Making Paint from Minerals
|
|
- Marcus Nicholson
- 6 years ago
- Views:
Transcription
1 GEOL 7040T: Geology through Global Arts and Artifacts Making Paint from Minerals Paint is a mixture of microscopic grains of pigment that are suspended in a liquid vehicle. A pigment is an insoluble colorant, in contrast to a dye in which the colorant is dissolved. The vehicle in which the pigment is dispersed for watercolors is a mixture of three materials with specific purposes: 1) Binder adheres the pigment to the page. (Gum arabic is a commonly used watercolor binder. It is a natural, water-soluble gum that is produced by acacia trees of the Middle East and northern Africa to seal wounds in the bark. Starches and animal glues also are used); 2) Plasticizer, such as glycerin, helps to soften the binder and help it to redissolve; and 3) Humectant, such as honey or corn syrup, helps the paint retain moisture. In this laboratory session you will investigate the properties that determine whether or not a mineral is well suited for use as a pigment in a primitive water-based paint, and then make a palette of paints using minerals as pigments and organic, non-toxic materials as a plasticizer and humectant. Mineral Properties and Pigments Examine the five mineral samples provided (albite, kaolinite, white calcite, orange calcite, and hematite), and document their properties in the table below. Color Streak Luster Cleavage Hardness Solubility Albite Kaolinite White Calcite Orange Calcite Hematite One mineral at a time, take a few fragments of each mineral and crush them to powder with a mortar and pestle. After crushing each mineral, document how difficult it was to crush (difficult, moderate, easy), and the color of the power. Discard the crushed mineral. Difficulty to Crush Color of Powder Albite Kaolinite White Calcite Orange Calcite Hematite W. Powell,
2 Which mineral property best correlates with the difficulty to crush the mineral? Which mineral property best correlates with color of the mineral powder? What are the three ideal properties for a pigment for a water-based paint? Which of the five minerals would make the best white pigment? Explain. Examine the hand-samples of minerals that were used historically for paint pigments. Document their properties for inclusion in your mineral guidebook. Mineral Azurite Cinnabar Lazurite Malachite Orpiment Formula Cu 3(CO 3) 2(OH) 2 HgS Na 3Ca(Al 3Si 3O 12)S Cu 2(CO 3)(OH) 2 As 2S 3 Pigment Name Blue Verditer Vermillion Ultramarine Green Verditer King s Yellow Color Streak Luster Hardness Toxic? W. Powell,
3 Follow the instructions provided by your instructor to make a palette of mineralbased gouache paints. Take home samples of your paints. Before next class, research a culture that uses/used a limited color palette such as the one that you created from common minerals (red, black, yellow, green, and white) (e.g., cave paintings, Australian aborigines, native Americans, African tribes). Create a painting in the style of your selected culture on an appropriate piece of earth material (stone, wood, tile, etc). Write a one-page accompanying description of the artifact that you created. This curation record (see attached blank form) will be posted beside your artifact in a gallery-like showing during the next class. This write-up should serve to educate viewers regarding the artwork that you created, just as plaques in authentic museums. (See example plaque of a pair of gold earflares from Peru that are displayed at the Metropolitan Museum of Art.) Your write-up must include the following: Where are the people/culture that you studied located? At approximately what date did they create similar artwork? What is the climate of the region? What is the general physiography (mountainous, volcanic, plains, etc) of the region? What minerals are used for pigments? Where do the people obtain these pigments? Do the colors/paints have symbolic/spiritual meaning? What use/meaning would your homemade artifact have in this culture? Mark the location of the people/culture that you studied on the blank world map that is attached. Be prepared to answer questions regarding your artwork, and its origin during a discussion in class. W. Powell,
4 Location of Artifact W. Powell,
