ACRYLICS DEMONSTRATION
|
|
- Diana Lester
- 6 years ago
- Views:
Transcription
1 ACRYLICS DEMONSTRATION TABBY CAT LOOSE AND FAST By Jane Lazenby I shall be working quickly and loosely with Atelier Interactive acrylics. These paints give me the ability to change the dry surface of the paint, create multiple quick drying layers, and create a painterly finish. I have chosen a reference photograph of a young tabby cat, which will give me ample opportunity to really push my brushstrokes to be bold and to use heightened colour. I love the luscious colours in this photograph and the backlighting. The highlights give this young tabby cat a bright glow. I'm really drawn to the colours in the shadow over the neck and chest this will really give me a chance to use heightened colour and create a loose painterly surface. I am intending to complete this piece within one hour, forcing myself to be brief with the brush strokes and accurate in the colour mixing. Speed is a great gift to those wanting an Impressionistic or painterly feel to their work. Set yourself the challenge and I guarantee that you will be surprised with the results 1
2 Materials I have chosen to use Atelier Interactive acrylic paints: these will allow me to create bold colour layers and create a surface texture. For my palette, I always use a discarded old ceramic white plate. It s easy to clean and mix on, it won t stain, and gives me a clear view throughout my colour mixing. Two brushes: an old bristle round 8 and a softer pointed synthetic 4. The linen panel is 30 cm square, and is primed with a colourless layer of gesso so that the natural fabric colour is visible. Derwent white sketching pencil to draw in my structure. Colour palette: red black, burnt umber, burnt sienna, ultramarine blue (French), transparent Perione orange, crimson, Indian yellow, Naples yellow and titanium white. 2
3 The Initial Sketch I didn't start this painting with a classic sketch; initially I laid down a mixture of red black and white, trying to allow the main outline of the cat to evolve from the different tonal values. I'm working with the number 8 bristle, using a vigorous scrubbing motion - energy is key! This method also gives me a forgiving, absorbent base for the following layers of paint to adhere to. 3
4 Step 1: Addition of the White Pencil Sketch I create a simple, brief sketch using a soft white pencil over the now dry base colours, looking to map out elements of the main structure and the more obvious tonal changes. I add further dark tones using the red black to help to define my shapes. 4
5 Step 2: Highlights and First Colour Layers I start to add the obvious light areas and begin to create a colour base with the indian yellow / orange / white mix. I try to scrub in a veil of colour, rarely washing the brush so the paint remains as dry as possible. This is a very rapid stage, allowing the colours to mix together on the surface. I'm happy to allow glimpses of the purple base coat to peep through the colours, this all adds to the end looseness of the piece. 5
6 Step 3: Completing Base Colours The brush is rapidly blocking in the main colour changes: this process takes only a few minutes as the colours are scrubbed together on the painting surface. 6
7 Step 4: Adding Tonal Contrasts I now lay in the highlight colours and work further on the darks; I allow an accent colour (orange) to describe the warmer elements and work more into the shadow on the neck (a mix of orange / blue / white). 7
8 Step 5: Suggesting Detail I allow the brush to work into the blocks of colour, letting it dance to add dabs of paint that will create the effect of soft detail. Again, I reconfirm the lights and darks. The eye has been simply blocked in using a green and pale blue mix, the highlights are added and we are ready to move to the next stage 8
9 Step 6: Cooling things down Before the painting had only used colours with a 'warm' value, now I work into the colours with 'cool' shades adding blue and cool lilac around the eyes and chest. I find adding cool colours increases the depth. The light blue is acting as a highlight within the shadow on the cat's neck; again, the brush is lightly dancing over the surface. I feel that the background brush strokes seem a little harsh, so with a damp towel, I firmly rub some of the dried paint away to expose more of our lovely linen surface. Atelier Interactive will allow me to work in this way, something our standard acrylic will not do. 9
10 Step 7: Adjustments Whiskers are added, along with a soft feathered edge to the neck and chest. The ears are highlighted and we are now ready to contemplate the tones from a distance and complete any small corrections needed. I identify an area that I am not satisfied with; the colour is too dark under the cat's chin time to do a swift change! 10
