Ruptures and Continuities. Twentieth. Century. artistic language (techniques of representation) (art becomes. the 20th century dialectic:

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1 the 20th century dialectic: Twentieth Century Ruptures and Continuities artistic language (techniques of representation) (art becomes more abstract) versus: the image and its source (subject matter changes) Noriyuki Haraguchi: untitled, 2007 Kenneth Snelson: Triple Crown, 1991 Matisse: The Dance, 1909 Derain: Dance, 1906 Matisse: Joy of Life, 1905/6 Fauvism and Early Matisse Matisse: Harmony in Red, ImagePage 1 of 7

2 Picasso: Les Demoiselles d'avignon ' x 7'8" cubism, phase I: PIcasso, Ma Jolie, 1912, and Braque, The Portuguese, 1912 Picasso: Still Life with Chair Caning, 1912, oil paint, oil cloth, rope COLLAGE CUBISM Braque: Bottle, Newspaper, Pipe, and Glass, 1913 (pasted papers; charcoal) Picasso: Violin, 1912 Guitar (El Diluvio) 1913, papier colle Guitar, Sheet Music and Glass, 1912 Picasso: Guitar, 1912 CUBIST CONSTRUCTION ImagePage 2 of 7

3 the cubist influence Liubov Popova: Seated man, 1913 Italian Futurism Umberto Boccioni: Dynamism of a Soccer Player Sculptural modernism in the first quarter of the 20th century 1913 Boccioni: Unique Forms of Continuity in Space 1913, bronze, h. 44" Rodin: The Walking Man c.1900 Bronze 33 1/8 in. (84.1 cm) the fragment becomes the "whole" Brancusi: Male Torso, 1917, brass, 19" ht. Giacomo Balla: Young Girl Running on a Balcony 1912 Brancusi: Torso of a Girl, 1923, onyx, 13" ht. ImagePage 3 of 7

4 Archipenko: Woman Combing Her Hair 1915 Archipenko: Walking Woman bronze, 1912 Bronze 13 3/4 x 3 1/4 x 3 1/8" cubism influences sculpture Ernst Ludwig Kirchner: Street, Dresden, 1908 Oil on canvas, 59 1/4" x 6' 6 7/8" Ger. expressionism: The Bridge (Die Brucke) Giacometti: Man Crossing a Square on a Sunny Morning, 1950, Cast bronze, 16 in. the continued influence of Rodin plus existentialism developments toward complete abstraction (non-objective art): Kandinsky: Improvisation #9, 1910 Kandinsky the Blaue Reiter (Blue Rider) group of expressionists Lehmbruck: The Fallen Man 1915/1916, cast stone, 78x240x82cm. German expressionism and sculpture Kiki Smith: untitled (bodies), 1990 (wax and metal) Puppet, 2000 (paper, cloth and glass) Improvisation #28 (War), 1912 oil/can., 44 x 64" ImagePage 4 of 7

5 Composition VII, 1913, 78" x 118", oil on canvas The 0.10 Last Futurist Exhibition of Painting St. Petersburg, 1915 [Malevich and Russian Suprematism] Malevich: Supremus #56, 1916 Popova: Painterly Construction, 1920 two counter-reliefs by Tatlin, 1913 and 1916 Monument to the Third International, 1919 Vladimir Tatlin and the culture of materials: Russian constructivism and productivism in the 1920s Rodchenko: 2 works from a series of hanging constructions, 1921 ImagePage 5 of 7

6 Rodchenko: Worker's Club, Photograph of club exhibited at the Paris expo in 1925 El Lissitsky: For the Voice (poem by Vladimir Mayakovski), 1923 Guide for the All-Union Printing Trades Exhibition, 1927 Mondrian: Composition with Red, Blue and Yellow 1930, oil/canvas, 1'6 x 1'6 De Stijl Rodchenko: Pionerka 1930, gelatin-siver print, 19 x 15" Klutsis: First of May - Day of the International Proletarian Solidarity, litho., 1930 Duchamp: The Fountain 1917 Hannah Hoch: Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany photomontage, 3'9" x 2'11" Klutsis: early version of the "Activist must Study" (montage), late 1920s Popova: stage construction for the Magnanimous Cuckold, 1922 DADA the art of being irrational Jean (Hans) Arp: Concrete Relief, painted wood, 41.2 x 60.6 cm ImagePage 6 of 7

7 Schwitters: Merz 19, 1920 paper collage, 7 x 6 in. Max Beckmann: Night, , oil/canvas, 4'4 x 5' -- New Objectivity Le Jeu lugubre (The Lugubrious Game) Salvador Dali, 1929 Oil and collage on card, 44 x 30 cm Joan Miro: Head of a Woman, 1938 Picasso: Guernica, 1937, oil on canvas, 11'5" x 25'5" Surrealism automatism and dreams as the path to the unconscious key words: biomorphism and automatism Alexis Rockman: The Donkey, 1997 Envirotex, digitized photograph, oil paint, stainless steel crutch, bondage paraphernalia, barn siding, plants, straw, plastic plants, pleistocene on wood, 40 x 48 x 4 1/4 inches ImagePage 7 of 7

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