5 CURATION RECORD Curated By: Object Name: Region of Origin: Age of Artifact: Pigments Used: W. Powell,
6 Instructions for Making Paints from Minerals W. Powell, Department of Geology, Brooklyn College Pigment Powder Grinding minerals is a time consuming process. However, the grinding process demonstrates the importance of hardness and streak versus color in choosing pigments for paint; some in-class mineral grinding is necessary to achieve the learning objectives. Mineral powders can be purchased from pottery supply stores (glaze ingredients) or from specialty retailers ( or pigments.com). If you choose to grind the samples rather than purchase powders, the procedure is as follows: Grind the sample of the mineral pigment (e.g., hematite) using a mortar and pestle. Pour the powder into a beaker of water and mix well Wait 1 minute for the coarse grains to settle, then pour off the water and suspended pigment into another container Allow 2 days for the pigment to settle, then pour off the water Allow the sediment to dry, then powder it with mortar and pestle and store the pigment powder. Gum Arabic Solution (Vehicle) The vehicle must be made at least one day in advance to provide sufficient tome for the gum to dissolve. Gum Arabic is a natural, water-soluble gum that is produced by acacia trees of the Middle East and northern Africa, and is available from art supply stores. Oil of clove can be purchased at a pharmacy. Place 1 part gum arabic powder or crystals in a saucepan. Heat 2 parts distilled water to a boil, remove from heat, and slowly pour over gum arabic, stirring to mix. Add one part glycerin per 5 parts gum Arabic solution. Add one part honey per 10 parts gum Arabic solution. If you intend to keep the paint for a while, you can add a few drops of oil of clove as a preservative Cover with cheesecloth and let stand for one day, stirring occasionally. (Some gum crystals may need longer to dissolve.) Strain the solution through several layers of cheesecloth to remove impurities and sediment. Mixing Paint On the glass sheet, make a pile of about 1-1/2 tablespoons of pigment powder. For gouache (an opaque watercolor paint which would be better for painting on objects like stone or wood) add 1/4 tablespoon of calcite powder (whiting). Use the back of the measuring spoon to make a hollow in the center of the pile. Pour 1 teaspoon of gum Arabic solution into the hollow, and knead very slowly with the putty knife. As needed, add more gum arabic solution or distilled water until pigment forms a creamy paste. Use a muller/pestle to break apart and grind the pigment aggregates. You cannot overwork the paint. Add more vehicle or water as needed to counteract evaporation. Transfer paint mixture into containers. (Seven-day pill boxes from a drugstore serve as convenient and inexpensive paint boxes.) W. Powell,
Colour and Chemistry: Applications in Daily Life. Sayam Sen Gupta Scientist, National Chemical Laboratory Pune, INDIA
Colour and Chemistry: Applications in Daily Life Sayam Sen Gupta Scientist, National Chemical Laboratory Pune, INDIA Chemical Indicators Any substance that gives a visible sign, usually by a colour change,
More informationSoil Paints & Crayons. Exploring the uniqueness of our soils. Basic Instruction booklet
Soil Paints & Crayons Exploring the uniqueness of our soils Basic Instruction booklet Cass County Soil Conservation District 1665 43rd Street South, Suite 103 Fargo, ND 58103 (701) 282 2157 extension 3
More informationStudent Sheet. P003S: Making Paint with Minerals
Student Sheet In this practical I will be: Creating egg tempera paints and oil paints from different types of minerals. Evaluating the different paints, looking at various aspects, including: o what colours
More informationSensory Paint Recipes
Sensory Paint Recipes 1. Rainbow Finger Paints 2. Weird Finger Paint 3. Popsicle Paint 4. Scratch and Sniff Paint 5. Scratch and Sniff Paint II 6. Cooked finger Paints 7. Ooey Gooey Finger Paint 8. Soap
More informationNorthern NSW da Vinci Decathlon
Northern NSW da Vinci Decathlon An academic gala day for years 9 and 10 Science Session 1 Where the spirit does not work with the hand, there is no art Leonardo da Vinci. Team Number 1 Light and Colour