11 The Finished Outcome You will notice that the shadow colours have changed below the cat's neck; I felt that the previous colour was too close to that of the linen surface, so added a quick dash of light blue and soft yellow to lift and lighten this area. Another quick addition of a few more whiskers and hair highlights into the ears and we are complete, all done in just under one hour! The speed with which I have created this painting has enabled me to leave loose brush marks and to suggest detail, rather than to state it. If you have a tendency to overwork a piece, make yourself paint to a tight time limit, you soon learn to speed up and leave out the extraneous detail. 11
12 About Jane Lazenby I am an established UK equestrian and animal artist based in Yorkshire. My work is concerned with the capture of light over form be it human, equine, canine or feline. I am primarily an acrylic artist, but I am confident using a wide variety of media. I first tried the Atelier Interactive acrylics in 2011, now they are my paint of choice! Thank you for joining me, I hope you find these techniques worthwhile and inspiring. See Jane Lazenby s full profile at: Find the following guides and more at Preserving Whites by Karl Fletcher Making Paper by James Wood North Devon Coast by Claire Francis Smith Dark Horse by Jane Lazenby 12
COLOURED PENCIL DEMONSTRATION
COLOURED PENCIL DEMONSTRATION Hare Today By Jane Lazenby In this step-by-step guide we re going to paint a hare in coloured pencil. As per usual with my coloured pencil demonstrations we re going to create
More informationACRYLICS DEMONSTRATION
ACRYLICS DEMONSTRATION PALETTE KNIFE STILL LIFE By Will Kemp In this lesson we re going to look at a still life floral arrangement, but we re going to practice loosening up with our acrylic painting, so
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel Supply List: Lesson 2: Adding Fluid Acrylics to Colored Pencil Strathmore 500 Series Mixed Media Board or Strathmore 400 Series Mixed Media Paper This
More informationPASTELS DEMONSTRATION
PASTELS DEMONSTRATION FLORAL STILL LIFE By Michael Howley In this guide I will be demonstrating how to develop a floral still life using blending and layering techniques. As you can see from the photograph,
More informationPASTELS DEMONSTRATION
PASTELS DEMONSTRATION Sky Painting By Michael Howley In this lesson I will be demonstrating how to develop a skyscape using blending, layering and scumbling techniques. Soft Pastels are a perfect choice
More informationHome for Spring. by Deb Antonick (Inspired by Terrye French)
Home for Spring by Deb Antonick (Inspired by Terrye French) Home for Spring By Deb Antonick (Inspired by Terrye French) Palette: DecoArt Americana Acrylics Baby Pink #13031 Blue Chiffon #13193 Boysenberry
More informationImpressionistic Gardens using Acrylics
Impressionistic Gardens using Acrylics There are some fabulous gardens in this country, many are open to the public and you can spend an enjoyable day taking photos or sketching, gathering reference for
More informationArtsy Painted Birds. Sign up for the free newsletter at
Artsy Painted Birds I love painting birds. I like to give them crazy colors and use loose, painterly brushstrokes. The fun-colored birdies make me happy! Don t fret if you can t draw a bird. You can trace!
More informationAfter Bouguereau: The Nut Gatherers.
After Bouguereau: www.kingslan.com painting@kingslan.com Surface Portrait grade 24 x 36 portrait grade canvas. Transfer Information Transfer the design to the surface with gray graphite. Palette Set up
More informationHappy Fall Pup. by Barb Halvorson
Happy Fall Pup by Barb Halvorson Happy Fall Pup By Barb Halvorson Oil paints have always been my preferred medium of choice and what I feel most proficient with. Recently, I started to design and paint
More informationAfter Bouguereau: Italian Girl
After Bouguereau: Italian Girl www.kingslan.com painting@kingslan.com Italian Girl at the Well Surface Portrait grade 22x28 portrait grade canvas. Transfer Information Transfer the design to the surface
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
SUPPLY LIST COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel Lesson 1: Introduction to Materials and Techniques Strathmore 500 Series Mixed Media Board or Strathmore 400 Series Mixed Media Paper Artist-grade
More informationPastel Pencil Skintones
Pastel pencils and portraiture go hand in hand; enabling the artist to achieve both detail and subtle blended effects. As a forgiving medium they allow you to take away or add colour and texture without
More informationCountry Mill by Barb Halvorson
Country Mill by Barb Halvorson Country Mill By Barb Halvorson Palette: DecoArt Americana Acrylics Black Forest #13083 Blue Haven #13553 Bright Orange #13228 Bright Yellow #13227 Brilliant Red #13145 Citron
More information1. Draw the scene with a 2B pencil. Mask the flowers and the boat with masking fluid and a masking fluid brush.
