidate: Katielynn O Toole School: Brookland Cayce Grammar School #1 Grade Level for Unit: 3 rd National Visual Arts Content Standards Addressed in this Unit X I. X II. X III.
More informationGreat Falls Art Enrichment January-February 2015 Romare Bearden ( )
Slide 1 is one of the most celebrated African-American artists. A master of collage, he aimed to paint the life of my people as I know it, and to make of art a victory conquering and redeeming both the
More information4 th Grade LWSD Art Docent Project: Optical Web
4 th Grade LWSD Art Docent Project: Optical Web Element of Art: Space Objectives: To understand how to use line and color to create a 3-D effect on a flat surface and to create the illusion of depth or
More informationCharles S. Chapman and a Grand Canyon Composition Grades 6-12
Charles S. Chapman and a Grand Canyon Composition Grades 6-12 Chapman was commissioned by the Museum of Natural History in NYC to paint a mural depicting the Grand Canyon. For our project, the students
More informationAppropriation: Haystacks
Mr. Laskow Date: 9/7/12 Lesson Title: Appropriation: Haystacks Grade(s): 7 & 8 Rationale In their previous lesson, students had been introduced to the work of Impressionist founder and master Claude Monet.
More informationAfro-American literature in the wake of the Civil Rights movement
Afro-American literature in the wake of the Civil Rights movement The bland of American democracy displayed a rotten truth: the plight of the American Negro (Hugh Brogan, The Penguin History of United
More informationHenri Matisse. There are always flowers for those who want to see them.
Henri Matisse There are always flowers for those who want to see them. Henri-Émile-Benoît Matisse Born December 31, 1869 in northern France. He was the oldest son of a prosperous grain merchant. As a child
More informationVisual Art. Course Title: Head of Department: Teacher(s) + Cycle/Division: Grade Level: Credit Unit: Duration:
Course Title: Head of Department: Teacher(s) + e-mail: Cycle/Division: Grade Level: Credit Unit: Duration: Visual Art Parisa B.Tonkaboni parisa@greenwood.sch.ae Elementary 4 1 Year\ 2 Semester: 1 session
More informationObjectives: Students will be able to define "joiners" and understand Hockney s process of creating a portrait photo collage.
Enjoying Joiners Inspired by: David Hockney's Kasmin Los Angeles 28th March 1982 Students: 5 th -8th grade (Gang Stage) Time needed: (4) 35-minute class periods Lesson Submitted by: Ali Drube, Luther College
More informationAunt Harriet's Underground Railroad in the Sky
Aunt Harriet's Underground Railroad in the Sky Written by Faith Ringgold Juvenile Fiction Dragonfly Books Trade Paperback December 1995 $6.99 978-0-517-88543-7 (0-517-88543-3) TEACHERS GUIDE ABOUT THIS
More informationGreeley-Evans School District 6 High School Photography I Curriculum Guide
High School Unit 1:Introduction to photographic terms Enduring Concept: Understanding Photography technique terminology Timeline: 3 weeks Vocabulary: Academic: 1. Observe and Learn to Comprehend Photographic
More informationDear Educator: PISSARRO S PEOPLE EDUCATIONAL RESOURCES Legion of Honor Fine Arts Museums of San Francisco
Dear Educator: Thank you for supporting your students visit to the exhibition Pissarro s People on view at the Legion of Honor. This exhibition presents the often-overlooked figurative paintings of Camille
More informationSponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Illustrating Characters
Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Illustrating Characters Luis Gonzalez, 18, Boston Celebrate arts in education and self-expression by encouraging your students to
More informationWriting about Art: Asking Questions
WRITING ACROSS THE CURRICULUM Writing about Art: Asking Questions Any work of art provokes a response in the viewer. Your task as writer is to define and discuss the choices and techniques the artist has
More informationDiscovering the Story: A City and Its Culture
Discovering the Story: A City and Its Culture Song Paintings An Arts Enrichment Activity for Grades 4-8 Based on The Underground Railroad, 1893 by Charles T. Webber Charles T. Webber (1825-1911) United
More informationCreative Communication
Creative Communication Developed By Suggested Length Suggested Grade Level(s) Subject Areas Gweneth Branch-Rice Lesson 1: Four 80 minute periods Lesson 2: 80 minutes Lesson 3: 80 minutes Lesson 4: 80 minutes
More informationTarget: Thinks critically. Criteria: Asks clarifying questions, uses evidence to question or explain creative choices, constructs meaning.