More informationANALYTICAL STUDY OF THE MATERIALS USED IN
ANALYTICAL STUDY OF THE MATERIALS USED IN MURAL PAINTINGS IN THE LOVE CHAMBER OF EL SAKAKENY PALACE Kholod Khairy Salama* 4 National Museum of Egyptian Civilization Cairo, Egypt Mona Fouad Ali Conservation
More informationUtrecht Art Supplies Studio Craft: Benchmark Tests for Artists' Colors
Utrecht Art Supplies Studio Craft: Benchmark Tests for Artists' Colors Want to know how paint performs in terms of color strength and workability? Use these tests to evaluate and compare what's inside
More informationAdditive vs. Subtractive Color
Additive vs. Subtractive Color Additive Color Light, human vision, and digital screens. Colors create white when combined in equal measure. Springs from Isaac Newton s experimentations with prisms and
More informationThe colours of wall paintings
The colours of wall paintings The colour palette of the painter of wall paintings was limited to pigments, which do not degrade in the alkaline environment of calcium. Pigments were used in their pure
More informationMIXING AND USING TUTTI
MIXING AND USING TUTTI WHAT IS TUTTI? Tutti is a thick Casein based gesso paint & plaster you can use to create authentic, Old World finishes on walls and furniture: Mix as a paint or as a decorative plaster
More informationCOLOR CHARTS & PIGMENT INFORMATION
COLOR CHARTS & PIGMENT INFORMATION Watercolors, Gouache, Fluid and Heavy-Body Acrylics, Traditional and Fast Dry Oil Colors 112 WATERCOLORS 28 GOUACHE 51 FLUID ACRYLICS Page 3 Page 5 Page 7 56 HEAVY-BODY
More informationRecipes for Art Experiences
Recipes for Art Experiences Textured Finger Paint 1 cup powdered detergent ¼ cup liquid starch Food colors or tempera paint Directions: mix together and enjoy on kraft paper, construction paper, boxes
More informationMaking Egg Tempera Paint
Making Egg Tempera Paint Prepare the pigment paste Grind pigment powder with distilled water on a sheet of glass, using a glass muller. Distilled water ensures that the appearance and longevity of the
More informationCreams, Ointments, Scrubs & Soaps
Creams, Ointments, Scrubs & Soaps An ointment is beeswax melted in an oil. You get a lotion, if you add a cup of clean water and blend it slowly together. You need to use an electric blender that the emulsion
More informationClear Plain Hearts. Ingredients: 2 oz. clear glycerin soap base 1 drop red dye
Soapmaking Recipes Note: Melting times listed in these recipes will vary depending on your microwave and other factors. When melting soap base, check partway through the melting process to make sure the
More informationWE MAKE NO EXPRESS OR IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE
General Description Concerns Uses Supplies needed to prepare rabbit skin glue Instructions for Sizing Canvas Instructions for Sizing Panel Instructions for Sizing Paper Instructions for Adhering Fabric
More informationA MODERN APPROACH TO EGG TEMPERA
A MODERN APPROACH TO EGG TEMPERA Celebration of the Egg Egg Tempera on gesso panel 8 x 10 by GAINOR ROBERTS MAKING PAINT This is what pigment looks like when it comes from the various pigment suppliers.
More informationActivity Gluing It All Together
Activity 5.1.2 Gluing It All Together Introduction The first commercial glue, created around 1750, was made from fish. Other early adhesives used natural rubber, animal bones, blood, starch, and milk protein
More informationMethodology. Description of the Thangkas and Analytical Results. Thangka A (Figure 3, left):
Proceedings of the Forum on the Conservation of Thangkas Special Session of the ICOM-CC 15th Triennial Conference, New Delhi, India, September 26, 2008 Hosted by the Working Group on Ethnographic Collections,
More informationAnalysis of paint pigments
Analysis of paint pigments Medieval oil paintings contained specific pigments to achieve the deep impressive color effects. A list of typical inorganic pigments and their chemical composition is : Pigments
More informationScience at Home A guide to at home science experiments and activities for students and parents
Science at Home A guide to at home science experiments and activities for students and parents Tess Beem Bowdoin College Class of 2013 Hello! My name is Tess Beem and I am a senior at Bowdoin College.