Venetian Doorway To keep this Venetian scene simple, I have chosen a squareon view so I do not have to worry about the perspective. This step-by-step demonstration offers an opportunity to create plenty
More informationMix Rich Blacks. with Acrylic Paint. Choose Color Combinations. Mix your own luscious black tones to create more depth and interest in your painting
Level: Beginner to Intermediate Flesch-Kincaid Grade Level: 9.87 Flesch-Kincaid Reading Ease: 62.74 Drawspace Curriculum 8.4.A6-6 Pages and 7 Illustrations Mix Rich Blacks with Acrylic Paint Mix your own
More informationJanuary Instructions Willem van Aelst Study 2008 David Jansen. For the Video Link, Please see Page 3
January Instructions Willem van Aelst Study 2008 David Jansen For the Video Link, Please see Page 3 Historical Information To start the painting we first need to establish the Ground. The ground is the
More informationWatercolour. Part 7 Make the Ordinary. Fast and Loose. transform any scene into a spectacular painting
Watercolour Fast and Loose Part 7 Make the Ordinary transform any scene into a spectacular painting No course covering the great impressionistic watercolourists of the 20 th century would be complete without
More informationOILS DEMONSTRATION. CÉZANNE STILL LIFE By Lucy Somers
OILS DEMONSTRATION CÉZANNE STILL LIFE By Lucy Somers In this lesson we will be painting a still life inspired by Cézanne and other Post-Impressionists, paying close attention to the way colour temperature
More informationHome for Summer. by Deb Antonick (Inspired by Terrye French)
Home for Summer by Deb Antonick (Inspired by Terrye French) Home for Summer By Deb Antonick (Inspired by Terrye French) Palette: DecoArt Americana Acrylics Baby Pink #13031 Blue Chiffon #13193 Boysenberry
More informationThe Difficult Lesson - After Bouguereau
The Difficult Lesson - After Bouguereau www.kingslan.com Kingslan painting@kingslan.com & Gibilisco Publications 2009 William Bouguereau - The Difficult Lesson Surface Portrait grade 18 x 24 portrait grade
More informationPainting Techniques: Ways of Painting
Techniques: Ways of There are so many ways of painting that no book can possibly do justice to them all. However there are certin basic techniques that every painter should master. Opaque Technique: The
More informationAfter Bouguereau: The Little Sulk II
After Bouguereau: The Little Sulk II www.kingslan.com painting@kingslan.com The Little Sulk II Surface Portrait grade 24 x 30 portrait grade canvas. Transfer Information Transfer the design to the surface
More informationOIL PAINTING GLOSSARY
OIL PAINTING GLOSSARY Alkyd (Pronounced: al-kid) An alkyd is a synthetic resin that can be added to oil paint to speed up the drying time of oil paints. You can buy an alkyd-based medium that you can mix
More informationKingslan & Gibilisco Studios: Violin Still Life on DVD
Kingslan & Gibilisco Studios: Violin Still Life on DVD Kingslan & Gibilisco Studio 920 S 107 Street Omaha NE 68114 painting@kingslan.com 402.397.0298 Preparation Prepare a 9 x 12 Masonite panel with DecoArt
More informationExtension material for Level 2 Design and Visual Communication Study Guide (page 33)
Graphic media Extension material for Level 2 Design and Visual Communication Study Guide (page 33) ISBN 978-1-927194-15-7 For individual student use only. No other use permitted. ESA Publications (NZ)
More informationHOW TO THINK LIKE AN IMPRESSIONIST PAINTER. The Six Stages of Painting
HOW TO THINK LIKE AN IMPRESSIONIST PAINTER The Six Stages of Painting MY HERITAGE ROBERT BRACKMAN September 25 1898 July 16 1980 Self Portrait Portrait of Jennie (for the movie) CHARLES AND ANNE MORROW
More informationHow to paint a misty landscape.