ARTS IMPACT LESSON PLAN Arts Foundations Visual Arts Lesson Color Mixing and Relationships Author: Beverly Harding Buehler Enduring Understanding Mixing primary colors creates secondary and tertiary colors.
More informationCow Catherine Hall. Creating a Triptych
Cow Catherine Hall Creating a Triptych Overview: Students will collaborate in groups of three to create triptychs that convey a unified theme, color palette, style, dimension and design. They will join
More informationLesson Two MY EVERYDAY HERO COLLAGE
Lesson Two MY EVERYDAY HERO COLLAGE Lesson Overview: Being considered a hero doesn't necessarily mean you have to perform some extraordinary act of courage or make a sacrifice so uncommon it makes the
More informationThrough the Lens: Photography During the Harlem Renaissance
Through the Lens: Photography During the Harlem Renaissance Photography played an important role in capturing the New Negro during the Harlem Renaissance. As with painting, photography documented African
More informationGrade 7 - Visual Arts Term 4. Life Drawing
1 Grade 7 - Visual Arts Term 4 Life Drawing Like still life, the style (genre) of life drawing is very important in the fine arts, and also to several fields of design such as fashion, architecture and
More informationCalifornia Subject Examinations for Teachers
CSET California Subject Examinations for Teachers TEST GUIDE ART SUBTEST I Subtest Description This document contains the Art subject matter requirements arranged according to the domains covered by Subtest
More informationGifted and Talented AIM Learning Outcomes Framework
Gifted and Talented AIM Learning Outcomes Framework Grade: Sixth Nine Weeks: 2nd Subject: 1920s Big Ideas: (Topics/Concepts): Cultural and Technological Impacts on Society Enduring Understanding (What
More informationArt Nouveau Scratchboard Drawing: An Introduction
Art Nouveau Scratchboard Drawing: An Introduction to Gustav Klimt Elegant Art Nouveau Scratchboard project- 100pts Introduction Art Nouveau became an international style of art, architecture and applied
More informationWEEK 1 11/5/11 Topic In Class Activities Out of Class Reading & Activities Learning Outcomes Materials
UArts PIE program Mural Arts Fall 2011 Shira Walinsky Instructor Course Objectives: -Learn about the murals of Philadelphia through tours and guest lecturers. -Learn about the creation of murals from beginning
More informationNew Jersey Core Curriculum Content Standard Area: Visual Arts
New Jersey Core Curriculum Content Standard Area: Visual Arts Topic/Course: Photography Studio II Grades: 10-12 Date: August 2008 Essential Question 1.1Aesthetics Why is review of prior knowledge important?
More informationPop Up Book Project. STEP THREE: EXPERIEMENT by selecting and then creating two Pop Up Templates to create as demos. (Diagnostic exercises)
Pop Up Book Project Name: STEP ONE: RESEARCH the Pop Up templates located on the school network: S://Mr.Arnett/AVI3M4M/Pop Up Templates. As you learn about them, think about how you may incorporate the
More informationSupplies needed: SKETCHBOOKS WILL BE COLLECTED THE FIRST WEEK OF SCHOOL.
Make sure you understand the summer assignments and obtain your art supplies as soon as possible. If you need help locating supplies or have questions; please contact Ms. Fink before you leave for summer
More informationPAGES SAMPLE
Pablo PICASSO Spanish 1881 1973, worked in France 1904 73 Weeping woman 1937 oil on canvas 55.2 x 46.2 cm National Gallery of Victoria, Melbourne Purchased by donors of The Art Foundation of Victoria,
More informationExpressive features mood, how does it make you feel, dynamic state (sense of movement, tension, conflict, relaxation)
Al-Bustan Camp - July 2013 Art Teacher: Tremain Smith Art Curriculum We used drawing, painting, printmaking, collage, and mixed-media to create artworks that reflect our unique expression of the theme
More informationART LESSONS IN THE CLASSROOM SIXTH GRADE-LESSON #3
SIXTH GRADE-LESSON #3 DESCRIPTION OF PROJECT: Students make a textile collage to illustrate a narrative beginning, middle or end event. PROBLEM TO SOLVE: How can imagery communicate a sequence of events?
More informationDISCOVER THE SPIDER-VERSE
DISCOVER THE SPIDER-VERSE FAMILY ACTIVITIES ONLY IN MOVIE THEATERS DECEMBER 14 FAMILY Activity 1 WHAT IS YOUR SPECIAL ABILITY? 15 minutes TIMEFRAME This activity may be completed before or after seeing
More informationLetter to the Student... 5 Letter to the Family... 6 Georgia Correlation Chart... 7 Pretest Chapter 1 Historical Understandings...