More informationGels, Pastes, Liquid Mediums & Additives
Gels, Pastes, Liquid Mediums & Additives There are far more acrylic mediums available than you may ever want to explore. It can get somewhat confusing. So, I will try to simplify it as much as possible,
More informationTaking the mystery out of working with Acrylic By S. Taylor Hedges
Taking the mystery out of working with Acrylic By S. Taylor Hedges Sandra Taylor Studio One Cat Squared Working with Acrylic Paint Definitions: Glaze thin transparent layers of color that enable the artist
More informationMaking a Surface Coating Kersti Cox, Miami University, Oxford, OH
Making a Surface Coating Kersti Cox, Miami University, Oxford, OH To close the yellow note, click once to select it and then click the box in the upper left corner. To open the note, double click (Mac
More informationMaterials and equipment Year 2, unit 3: Mixing things together
Materials and equipment Year 2, unit 3: Mixing things together IWB/ data projector and internet access or downloaded video clips wooden and plastic pegs large box with various objects eg paintbrush, glass
More informationArt, Archaeology & Analysis March 10, 2003 Alison Shull Dept. of Materials Science & Engineering
Art, Archaeology & Analysis March 10, 2003 Alison Shull Dept. of Materials Science & Engineering Today s Handouts from: www.goldenpaints.com Color Mixing Guide Handpainted Samples On paper sheet On transparency
More informationFluffy Snow Paint Recipe
Fluffy Snow Paint Recipe Fluffy Snow Paint Recipe: Equal parts school glue and shaving cream. Stir well with a plastic spoon or craft stick. that s it! Optional add a bit of glitter glue for a sparkly
More informationTipnut's Homemade Laundry Detergent
Wow!! It is easy to make laundry detergent! I have had the supplies for a while thinking I should make detergent. But the actual doing of it did not happen. Somehow I thought it would be harder than it
More informationFarm to Canvas to Table: Apple Cider Still Life
Farm to Canvas to Table: Apple Cider Still Life Kingslan & Gibilisco 4670 Hickory Street Omaha NE 68106 402.397.0298 painting@kingslan.com www.kingslan.com Palette Set up and mixing The original piece
More informationAdhesives & Solubility
Student Guide Adhesives & Solubility Introduction: Adhesives are used to hold all kinds of items and materials together. Objects may be constructed from multiple parts attached by adhesive. Broken fragments
More informationSaponification and the Making of Soap - An Example of Basic Catalyzed Hydrolysis of Esters
1 of 5 9/7/2010 2:56 PM Experiment 8 Saponification and the Making of Soap - An Example of Basic Catalyzed Hydrolysis of Esters Objectives In today's experiment, we will perform a reaction that has been
More informationBlue Pigments. Student Guide
Student Guide Blue Pigments Introduction: Paint consists of a binder, such as oil, resin or gum, mixed with a colorant. Throughout history painters have used a wide variety of organic and inorganic substances
More informationWhat paint can do Part 2
What paint can do Part 2 Paint raw materials How can the properties of the individual paint layers be achieved? To answer this question, let's peek into a paint can and take a closer look at the individual
More informationSoap Fabrication. 1. Introduction [1]
1. Introduction [1] Soap Fabrication The main uses of soap include bathing, washing, cleaning and other types of housekeeping. Soap acts as surfactant because it has surface active properties. When Soaps
More informationOur group by the work.
Evaluation Report Neolithic Pottery Research Group Universität Hamburg We participated in the project week from 17.07.2013 to 24.07.2013 with the theme "Colorful Stone Age" at the AÖZA Stone Age village
More informationTrek Around the World Nairobi, Kenya Guides
Trek Around the World Nairobi, Kenya Guides Choose one option from each category to earn your Zoë in Kenya crest. You will need to complete: one active option, one creative option, one cultural option
More information(H) PAINTING LIST OF BUREAU OF INDIAN STANDARD CODE OF PRACTICE (ISI)
(H) PAINTING LIST OF BUREAU OF INDIAN STANDARD CODE OF PRACTICE (ISI) 6278 : Code of Practice for white washing and colour washing. 2932 : Enamel and synthetic, exterior (a) Undercoating (b) Finsihing.
More informationNot the Painting. But the Paint. A Study of 15 th Century Paint Materials and Recipes. Presented by the Shire of Sangre del Sol as a Group Project
Not the Painting, But the Paint A Study of 15 th Century Paint Materials and Recipes Presented by the Shire of Sangre del Sol as a Group Project I The purpose of this project was three-fold: 1) To create
More informationMAKE YOUR OWN GLUE. DESIGN CHALLENGE Make and test your own homemade glue. For each team or each glue-making station:
Grades 3 5, 6 8 20 60 minutes MAKE YOUR OWN GLUE DESIGN CHALLENGE Make and test your own homemade glue. SUPPLIES AND EQUIPMENT For each team or each glue-making station: Liquid measuring cup (1 cup size)
More informationP I G M E N T S. Site internet :
P I G M E N T S & A P P L I C AT I O N PRODUCTS At the end of the 19th century, when he developed oil colours for his artist customers who would include immortal names like Cézanne, Gauguin and Picasso,
More informationCHM 130 Paper Chromatography
Introduction CHM 130 Paper Chromatography Chromatography is one of many techniques to separate the compounds in a mixture and to identify unknown substances. It is widely used in chemistry and biology.