How to paint a misty landscape. There is something about misty landscapes that most people find appealing. Mist has a way of softening the landscape and creating a sense of mystery. What lies behind the
More informationPineapple & Posies. by Cindy Mann-Vitale
Pineapple & Posies by Cindy Mann-Vitale Pineapple & Posies By Cindy Mann-Vitale Palette: DecoArt Americana Acrylics Antique Green #13147 Antique Teal #13158 Avocado #13052 Avocado Dip #13248 Burnt Sienna
More informationAfter Bouguereau: The Bohemian
After Bouguereau: The Bohemian www.kingslan.com painting@kingslan.com The Bohemian Surface Portrait grade 20x24 portrait grade canvas. Transfer Information Transfer the design to the surface with gray
More informationAUTUMN DEER. by Barb Halvorson
AUTUMN DEER by Barb Halvorson EXCLUSIVE Autumn Deer by Barb Halvorson PALETTE DecoArt Americana Premium Tube Acrylics Burnt Sienna #14527 Burnt Umber #14526 Cadmium Orange Hue #14530 Cadmium Red Hue #14522
More informationAfter Bouguereau: The Knitter
After Bouguereau: The Knitter www.kingslan.com painting@kingslan.com The Knitter Surface Portrait grade 18 x 24 portrait grade canvas. Transfer Information Transfer the design to the surface with gray
More informationLesson Plan: Acrylic Painting Techniques Grades: 6 th -HS Art
Lesson Plan: Acrylic Painting Techniques Grades: 6 th -HS Art Supplies: Palette-Plastic plate or small tray 2 regular length paper towels 1 sheet of wax paper as long as the plate, scissors 1 spray bottle
More informationAn Easy Method for Mixing Acrylic Paint for Skin Tones
An Easy Method for Mixing Acrylic Paint for Skin Tones By using the simple method detailed in this tutorial, you'll learn how to mix skin tones using different ratios of the primary colors. This easy method
More informationHome for Fall. by Deb Antonick (Inspired by Terrye French)
Home for Fall by Deb Antonick (Inspired by Terrye French) Home for Fall By Deb Antonick (Inspired by Terrye French) Palette: DecoArt Americana Acrylics Antique Green #13147 Blue Chiffon13193 Burnt Sienna
More informationYellow Roses in Clear Vase By Priscilla Hauser
1 Yellow Roses in Clear Vase By Priscilla Hauser Surface: Canvas or surface of your choice FolkArt Artist Pigments: #918 Yellow Light #629 Red Light #973 Burnt Sienna #628 Pure Orange #649 Warm White #461
More informationWhite Rose & Calla Lilies. Kingslan & Gibilisco Studio
White Rose & Calla Lilies Kingslan & Gibilisco Studio Permission is granted to teach this project within a 100 mile radius of teacher s home studio. Written permission is required beyond this point. Page
More informationALMOST WINTER. by Barb Halvorson. artistsclub.com 1
ALMOST WINTER by Barb Halvorson EXCLUSIVE artistsclub.com 1 Almost Winter by Barb Halvorson PALETTE Americana Premium Tube Acrylics Burnt Sienna #14527 Burnt Umber #14526 Cadmium Orange Hue #14530 Carbon
More informationHCWS-Sponsored Workshop
Learning Objectives In this workshop, you will learn how to: Complete a painting using traditional watercolor methods, enhanced by water-soluble graphite and water-soluble crayons. Practice techniques
More informationFiona Peart
Penguins using Water Colour Washes The Lunch Queue 27cms x 35cms Introduction I received my first proper wooden paint box when I was 16, it contained 16 Winsor and Newton half pan Paints and I loved using
