Is the link to Caravaggio's style to Zurbaran and Velázquez. Tenebrism. Martyr of St. Bartholomew
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1 Baroque Art-3
2 Hapsburg Spain
3 Artist: Jusepe de Ribera Title: Martyrdom of Saint Bartholomew Medium: Oil on canvas Size: 41¼ X 44⅞" (1.05 X 1.14 m) Date: 1634 Known as Little Spaniard Is the link to Caravaggio's style to Zurbaran and Velázquez Tenebrism Martyr of St. Bartholomew
4 Artist: Francisco de Zurbarán Title: Saint Serapion Size: 47½ X 40¾" (120.7 X cm) Date: 1628 Also horrifying martyrdom
5 Artist: Juan Sánchez Cotán Title: Still Life with Quince, Cabbage, Melon, and Cucumber Size: 27⅛ X 33¼" (68.8 X 84.4 cm) Date: c Late 1600 th century Spanish painter begin to really create still life's Geometric setting Organic shapes By hanging the pieces it exemplifies the Spanish painters obsession with spatial ambiguity No idea what the niche is? Or why objects are arranged so.
6 Artist: Diego Velázquez Title: Water Carrier of Seville Size: 41½ X 31½" (105.3 X 80 cm) Date: c Early work was influenced by Caravaggio and tenebrism Liked to work from models and display some of the ordinary life of people Took pride in incorporating still lifes into his works Like to show precise volume and textures in a more naturalist light setting Glossy, translucent finishes Verses MATTEdull finish After early work became a court painter in Madrid for Phillip IV
7 Artist: Diego Velázquez Title: The Surrender At Breda (The Lances) Size: 10'⅞" X 12'½" (3.07 X 3.67 m) Date: Peter Paul Rubens convinced King he should visit Italy to improve his style Theme is truimph and conquest- unlike typically propaganda Gentlemanly behavior Dutch commander Nassau hands over the Keys to Spain Mass portraits and crowds, landscape, and lighting work. Shows his tricks
8 Artist: Diego Velázquez Title: Las Meninas (The Maids of Honor) Size: 10'5" X 9'½ Date: 1656 Huge portrait, draws viewer down into the action Who s vantage point are we using? Focus goes to Margarita the princess who is 5 and the attendants that surround her Does not do an under painting but instead builds up layer upon layer of paint then finishes with highlighted areas Self-portrait (dignity/importance)
9 Artist: Bartolomé Esteban Murillo Title: The Immaculate Conception Size: 7'8" X 6'5" (2.35 X 1.96 m) Date: c Counter reformation authoriites made a strict rule for paint the virgin Wears white and blue, hands folded in prayer Angels many carry symbols of her She can be bathed in light She may stand in the clouds Paintings like this would be shipped where?
10 The Southern Netherlands and Flanders
11 Artist: Peter Paul Rubens Title: The Raising of the Cross Medium: Oil on canvas Size: center panel 15'1⅞" X 11'1½" (4.62 X 3.39 m) each wing 15'1⅞" X 4'11" (4.62 X 1.52 m) Date: Source/ Museum: Church of Saint Walpurga, Antwerp, Belgium Enter Antwerp painters guild as a older teen, Worked in every major Italian city, and Madrid The wings are an extension of the central panel, Herculean figures strain to haul upright Christ on the cross, at right the soldiers supervise, at left the ladies and friends cry and mourn, baroque vs. Flemish style
12 Artist: Peter Paul Rubens Title: Henri IV Receiving the Portrait of Marie de Medici Size: 12'11⅛" X 9'8⅛" (3.94 X 2.95 m) Date: of 24, painted to portray Marie de Medici as an influence of the royalty of France, and her life This painting depicts the royal engagement Who accompanies Henry IV? Gods? Symbols? These large scale paintings become political propaganda
13 Artist: Anthony Van Dyck Title: Charles I at the Hunt Size: 8'11" X 6'11 (2.75 X 2.14 m) Date: 1635 Source/ Museum: Musée du Louvre, Paris One of Rubens collaborators Portraitst Became an English court painter Accurate record of features a truthfully yet imposing figure How is the King portrayed? lets talk about his features.
14
15 Artist: Jan Brueghel and Peter Paul Rubens One of painted settings rather then portraits, Title: Allegory of Sight one of 5 senses, invites viewer to wander Medium: Oil on wood panel around the scene and take in everything Size: 25⅝ X 43" (65 X 109 cm) Rubens paintings are copied and placed Date: c around the room, Venus and Cupid painted by Source/ Museum: From Allegories of the Five Rubens, Those who look but can not see Senses. Museo del Prado, Madrid.
16 Artist: Clara Peeters Title: Still Life with Flowers, Goblet, Dried Fruit, and Pretzels Medium: Oil on panel Size: 20½ X 28¾" (52 X 73 cm) Date: 1611 Still- life specialist and part of the guild Breakfast pieces- still life showing things eaten at breakfast Pretzels are baroque in nature why??
17 Northern Netherlands, United Dutch Republic 1625 patronage of the Arts improved through the house of Orange Well educated people fascinated with history, mythology, the bible, new scientific discoveries, expansion and exploration
18 Artist: Hendrick ter Brugghen Title: Saint Sebastian Tended By Saint Irene Size: X 47½" (149.6 X 120 cm) Date: 1625 The tending of Saint Sebastian by Irene was a popular theme in seventeenth-century art indicative of a contemporary drive to project Catholicism as a caring faith The extraordinary power and pathos of Ter Brugghen's painting is largely due to the compact immediacy of the figures and the artist's skilled manipulation of eerie, crepuscular lighting effects.
19 Artist: Frans Hals Title: Catharina Hooft and Her Nurse Size: 33 ¾ X 25½" (85.7 X 64.8 cm) Date: c Love of realism and combined with the Caravaggio style of Tenebrism Like create optical effects with light and textures Up close you can see slashing brush stokes and patches of paint Far away your eyes blend it with the light Intimate portrait where the daughter looks at the viewer like a loving family member, while the nurse tries to distract her with an apple Why is she dressed like that?
20 Artist: Frans Hals Title: Officers of the Haarlem Militia Company of Saint Adrian Medium: Oil on canvas Size: 6' X 8'8" (1.83 X 2.67 m) Date: c Grouop portrait, not arranged neatly with darting diagonals and, gestures, banners, and sashes, Feels unorganized but balanced What balanced the darting diagonals lines?
21 Artist: Judith Leyster Title: Self-Portrait Size: 29⅜ X 25⅝" (72.3 X 65.3 cm) Date: 1635 One of Hals most successful contemporaries She was a teacher in the Guild in 1633 She takes a moment from her work to look back at the view who has entered the room The painting is a visual pun how? Why is she wearing fancy clothes?
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