More informationSealer, Primer, Isolation Coat, & Varnish
Sealer, Primer, Isolation Coat, & Varnish A seal can be applied between the substrate and gesso/primer, or between the substrate and the first layer of paint if gesso is not desired. A seal may also be
More informationFiery Furnace Puppet Show
Fiery Furnace Puppet Show Kickin Crafts Styrofoam bowls, one per child X-acto knife Pattern of biblical figure, page 40 White construction paper Child safety scissors Crayons Craft sticks, six per child
More informationNon Destructive Analysis of Dyes and Ceramics
Non Destructive Analysis of Dyes and Ceramics EnSpectr R532 helps artworks restoration process with rapid in-situ analysis of pigments and materials Raman spectroscopy is a high-power instrument for noninvasive
More informationCondensed ADHESIVES MANUAL
Condensed ADHESIVES MANUAL National Federalist Party subvert.pw Proper Stickers: These make good, place-and forget stickers you can print on with your printer. They key to making stickers is full page
More informationDIY Shaving Cream. Ingredients:
DIY Shaving Cream Ingredients: 1/3 cup coconut oil (solid, not fractioned) 1/3 cup shea butter ¼ cup sweet almond oil 4-6 drop tobacco bay leaf fragrance oil Plastic bale jar Tools: Microwave-safe bowl
More informationESSENTIAL INFORMATION
CHAPTER 2: ESSENTIAL INFORMATION ESSENTIAL INFORMATION CHAPTER 02 WHAT IS ACRYLIC PAINT? Water based acrylic paint is composed of pigment particles dispersed in an acrylic polymer emulsion. COMPONENTS
More informationArt-Drawing-Painting. 3-D or 3 dimensional when all 3 dimensions: length, height, and width can be touched and felt.
ART Art-Drawing-Painting *Sculpture words (Additional vocabulary follows the main list) *Crafts and Ceramics (Vocabulary specific to crafts and ceramics follow this main list) Essential Vocabulary Secondary
More information4 Sorting Materials into Groups
4 Sorting Materials into Groups 4.1 OBJECTS AROUND US We saw that our food and clothes have so much variety in them. Not just food and clothes, there is such a vast variety of objects everywhere. We see
More informationSharpie Fine Point Permanent Marker
Sharpie Fine Point Permanent Marker Best Seller! Best Deal! Writes permanently on most surfaces such as glass, wood, metal, photos, plastic, cellophane and transparent tape. Black, Red, and Blue are sold
More informationDavid Reekie - Mould making and Glass Casting Methods
David Reekie - Mould making and Glass Casting Methods David says of his work that "through surreal uses of situation and perception. I have tried to illustra aspects of human behaviour. often I used ironic.
More informationFRAMING TERMINOLOGY RABBET DEPTH
FRAMING TERMINOLOGY In order to be able to order exhibition frames for your exhibitions it is necessary to understand the terminology of the picture framing industry. The following will get you started
More informationScientific Analysis of the mural paintings of Aruch, Kobayr and Akhtalà
Scientific Analysis of the mural paintings of Aruch, Kobayr and Akhtalà Nicola Ludwig 1, Maria Pia Riccardi 2, Letizia Bonizzoni 1, Michela Cantù 2, Marco Gargano 1, Fabio Giacometti 2. 1 Università Statale
More informationACCESS for ELLs 2.0 Paper Grades 4-5 Sample Items
ACCESS for ELLs 2.0 Paper Grades 4-5 Sample Items Grades 4 5 Sample Items for the Public Listening Tier B/C WIDA ACCESS for ELLs Sample Items for the Public (Released 12/2015) 1 Part A: All About Mushrooms
More informationPaper Chromatography of Gel Ink Pens
Paper Chromatography of Gel Ink Pens Objectives The objectives of this laboratory are: a) To obtain a paper chromatogram of various gel inks b) To identify components of inks by R f c) To determine which
More informationBASICS OF HERBALISM 10 Alyse Rothrock 2007
BASICS OF HERBALISM 10 Simple Syrup A simple syrup is a mixture of sugar and water.it can be used to deliver a tincture or unpleasent herbal blend. Useful for children. In making a simple syrup the key
More informationColor, Art, and Chemistry. Dr. Sakya S. Sen CSIR National Chemical Laboratory Pashan, Pune
Color, Art, and Chemistry Dr. Sakya S. Sen CSIR National Chemical Laboratory Pashan, Pune 411008 Light: Electromagnetic Radiation Light is a form of energy that travels through space like a wave and is
More informationResources. Paste/draw pictures/figures of activities given in the boxes and write the role of air (if any) below each activity.