Table of Contents Letter to the Student..................................... 5 Letter to the Family...................................... 6 Georgia Correlation Chart................................ 7 Pretest................................................
More information1 st Grade Art Scope and Sequence
1 st Grade Art Scope and Sequence THEME TOTAL CUMULATIVE TOTAL Color Line 7 days -- 7 days 14 days Shape Elements and Principles of Design CATEGORY TOTALS 8 days 8 days 30 days 22 days 30 days Notes: There
More informationSummit Public Schools--Summit, New Jersey. Grade 8 Art Cycle. Length of Course: 45 Days. Curriculum
Summit Public Schools--Summit, New Jersey Grade 8 Art Cycle Length of Course: 45 Days Curriculum Course Description: The focus of the eighth grade curriculum is the development of skills that will enable
More information1991 by Faith Ringgold
ART MASTERPIECE: The Sunflower Quilting Bee at Arles, (France) 1991 by Faith Ringgold Grade: 6TH Grade Pronounced: Faith RING-gold Keywords: Color, Quilting, Women s Rights, Civil Rights, Metaphor, Shape
More informationComparative Study. Alyssa Albanese
Comparative Study Alyssa Albanese My comparative study focuses on analyzing two different artists with a total of three different works. I will be evaluating the cultural significance of the artists, as
More informationKINDERGARTEN VISUAL ARTS PACING GUIDE:
KINDERGARTEN VISUAL ARTS PACING GUIDE: Art Production A Brief Overview of IPS Elementary Level Visual Arts Curriculum The IPS Visual Arts Curriculum is a standards-driven program, based in the current
More informationIndependent Project. ARE 6148: Curriculum in Teaching Art
Tammy Warner Independent Project ARE 6148: Curriculum in Teaching Art Fall 2010 Unit: The Art of Storytelling Unit Overview: Throughout the ages, human beings have been storytellers. We have developed
More informationA. Paint a space scene with light colors on black background B. Use imagination to create a futurescape.
Masterpiece: Orion leaving Space Station Artist: Robert T. McCall Concept: Acrylic Paints on Black Background Lesson: Futurescape Objectives: Vocabulary: Materials: A. Paint a space scene with light colors
More informationStandard 1 (Making): The student will explore and refine the application of media, techniques, and artistic processes.
Lesson2 Peter Max: Pop Art, Color, Symbolic Figures and Objects, Statue of Liberty How do artists use elements of art to create symbolism? What kind of effects can color create? LESSON OVERVIEW/OBJECTIVES
More informationMONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP. Grades 9-12 Introduction to Art (3 Days a Week)
MONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP Grades 9-12 Introduction to Art (3 Days a Week) 2009 2010 Arts Education in the 21 st Century New Jersey Core Curriculum Content Standards for Visual and Performing
More informationCURRICULUM MAPPING. I. Unit - Drawing. A. Content/Essential Questions
CURRICULUM MAPPING Subject: Art Grade: Kindergarten I. Unit - Drawing Basic Drawing Skills Portraiture Line, Shape, Pattern and texture observation Story/Plot drawing Observe symmetry using drawing medium
More information5th Grade Art Scope and Sequence
5th Grade Art Scope and Sequence THEME TOTAL CUMULATIVE TOTAL Color Line 7 days -- 7 days 14 days Shape Elements and Principles of Design CATEGORY TOTALS 8 days 8 days 30 days 22 days 30 days Notes: There
More informationJim Dine Everyday. Pop Art Lessons for Elementary School
Jim Dine Everyday Pop Art Lessons for Elementary School Jim Dine Born in Cincinnati Ohio in 1935. He studied at U of Cincinnati, Boston Museum School, received his BFA from Ohio University in 1957. During
More informationPainting 2 Unit Plan
Painting 2 Unit Plan Value Scales Lesson 1 Author: Shea Brook Grade Level: 10-12 Time Span: 3 Classes 67 Minute Classes Essential Question: How does art expand and enhance our thinking? Provoking Questions:
More informationRICHARD SERRA: PRINTS RICHARD SERRA PROMENADE NOTEBOOK DRAWING V 2009 RICHARD SERRA AND GEMINI G.E.L. LLC
RICHARD SERRA: PRINTS 06.10.17 08.20.17 9-12 RICHARD SERRA PROMENADE NOTEBOOK DRAWING V 2009 RICHARD SERRA AND GEMINI G.E.L. LLC table of contents Lesson Overview............................................