More informationThe Mill by Barb Halvorson
The Mill by Barb Halvorson The Mill By Barb Halvorson Palette: DecoArt Americana Acrylics Alizarin Crimson #13179 Black Forest Green #13083 Blue Violet #13141 Bright Yellow #13227 Brilliant Red #13145
More informationWinter by Deb Antonick (Inspired by Terrye French)
Winter by Deb Antonick (Inspired by Terrye French) Winter By Deb Antonick (Inspired by Terrye French) Palette: DecoArt Americana Acrylics Black Green #13157 Blue Chiffon #13193 Buttermilk #13003 Canyon
More informationCostume Rendering Tips and Tricks By: Billy Wilburn South Dakota State University
Costume Rendering Tips and Tricks By: Billy Wilburn South Dakota State University Tracing Paper -- Oh what a wonderful thing! Use tracing paper to make quick sketches. If you don t like it you can always
More informationPainting WatercolorPortraits Kathy Jurek
Painting WatercolorPortraits Kathy Jurek Thanks for joining me as I demonstrate the techniques I use to paint watercolor portraits. I ve been enthralled with the medium and painting watercolor portraits
More informationhomestead autumn by Barb Halvorson
homestead autumn by Barb Halvorson Homestead Autumn By Barb Halvorson Palette: DecoArt Americana Acrylics Alizarin Crimson #13179 Baby Blue #13042 Black Forest Green #13083 Bright Orange #13228 Bright
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel SUPPLY LIST Lesson 4: Using Pen and Ink with Colored Pencil Strathmore 400 Series Toned Mixed Media Paper This paper comes in 3 colors: gray, tan, and
More informationPOLAR BEAR. by Barb Halvorson
POLAR BEAR by Barb Halvorson EXCLUSIVE Polar Bear by Barb Halvorson PALETTE Buttermilk #13003 Traditional Burnt Umber #13221 Lamp (Ebony) Black #13067 Lavender #13034 Light Buttermilk #13164 Slate Grey
More informationHow to paint a Horse in Traditional Oil Paint
How to paint a Horse in Traditional Oil Paint www.montmarte.net Copyright of Mont Marte International Pty Ltd ACN 101589897 Materials List... The materials for this lesson can be found at a Gold or above
More informationThe Basics & Common Problems
1 Day 1 - Brush Techniques & Washes The Basics & Common Problems by Dawn Woleslagle Wet-on-Dry Watercolor 1. Load a brush with a color of your choice. 2. Paint directly on a dry panel of watercolor paper
More informationSummer Lilacs by Donna Hodson, CDA
Summer Lilacs by Donna Hodson, CDA Summer Lilacs By Donna Hodson, CDA Palette: DecoArt Americana Acrylics Antique Gold #13009 Cadmium Yellow #13010 Dioxazine Purple #13101 Hauser Dark Green #13133 Hauser
More informationDutch Old Master. with Urn
Dutch Old Master with Urn First Stage of all objects - paint all objects to this level before adding shines and shadows Dutch Old Master with Urn - Page 2 Dutch Old Master with Urn - Page 3 Dutch Old Master
More informationHow to Paint Koi with Premium Watercolour
How to Paint Koi with Premium Watercolour Materials List... The materials for this lesson can be found at a Gold or above Art Centre. Go to to find the one nearest to you. PMHS0053 Mont Marte Watercolour
More informationFocus, as you work, on getting many gradations of dark and light in your piece to guarantee something that is super interesting to the eyes.