THEME 7 Natural Resources ACTIVITY 55 What we have to do? Paste/draw pictures/figures of activities given in the boxes and write the role of air (if any) below each activity. A B C Burning Girl is reading
More informationMANUFACTURED BY FINALLY - A COMPLETE TOOL KIT FOR THE PROFESSIONAL!
MANUFACTURED BY FINALLY - A COMPLETE TOOL KIT FOR THE PROFESSIONAL! PROCEED Professional Decorative Painting System A concise, but complete tool kit of high-performance paints, glazes, pigment dispersions,
More informationTimes. For additional reading, Patti s book covering contemporary uses of acrylic for F+W Publications is titled Rethinking
14 As Education Director for the Golden Artist Colors Certified Working Artist Program, Patti Brady has developed curriculum and taught acrylic classes for artists and art educators all over the world.
More informationHouse Wall Paint: two types of paints and a manufacturing process of latex paint
House Wall Paint: two types of paints and a manufacturing process of latex paint (image from www.bidsbypros.com) Table of Contents History and background knowledge of paint manufacturing... 2 Paint components...
More informationMetal Casting Dr. D. B. Karunakar Department of Mechanical and Industrial Engineering Indian Institute of Technology, Roorkee
Metal Casting Dr. D. B. Karunakar Department of Mechanical and Industrial Engineering Indian Institute of Technology, Roorkee Module - 02 Sand Casting Process Lecture 03 Moulding Sands and Design-II Welcome
More informationCUSTOMER SUPPORT SAMPLE PREPARATION GUIDE FOR PAINT AND COATINGS (DATACOLOR FORMULATION SOFTWARE)
CUSTOMER SUPPORT SAMPLE PREPARATION GUIDE FOR PAINT AND COATINGS (DATACOLOR FORMULATION SOFTWARE) I II III IV V VI Overview Glossary of Words and Terminology Materials to be brought to the User s Course
More informationTemperaprint. Preparing the Egg. By Alex Chater
Temperaprint By Alex Chater This guide will give you a basic introduction to the process in as simple, quick and low-tech way as possible. Temperaprint is best as a multi coat system of working. In essence,
More information# Chem 151 Lab Practical Final
# Chem 151 Lab Practical Final Pigments: Putting the color in paint. The Paleolithic hunters who painted the unsurpassed animal murals on the ceiling of the cave at Altamira had only rudimentary tools.
More informationThe Elements and Principles of Art. Lesson 1
The Elements and Principles of Art Lesson 1 The Elements of Art LINE A mark made on a surface that continues on a plane or through space. Jackson Pollock Action Painting Shape A line that is joined at
More informationPaper Chromatography
Paper Chromatography Summary Paper Chromatography is a method used to separate mixtures into their different parts. Paper chromatography has been most commonly used to separate pigments, dyes and inks.
More informationACTIVITY SUMMARY. Category- ( Eco, Arts and Crafts, Health) Eco and Crafts
ACTIVITY SUMMARY Name of Activity Category- ( Eco, Arts and Crafts, Health) Crystal Egg Geodes Eco and Crafts Short description of the proposed activity, including any unique factors about the activity.
More informationNatural Fibers & Dyes: Clothes Dyeing
Natural Fibers & Dyes: Clothes Dyeing Overview Your flower patch or vegetable garden is quite possibly a dyers garden in disguise. Dozens of common plants can be harvested and made into colorful dyes.
More informationA SIMPLE GUIDE TO GREAT LOOKING MODULAR TERRAIN By Dave Robotham
A SIMPLE GUIDE TO GREAT LOOKING MODULAR TERRAIN By Dave Robotham Like all wargamers we end up making lots of terrain. This usually ends up being for the magazine or for test games when we are trying out
More informationTOILET SOAP STARTER KIT PRODUCTION MANUAL SINGLE SPARK. Your business-in-a-box!