More informationDocumentary Lens Lesson Plan for Canadian Landscape
Documentary Lens Lesson Plan for Canadian Landscape Page 1 Curriculum Connections Documentary Lens Lesson Plan for Canadian Landscape By Abby Smallwood Applecroft Public School, ON In Canadian Landscape,
More informationUnit 5: Choice Projects & End of Year Art III
Unit 5: Choice Projects & End of Year Art III 1 Grade: Time Allotted: 8th 9 weeks Unit Introduction: This unit focuses on students developing a style and purpose in their artwork. They will have freedom
More informationART LESSONS IN THE CLASSROOM FIFTH GRADE LESSON 3
COLOR DOMINANCE IN STILL LIFE DESCRIPTION OF PROJECT: Teach in multiple sessions Students create a still life making one object dominant through use of color. PROBLEM TO SOLVE: How are elements in a composition
More informationBehind the Facade: Abstraction and Lyonel Feininger s Gables I, Lüneburg
Secondary Behind the Facade: Abstraction and Lyonel Feininger s Gables I, Lüneburg Overview By examining Lyonel Feininger s Gables I, Lüneburg, students will come to understand the concept of abstraction.
More informationCourse Overview: VISUAL ART Project Specialist: Taintor Davis Child
Course Overview: VISUAL ART Project Specialist: Taintor Davis Child If you or someone you know is interested in attending one of the MindsEye Designs classes, please contact: Taintor Davis Child 603-516-9300
More informationLAUREL BURCH (Dec. 31, Sept. 13, 2007)
LAUREL BURCH (Dec. 31, 1945- Sept. 13, 2007) At the age of 14, Laurel Burch left her tumultuous home life in Southern California with nothing more than a paper bag of clothing and the rare bone disease
More information* * * * * Mary Cassatt lived from It took a lot of determination on her part to become a wellknown
Page 1 Woman and Child (Femme et Enfant) and The Bath Project Mary Cassatt Volunteer: Date: Grade Level: Artist: Print/Sculpture: Art Vocabulary: Kindergarten Mary Cassatt Mother and Child (Femme et Enfant)
More informationRADIO BEFORE ROCK AND ROLL
OVERVIEW ESSENTIAL QUESTION How did radio influence American life in the years before the birth of Rock and Roll? OVERVIEW From its birth in 1920 to the rise of television in the early 1950s, commercial
More informationStandard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.
Lesson 8 Movement in Art: Degas Dancers, Pattern and Unity How does pattern and unity invoke movement in visual art? How does a still image create visual flow? LESSON OVERVIEW/OBJECTIVES This lesson focuses
More informationCITY OF BURLINGTON PUBLIC SCHOOL DISTRICT CURRICULUM Revision Date: 06/25/12 Submitted by: Nancy K. Measey Kurts. Watercolor and Tempera Grades 10-12
CITY OF BURLINGTON PUBLIC SCHOOL DISTRICT CURRICULUM Revision Date: 06/25/12 Submitted by: Nancy K. Measey Kurts Watercolor and Tempera Grades 10-12 Semester Course Page 1 of 12 New Jersey Core Curriculum
More informationPublishers Bindings Online, : The Art of Books bindings.lib.ua.edu
Publishers Bindings Online, 1815 1930: The Art of Books bindings.lib.ua.edu Sample Lesson Plan: Industrial Revolution Grades K 12 * Teachers of elementary students may modify the wording to a level better
More informationSubject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010
Grade: 12 th Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010 Unit #4 /Title: Art of the Earliest Times: Prehistoric and Mesopotamian Art Time Frame (calendar and # of weeks): 15
More informationEnduring Understanding Actual texture is the way something feels on the surface. Using different kinds of lines can create different textures.
ARTS IMPACT LESSON PLAN Visual Arts and Writing Infused Lesson Lesson Three: Lines to Touch Author: Beverly Harding Buehler Grade Level: Kindergarten Enduring Understanding Actual texture is the way something
More informationIntroducing Cubism with A Self Portrait
Introducing Cubism with A Self Portrait Author: Shea Brook Grade Level: 5th Grade Time Span: 5 Weeks Five 45 minute sessions Essential Question: What sparks the creative process? Provoking Questions: 1.
More informationSWBAT: Describe how the literature of the Harlem Renaissance reflected the African American experience in the 1920s
SWBAT: Describe how the literature of the Harlem Renaissance reflected the African American experience in the 1920s Do Now: a) View the Video: The Harlem Renaissance and answer the five discussion questions.
More information21 st Century Skills for the Arts
21 st Century Skills for the Arts The 21 st century skills integration with visual arts curriculum illustrates how the arts promote work habits that cultivate curiosity, imagination, and creativity and
More information