Hello! My name is Effy Wild, and Kara has tasked me with creating a mixed media face with an emphasis on building a lot of value contrast through the use of lights and darks (and glazes) to create depth
More informationCobalt & Sunflower. by Kingslan & Gibilisco Studio
Cobalt & Sunflower by Kingslan & Gibilisco Studio Cobalt and Sunflower - Page 2 Preparation Surface: Available from Kingslan & Gibilisco at www.kingslan.com Cobalt and Sunflower With a fine pored roller
More informationHoney Brown Lamp Black. Silver Sage Green Soft Black. Antique Green Bittersweet. Brass Candlestick with Pussy Willows
À faire Page 1 Brass Candlestick with Pussy Willows While on a walk in New England last spring, I kept noticing how beautiful the pussy willows were in the sunshine. These fuzzy flowers inspired me to
More informationAfter Bouguereau: The Bretons
After Bouguereau: The Bretons www.kingslan.com painting@kingslan.com The Bretons Surface Portrait grade 24 x 36 portrait grade canvas. Transfer Information Transfer the design to the surface with gray
More informationStreaked Apples on Tissue Box Still Life
Streaked Apples on Tissue Box Still Life Kingslan & Gibilisco Publications 2012 Painting Challenge V Page 8 Preparation Streaked Apples With a fine pored roller brush, prepare the surface with 3 coats
More informationBy Jo Sonja Jansen MDA,VGM. Jo Sonja s Inc. Angel Sampler. I n clud e s. Copyright 2009 Jo Sonja Jansen. PO Box Eureka, CA 95501
By Jo Sonja Jansen MDA,VGM Angel Sampler T h i s P acke t I n clud e s - Complete Instructions Patterns 4 Color Images Copyright 2009 Jo Sonja Jansen Jo Sonja s Inc. Phone (707) 445-9306 Website - www.josonja.com
More informationRest at Harvest - After Bouguereau
www.kingslan.com painting@kingslan.com Rest at Harvest - After Bouguereau William Bouguereau eau - Rest at t Harvest Surface Portrait grade 24 x 36 portrait grade canvas Transfer Information Transfer the
More informationWater-colour painting techniques
INFORMATION SHEET Water-colour painting techniques Andrew Newland T E A C H I N G A R T & D E S I G N Sheeaun, Kilmaley, Ennis, Co. Clare, Ireland. These notes are copyright Andrew Newland Introduction
More informationTutorial Another Rainy Day
For this tutorial I wanted to take people through the process that I go through when painting buildings. In this tutorial I will be showing you how to paint A Rainy Day in four easy to follow steps...
More informationBasquiat Lesson. Welcome. Inspiration. I don't think about art when I'm working. I try to think about life. -Basquiat
Basquiat Lesson Welcome Inspiration I don't think about art when I'm working. I try to think about life. -Basquiat Hi Everyone! I m so glad we are on this journey of creative expression together. I love
More informationFig. 5 Add blue tints to the bunny s fur. Paint the bittersweet berries.
Deb Henkener Color Worksheet Fig. 1 Use masking fluid to preserve the berries and highlights. Paint the background with the dark blue colors of the palette. Fig. 2 Darken the background. Paint some blue
More informationMaking Bread Still Life
Making Bread Still Life by Kingslan & Gibilisco Studio Kingslan & Gibilisco 4670 Hickory Street Omaha NE 68106 402.397.0298 painting@kingslan.com www.kingslan.com Preparation Bread Box or 12x16 Masonite
More informationPaint Neat Edges. on Zebra Stripes. Draw a Symmetrical Zebra Face
Level: Intermediate Flesch-Kincaid Grade Level: 7.5 Flesch-Kincaid Reading Ease: 62.1 Drawspace Curriculum 8.2.A6-10 Pages and 33 Illustrations Paint Neat Edges on Zebra Stripes Outline the contours of
More informationAfter Waterhouse: Destiny
www.kingslan.com painting@kingslan.com After Waterhouse: Destiny After Waterhouse: Destiny Surface Portrait grade 18 x 24 portrait grade canvas. Transfer Information Transfer the design to the surface
More information8 Pages 10 Illustrations
NEWLY HATCHED DUCKLING Jeanette Jobson After hours of struggle, a tiny Pekin duckling breaks free of the shell that s been its home for 30 days and staggers into the world. Once the down starts to dry,
More informationRaindrops on a Lily - PART 1 From a photograph - By Matthew Palmer
Raindrops on a Lily - PART 1 From a photograph - By Matthew Palmer 1 Sketch 2 Masking Mask inside main petals as shown Background Using a number 10 brush mix Dark Green with Natural Blue and Aureolin Aureolin
More informationmaterials list: You can get all of these materials at a Gold or above art centre go to
How to paint the Milky way. materials list: You can get all of these materials at a Gold or above art centre go to /stockist cmmd1218 mont marte double thick canvas 121 x 182 cm mpn0097 mont marte white
More informationCentre of England Arts
Street Cafés & City Landscapes in Watercolour with Lea Nixon SATURDAY 3 rd MARCH 2018 40 Lea Nixon Lea comes from the town of Wigan and loves the history of his local town where he began as a school teacher
More informationCandlelight Angel. by Sandra Malone
Candlelight Angel by Sandra Malone Candlelight Angel By Sandra Malone Palette: Deco Art Americana Acrylics Alizarin Crimson #13179 Antique Gold #13009 Black Green #13157 Boysenberry Pink #13029 Burgundy
More informationWilliam Bouguereau s The Little Sulk
William Bouguereau s The Little Sulk Surface Portrait grade 24 x 36 portrait grade canvas Transfer Information Transfer the design to the surface with gray graphite. Palette Set up and mixing The original
More informationPrimary Hue Color Wheels
Primary Hue Color Wheels You can make your own basic six color wheels using different combinations of your primary colors, and then mixing the secondaries from your choices. This will give you a quick
More informationHow to paint a Tiger on a rock
How to paint a Tiger on a rock Materials List... The materials for this lesson can be found at a Gold or above Art Centre. Go to to find the one nearest to you. MCG0120 Mont Marte Taklon Filbert # 16 BMHS0033
More informationHow to paint a Rainbow Eucalyptus Tree with Acrylic paint
How to paint a Rainbow Eucalyptus Tree with Acrylic paint www.montmarte.net Copyright of Mont Marte International Pty Ltd ACN 101589897 Materials List... The materials for this lesson can be found at a
More informationLine, Tone, Form, Colour, Pattern, Composition, Mood, Media.