TOILET SOAP STARTER KIT PRODUCTION MANUAL SINGLE SPARK Your business-in-a-box! CHAPTER ONE EQUIPMENT Here is an overview of the potentially required equipment, including a short description. Soap kettle
More informationAPPLICATIONS, CHARACTERISTICS AND INFORMATION OF PEARL PIGMENTS
VOLUME 3 ISSUE 4 JULY 2013 APPLICATIONS, CHARACTERISTICS AND INFORMATION OF PEARL PIGMENTS Review - Pearl Pigments Pearl Pigments are very ine particle pigments in metallic, intererence, pearlescent, halo
More informationThe properties that are generally required in molding materials are:
Molding Sand Molding sands may be of two types namely natural or synthetic. Natural molding sands contain sufficient binder. Whereas synthetic molding sands are prepared artificially using basic sand molding
More informationAcrylic Paint. Tools, Tips and Techniques
Acrylic Paint Tools, Tips and Techniques Acrylic Paint Basics History Developed in the late 1940s, acrylic paint has only a brief history compared to other visual arts media, such as watercolor and oil.
More informationCUSTOMS TARIFF - SCHEDULE 32 - i
32 - i Chapter 32 TANNING OR DYEING EXTRACTS; TANNINS AND THEIR DERIVATIVES; DYES, PIGMENTS AND OTHER COLOURING MATTER; PAINTS AND VARNISHES; PUTTY AND OTHER MASTICS; INKS Notes. 1. This Chapter does not
More informationCOLORANTS FOR AUTOMOTIVE COATINGS
COLORANTS FOR AUTOMOTIVE COATINGS Narendra Upadhyay Asian PPG Industries 2/6/2009 Coating Process of Car Body Global Automotive Paint Driving Forces Higher Quality Appearance, Durability, Color Lower Cost
More informationPENNSYLVANIA ACADEMY OF THE FINE ARTS CONTINUING EDUCATION PROGRAMS
PENNSYLVANIA ACADEMY OF THE FINE ARTS CONTINUING EDUCATION PROGRAMS Course: IN 601ET: Egg Tempera Painting Instructor: Anthony Ciambella Days/Dates: 8 Weeks, Thursdays, October 5 November 30, 2017 (No
More informationHEADING DESCRIPTION OF GOODS RATE OF DUTY
32.01 Tanning extracts of vegetable origin; tannins and their salts, ethers, esters and other derivatives. 3201.10.00 Quebracho extract Free kg 3201.20.00 Wattle extract Free kg 3201.90.00 Other Free kg
More informationCH 112 Special Assignment #5 The Case of the Suspicious Painting
CH 112 Special Assignment #5 The Case of the Suspicious Painting PRE-LAB ASSIGNMENT: Make sure that you read this handout and bring the essentials to lab with you. You may find it helpful to read parts
More informationPaper Ink Preparation by Three Roll Mill
Paper Ink Preparation by Three Roll Mill 1. INTRODUCTION Printing of one form or another has been with us for centuries and whilst the technologies of both the printing process and the ink formulations
More informationMOLD INSTRUCTION MANUAL
Medi-RDT MOLD INSTRUCTION MANUAL Disclaimer: For use in prescription pharmacy compounding only, in accordance with applicable law. MEDISCA makes no warranty or representation regarding the use of this
More informationMOLD INSTRUCTION MANUAL
ProFiller RDT MOLD INSTRUCTION MANUAL Disclaimer: For use in prescription pharmacy compounding only, in accordance with applicable law. MEDISCA makes no warranty or representation regarding the use of
More informationMENDING OF FIBER BASED SILVER-GELATIN
Article: MENDING OF FIBER BASED SILVER-GELATIN PHOTOGRAPHS Author(s): Carolyn Long Topics in Photographic Preservation, Volume 3. Pages: 62-65 Compiler: Robin E. Siegel 1989, Photographic Materials Group
More informationBUREAU OF INDIAN STANDARDS. Draft Indian Standard HOT APPLIED THERMOPLASTIC ROAD MARKING MATERIAL
FOR BIS USE ONLY DOC:CHD 20 (1937)C December 2012 BUREAU OF INDIAN STANDARDS Draft Indian Standard HOT APPLIED THERMOPLASTIC ROAD MARKING MATERIAL (Not to be reproduced without the permission of BIS or
More informationDevelopment of Low Cost Conductive Ink for Kid Education Toy (KiEduInk)
The International Journal of Engineering and Science (IJES) Volume 6 Issue 10 Pages PP 07-11 2017 ISSN (e): 2319 1813 ISSN (p): 2319 1805 Development of Low Cost Conductive Ink for Kid Education Toy (KiEduInk)
More informationMaterials will be listed with each activity.
