PAINTING ADKINS, GLENNA CHENAULT, BARBARA COLE, BERNARD COLLINS, DEREK COLLINS ART STUDIO DISNEY, ROGER. Booth 52. Booth 90. Booth 108.

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1 ADKINS, GLENNA Booth 52 The use of mixed media allows flexibility in her technique with each piece. Typically, a base color is laid on canvas or board with acrylic paint using a palette knife and soft pastel is blended in. Many layers of this combined media may be applied to achieve the desired effect. She works in a wide range of sizes and her paintings are uniquely presented through framing choices. CHENAULT, BARBARA Booth 90 My process as an artist is to create impressionistic paintings of landscapes, still life and animals drawing inspiration from places where I live and I have traveled I enjoy capturing the magic of light, color and atmosphere in my works. COLE, BERNARD Booth 108 My process will vary as fits the subject. COLLINS, DEREK COLLINS ART STUDIO Booth All palette knife. I am applying very thick paint often pure color and then blending on the canvas to get various. I then wait for it to dry then add additional layers. Scratching, scraping, dry knife, etc. DISNEY, ROGER Booth The dominant portion of my work consists of oil painting on stretched canvas applied entirely with palette knife. No additives or thinners are used in the paint mixing and application process and all work is done without the help of an assistant.

2 DYARMETT, CHRISTINE Booth 41 I explored various types of media trying to find one that provided the widest range of flexibility. Acrylics offered the versatility to best convey my style of loosely defined subject matter or emotion. My greatest satisfaction is when I immerse myself into the universe of creative expression without expectation. FIELY, DOUGLAS LEANING PINE GALLERY Booth 92 Subject matter taken from observation. Paintings are stylized to enhance composition within subject GAMBLE, CHRISTINA Booth 132 I enjoy using vibrant colors and the majority of my paintings are landscapes of actual places. My painting style is realism, however on occasion I have painted in a more impressionistic style giving color primacy over detail. GLOVER, JIM Booth Working from my own sketches and photos, I simplify and eliminate to arrive at a pleasing composition based on what I ve seen. Painting on panels or canvas, I use brushes, palette knives and fingers, attempting to recreate for the viewer the Wow! moment that inspired my painting. GREEN, KATHLEEN Booth 73 Still life using 4 to 5 layers of oils mixed with the medium liquin.

3 KONTORINA, MARINA STUDIO KONTORINA Booth 48 Transparent watercolor on paper MCCLAIN, PAUL THE PAINTER S ART Booth I work from on site life drawings,memory, and my photos. MILLER, MICHAEL MICHAEL MILLER FINE ART Booth 33 My love of art comes from my deep love of history, and my work explores early American themes through early American architecture. MOORE, NICOLE ART & SOUL Booth 152 I love creating bright and whimsical works of art incorporating strong watercolor pigments. I am greatly inspired by words and almost always start out a painting with a specific quote or saying mind. I also love to create movement in my work to keep the eye moving around the painting. NEVILLE, BRUCE Booth 49 Bruce s work reflects a direct approach showing creative energy with his loose style, fresh color mixes and free form drawing technique that give structural elements to his work.

4 NOVIKOV, KIRILL NOVIKOV ART Booth My process is based on movement of paint across the canvas creating a sense of movement in my subject matter PALMO, DUANE DUANE PALMO, ARTIST Booth 96 I paint from life and photos in an impressionistic style. RIPLEY, VIVIAN Booth 158 I work in watercolor, acrylic, and pastel. My inspiration comes from my natural surroundings whether I am in the studio or painting plein air. The work must be composed with a balance of light and shade and interpreted in expressive color. I am concerned that my original inspiration is evident. ROSS, CHELSTIN Booth 54 Using liberal amounts of pigment to encourage the paper to be completely saturated with color, often allowing the paint to make compositional decisions, creating spontaneous movements and formations. Inspired by color patterns found in nature and science, my paintings explore color relationships. SAMS, CINDY CANVASED FLOORS LLC Booth 75 Designs are both thought out and spontaneous using paints with and without glazes. Different tools & brushes are used to gain different effects.

5 VIEROW, JUDITH Booth My paintings use acrylic paint on Masonite or paper with an under coating of black gesso. The images revolve around hearth and home with a whimsical sense of humor. Chairs with legs, outlandish animals, color with a sense of fun- from a place I like to visit when I paint. ZIMMERMAN, BARBARA CLASSIC TOUCHES Booth 45 Subjects are done on canvas or watercolor board using water media and cut paper with layers of acrylic varnish.