Writing about your work and the work of other artists is an important part of your GCSE. Use this guide to help you get used to the terminology. Don t be afraid to use your own thoughts and opinions. When
More informationHow to paint a Francoise Nielly inspired Portrait in H20 Oil Paints and Fluro Acrylics
How to paint a Francoise Nielly inspired Portrait in H20 Oil Paints and Fluro Acrylics Materials List... The materials for this lesson can be found at a Gold or above Art Centre. Go to to find the one
More informationCherry Hood Watercolour Painting Workshop Materials List + Photograph Instructions
Materials List So you can get the most benefit from attending one of Cherry s workshops you will need particular art materials. Please read this page carefully as the materials required are quite specific.
More informationbalance your intention with your intuition
d e m o n s t r a t i o n t h r e e balance your intention with your intuition After completing a few thumbnail pencil studies, you have a destination a clear intention. What actually takes place on the
More informationSealer, Primer, Isolation Coat, & Varnish
Sealer, Primer, Isolation Coat, & Varnish A seal can be applied between the substrate and gesso/primer, or between the substrate and the first layer of paint if gesso is not desired. A seal may also be
More informationSmile by Deb Antonick
Smile by Deb Antonick Smile By Deb Antonick Palette: DecoArt Americana Acrylics Black Green #13157 Black Plum #13172 Blue Chiffon #13193 Burnt Orange #13016 Burnt Sienna #13063 Country Red #13018 Evergreen
More informationA Winters Night. by Deb Antonick (Inspired by Terrye French)
A Winters Night by Deb Antonick (Inspired by Terrye French) A Winters Night By Deb Antonick (Inspired by Terrye French) Palette: DecoArt Americana Acrylics Blue Chiffon #13193 Burnt Sienna #13063 Buttermilk
More informationGarden Dreams by Sandra Malone
Garden Dreams by Sandra Malone Garden Dreams By Sandra Malone Palette: Deco Art Americana Acrylics: Antique Maroon #13160 Crimson Tide #13021 Deep Burgundy #13128 Espresso #13261 Flesh Tone #13078 Foliage
More informationFirst steps. I divided the bust into three parts for better painting; the head, the cap and the body of the model, which I glued on the wood base.
First steps I bought this model in 2011 when I was at a foreign competition. I hadn t painted busts by that time. I had always a respect to it. There is much skin colour on the face, everything is large
More informationColoured pencils are easy to work with step-by-step to avoid making mistakes. It is easy to correct mistakes once happen using an eraser.
Coloured pencil technique What makes this medium so special and supersedes pencil in drawing? Human beings eye adores both colour and light. Coloured pencils are portable and a good medium to start with
More informationTrunk Full of Flowers by Kingslan & Gibilisco Studio
Trunk Full of Flowers by Kingslan & Gibilisco Studio Conversion Chart Book Code Archival Winsor & Newton Genesis W Soft Titanium White Titanium White White Y Cadmium Yellow Mid Cadmium Yellow Pale Bismuth
More informationFiona Peart Detailed Hedgerow studies using watercolour.