Overview: We Have Art Down To A Science Post Lab Activity Teacher Guide Grades K- 3 The students will work in teams to progress through three different stations which reinforce the concepts provided in
More informationLearn to dye. rainbow one pot yarn
Learn to dye rainbow one pot yarn Exploring colour with wool dyes Dyeing your own fibre is fun and easy to do. Ashford wool dyes allow you to create every colour of the rainbow time after time using simple
More informationBASIC MATERIALS FOR WATERCOLOR PAINTING
BASIC MATERIALS FOR WATERCOLOR PAINTING It takes a minimal number of items to paint in watercolor - paint, paper and brushes along with a palette which will hold the paint and provide an area to mix paint
More informationUnit Plan Properties of Matter & Studio Glass
Unit Plan Properties of Matter & Studio Glass Students will explore how art and science together can create innovation. In this mini-unit, students explore how synthetic materials come from raw materials
More informationPrimary Hue Color Wheels
Primary Hue Color Wheels You can make your own basic six color wheels using different combinations of your primary colors, and then mixing the secondaries from your choices. This will give you a quick
More informationLearn to dye. rainbow one pot dyeing fibre
Learn to dye rainbow one pot dyeing fibre Exploring colour with wool dyes Dyeing your own fibre is fun and easy to do. Ashford wool dyes allow you to create every colour of the rainbow time after time
More informationa WOW Lab Prep Instructions
Weather Station Prep Instructions Snowflakes The following items will be required for the prep of this activity: alum powder small plastic container hot water glass stir stick or plastic spoon tablespoon
More informationILLUSTRATION: Children s Book Illustration Goldman, Dara
ILLUSTRATION: Children s Book Illustration Goldman, Dara Supply List A story to illustrate: one you have written or a favorite old tale Paper 18 x 24 pad of white drawing paper Pencils A selection of pencils
More informationExperiment 6: Paper Chromatography
Experiment 6: Paper Chromatography In this experiment you will explore the technique of chromatography, a very important method for the separation and identification of substances. There are many different
More informationNovember 17, Mr. Jeffrey Fuller Fuller Fine Art Auctions 730 Carpenter Lane Philadelphia, PA Dear Mr. Lawrence:
November 17, 2010 Mr. Jeffrey Fuller Fuller Fine Art Auctions 730 Carpenter Lane Philadelphia, PA 19119 Dear Mr. Lawrence: This report summarizes the analysis of two paintings by victor Manuel. You asked
More informationPart B A FUN DAY OF COLOUR
Part B A FUN DAY OF COLOUR Jan Homden Consilium Education Activities for your day of colour I would divide the children in the class or year group into groups and during the day/morning each group could
More informationSpooky Sky. 14½ x 18½ placemat. Fabric requirements: 16 x x x 12. 1/4 yd (includes binding)
Copyright 2011 All Rights Reserved Spooky Sky 14½ x 18½ placemat If you choose to use machine embroidery appliqué, adjust your fabric amounts accordingly. All piecing seams are stitched at ¼ Fabric requirements:
More information2D MEDIA. A Brief Overview of Drawing and Painting
2D MEDIA A Brief Overview of Drawing and Painting DRAWING Bull from the Hall of Bulls, Lascaux Cave, France, ca. 15,000 13,000 BCE Drawing is the result of running a marking tool over a surface to leave
More informationCERAMICS VOCABULARY. FIRE - To bake in a kiln. Firing is a term used for cooking the clay.
CERAMICS VOCABULARY BAT - A slab or platform on which clay is handled; a circular device attached to the wheel-head. BISQUE - Unglazed clay, fired once at a low temperature. BISQUE FIRING - The process
More informationGuide to. an Optimum Recyclability. of Printed Graphic Paper
Guide to an Optimum Recyclability of Printed Graphic Paper Guide to an optimum recyclability of printed graphic paper 1. Introduction This paper deals with the recycling of recovered graphic paper, for
More information