Detailed Hedgerow studies using watercolour. Introduction As the summer moves towards autumn, but before the colours all change, is a wonderful time to find painting subjects in our hedgerows. There is
More informationJOY, PEACE AND HOPE. by Debby Forshey-Choma
JOY, PEACE AND HOPE by Debby Forshey-Choma EXCLUSIVE Joy, Peace And Hope by Debby Forshey-Choma PALETTE DecoArt Americana Acrylics Antique Maroon #13160 Black Green #13157 Cadmium Red #13015 Grey Sky #13111
More informationSHEEP MANTEL CLOCK. by Kerry Trout
SHEEP MANTEL CLOCK by Kerry Trout EXCLUSIVE Sheep Mantel Clock by Kerry Trout PALETTE DecoArt Americana Acrylics Antique Green #13147 Baby Blue #13042 Bleached Sand #13251 Blue Haze Light* Burnt Sienna
More informationHere is a list of the work to be done, further explanation follows:
Watercolor Exercises: Overview 1- COLOR WHEELS + STRIPES Using your full array of paints arrange your palette to create both a six unit, and then a twentyfour unit color wheel. Your goal is to use visual
More informationBlue & White Tea Cup in Trompe L oeil
Blue & White Tea Cup in Trompe L oeil by Kingslan & Gibilisco Studio Painting a Day Challenge XI - Page 34 Preparation 8 x 10 Masonite or Small Cabinet Blue & White Tea Cup in Trompe L oeil With a fine
More informationSNEAKING A PEEK. by Barb Halvorson
SNEAKING A PEEK by Barb Halvorson EXCLUSIVE Sneaking A Peek by Barb Halvorson PALETTE DecoArt Americana Acrylics Honey Brown #13163 Lamp Black #13067 Traditional Burnt Umber #13221 Ultramarine Blue #13225
More informationEgg Juggler. by Christy Hartman
Egg Juggler by Christy Hartman Egg Juggler By Christy Hartman I m sure that you often feel like you are a circus clown juggling all of your responsibilities, kid s activities, deadlines, all the demands
More informationAn Angel for Spring by Tracy Meola
An Angel for Spring by Tracy Meola An Angel for Spring By Tracy Meola Palette: DecoArt Americana Acrylic Paint Baby Pink #13031 Boysenberry #13029 Burnt Sienna #13063 Buttermilk #13003 Calypso Blue #13234
More informationBearly Grown Up by Barb Halvorsen
Bearly Grown Up by Barb Halvorsen Bearly Grown Up By Barb Halvorsen Note from Barb: Oil Paints have always been my preferred medium of choice and what I feel most proficient with. However, thanks to Artists
More informationHow to paint the Blue Mountains
How to paint the Blue Mountains What You Need CMMD6018 Mont Marte Double Thick Canvas 60 x 180 cms MCG0059 Mont Marte Palette Knife # 4 MAXX0007 Mont Marte Stainless Steel Brush Washer MCG0022 Mont Marte
More informationPremium Blue canvas. ITALIAN COTTON CANVAS medium grain (380gr), 100% cotton
www.ars.rs Painting program Premium Blue canvas ITALIAN COTTON CANVAS medium grain (380gr), 100% cotton Canvas for painting with universal primer, acrylic double primed. Stretched on wooden frame, sidestapled.
More informationSummer Day Teddy. DecoArt Paints. Dazzling Metallics Ice Blue, Splendid Gold Sharon Chinn Page 1. by Sharon Chinn
DecoArt Paints Traditions Artist Acrylics or Titanium White - DAT35 Carbon Black - DAT42 Dark Grey Value 3 - DAT41 Medium Grey Value 6 - DAT40 Burnt Umber - DAT46 Raw Sienna - DAT43 Yellow Oxide - DAT12
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
SUPPLY LIST COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel Lesson 3: Adding Watercolor to Colored Pencil Strathmore 500 Series Mixed Media Board or Strathmore 400 Series Mixed Media Paper I ll be working
More informationARTIST IN TRAINING. by Leslie Smith
ARTIST IN TRAINING by Leslie Smith EXCLUSIVE Artist In Training by Leslie Smith After all my years of practicing painting all my hard work and Lovey comes along and is a natural. She just jumps right in
More information